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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/sort/newest-clips/filter/added/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/sort/newest-clips/filter/added/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Introduction to Ancient Greek History</title><link>http://clipmarks.com/clipmark/835EBE66-172C-45A9-839A-674D40283775/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/" title="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/"&gt;oyc.yale.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="courseHeader1"&gt;&lt;STRONG&gt;Introduction to Ancient Greek History&lt;/STRONG&gt; with Professor Donald Kagan&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD rowspan="2" id="portal-column-one"&gt;
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  &lt;DT class="portletHeader"&gt;
    &lt;SPAN&gt;Course Contents&lt;/SPAN&gt;
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    &lt;DD class="portletItem"&gt;
      
      &lt;A title="Introduction to Ancient Greek History" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history"&gt;Introduction to Ancient Greek History &lt;/A&gt;
    &lt;/DD&gt;

  
  

    &lt;DD class="portletItem"&gt;
      
      &lt;A title="Syllabus" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/content/syllabus.html"&gt;Syllabus &lt;/A&gt;
    &lt;/DD&gt;

  
  

    &lt;DD class="portletItem"&gt;
      
      &lt;A title="Class sessions" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/content/sessions.html"&gt;Class sessions &lt;/A&gt;
    &lt;/DD&gt;

  
  

    &lt;DD class="portletItem"&gt;
      
      &lt;A title="Downloads" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/content/downloads.html"&gt;Downloads &lt;/A&gt;
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      &lt;A title="Survey" href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/content/survey"&gt;Survey &lt;/A&gt;
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                &lt;DIV id="yaleShield"&gt;&lt;A target="_blank" href="http://www.yale.edu"&gt;&lt;IMG src="http://oyc.yale.edu/yale/portal_skins/custom/yale_shield_blue.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;
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            &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;About the Course&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This is an introductory course in Greek history tracing the development of Greek civilization as manifested in political, intellectual, and creative achievements from the Bronze Age to the end of the classical period. Students read original sources in translation as well as the works of modern scholars. &lt;A href="http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/content/sessions.html"&gt; view class sessions &amp;gt;&amp;gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This Yale College course, taught on campus twice per week for 75 minutes, was recorded for Open Yale Courses in Fall 2007.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://oyc.yale.edu/classics/introduction-to-ancient-greek-history/</clipSource><pubDate>Thu, 01 Oct 2009 14:31:14 GMT</pubDate></item><item><title>Ralph Waldo Emerson quote &amp; image</title><link>http://clipmarks.com/clipmark/CFE79B5A-6934-4ACA-A8B8-41E1640655BB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://static1.unlike.net/system/photos/0033/9576/blackcat.jpg" title="http://static1.unlike.net/system/photos/0033/9576/blackcat.jpg"&gt;static1.unlike.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://static1.unlike.net/system/photos/0033/9576/blackcat.jpg" alt="http://static1.unlike.net/system/photos/0033/9576/blackcat.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archive.org/stream/heartofemersonsj008022mbp/heartofemersonsj008022mbp_djvu.txt" title="http://www.archive.org/stream/heartofemersonsj008022mbp/heartofemersonsj008022mbp_djvu.txt"&gt;www.archive.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Truth; Realism. Are you not scared by seeing that the 
Gypsies are more attractive to us than the Apostles? For 
though we love goodness and not stealing, yet also we love 
freedom and not preaching. 

