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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | anatolant's clips</title><link>http://clipmarks.com/clipper/anatolant/</link><feedUrl>http://rss.clipmarks.com/clipper/anatolant/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>web-theatre daily</title><link>http://clipmarks.com/clipmark/4B8D1C11-F363-4A67-87EA-692786B7CDF1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  instead of political editorials from myspace.com/anatolant &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://biz.vtheatre.net/2008.html" title="http://biz.vtheatre.net/2008.html"&gt;biz.vtheatre.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Epic Mini-Theatre&lt;/B&gt; :
&lt;/P&gt;&lt;H2 align="center"&gt;Kremlin, D.C. &lt;I&gt;or&lt;/I&gt; Waiting for Godot 2.0&lt;/H2&gt;
&lt;I&gt;Secret prison, somewhere in deep Poland. Put.in and Bush, or a tree.&lt;/I&gt;
&lt;BLOCKQUOTE&gt;
BUSH: Vladimir! Stop it, please, please... 
&lt;P&gt;
PUT.IN: Look in my eyes! What do you see?
&lt;/P&gt;&lt;P&gt;
BUSH: Ehh, I see a friend... 
&lt;/P&gt;&lt;P align="center"&gt;
&lt;I&gt;PUTin hits him.&lt;/I&gt;
&lt;/P&gt;&lt;P&gt;
BUSH: I see... McCain... 
&lt;/P&gt;&lt;P align="center"&gt;
&lt;I&gt;another hit.&lt;/I&gt;
&lt;/P&gt;&lt;P&gt;
BUSH: Obama?
&lt;/P&gt;&lt;P align="center"&gt;
&lt;I&gt;More hits.&lt;/I&gt;
&lt;/P&gt;&lt;P&gt;
BUSH: I see... I see.. KGB?
&lt;/P&gt;&lt;P align="center"&gt;
&lt;I&gt;Long French kiss.&lt;/I&gt;
&lt;BR /&gt;
Title: How do you want your whisky?
&lt;/P&gt;&lt;P&gt;
The End.&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://biz.vtheatre.net/2008.html</clipSource><pubDate>Thu, 21 Aug 2008 15:48:40 GMT</pubDate></item><item><title>Solzhenitsyn's Death</title><link>http://clipmarks.com/clipmark/3C0BC4A4-B559-4541-8144-C5207D38965E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Russian or Slavic? Now, again, who will own the name of Solzhenitsyn? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/05/world/europe/05moscow.html?_r=1&amp;pagewanted=all&amp;oref=slogin" title="http://www.nytimes.com/2008/08/05/world/europe/05moscow.html?_r=1&amp;pagewanted=all&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;MOSCOW — What is the legacy of &lt;A title="More articles about Aleksandr Solzhenitsyn." href="http://topics.nytimes.com/top/reference/timestopics/people/s/aleksandr_solzhenitsyn/index.html?inline=nyt-per"&gt;Aleksandr Solzhenitsyn&lt;/A&gt;, and what is his relevance for Russians today? In the hours after Mr. Solzhenitsyn’s death, The New York Times posed this question to readers of its Russian-language blog on &lt;A target="_" href="http://livejournal.com"&gt;livejournal.com&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/08/05/world/europe/05moscow.html?_r=1&amp;pagewanted=all&amp;oref=slogin</clipSource><pubDate>Sun, 17 Aug 2008 14:13:48 GMT</pubDate></item><item><title>My 2008 Elections Politics</title><link>http://clipmarks.com/clipmark/532307FD-A74D-4003-BD90-F3FE01340D8D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Updates for Post-America -- how to read politics ? [ WebShowBiz ] &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#cccccc"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://american.vtheatre.net/semiopol.html" title="http://american.vtheatre.net/semiopol.html"&gt;american.vtheatre.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face=papyrus&gt;-- filmplus.org/politics/2008 + &lt;A 
href="http://afronord.tripod.com/politics/barak.html"&gt;barak&lt;/A&gt; : issue &amp;amp; 
topics : 
&lt;P&gt;What is in name? 
&lt;P&gt;What color is black? 
&lt;P&gt;America or USA 
&lt;P&gt;Century 21 and/or 3rd Millennium -- you choice 
&lt;P&gt;Globalisation meets "melting pot" 
&lt;P&gt;&lt;B&gt;United States of the World&lt;/B&gt;? 
