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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | anatolant's 'bergman' clips</title><link>http://clipmarks.com/clipper/anatolant/tag/bergman/</link><feedUrl>http://rss.clipmarks.com/clipper/anatolant/tag/bergman/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Bergman</title><link>http://clipmarks.com/clipmark/3BC70035-2CB5-4B7C-AC9E-E90355775025/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  bergman 2008 -- &lt;a href="http://filmplus.org/mining" rel="nofollow" target="_blank"&gt;http://filmplus.org/mining&lt;/a&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD" title="http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD"&gt;www.ingmarbergman.se&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;"The individual has become the highest form and greatest bane of artistic creation." Read excerpts from Bergman's famous article&lt;/LAYER&gt; &lt;A href="http://www.ingmarbergman.se/services/link.asp?guid={79BCE6DA-EF42-444C-88E0-F91078D73976}"&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;The making of film&lt;/LAYER&gt;&lt;/A&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;, from 1954 but still valid today.&lt;/LAYER&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bergman/" rel="tag"&gt;bergman&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD</clipSource><pubDate>Tue, 16 Oct 2007 18:56:08 GMT</pubDate></item><item><title>Bio Peek : Ingmar Bergman</title><link>http://clipmarks.com/clipmark/CB3B4569-F8F7-4763-AC45-8F3864C925FC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/suryasunder/"&gt;suryasunder&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/" title="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/"&gt;newsblog.aol.in&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bergman stormed both the Academy Awards ceremonies and world's top film festivals with each of his films year after year. Three of his films won the Oscars for the Best Foreign Films - Virgin Spring in 1961, Through A Glass Darkly in 1962, and Fanny and Alexander in 1984. He was honoured with the Irving Thalberg Memorial Award by the Academy in 1971. But, ask any Film and Television Institute graduate and he would swear by the magic of Bergman in films like Summer with Monika (1953), Smiles of a Summer Night (1955), The Seventh Seal, Wild Strawberries (1957) Persona (1966), Cries and Whispers (1973), Autumn Sonata ( 1978). He directed a total of 62 films and 170 plays, giving world cinema actors like Liv Ullman, Max von Sydow. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bio/" rel="tag"&gt;bio&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/</clipSource><pubDate>Wed, 19 Sep 2007 17:53:27 GMT</pubDate></item><item><title>RIP: film director Michelangelo Antonioni</title><link>http://clipmarks.com/clipmark/DBAB3B8D-799F-45B0-9555-87FC6A3EFE84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  2 great directors on the same day &lt;img src="http://clipmarks.com/images/icons/smilies/sad.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html" title="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html"&gt;www.boingboing.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A _moz-rs-heading="" name="036536"&gt;RIP: film director Michelangelo Antonioni&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Mohir/512/2AA3FCB4-67B8-4244-A1D6-546FE6DC7A25.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A name="036536"&gt;The 94-year-old director died in Rome on the &lt;/A&gt;&lt;A href="http://www.boingboing.net/2007/07/30/rip_ingmar_bergman.html" linkindex="44"&gt;same day as Ingmar Bergman&lt;/A&gt;:

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;Tall, cerebral and resolutely serious, Mr. Antonioni harkens back to a time in the middle of the last century when cinema-going was an intellectual pursuit, when purposely opaque passages in famously difficult films spurred long nights of smoky argument at sidewalk cafes, and when fashionable directors like Mr. Antonioni, Alain Resnais and Jean-Luc Godard were chased down the Cannes waterfront by camera-wielding cineastes demanding to know what on earth they meant by their latest outrage.&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boingboing.net/2007/07/31/rip_film_director_mi.html</clipSource><pubDate>Wed, 01 Aug 2007 15:29:41 GMT</pubDate></item><item><title>Ingmar Bergman</title><link>http://clipmarks.com/clipmark/B38BF560-8041-42B8-A99F-EC7E5D2ED6D1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tayoulevy/"&gt;tayoulevy&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  what were you doing when you knew Bergman died? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="MsoNormal"&gt;&lt;BR /&gt;