&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;THE HEART OF 

EMERSON'S JOURNALS 

&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://filsduvent.oldiblog.com/sites/images/photos/116/photo_1164538.jpg" title="http://filsduvent.oldiblog.com/sites/images/photos/116/photo_1164538.jpg"&gt;filsduvent.oldiblog.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://filsduvent.oldiblog.com/sites/images/photos/116/photo_1164538.jpg" alt="http://filsduvent.oldiblog.com/sites/images/photos/116/photo_1164538.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://domterrace.com/Photos/Gypsy.jpg" title="http://domterrace.com/Photos/Gypsy.jpg"&gt;domterrace.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://domterrace.com/Photos/Gypsy.jpg" alt="http://domterrace.com/Photos/Gypsy.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMghd5KweI/AAAAAAAAFG0/1sMZOlfBhDM/s1600-h/lucien+clergue+les+gitans.jpg" title="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMghd5KweI/AAAAAAAAFG0/1sMZOlfBhDM/s1600-h/lucien+clergue+les+gitans.jpg"&gt;1.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG border="0" alt="[lucien+clergue+les+gitans.jpg]" src="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMghd5KweI/AAAAAAAAFG0/1sMZOlfBhDM/s1600/lucien%2Bclergue%2Bles%2Bgitans.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMgbMUaLII/AAAAAAAAFGU/PBoJ8xRXkWk/s1600-h/lucien+clergue+les+gitans3.jpg" title="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMgbMUaLII/AAAAAAAAFGU/PBoJ8xRXkWk/s1600-h/lucien+clergue+les+gitans3.jpg"&gt;4.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG border="0" alt="[lucien+clergue+les+gitans3.jpg]" src="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMgbMUaLII/AAAAAAAAFGU/PBoJ8xRXkWk/s1600/lucien%2Bclergue%2Bles%2Bgitans3.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMga3Sfn9I/AAAAAAAAFGM/xiXBi-lUloY/s1600-h/lucien+clergue+les+gitans4.jpg" title="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMga3Sfn9I/AAAAAAAAFGM/xiXBi-lUloY/s1600-h/lucien+clergue+les+gitans4.jpg"&gt;4.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG border="0" alt="[lucien+clergue+les+gitans4.jpg]" src="http://4.bp.blogspot.com/_MmRVVROy-Jo/SmMga3Sfn9I/AAAAAAAAFGM/xiXBi-lUloY/s1600/lucien%2Bclergue%2Bles%2Bgitans4.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMgGT02pvI/AAAAAAAAFFs/IkFiAWxiPkg/s1600-h/lucien+clergue+les+gitans9.jpg" title="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMgGT02pvI/AAAAAAAAFFs/IkFiAWxiPkg/s1600-h/lucien+clergue+les+gitans9.jpg"&gt;1.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG border="0" alt="[lucien+clergue+les+gitans9.jpg]" src="http://1.bp.blogspot.com/_MmRVVROy-Jo/SmMgGT02pvI/AAAAAAAAFFs/IkFiAWxiPkg/s1600/lucien%2Bclergue%2Bles%2Bgitans9.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://images-0.redbubble.net/img/art/size:large/view:main/369254-13-gypsy-eyes.jpg" title="http://images-0.redbubble.net/img/art/size:large/view:main/369254-13-gypsy-eyes.jpg"&gt;images-0.redbubble.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://images-0.redbubble.net/img/art/size:large/view:main/369254-13-gypsy-eyes.jpg" alt="http://images-0.redbubble.net/img/art/size:large/view:main/369254-13-gypsy-eyes.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://img.zphoto.fr/data/photo/06/76/416694.jpg" title="http://img.zphoto.fr/data/photo/06/76/416694.jpg"&gt;img.zphoto.fr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://img.zphoto.fr/data/photo/06/76/416694.jpg" alt="http://img.zphoto.fr/data/photo/06/76/416694.jpg" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=1cyBXPMurJY" title="http://www.youtube.com/watch?v=1cyBXPMurJY"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://static1.unlike.net/system/photos/0033/9576/blackcat.jpg</clipSource><pubDate>Tue, 29 Sep 2009 02:15:48 GMT</pubDate></item><item><title>Artforms of Nature </title><link>http://clipmarks.com/clipmark/D9FFD0B6-2558-427D-8374-21AE7610A674/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The nineteen century German biologist Ernst Haeckel is famous for his fantastically illustrated book Artforms of Nature. The copyright for this book from 1904 has now expired and thanks to Wikimedia Commons it is available for everyone to appreciate.&lt;br/&gt;&lt;br/&gt;--------------------------------------------------------------------------------&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.subblue.com/blog/2009/7/18/artforms_of_nature" title="http://www.subblue.com/blog/2009/7/18/artforms_of_nature"&gt;www.subblue.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Artforms of Nature&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/BBE4B641-36FC-45F1-8A62-07D6D148AF0D.jpg" alt="Haeckel Ascomycetes 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 aria-level="0" aria-posinset="0" aria-setsize="0"&gt;The nineteen century German biologist Ernst Haeckel is famous for his fantastically illustrated book &lt;A aria-level="0" title="External link." aria-posinset="0" aria-setsize="0" href="http://commons.wikimedia.org/wiki/Kunstformen_der_Natur" jQuery1254121422640="13"&gt;Artforms of Nature&lt;/A&gt;. The copyright for this book from 1904 has now expired and thanks to Wikimedia Commons it is available for everyone to appreciate.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Haekel's artistic interpretation of the biological forms he studied have a clarity of symmetry and detail that has been a source of inspiration for many artists and engineers over the years. They provide the perfect subject matter for the &lt;A aria-level="0" title="Fractal Explorer" aria-posinset="0" aria-setsize="0" href="http://www.subblue.com/projects/fractal_explorer"&gt;Fractal Explorer&lt;/A&gt; plugin.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/EF4220B7-4A20-44BE-8061-5B7A1A2677DD.jpg" alt="Astrophyton darwinium 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/FB8298CC-E9C2-4A1C-B529-3C7B79DDCCFC.jpg" alt="Astrophyton darwinium 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/9AC1F0C4-000E-43D9-9624-00F51442BAF6.jpg" alt="Astrophyton darwinium 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/F6537531-B4FE-4303-AFC6-0AF8B690D637.jpg" alt="Haeckel Astrophyton darwini" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/1C5A3104-5004-4F05-938E-476C0F18E43D.jpg" alt="Ensifera ensifera" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/9FCB0B53-546D-43F9-8C38-66C6CEE8C7CC.jpg" alt="Haeckel Ascomycetes 5" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/B2EA5B88-665E-4ADA-810C-DB69AFB16DE1.jpg" alt="Haeckel Ascomycetes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/6A1BE145-B43F-471A-A8E9-6AD409A4E871.jpg" alt="Haeckel Ascomycetes 4" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/7D0A1393-3DE6-4EDD-94B2-6C306BA7C186.jpg" alt="Haeckel Ascomycetes 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/C35156B6-658C-4EF9-A529-4DBA9B030FA2.jpg" alt="Asteridea" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/61517566-C595-44B9-BCC0-DDBF9341F623.jpg" alt="Asteridea" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/88AD0450-444D-40D0-9182-72FA1C59F46C.jpg" alt="Eurypterid" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/7C88EA31-2A95-46F2-A588-467C2A880606.jpg" alt="Aspidonia" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/0DE54B09-9ABB-407B-8C8E-941ED910A238.jpg" alt="Aspidonia" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/3C7D36C3-A532-453D-9715-F79177C8FDCC.jpg" alt="Thalamphora" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/A0545A3E-1055-4026-8BD2-0725FE5DFAF6.jpg" alt="Thalamphora" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/42B3598D-D6F5-4E6F-B390-8F85DFAE149C.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/1EC387AE-B6C3-4CDD-8756-D5A78D8F5A21.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/2251D13D-6555-4179-973C-61FC386D8AC7.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;All images here are released under a Creative Commons Attribution-Noncommercial-Share Alike license.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.subblue.com/blog/2009/7/18/artforms_of_nature</clipSource><pubDate>Mon, 28 Sep 2009 08:10:27 GMT</pubDate></item><item><title>Erwin James</title><link>http://clipmarks.com/clipmark/069665BC-B512-4AED-8908-1F1DE3541512/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/miad20/"&gt;miad20&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://erwinjames.co.uk/biog.html" title="http://erwinjames.co.uk/biog.html"&gt;erwinjames.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/miad20/512/AEA5C427-3AAC-43F9-9A6C-862C3C6B41FD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/miad20/512/8949296F-FC9D-4DB1-96BB-44D371C5B121.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style4"&gt;Erwin James Monahan was born to itinerant  Scottish parents in Somerset in  1957. A family lifestyle described as, “brutal and rootless” by a prison  psychologist following the death of his mother when James was seven, led to a  limited formal education.  