&lt;P&gt;An American Citizen of the World -- a few problems &lt;/P&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://american.vtheatre.net/semiopol.html</clipSource><pubDate>Thu, 31 Jul 2008 11:08:47 GMT</pubDate></item><item><title>Barak against Obama</title><link>http://clipmarks.com/clipmark/DCDC0D71-59FB-4A79-B5F7-E36E98E5EC44/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Sounds like there is a compaign is going on with Barak Obama only running. I had to make two pages in filmplus.org/politics2008.html -- to compare Dem. candidate with himself.  &lt;br/&gt;This is postmodern politics...  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.factcheck.org/elections-2008/obamas_celebrity_cred.html" title="http://www.factcheck.org/elections-2008/obamas_celebrity_cred.html"&gt;www.factcheck.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
&lt;DIV class=article_subheader&gt;&lt;SPAN&gt;A new McCain ad calls Obama a celebrity 
(true) who says he'll raise taxes on electricity (false).&lt;/SPAN&gt;&lt;/DIV&gt;
&lt;DIV class=article_section_header&gt;&lt;SPAN&gt;Summary&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;A new McCain ad calls Obama a celebrity (true) who says he'll raise taxes on electricity (false).&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/obama/" rel="tag"&gt;obama&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/elections/" rel="tag"&gt;elections&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2008/" rel="tag"&gt;2008&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.factcheck.org/elections-2008/obamas_celebrity_cred.html</clipSource><pubDate>Thu, 31 Jul 2008 10:26:20 GMT</pubDate></item><item><title>Elections 08</title><link>http://clipmarks.com/clipmark/ACCAFC3F-BD03-437F-9D6F-E2EB98835F44/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Personal Politics" -- my libertarian stand on the USA Presidential race. "Private in Public" (Method Acting Formula) -- that is the motto! &lt;br/&gt;[ I have to examine Obama's ideas -- anatolant.blogspot.com ]&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://afronord.tripod.com/politics/2008.html" title="http://afronord.tripod.com/politics/2008.html"&gt;afronord.tripod.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
"The Change" -- &lt;A href="http://afronord.tripod.com/politics/2007.html"&gt;2007&lt;/A&gt; (Obama Phenomena) : America is not geography, but &lt;I&gt;state of mind&lt;/I&gt;. Americans are in china and Russia, not necessary in USA. [ from &lt;A href="http://afronord.tripod.com/amer/0.html"&gt;Post-America&lt;/A&gt; ] 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/american/" rel="tag"&gt;american&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/elections/" rel="tag"&gt;elections&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2008/" rel="tag"&gt;2008&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://afronord.tripod.com/politics/2008.html</clipSource><pubDate>Tue, 11 Mar 2008 12:59:33 GMT</pubDate></item><item><title>Elections ? </title><link>http://clipmarks.com/clipmark/2E711904-CB82-45EC-820C-6E5D0B89441C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://diary.vtheatre.net" rel="nofollow" target="_blank"&gt;http://diary.vtheatre.net&lt;/a&gt; -- Russian Diaries &amp;amp; Notes for filmplus.org/politics &lt;br/&gt;Something to think about... and write.&lt;br/&gt;Especially, for our elections in the Fall. &lt;br/&gt;antoly.org   web-politics (personal politics)&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://afronord.tripod.com/politics/ru.html" title="http://afronord.tripod.com/politics/ru.html"&gt;afronord.tripod.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
... 3.3.08 Medvedev-president. Do they understand that this day of "elections" was &lt;I&gt;The Day of Shame&lt;/I&gt; of New Russia? 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://afronord.tripod.com/politics/ru.html</clipSource><pubDate>Mon, 03 Mar 2008 17:10:56 GMT</pubDate></item><item><title>Disintegration of Love in Western Society</title><link>http://clipmarks.com/clipmark/75D544D2-4310-48F4-B1CC-7B81C76B5719/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.philosophicalsociety.com/Archives/Love%20&amp;%20Its%20Disintegration.htm" title="http://www.philosophicalsociety.com/Archives/Love%20&amp;%20Its%20Disintegration.htm"&gt;www.philosophicalsociety.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="2"&gt;Man's