&lt;IMG width="400" height="278" src="http://moviemasterworks.com/blog/wp-content/PostImages/seventhsealblog1.jpg" id="_x0000_i1025" /&gt;&lt;BR /&gt; &lt;BR /&gt;&lt;B&gt;&lt;SPAN&gt;&lt;A href="http://en.wikipedia.org/wiki/Ingmar_Bergman" linkindex="1"&gt;&lt;SPAN&gt;Ingmar&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.imdb.com/name/nm0000005/" linkindex="2"&gt;&lt;SPAN&gt;Bergman&lt;/SPAN&gt;&lt;/A&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;SPAN&gt;&lt;DIV&gt;&lt;A href="http://www.kirjasto.sci.fi/bergman.htm" linkindex="3"&gt;&lt;SPAN&gt;1918&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.bergmanorama.com/" linkindex="4"&gt;&lt;SPAN&gt;–&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.nytimes.com/aponline/world/AP-Obit-Bergman.html?_r=1&amp;hp&amp;oref=slogin"&gt;&lt;SPAN&gt;2007&lt;/SPAN&gt;&lt;/A&gt;&lt;/DIV&gt; &lt;BR /&gt; &lt;/SPAN&gt;&lt;SPAN&gt;&lt;O:P _moz-userdefined=""&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blogComment"&gt;
				&lt;A name="336692228349202683"&gt;&lt;/A&gt; 
				A great loss.&lt;BR /&gt;
				&lt;DIV class="byline"&gt;&lt;A title="permanent link" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" linkindex="10"&gt;#&lt;/A&gt; posted by &lt;A rel="nofollow" href="http://www.blogger.com/profile/07411056504894017518" linkindex="11"&gt;Editors&lt;/A&gt; : July 30, 2007 &lt;/DIV&gt;
				&lt;SPAN class="item-control blog-admin pid-2139461834"&gt;&lt;A title="Delete Comment" href="http://www.blogger.com/delete-comment.g?blogID=3738579&amp;postID=336692228349202683" linkindex="12"&gt;&lt;SPAN class="delete-comment-icon"&gt; &lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html</clipSource><pubDate>Mon, 30 Jul 2007 21:35:21 GMT</pubDate></item><item><title>Existentialism 1</title><link>http://clipmarks.com/clipmark/491D14EE-02F9-43BF-B898-F4D3F9A56790/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/apocatastasis/"&gt;apocatastasis&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://plato.stanford.edu/entries/existentialism/" title="http://plato.stanford.edu/entries/existentialism/"&gt;plato.stanford.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

Like "rationalism" and "empiricism," "existentialism" is a term that
belongs to intellectual history. Its definition is thus to some extent
one of historical convenience. The term was explicitly adopted as a
self-description by Jean-Paul Sartre, and through the wide
dissemination of the postwar literary and philosophical output of
Sartre and his associates — notably Simone de Beauvoir, Maurice
Merleau-Ponty, and Albert Camus — existentialism became
identified with a cultural movement that flourished in Europe in the
1940s and 1950s. Among the major philosophers identified as
existentialists (many of whom — for instance Camus and Heidegger
— repudiated the label) were Karl Jaspers, Martin Heidegger, and
Martin Buber in Germany, Jean Wahl and Gabriel Marcel in France, the
Spaniards José Ortega y Gasset and Miguel de Unamuno, and the
Russians Nicholai Berdyaev and Lev Shestov. The nineteenth century
philosophers, Soren Kierkegaard and Friedrich Nietzsche, came to be
seen as precursors of the movement. Existentialism was as much a
literary phenomenon as a philosophical one. Sartre's own ideas were and
are better known through his fictional works (such as &lt;EM&gt;Nausea&lt;/EM&gt;
and &lt;EM&gt;No Exit&lt;/EM&gt;) than through his more purely philosophical ones
(such as &lt;EM&gt;Being and Nothingness&lt;/EM&gt; and &lt;EM&gt;Critique of Dialectical
Reason)&lt;/EM&gt;, and the postwar years found a very diverse coterie of
writers and artists linked under the term: retrospectively, Dostoevsky,
Ibsen, and Kafka were conscripted; in Paris there were Jean Genet,
André Gide, André Malraux, and the expatriate Samuel
Beckett; the Norwegian Knut Hamsen and the Romanian Eugene Ionesco
belong to the club; artists such as Alberto Giacommeti and even
Abstract Expressionists such as Jackson Pollock, Arshile Gorky, and
Willem de Kooning, and filmmakers such as Jean-Luc Godard and Ingmar
Bergman were understood in existential terms. By the mid 1970s the
cultural image of existentialism had become a cliché, parodized
in countless books and films by Woody Allen.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://plato.stanford.edu/entries/existentialism/</clipSource><pubDate>Wed, 25 Oct 2006 17:16:19 GMT</pubDate></item></channel></rss>