Aged ten he was sleeping rough when he gained  his first criminal conviction, for the burglary of a sweet shop, which resulted  in him being taken into care. He left the care home at 15 and spent the rest of  his teenage and early adult years drifting, living with extended family  members, and again often sleeping rough. During that time he worked in various  labouring jobs, but also committed relatively petty, mostly acquisitive, but  occasionally violent crimes (criminal damage, common assault.) His directionless way of life, which included a period in  the &lt;A href="http://www.youtube.com/watch?v=jwmTmGFjv4E"&gt;French Foreign Legion&lt;/A&gt;, continued, &lt;A class="text" target="_blank" href="http://www.guardian.co.uk/society/2009/apr/24/erwin-james-journalism"&gt;until August 1984 when he began his life  sentence. &lt;/A&gt;&lt;A class="text" target="_blank" href="http://www.guardian.co.uk/theguardian/2009/apr/24/erwin-james-monahan-guardian"&gt;Ian Katz: The Guardian and Erwin James&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://erwinjames.co.uk/biog.html</clipSource><pubDate>Thu, 24 Sep 2009 21:12:56 GMT</pubDate></item><item><title>A Precious Gift for Lovers of Literature</title><link>http://clipmarks.com/clipmark/1671F39D-2EF5-417E-914C-DE37CDE18BB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;br/&gt;The Paris Review Interview Archive&lt;br/&gt;&lt;br/&gt;"Since 1953, when the first issue of the magazine appeared with an interview of E. M. Forster, our Q&amp;amp;A encounters with the great writers of our times have come to be recognized as a sort of literary genre unto themselves: the Paris Review interview. More than fifty years—and more than three hundred interviews—later, the archive continues to grow with each new issue of the magazine. In November 2006, the first volume of a four-book set of The Paris Review Interviews was celebrated by reviewers across the English-speaking world. In tandem with this publishing project, we offer here online a complete index of every interview ever published, searchable by author and by date—as well as a substantial sampling of the archive’s finest interviews, posted in their entirety. Taken together, these conversations with novelists, poets, playwrights, essayists, biographers, journalists, and critics constitute what Salman Rushdie calls “the finest available inqui &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theparisreview.org/literature.php/prmDecade/1960" title="http://www.theparisreview.org/literature.php/prmDecade/1960"&gt;www.theparisreview.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;INTERVIEW ARCHIVE INDEX&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://www.theparisreview.org/search.php/prmResetList/1"&gt;Search the Interview Archive&lt;IMG border="0" align="absmiddle" alt="" src="http://www.theparisreview.org/images/btnOrderArrow.gif" /&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmDecade/1950"&gt;&lt;B&gt;1950s&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmDecade/1970"&gt;&lt;B&gt;1970s&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmDecade/1980"&gt;&lt;B&gt;1980s&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmDecade/1990"&gt;&lt;B&gt;1990s&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmDecade/2000"&gt;&lt;B&gt;2000s&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="20%" align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmAlpha/A-E"&gt;&lt;B&gt;A-E&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="20%" align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmAlpha/F-J"&gt;&lt;B&gt;F-J&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="20%" align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmAlpha/K-O"&gt;&lt;B&gt;K-O&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="20%" align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmAlpha/P-T"&gt;&lt;B&gt;P-T&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="20%" align="center"&gt;&lt;A href="http://www.theparisreview.org/literature.php/prmAlpha/U-Z"&gt;&lt;B&gt;U-Z&lt;/B&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;TABLE cellspacing="0" cellpadding="1" border="0" align="left"&gt;
&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4283"&gt;&lt;IMG width="80" vspace="2" hspace="0" border="0" alt="Conrad Aiken" src="http://www.theparisreview.org/images/media/aiken-c.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;IMG width="5" height="1" border="0" alt="" src="http://www.theparisreview.org" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4283"&gt;CONRAD AIKEN&lt;/A&gt;&lt;BR /&gt;
&lt;B&gt;1968&lt;/B&gt;&lt;BR /&gt;
&lt;BR /&gt;Recalling a dinner with T. S. Eliot: “He was wearing a cowboy hat, and we all got plastered . . . He couldn't walk, for his ankles were crossed, so Valerie &lt;I&gt;lifted &lt;/I&gt;him into the taxi.”&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;TABLE cellspacing="0" cellpadding="1" border="0" align="left"&gt;
&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4350"&gt;&lt;IMG width="80" vspace="2" hspace="0" border="0" alt="Edward Albee" src="http://www.theparisreview.org/images/media/albee-e.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;IMG width="5" height="1" border="0" alt="" src="http://www.theparisreview.org" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4350"&gt;EDWARD ALBEE&lt;/A&gt;&lt;BR /&gt;
&lt;B&gt;1966&lt;/B&gt;&lt;BR /&gt;
&lt;BR /&gt;“Who's afraid of Virginia Woolf means who's afraid of the big &lt;I&gt;bad &lt;/I&gt;wolf . . . who's afraid of living life without false illusions.”&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;TABLE cellspacing="0" cellpadding="1" border="0" align="left"&gt;
&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4405"&gt;&lt;IMG width="80" vspace="2" hspace="0" border="0" alt="Saul Bellow" src="http://www.theparisreview.org/images/media/bellow-s.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;IMG width="5" height="1" border="0" alt="" src="http://www.theparisreview.org" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4405"&gt;SAUL BELLOW&lt;/A&gt;&lt;BR /&gt;
&lt;B&gt;1966&lt;/B&gt;&lt;BR /&gt;
&lt;BR /&gt;“I seem to have the blind self-acceptance of the eccentric who can't conceive that his eccentricities are not clearly understood.”&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;TABLE cellspacing="0" cellpadding="1" border="0" align="left"&gt;
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&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4331"&gt;&lt;IMG width="80" vspace="2" hspace="0" border="0" alt="Jorge Luis Borges" src="http://www.theparisreview.org/images/media/borges-j.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;TD&gt;&lt;IMG width="5" height="1" border="0" alt="" src="http://www.theparisreview.org" /&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4331"&gt;JORGE LUIS BORGES&lt;/A&gt;&lt;BR /&gt;
&lt;B&gt;1967&lt;/B&gt;&lt;BR /&gt;
&lt;BR /&gt;On color: “When I began to lose my sight, the last color I saw was yellow, because it is the most vivid of colors. I live in a grey world, rather like the silver screen world. But yellow stands out.”&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Socratoad/512/430DDF5A-456D-4CC7-8F36-1887DBF1B692.gif" alt="Read" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Socratoad/512/A8CC4AFF-E157-4E3D-98A4-C7826FADFD9F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Socratoad/512/99E9E27B-7D10-47EC-81FE-063217793571.jpg" alt="Listen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Socratoad/512/43DE589E-924D-4B3D-B3B5-9B9FABD1B3AC.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Socratoad/512/4B223742-CC63-412E-BB6B-C752252CDADE.jpg" alt="Look" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Socratoad/512/AC46390D-03AD-4E11-9F39-01ADE82282FB.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
&lt;A href="http://www.theparisreview.org/viewinterview.php/prmMID/4485"&gt;JEAN COCTEAU&lt;/A&gt;&lt;BR /&gt;
&lt;B&gt;1964&lt;/B&gt;&lt;BR /&gt;
&lt;BR /&gt;“. . . Appreciation of art is a moral erection; otherwise mere dilettantism. I believe sexuality is the basis of all friendship.”&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.theparisreview.org/literature.php/prmDecade/1960</clipSource><pubDate>Wed, 23 Sep 2009 00:09:33 GMT</pubDate></item><item><title>The Romance of Alexander the Great</title><link>http://clipmarks.com/clipmark/674CB1AF-C385-4204-B1BA-CDB73472B70A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The gorgeous full and half page illuminated manuscript miniatures seen above - definitely click through to large and very large versions for the full impact - were produced by the workshop of the Flemish illuminator, Jehan de Grise, between 1338 and 1344.&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html" title="http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A7E0B57D-B4B3-49F2-8FF8-979FE67DC4E0.jpg" alt="The Romance of Alexander 1r MS. Bodl. 264" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;The Romance of Alexander'&lt;/SPAN&gt; was originally produced in Greek in about 200-300 AD from a variety of written accounts and stories from the oral tradition. It purports to record the history of Alexander the Great &lt;SMALL&gt;(d. 323 BC)&lt;/SMALL&gt; but is really a fantastical amalgam of legend and fact that catapulted the already remarkable accomplishments of Alexander's thirty two years on the planet to mythological status&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A title="The Romance of Alexander 1r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930652251/sizes/l/"&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 2v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931439326/sizes/l/"&gt;&lt;IMG width="351" height="500" alt="The Romance of Alexander 2v MS. Bodl. 264" src="http://farm4.static.flickr.com/3522/3931439326_85aa94796c.