        happiness today consists in 'having fun.' Having fun lies in the
        satisfaction of consuming and 'taking in' commodities, sights, food,
        drinks, cigarettes, people, lectures, books, movies -- all are consumed,
        swallowed. The world is one great object for our appetite, a big apple,
        a big bottle, a big breast; we are the sucklers, the eternally expectant
        ones, the hopeful ones -- and the eternally disappointed ones.&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="center"&gt;&lt;FONT size="2"&gt;--
        Erich Fromm, &lt;I&gt;&lt;B&gt;The Art of Loving&lt;/B&gt;&lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;
        &lt;P align="left"&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="4"&gt;"&lt;/FONT&gt;Our
        whole culture is based on the appetite for buying, on the idea of a
        mutually favorable exchange. Modern man's happiness consists in the
        thrill of looking at the shop windows, and in buying all that he can
        afford to buy, either for cash or on installments. He (or she) looks at
        people in a similar way. For the man an attractive girl -- and for the
        woman an attractive man -- are the prizes they are after. 'Attractive'
        usually means a nice package of qualities which are popular and sought
        after on the personality market.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fromm/" rel="tag"&gt;fromm&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/production-consumption+ccycle/" rel="tag"&gt;production-consumption ccycle&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cultural+values/" rel="tag"&gt;cultural values&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/self-other/" rel="tag"&gt;self-other&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.philosophicalsociety.com/Archives/Love%20&amp;%20Its%20Disintegration.htm</clipSource><pubDate>Sun, 18 Nov 2007 14:15:47 GMT</pubDate></item><item><title>Bergman</title><link>http://clipmarks.com/clipmark/3BC70035-2CB5-4B7C-AC9E-E90355775025/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  bergman 2008 -- &lt;a href="http://filmplus.org/mining" rel="nofollow" target="_blank"&gt;http://filmplus.org/mining&lt;/a&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD" title="http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD"&gt;www.ingmarbergman.se&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;"The individual has become the highest form and greatest bane of artistic creation." Read excerpts from Bergman's famous article&lt;/LAYER&gt; &lt;A href="http://www.ingmarbergman.se/services/link.asp?guid={79BCE6DA-EF42-444C-88E0-F91078D73976}"&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;The making of film&lt;/LAYER&gt;&lt;/A&gt;&lt;LAYER name="" class="DIIGO-POWER" mode="" owner="" __old__title="" title=""&gt;, from 1954 but still valid today.&lt;/LAYER&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bergman/" rel="tag"&gt;bergman&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ingmarbergman.se/work.asp?guid=22309B5D-F08D-49DC-BD84-4197C908DFFD</clipSource><pubDate>Tue, 16 Oct 2007 18:56:08 GMT</pubDate></item><item><title>French Mime Marcel Marceau has passed away</title><link>http://clipmarks.com/clipmark/CE7E351A-4951-433D-9EB3-175081FF82F2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wiccantexan/"&gt;wiccantexan&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cbsnews.com/stories/2007/09/23/entertainment/main3289048.shtml" title="http://www.cbsnews.com/stories/2007/09/23/entertainment/main3289048.shtml"&gt;www.cbsnews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wiccantexan/512/52F0F41E-2F01-4C07-BC8F-8B25E12B32E6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;B&gt;(AP) &lt;/B&gt;Marcel Marceau, who revived the art of mime and brought poetry to silence, has died, French media reported Sunday. He was 84.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Wearing white face paint, soft shoes and a battered hat topped with a red flower, the world-famous Marceau played the entire range of human emotions onstage for more than 50 years, never uttering a word. Offstage, he was famously chatty. "Never get a mime talking. He won't stop," he once said.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A French Jew, Marceau survived the Holocaust - and also worked with the French Resistance to protect Jewish children.