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 21v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931438128/sizes/l/"&gt;&lt;IMG width="348" height="500" alt="The Romance of Alexander 21v MS. Bodl. 264" src="http://farm3.static.flickr.com/2628/3931438128_a2aa0e6579.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 43v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931440858/sizes/l/"&gt;&lt;IMG width="343" height="500" alt="The Romance of Alexander 43v MS. Bodl. 264" src="http://farm3.static.flickr.com/2500/3931440858_253f2a79ea.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 51v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931442450/sizes/l/"&gt;&lt;IMG width="338" height="500" alt="The Romance of Alexander 51v MS. Bodl. 264" src="http://farm3.static.flickr.com/2471/3931442450_3d07b2f357.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 67v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931443976/sizes/l/"&gt;&lt;IMG width="338" height="500" alt="The Romance of Alexander 67v MS. Bodl. 264" src="http://farm3.static.flickr.com/2426/3931443976_7ab3828bcb.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 88v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931445590/sizes/l/"&gt;&lt;IMG width="337" height="500" alt="The Romance of Alexander 88v MS. Bodl. 264" src="http://farm3.static.flickr.com/2618/3931445590_e818fd4102.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 101v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930641645/sizes/l/"&gt;&lt;IMG width="337" height="500" alt="The Romance of Alexander 101v MS. Bodl. 264" src="http://farm4.static.flickr.com/3468/3930641645_d986348708.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 119r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931426224/sizes/l/"&gt;&lt;IMG width="323" height="500" alt="The Romance of Alexander 119r MS. Bodl. 264" src="http://farm4.static.flickr.com/3479/3931426224_059021ac44.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 127v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931428100/sizes/l/"&gt;&lt;IMG width="334" height="500" alt="The Romance of Alexander 127v MS. Bodl. 264" src="http://farm4.static.flickr.com/3491/3931428100_9235163c0a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 164v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931430042/sizes/l/"&gt;&lt;IMG width="326" height="500" alt="The Romance of Alexander 164v MS. Bodl. 264" src="http://farm3.static.flickr.com/2491/3931430042_fa8f92c5f9.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 188v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931431732/sizes/l/"&gt;&lt;IMG width="332" height="500" alt="The Romance of Alexander 188v MS. Bodl. 264" src="http://farm4.static.flickr.com/3450/3931431732_66f443f82d.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 196v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930650701/sizes/l/"&gt;&lt;IMG width="333" height="500" alt="The Romance of Alexander 196v MS. Bodl. 264" src="http://farm4.static.flickr.com/3442/3930650701_90f9c92fa6.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 218r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931436418/sizes/l/"&gt;&lt;IMG width="343" height="500" alt="The Romance of Alexander 218r MS. Bodl. 264" src="http://farm3.static.flickr.com/2638/3931436418_d29db5d7a1.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Attributed to an unknown author called Pseudo-Callisthenes&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;not really a single work but a great evolving and heterogeneous collection of texts and manuscripts, often shaped by regional scribes and translators to fit the pervading culture. Impossible deeds were often attributed to Alexander - his encounter with a tribe of headless men, for instance&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;an ascent into the air in a basket borne by eagles, a descent into the ocean in a diving bell, a meeting with the Amazons, an interview with the Brahmans or naked philosophers, and the search for the Water of Life&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html</clipSource><pubDate>Mon, 21 Sep 2009 17:23:04 GMT</pubDate></item><item><title>Why all cities are haunted</title><link>http://clipmarks.com/clipmark/D7F33ABD-6C16-46EF-B325-34DE7351ED1C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  megalopolisomancy... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/5359282/megalopolisomancy-or-why-all-cities-are-haunted" title="http://io9.com/5359282/megalopolisomancy-or-why-all-cities-are-haunted"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A class="top" href="http://io9.com/5359282/megalopolisomancy-or-why-all-cities-are-haunted"&gt;Megalopolisomancy, Or Why All Cities Are Haunted&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Aribeth/512/587AF6BC-A5BD-4C63-8927-4D2295A0CED7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Your city seethes with ghosts. Its impossibly twisted streets stream with magic, and its chimneys exude smoke of a decidedly hallucinatory nature. Why do modern, urban places feel as if they are home to so many unexplainable, otherworldly forces?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;History and the Unknowable&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Why are vampires' mythical, bloodstained faces hidden in trashed alleyway shadows in your city? Because most cities aren't just packed with people. They are layered with history - sometimes many thousands of years of it. Even in relatively new cities like San Francisco or Toronto, several dead generations have walked the streets before you. They've lived in your houses, and gone to your favorite shops.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Like vampires, these unknowable phantoms of history are hidden. But their influence lingers in the present. When you go into the buildings they built, buy their used clothing at the Goodwill, and eat in the dining rooms where they once did, you brush shoulders with the dead.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/Aribeth/512/2C9F1F83-B50A-4F86-BCAD-C9F9FF01C09A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fritz+lieber/" rel="tag"&gt;fritz lieber&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/%22our+lady+of+darkness%22/" rel="tag"&gt;"our lady of darkness"&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/megalopolisomancy-the+magic+of+big+cities/" rel="tag"&gt;megalopolisomancy-the magic of big cities&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novels/" rel="tag"&gt;novels&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://io9.com/5359282/megalopolisomancy-or-why-all-cities-are-haunted</clipSource><pubDate>Wed, 16 Sep 2009 15:24:58 GMT</pubDate></item><item><title>Seven Japanese aesthetic principles</title><link>http://clipmarks.com/clipmark/0474C1EF-6C11-4642-AFD8-91C44402905A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#ccccff"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html" title="http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html"&gt;www.presentationzen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Below are just seven design-related principles (there are more) that govern the aesthetics of the Japanese garden and other art forms in Japan.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Kanso &lt;SPAN&gt;(簡素)&lt;/SPAN&gt; &lt;/STRONG&gt;Simplicity or elimination of clutter. Things are expressed in a plain, simple, natural manner.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Fukinsei (不均整)&lt;/STRONG&gt; Asymmetry or irregularity. The idea of controlling balance in a composition via irregularity and asymmetry is a central tenet of the Zen aesthetic. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Shibui/Shibumi (渋味) &lt;/STRONG&gt;Beautiful by being understated, or by being precisely what it was meant to be and not elaborated upon. Direct and simple way, without being flashy&lt;SPAN&gt;. Elegant simplicity, articulate brevity.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Shizen (自然) &lt;/STRONG&gt;Naturalness. Absence of pretense or artificiality, full creative intent unforced.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Yugen (幽玄) &lt;/STRONG&gt;Profundity or suggestion rather than revelation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Datsuzoku (脱俗)&lt;/STRONG&gt; Freedom from habit or formula. Escape from daily routine or the ordinary. Unworldly. Transcending the conventional.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Seijaku (静寂)&lt;/STRONG&gt;Tranquility or an energized calm (quite), stillness, solitude.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html</clipSource><pubDate>Mon, 07 Sep 2009 18:09:48 GMT</pubDate></item><item><title>7 Photography Projects to Jumpstart your Creativity</title><link>http://clipmarks.com/clipmark/A9404B4F-021F-4CC3-A674-6FF97492B9EE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/n2sooners/"&gt;n2sooners&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More great ideas from Digital Photography School. If you are into photography this is one site you should keep up with. They have a weekly newsletter that makes it easy too. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digital-photography-school.com/7-photography-projects-to-jumpstart-your-creativity" title="http://digital-photography-school.com/7-photography-projects-to-jumpstart-your-creativity"&gt;digital-photography-school.