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;His biggest inspiration was Charlie Chaplin. Marceau, in turn, inspired countless young performers - Michael Jackson borrowed his famous "moonwalk" from a Marceau sketch, "Walking Against the Wind."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/entertainment/" rel="tag"&gt;entertainment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mime/" rel="tag"&gt;mime&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stage/" rel="tag"&gt;stage&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/french/" rel="tag"&gt;french&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/emotion/" rel="tag"&gt;emotion&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cbsnews.com/stories/2007/09/23/entertainment/main3289048.shtml</clipSource><pubDate>Mon, 24 Sep 2007 04:30:29 GMT</pubDate></item><item><title>Bio Peek : Ingmar Bergman</title><link>http://clipmarks.com/clipmark/CB3B4569-F8F7-4763-AC45-8F3864C925FC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/suryasunder/"&gt;suryasunder&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/" title="http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/"&gt;newsblog.aol.in&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bergman stormed both the Academy Awards ceremonies and world's top film festivals with each of his films year after year. Three of his films won the Oscars for the Best Foreign Films - Virgin Spring in 1961, Through A Glass Darkly in 1962, and Fanny and Alexander in 1984. He was honoured with the Irving Thalberg Memorial Award by the Academy in 1971. But, ask any Film and Television Institute graduate and he would swear by the magic of Bergman in films like Summer with Monika (1953), Smiles of a Summer Night (1955), The Seventh Seal, Wild Strawberries (1957) Persona (1966), Cries and Whispers (1973), Autumn Sonata ( 1978). He directed a total of 62 films and 170 plays, giving world cinema actors like Liv Ullman, Max von Sydow. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bio/" rel="tag"&gt;bio&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://newsblog.aol.in/2007/08/04/in-memoriam-ingmar-bergman-michelangelo-antonioni/</clipSource><pubDate>Wed, 19 Sep 2007 17:53:27 GMT</pubDate></item><item><title>RIP: film director Michelangelo Antonioni</title><link>http://clipmarks.com/clipmark/DBAB3B8D-799F-45B0-9555-87FC6A3EFE84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  2 great directors on the same day &lt;img src="http://clipmarks.com/images/icons/smilies/sad.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html" title="http://www.boingboing.net/2007/07/31/rip_film_director_mi.html"&gt;www.boingboing.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A _moz-rs-heading="" name="036536"&gt;RIP: film director Michelangelo Antonioni&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/2AA3FCB4-67B8-4244-A1D6-546FE6DC7A25.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A name="036536"&gt;The 94-year-old director died in Rome on the &lt;/A&gt;&lt;A href="http://www.boingboing.net/2007/07/30/rip_ingmar_bergman.html" linkindex="44"&gt;same day as Ingmar Bergman&lt;/A&gt;:

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;Tall, cerebral and resolutely serious, Mr. Antonioni harkens back to a time in the middle of the last century when cinema-going was an intellectual pursuit, when purposely opaque passages in famously difficult films spurred long nights of smoky argument at sidewalk cafes, and when fashionable directors like Mr. Antonioni, Alain Resnais and Jean-Luc Godard were chased down the Cannes waterfront by camera-wielding cineastes demanding to know what on earth they meant by their latest outrage.&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boingboing.net/2007/07/31/rip_film_director_mi.html</clipSource><pubDate>Wed, 01 Aug 2007 15:29:41 GMT</pubDate></item><item><title>Ingmar Bergman</title><link>http://clipmarks.com/clipmark/B38BF560-8041-42B8-A99F-EC7E5D2ED6D1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tayoulevy/"&gt;tayoulevy&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  what were you doing when you knew Bergman died? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="MsoNormal"&gt;&lt;BR /&gt;
&lt;IMG width="400" height="278" src="http://moviemasterworks.com/blog/wp-content/PostImages/seventhsealblog1.jpg" id="_x0000_i1025" /&gt;&lt;BR /&gt; &lt;BR /&gt;&lt;B&gt;&lt;SPAN&gt;&lt;A href="http://en.wikipedia.org/wiki/Ingmar_Bergman" linkindex="1"&gt;&lt;SPAN&gt;Ingmar&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.imdb.com/name/nm0000005/" linkindex="2"&gt;&lt;SPAN&gt;Bergman&lt;/SPAN&gt;&lt;/A&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;/B&gt;&lt;SPAN&gt;&lt;BR /&gt;
&lt;/SPAN&gt;&lt;SPAN&gt;&lt;DIV&gt;&lt;A href="http://www.kirjasto.sci.fi/bergman.htm" linkindex="3"&gt;&lt;SPAN&gt;1918&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.bergmanorama.com/" linkindex="4"&gt;&lt;SPAN&gt;–&lt;/SPAN&gt;&lt;/A&gt; &lt;A href="http://www.nytimes.com/aponline/world/AP-Obit-Bergman.html?_r=1&amp;hp&amp;oref=slogin"&gt;&lt;SPAN&gt;2007&lt;/SPAN&gt;&lt;/A&gt;&lt;/DIV&gt; &lt;BR /&gt; &lt;/SPAN&gt;&lt;SPAN&gt;&lt;O:P _moz-userdefined=""&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" title="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683"&gt;ronsilliman.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blogComment"&gt;
				&lt;A name="336692228349202683"&gt;&lt;/A&gt; 
				A great loss.&lt;BR /&gt;
				&lt;DIV class="byline"&gt;&lt;A title="permanent link" href="http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html#336692228349202683" linkindex="10"&gt;#&lt;/A&gt; posted by &lt;A rel="nofollow" href="http://www.blogger.com/profile/07411056504894017518" linkindex="11"&gt;Editors&lt;/A&gt; : July 30, 2007 &lt;/DIV&gt;
				&lt;SPAN class="item-control blog-admin pid-2139461834"&gt;&lt;A title="Delete Comment" href="http://www.blogger.com/delete-comment.g?blogID=3738579&amp;postID=336692228349202683" linkindex="12"&gt;&lt;SPAN class="delete-comment-icon"&gt; &lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://ronsilliman.blogspot.com/2007/07/ingmar-bergman-1918-2007.html</clipSource><pubDate>Mon, 30 Jul 2007 21:35:21 GMT</pubDate></item><item><title>Rastafarianism: Essence of Reggae</title><link>http://clipmarks.com/clipmark/B5402D46-CA73-4902-A1D7-ADDFF847948E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/invictus/"&gt;invictus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Re-clipping my old stuff as promised. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://religiousmovements.lib.virginia.edu/nrms/rast.html" title="http://religiousmovements.lib.virginia.edu/nrms/rast.html"&gt;religiousmovements.lib.virginia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#990000"&gt;Rastafarianism &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The original Rastas drew their inspiration from the philosphies of &lt;A target?_blank?="" href="http://www.isop.ucla.edu/mgpp/"&gt;Marcus Mosiah Garvey 
      &lt;/A&gt;(1887-1940), who promoted the Universal Negro Improvement Association 
      (UNIA) in the 1920s. The organization's main goal was to unite black people 
      with their rightful homeland, Africa. Garvey believed that all black people 
      in the western world should return to Africa since they were all descended 
      from Africans. He preached that the European colonizers, having fragmented 
      the African continent, unfairly spread the African population throughout 
      the world.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;After spending nearly a decade in the United States 
      and Great Britain, Garvey returned to &lt;A target?_blank?="" href="http://www.jamaicans.com/"&gt;Jamaica&lt;/A&gt; in 1927, where 
      he spread his political views among the black working class.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 1930, Prince Ras Tafari Makonnen was crowned the new Emperor of Ethiopia.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This announcement 
      was a monumental event that many blacks in Africa and the Americas saw as 
      the fulfillment of Garvey's prophecy years before.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rastafarianism/" rel="tag"&gt;rastafarianism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reggae/" rel="tag"&gt;reggae&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/africa/" rel="tag"&gt;africa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ethiopia/" rel="tag"&gt;ethiopia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jamaica/" rel="tag"&gt;jamaica&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://religiousmovements.lib.virginia.edu/nrms/rast.html</clipSource><pubDate>Thu, 19 Jul 2007 12:55:15 GMT</pubDate></item><item><title>Electronic Diaspora for Virtual Ethiopia</title><link>http://clipmarks.com/clipmark/2F509918-C06F-48DD-A766-07F965AA0153/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/anatolant/"&gt;anatolant&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  clips for &lt;a href="http://ethio.wetpaint.com" rel="nofollow" target="_blank"&gt;http://ethio.wetpaint.com&lt;/a&gt;&lt;br/&gt;new web-place to move sellassie www pages to web 2.0  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://jyte.com/cl/electronic-diaspora-for-virtual-ethiopia" title="http://jyte.com/cl/electronic-diaspora-for-virtual-ethiopia"&gt;jyte.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="supporting_material"&gt;
        &lt;P&gt;Ethiopia Millennium Project : 2007-2008 
&lt;BR /&gt;&lt;A href="http:"&gt;beta.sellassie.net/web&lt;/A&gt; &lt;/P&gt;

&lt;P&gt;&lt;B&gt;Virtual Ethiopians, unite!&lt;/B&gt; &lt;/P&gt;

&lt;P&gt;&lt;A href="http:"&gt;sellassie.net&lt;/A&gt;
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