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Let’s face it, no matter how much we take our camera out, there’s only so many pictures we can take of our kids, pets, house and garden before we start itching to shoot something else… but &lt;I&gt;what&lt;/I&gt;?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hopefully this list of projects you can undertake will inspire you to find something creative to shoot.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;1. 365 Days&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;there are multiple variations of the 365 project&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;self-portrait&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;kids&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;open-topic&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;2. 52 Photowalks&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;get out of the house once a week with your camera&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;3. 100 Strangers&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the &lt;A href="http://www.flickr.com/groups/100strangers/" bitly="BITLY_PROCESSED"&gt;100 Strangers&lt;/A&gt; group&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;4. A-Z&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You can also try this with numbers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;5. Pick-A-Something&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Pick something and try to get a collection of photos representing it&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For instance, pick a color&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;or try only getting pictures of things that are square&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;photos of people’s shoes&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;6. Go Mono&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;During my 365 (open-topic, not self-portraits), I decided to take one month and do all my photos in black-and-white&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;7. Scavenger Hunt&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;A href="http://www.flickr.com/groups/dps-scavengerhunt/" bitly="BITLY_PROCESSED"&gt;DPS Scavenger Hunt&lt;/A&gt; group&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;PS from Darren&lt;/STRONG&gt;: Also check out our &lt;A href="http://digital-photography-school.com/forum/digital-photography-assignments/" bitly="BITLY_PROCESSED"&gt;weekly Assignments in the DPS forums&lt;/A&gt; for a little inspiration&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/dps/" rel="tag"&gt;dps&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inspiration/" rel="tag"&gt;inspiration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://digital-photography-school.com/7-photography-projects-to-jumpstart-your-creativity</clipSource><pubDate>Sun, 06 Sep 2009 21:15:34 GMT</pubDate></item><item><title>The Bible in Stained Glass</title><link>http://clipmarks.com/clipmark/1E26BE5B-61C1-4044-B841-CD7F37FB6FE4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/nativite.htm" title="http://vitrail.dophan.com/vitraux/htm/nativite.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La Nativité&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/CF364EFA-EFE2-4BBC-8392-FC938DD90C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/8E43A7F0-13DE-4DEB-B1E2-ED5D901B4A5E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9ED5A460-6AF6-4737-876A-118F6A6B6491.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/BAF80C6A-40AD-4DCB-A92B-E0E3F16AF4AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6D34B486-BFAB-4140-A776-F6C602406835.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/" title="http://vitrail.dophan.com/"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; Thèmes bibliques :
&lt;UL&gt;
&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//1_Ancien.html" target="_blank"&gt;Ancien Testament&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//2_Nouveau.html" target="_blank"&gt;Nouveau Testament et Apocryphes&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//3_Bible.html" target="_blank"&gt;Autres thèmes de la Bible&lt;/A&gt; ,
&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//4_Saints.html" target="_blank"&gt;Saints&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//5_Legendes.html" target="_blank"&gt;Histoires et Légendes&lt;/A&gt; , 
&lt;/LI&gt;&lt;/UL&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/benissant.htm" title="http://vitrail.dophan.com/vitraux/htm/benissant.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Jésus bénissant les enfants&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D542C0E2-B55D-449A-A080-36D6F5A73E48.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/DFF06AB6-F64E-4C5A-B341-614A61824DA6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B5BA7893-B098-46F2-B8EB-EC72E7FEF211.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/ECAC7E28-5E02-40E6-9ED4-58A19172651D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B0243EF8-9727-4D8B-987E-11A9C24C712F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9616CF55-5BEF-4412-B513-4135BFFA7D04.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1D910D06-9552-43FC-AD43-4304B269D0DA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/tentation.htm" title="http://vitrail.dophan.com/vitraux/htm/tentation.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La tentation de Jésus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/61A37ACA-25CF-4044-8567-E0441F605C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EF3F8B68-0EA4-479C-AF9A-98AB1F58DEE9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/300B236D-7379-446B-9532-F77D39C53FB6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://vitrail.dophan.com/vitraux/htm/nativite.htm</clipSource><pubDate>Fri, 04 Sep 2009 22:19:30 GMT</pubDate></item><item><title>By imagining many possible worlds fiction  can chang our Minds</title><link>http://clipmarks.com/clipmark/FBF79BBE-F8A9-4159-AF3C-4D58557CBC5A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "For more than two thousand years people have insisted that reading fiction is good for bookyou. Aristotle claimed that poetry—he meant the epics of Homer and the tragedies of Aeschylus, Sophocles, and Euripides, which we would now call fiction—is a more serious business than history. History, he argued, tells us only what has happened, whereas fiction tells us what can happen, which can stretch our moral imaginations and give us insights into ourselves and other people. This is a strong argument for schools to continue to focus on the literary arts, not just history, science, and social studies.&lt;br/&gt;&lt;br/&gt;But is the idea of fiction being good for you merely wishful thinking?' &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sharpbrains.com/blog/2009/09/02/changing-our-mindsby-reading-fiction/" title="http://www.sharpbrains.com/blog/2009/09/02/changing-our-mindsby-reading-fiction/"&gt;www.sharpbrains.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Changing our Minds&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/EF486B28-8B3B-429A-AE33-99AE1982B95F.jpg" alt="book" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;By imagining many possible worlds, argues novelist and psychologist &lt;STRONG&gt;Keith Oatley&lt;/STRONG&gt;, fiction helps us understand ourselves and others.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;People often think that a fiction is something untrue, but this is wrong. The word derives from the Latin fingere, to make. As something made, fiction is different from something discovered, as in physics, or from something that happened, as in the news. But this does not mean it is false. Fiction is about possible selves in possible worlds&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In terms of 21st-century psychology, we might best see fiction as a kind of simulation: one that runs not on computers, but on minds. Such mental simulation unfolds on two levels.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The first level involves simulating the minds of other people: imagining what they are thinking and feeling, which developmental psychologists call "theory of mind&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The theory-of-mind simulation is like a watch, which is a small model that simulates&lt;A id="more-1882"&gt;&lt;/A&gt; the alternation of day and night as the earth rotates.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sharpbrains.com/blog/2009/09/02/changing-our-mindsby-reading-fiction/</clipSource><pubDate>Thu, 03 Sep 2009 05:36:13 GMT</pubDate></item><item><title>Philosophical Weblogs</title><link>http://clipmarks.com/clipmark/23466F5D-2685-4457-A455-10775C7D0F84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a list of weblogs that are devoted to topics in and around analytic philosophy, or that are by analytic philosophers &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://consc.net/weblogs.html" title="http://consc.net/weblogs.html"&gt;consc.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Philosophical Weblogs&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This is a list of weblogs that are devoted to topics in and around
analytic philosophy, or that are by analytic philosophers.
Suggestions for addition are welcome.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://blog.bioethics.net/"&gt;Bioethics&lt;/A&gt; (Bioethics.net)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Group Weblogs (Topical)&lt;/B&gt;

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://ethics-etc.com/"&gt;Ethics&lt;/A&gt; (Ethics Etc)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://philosophyofbrains.com/"&gt;Philosophy of Mind&lt;/A&gt; (Brains)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://brainpains.com/wordpress/"&gt;Philosophy of Mind&lt;/A&gt; (Brain Pains)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://substantialmatters.blogspot.com"&gt;Metaphysics&lt;/A&gt; (Matters of Substance)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://philosophyandsports.blogspot.com/"&gt;Philosophy of Sport&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.philtimesociety.typepad.com/"&gt;Philosophy of Time&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://theblog.philosophytalk.org/"&gt;Philosophy Talk&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://insocrateswake.blogspot.com/"&gt;Teaching Philosophy&lt;/A&gt; (In Socrates' Wake)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://whatsortsofpeople.wordpress.com/"&gt;What Sorts of People Should There Be?&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://prosblogion.ektopos.com/"&gt;Philosophy of Religion&lt;/A&gt; (Prosblogion)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://publicreason.net/"&gt;Political Philosophy&lt;/A&gt; (Public Reason)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://itisonlyatheory.blogspot.com/"&gt;Philosophy of Science&lt;/A&gt; (It's Only A Theory)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://artmind.typepad.com"&gt;Philosophy of Art&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://sgrp.typepad.com/sgrp/"&gt;Gender, Race, and Philosophy&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://gfp.typepad.com/the_garden_of_forking_pat/"&gt;Free Will/Responsibility&lt;/A&gt; (Garden of Forking Paths)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://feministphilosophers.wordpress.com/"&gt;Feminist Philosophers&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://choiceandinference.com/"&gt;Formal Epistemology&lt;/A&gt; (Choice and Inference)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://peasoup.typepad.com/peasoup/"&gt;Ethics&lt;/A&gt; (Pea Soup)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://resourceallocation.blogspot.com/"&gt;Ethics of Resource Allocation&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://experimentalphilosophy.typepad.com/"&gt;Experimental Philosophy&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Group Weblogs (Local)&lt;/B&gt;

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://probposs.mindknots.com/"&gt;ANU&lt;/A&gt; (Probably Possible)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://blogginthequestion.blogspot.com/"&gt;London&lt;/A&gt; (Bloggin the Question)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Philosophers&lt;/B&gt; (= roughly: Philosophy Ph.D.)

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://brainscam.blogspot.com/"&gt;Anton Alterman&lt;/A&gt; (Brain Scam)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://wagesofignorance.blogspot.com/"&gt;Albert Atkin&lt;/A&gt; (The Wages of Ignorance)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://consc.net/weblogs.html</clipSource><pubDate>Thu, 03 Sep 2009 05:26:29 GMT</pubDate></item><item><title>Melusine</title><link>http://clipmarks.com/clipmark/DB959891-9DC3-4F27-9C1D-383B51DF860D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A 14th century fresh water mermaid. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg" title="http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C84C13BD-F0B3-45F5-AAA0-255AD5C21B1B.jpg" alt="File:Melusinediscovered.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110" title="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Melusine&lt;/B&gt; (or &lt;B&gt;Melusina&lt;/B&gt;) is a figure of &lt;A title="Europe" href="http://en.wikipedia.org/wiki/Europe"&gt;European&lt;/A&gt; &lt;A title="Legend" href="http://en.wikipedia.org/wiki/Legend"&gt;legends&lt;/A&gt; and &lt;A title="Folklore" href="http://en.wikipedia.org/wiki/Folklore"&gt;folklore&lt;/A&gt;, a feminine &lt;A title="Spirit" href="http://en.wikipedia.org/wiki/Spirit#Metaphysical_and_metaphorical_uses"&gt;spirit&lt;/A&gt; of fresh waters in sacred springs and rivers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;She is usually depicted as a woman who is a &lt;A title="Serpent (symbolism)" href="http://en.wikipedia.org/wiki/Serpent_(symbolism)"&gt;serpent&lt;/A&gt; or &lt;A title="Fish" href="http://en.wikipedia.org/wiki/Fish"&gt;fish&lt;/A&gt; from the waist down (much like a &lt;A title="Mermaid" href="http://en.wikipedia.org/wiki/Mermaid"&gt;mermaid&lt;/A&gt;). She is also sometimes illustrated with wings, two tails or both, and sometimes referred to as a &lt;A class="mw-redirect" title="Nix" href="http://en.wikipedia.org/wiki/Nix"&gt;nixie&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/09/streamlining.html" title="http://bibliodyssey.blogspot.com/2009/09/streamlining.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the story outlines the consequences for her human husband after he watches the changeling Melusine bathe against her wishes (or similar).&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A13E8EDB-DC25-469F-AC6E-FCF7C3A51E33.jpg" alt="Melusine - von Ringoltingen, 1468 b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/0B7EDE68-16B0-4280-8C94-74BB3B618D93.jpg" alt="Melusine - von Ringoltingen, 1468" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EBA6CB10-59B5-4518-996A-56E6ED7CF6BA.jpg" alt="Melusine - von Ringoltingen, 1468 a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6421C7BD-B460-4100-B109-4D76DE5E8BFF.jpg" alt="Melusine - von Ringoltingen, 1468 c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://forschung.gnm.de/ressourcen/bibliothek/01_htm/hs4028.htm"&gt;These cropped details are from a 1468 &lt;I&gt;'Melusine'&lt;/I&gt; manuscript, hosted by the German National Museum&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pitt.edu/~dash/melusina.html" title="http://www.pitt.edu/~dash/melusina.html"&gt;www.pitt.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#france"&gt;Melusina&lt;/A&gt; (France, Thomas Keightley)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#luxembourg"&gt;Melusina&lt;/A&gt; (Luxembourg)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#bechstein"&gt;Melusina&lt;/A&gt; (Germany, Ludwig Bechstein) &lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#erzgebirge"&gt;Melusina&lt;/A&gt; (Germany, Joh. Aug. Ernst
Köhler)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image009.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image009.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/8EE76E2C-D348-4456-804E-326617733C6C.jpg" alt="Original image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image011.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image011.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/194210DA-0445-4002-B537-9C0050881B7A.jpg" alt="Original image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/index.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/index.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
	
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	&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110" title="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Melusine legends are especially connected with the northern, most Celtic areas of &lt;A title="Gaul" href="http://en.wikipedia.org/wiki/Gaul"&gt;Gaul&lt;/A&gt;, and the &lt;A title="Low Countries" href="http://en.wikipedia.org/wiki/Low_Countries"&gt;Low Countries&lt;/A&gt;. Sir &lt;A title="Walter Scott" href="http://en.wikipedia.org/wiki/Walter_Scott"&gt;Walter Scott&lt;/A&gt; told a Melusine tale in &lt;I&gt;&lt;A title="The Minstrelsy of the Scottish Border" href="http://en.wikipedia.org/wiki/The_Minstrelsy_of_the_Scottish_Border"&gt;The Minstrelsy of the Scottish Border&lt;/A&gt;&lt;/I&gt; (1802 -1803) &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/wiki/File:Melusine-Ludwig_Michael_von_Schwanthaler-1845.jpg" title="http://en.wikipedia.org/wiki/File:Melusine-Ludwig_Michael_von_Schwanthaler-1845.jpg"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/26834FB1-5670-466F-9524-8A6E20588893.jpg" alt="File:Melusine-Ludwig Michael von Schwanthaler-1845.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Melusine” in the Russell Cotes Museum &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.eaudrey.com/myth/melusine.htm" title="http://www.eaudrey.com/myth/melusine.htm"&gt;www.eaudrey.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F40A0278-EEB4-47AD-91EC-2CCBF4366CF9.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.essbare-landschaften.de/kolumnen/Melusine.html" title="http://www.essbare-landschaften.de/kolumnen/Melusine.html"&gt;www.essbare-landschaften.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AA4636F9-655A-4B15-828B-73E956D2D4F6.jpg" alt="Melusine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg" title="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg"&gt;undine.freeblog.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4679DA09-9CF7-47B6-85C2-A646BAF0ABCD.jpg" alt="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg" title="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg"&gt;artfiles.art.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/BE20230C-BA84-421D-B35F-A53EA3222070.jpg" alt="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg</clipSource><pubDate>Tue, 01 Sep 2009 17:02:28 GMT</pubDate></item><item><title>Strange jellies of the icy depths </title><link>http://clipmarks.com/clipmark/AD21E38D-5F0C-4F74-9734-81D4402A53D5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299350_8294edited.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299350_8294edited.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D419F0B5-A971-4ADB-9388-3C943DF7F57C.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299350_8294edited.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm" title="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;New details are emerging about the life-forms that survive in one of the world's most inaccessible places.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Scientists have published descriptions of a range of jelly-like animals that inhabit the deep oceans of the Arctic. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The animals were originally filmed and photographed during a series of submersible dives in 2005. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299205_img6590bsm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299205_img6590bsm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/65E120DC-9208-40D9-9A4E-47256168C08B.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299205_img6590bsm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm" title="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="cap"&gt;The small blue jelly, a type of Narcomedusae, is new to science.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;One of the biggest surprises is that one of the most common animals in the Arctic deep sea is a type of jellyfish that is completely new to science. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="arr"&gt;
            
            &lt;A href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231553.stm" class="bodl"&gt;&lt;B&gt;In pictures: Icy jellies&lt;/B&gt;&lt;/A&gt;
            
                &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299206_img8641bcsm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299206_img8641bcsm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/51C7F231-77FB-4FD7-8895-93161A8AE20C.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299206_img8641bcsm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm" title="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="cap"&gt;&lt;I&gt;Crossota millsae&lt;/I&gt;, a brilliant red and purple jellyfish found at a depth of 2000m in the Arctic Ocean, is also found off California and Hawaii. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;an international team of scientists&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;conducted a series of deep-sea dives using a remote operated vehicle&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There were a lot of surprises&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;just how many different jellies there were, and the sizes of their populations&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299269_7226edited.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299269_7226edited.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/28443C44-5884-4E97-AD9E-430C1E5140FC.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299269_7226edited.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm" title="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8231000/8231367.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="cap"&gt;The large bright orange Aulacoctena species may get its colour from worms that it eats&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299208_img4853sm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299208_img4853sm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/ECE86D7A-B604-4204-9CA2-041D78BE5A3A.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299208_img4853sm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299270_img7413bsm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299270_img7413bsm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/14224BEF-0106-4A64-B1BF-9F389CBAEA69.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299270_img7413bsm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299348_img8968bsm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299348_img8968bsm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/E2472A5D-F213-4C89-9150-DA573D905FC3.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299348_img8968bsm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299349_img8704sm50.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299349_img8704sm50.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4CD7C3F8-4A2F-4C7C-BF76-BD2CAE06CB9D.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299349_img8704sm50.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299387_8342edited.jpg" title="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299387_8342edited.jpg"&gt;newsimg.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/A6930759-F30A-4E5F-9079-2A73A377BF9D.jpg" alt="http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299387_8342edited.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://newsimg.bbc.co.uk/media/images/46299000/jpg/_46299350_8294edited.jpg</clipSource><pubDate>Tue, 01 Sep 2009 16:01:51 GMT</pubDate></item><item><title>10 Fascinating Bioluminescent Organisms</title><link>http://clipmarks.com/clipmark/F471974A-28A5-4C62-9631-691F3635FEB1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/xpersianx/"&gt;xpersianx&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oddee.com/item_96794.aspx" title="http://www.oddee.com/item_96794.aspx"&gt;www.oddee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top1.gif" width="19" align="absMiddle" vspace="0" /&gt; Glowing Mushrooms &lt;SMALL&gt;(Mycena lux-coeli mushrooms)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/xpersianx/512/E1443991-7719-4D1D-9D2C-9B18F02EBABE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;During Japan's rainy season, a glow-in-the-dark &lt;SPAN&gt;&lt;INPUT readOnly="false" type="hidden" height="0" hspace="0" maxLength="2147483647" width="0" CHECKED="false" indeterminate="false" vspace="0" size="20" name="IL_MARKER" /&gt;mushroom&lt;/SPAN&gt; begins to sprout in Wakayama prefecture. The Mycena lux-coeli mushrooms sprout from fallen chinquapin trees and as they grow, a &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top2.gif" width="19" align="absMiddle" vspace="0" /&gt; Hawaiian Bobtail Squid &lt;SMALL&gt;(Euprymna scolopes)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/xpersianx/512/8B5EC373-7FF6-45FF-B587-A6525E00E66C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt; of the &lt;SPAN&gt;deep ocean&lt;/SPAN&gt;, some animals create their own light. Among these is the Hawaiian bobtail squid Euprymna scolopes, which forms a partnership with the luminous bacterium Vibrio fischeri. The squid houses colonies of these bacteria in &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top3.gif" width="19" align="absMiddle" vspace="0" /&gt; Alarm jellyfish &lt;SMALL&gt;(Atolla wyvillei)&lt;/SMALL&gt; &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/xpersianx/512/FAE595C1-A527-42E9-AED6-1AB978A889BA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Some animals use their bioluminescence to "scream" for help. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top4.gif" width="19" align="absMiddle" vspace="0" /&gt; Jack-O-Lantern mushroom &lt;SMALL&gt;(Omphalotus olearius)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/xpersianx/512/62CDE257-6AA2-4B48-A4AD-48E4204A2289.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Through metabolic and physiological functions, all living things must 
produce and ultimately dispose of waste. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top5.gif" width="19" align="absMiddle" vspace="0" /&gt; Luminescent Panellus &lt;SMALL&gt;(Panellus stipticus)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/xpersianx/512/7B3777AC-71AE-4F99-800C-FBB45A88AECC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top6.gif" width="19" align="absMiddle" vspace="0" /&gt; Ctenophore Bathocyroë&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/xpersianx/512/EFACFFAC-15A2-4E6B-B682-75AF4BF1BB85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top7.gif" width="19" align="absMiddle" vspace="0" /&gt; Dinoflagellates&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/xpersianx/512/0EAB3E9D-CDFA-44C4-B2C2-C56C9654B909.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top8.gif" width="19" align="absMiddle" vspace="0" /&gt; Crystal jelly &lt;SMALL&gt;(Aequorea Victoria)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/xpersianx/512/EC9B343C-B51B-4D03-9548-4420311EEE6B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top9.gif" width="19" align="absMiddle" vspace="0" /&gt; Glow worm &lt;SMALL&gt;(Lampyris noctiluca)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/xpersianx/512/41A7036D-2080-47F8-BC1E-5121387B0CB0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;IMG height="19" hspace="3" src="http://www.oddee.com/_media/imgs/oddee/top10.gif" width="19" align="absMiddle" vspace="0" /&gt; Fireflies &lt;SMALL&gt;(Photinus pyralis)&lt;/SMALL&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/xpersianx/512/B548284A-8357-433D-BE37-D0EB4B0C00E1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Fireflies or lightning bugs make light within their bodies. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.oddee.com/item_96794.aspx</clipSource><pubDate>Sat, 22 Aug 2009 17:18:58 GMT</pubDate></item></channel></rss>