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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/sort/newest-clips/filter/added/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/sort/newest-clips/filter/added/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The investigation of laughter  is belatedly becoming a science..:-)</title><link>http://clipmarks.com/clipmark/8DCA3F24-D145-41F7-ACE4-935E1A418195/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In 1923 a theoretical tome listed 88 different theories of humour, few of which seemed to acknowledge that it is supposed to be enjoyable. The theories can be divided into three main types: &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moreintelligentlife.com/story/the-science-of-humour" title="http://www.moreintelligentlife.com/story/the-science-of-humour"&gt;www.moreintelligentlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The study of laughter has entered mainstream psychology. Anthony Gottlieb reads the reports--and a new book on the history of jokes--and finds much to chuckle &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/8CCC129A-53AD-481F-B507-D8967153B479.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Recent studies of twins, they reported, suggested that there may be a genetic explanation for some differences between British and American styles of humou&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The real news is that the investigation of humour is belatedly becoming a science. After millennia of untested speculation by armchair thinkers, moves are afoot to bring the study of laughter into the mainstream of experimental psychology.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "&lt;A target="_blank" href="http://books.google.com/books?id=ieAcp2Z_zkIC&amp;pg=PA141&amp;lpg=PA141&amp;dq=Rod+Martin+University+of+Western+Ontario&amp;source=web&amp;ots=cucCVoB6ZN&amp;sig=sLqpgkVDD_7Edeb02OjewHjk1EU&amp;hl=en&amp;sa=X&amp;oi=book_result&amp;resnum=7&amp;ct=result#PPP1,M1"&gt;The Psychology of Humor&lt;/A&gt;",&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;suggest that on average people laugh 17.5 times per day. And a good sense of humour tends to be one of the most highly rated traits when people choose their friends, lovers or spouses. So psychologists have every reason to take humour seriously. 
&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wwnorton.com/catalog/spring08/006673.htm" title="http://wwnorton.com/catalog/spring08/006673.htm"&gt;wwnorton.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/A82E8789-244F-4FF7-87FE-16F31DBB9C84.jpg" alt="Stop Me If You've Heard This book jacket" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moreintelligentlife.com/story/the-science-of-humour" title="http://www.moreintelligentlife.com/story/the-science-of-humour"&gt;www.moreintelligentlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One popular field of research is the effect of humour on health&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;then it should be associated with longevity&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.moreintelligentlife.com/story/the-science-of-humour</clipSource><pubDate>Sun, 07 Sep 2008 06:19:49 GMT</pubDate></item><item><title>The Brain Unmasked</title><link>http://clipmarks.com/clipmark/A4778453-570F-48CD-AB3E-F36601D8C517/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/Biotech/21175/?a=f" title="http://www.technologyreview.com/Biotech/21175/?a=f"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="dek"&gt;New imaging technologies reveal the intricate architecture of the brain, creating a blueprint of its connectivity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/34B9C43A-2E8E-435B-8782-E648B9CEFAB2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Diffusion spectrum imaging (DSI) is one of these twists. It uses magnetic resonance signals to track the movement of water molecules in the brain: water diffuses along the length of neural wires, called axons. Scientists can use these diffusion measurements to map the wires, creating a detailed blueprint of the brain's connectivity. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/1.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/1.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C8CE3E74-73CF-4CB0-B5E6-664D7AE2754A.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/2.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/2.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/04F06953-837F-4E4B-B17B-293ABA9781D2.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/5.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/5.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2B3FF551-1A89-4CED-BBF5-81972D7D2894.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/3.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/3.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E8277A9B-FFB8-4EE5-A69E-0CFE7916932D.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/Biotech/21175/?a=f" title="http://www.technologyreview.com/Biotech/21175/?a=f"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;On the next page is an animation of the wiring of a marmoset monkey. &lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/Biotech/21175/page2/" title="http://www.technologyreview.com/Biotech/21175/page2/"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The marmoset brain, shown above, is about the size of a plum. By scanning a dissected brain for 24 hours, scientists were able to generate a map with a spatial resolution of 400 microns. "The image quality and resolution are much higher than we can obtain in a living subject," says Wedeen. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/7.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/7.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D9FC29E8-5038-4CB0-B978-FD7FE6D27E9C.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/6.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/6.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4E038131-7BE3-4CF3-A22F-0A0C24F000C7.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/player/08/08/06Singer/4.aspx" title="http://www.technologyreview.com/player/08/08/06Singer/4.aspx"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/628D2CE5-0385-4D8F-8FF0-8E99FCF687CB.jpg" alt="Description text" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.technologyreview.com/Biotech/21175/?a=f</clipSource><pubDate>Sat, 06 Sep 2008 18:37:22 GMT</pubDate></item><item><title>Brain and Creativity Institute</title><link>http://clipmarks.com/clipmark/29660F76-BC61-41CB-A934-234CC6DA22FE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The mission of the Brain and Creativity Institute is to gather new knowledge about the human emotions, decision-making, memory, and communication, from a neurological perspective, and to apply this knowledge to the solution of problems in the biomedical and sociocultural arenas. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.usc.edu/schools/college/bci/whoweare.html" title="http://www.usc.edu/schools/college/bci/whoweare.html"&gt;www.usc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style4"&gt;The Brain and Creativity Institute was founded by Antonio Damasio and Hanna Damasio in 2006. Since ancient times, thinkers and scientists have sought to explain how we perceive, interpret, and shape our existence. However, until very recently, researchers interested in these questions have had to rely entirely on conjecture or indirect evidence. Now, recent technological advances in brain imaging and fresh insights into the functioning of the human brain at the level of systems, cells and molecules, provide extraordinary new opportunities for uncovering the neurological underpinnings for a large array of mental functions – from emotion and decision-making to innovation and creativity. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/C0DCC37E-5162-49AD-807F-7AE10784C00A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It is also apparent that emotion, decision-making, memory and communication, are central to our most fundamental socio-cultural endeavors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Institute is a groundbreaking effort to make use of important new discoveries from the mind and brain sciences and confront pressing issues of our time.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/brain+and+creativity/" rel="tag"&gt;brain and creativity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/antonio+damasio/" rel="tag"&gt;antonio damasio&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.usc.edu/schools/college/bci/whoweare.html</clipSource><pubDate>Fri, 05 Sep 2008 16:24:53 GMT</pubDate></item><item><title>Kluge: The Haphazard Construction of the Human Mind</title><link>http://clipmarks.com/clipmark/02308E5E-A55B-4C5C-A2A2-523F23D27D56/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;br/&gt;Trial-and-error evolution&lt;br/&gt;According to Gary Marcus's Kluge our brains are an engineering nightmare, says Steven Rose&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/books/2008/may/31/scienceandnature" title="http://www.guardian.co.uk/books/2008/may/31/scienceandnature"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The fallibility of the human mind is a source of continual frustration to philosophers, artificial intelligencers and evolutionary psychologists. Our memories are weak, we are credulous and easily led to believe improbable or impossible things, our language is not optimally constructed. We have problems with probabilities, and are logically inconsistent. We make choices that are apparently irrational and not in our own best long-term interests, and certainly not in those of our genes. Thus - according to Marcus - we prefer instant gratification to the chance of greater, longer-term benefits. We get drunk, embark on non-procreative sex for mere pleasure, and may even sacrifice our lives for some perceived cause that has nothing to do with increasing our inclusive (genetic) fitness.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;His chapter on language as a kluge, full of grammatical and linguistic incongruities, is particularly strong, although his basic argument is almost drowned in a flood of examples&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/kluge/" rel="tag"&gt;kluge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/human+mind/" rel="tag"&gt;human mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book+review/" rel="tag"&gt;book review&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/books/2008/may/31/scienceandnature</clipSource><pubDate>Fri, 05 Sep 2008 15:57:38 GMT</pubDate></item><item><title>"The Road Goes On Forever and the party never ends.." beautiful "path" picture</title><link>http://clipmarks.com/clipmark/442642DF-BD32-48CA-9E2B-CF05FF78D384/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;    &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://graphics8.nytimes.com/images/2008/09/04/travel/escapes/05American_Slide_6.jpg" title="http://graphics8.nytimes.com/images/2008/09/04/travel/escapes/05American_Slide_6.jpg"&gt;graphics8.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/78572DE7-2917-4D90-9B33-0B589F3D54EC.jpg" alt="http://graphics8.nytimes.com/images/2008/09/04/travel/escapes/05American_Slide_6.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_01.jpg" title="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_01.jpg"&gt;graphics8.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/C67765FA-5B56-4FA2-929E-78B40F3BFA91.jpg" alt="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_04.jpg" title="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_04.jpg"&gt;graphics8.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/B7E18E97-4EF1-408C-8E66-021F90C895CC.jpg" alt="http://graphics8.nytimes.com/images/2008/01/31/nyregion/31PATH_04.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" 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/&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://image2.linkinn.com/toppic/photo_0808/who_dare_1.jpg" title="http://image2.linkinn.com/toppic/photo_0808/who_dare_1.jpg"&gt;image2.linkinn.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/654FDB9B-B500-47FF-8AB4-56CFBE9D6AFB.jpg" alt="http://image2.linkinn.com/toppic/photo_0808/who_dare_1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geekarmy.com/images/bu8r7zf-1211997574LviK2RD.jpg" title="http://www.geekarmy.com/images/bu8r7zf-1211997574LviK2RD.jpg"&gt;www.geekarmy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/1B7AF30C-5EF0-41C3-9E10-0C03C2F00714.jpg" alt="http://www.geekarmy.com/images/bu8r7zf-1211997574LviK2RD.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geekarmy.com/images/bgm7yz0-1205953907kwhAhp3.jpg" title="http://www.geekarmy.com/images/bgm7yz0-1205953907kwhAhp3.jpg"&gt;www.geekarmy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/F8D23DB9-78D1-4559-BDC1-7644D47844E9.jpg" alt="http://www.geekarmy.com/images/bgm7yz0-1205953907kwhAhp3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geekarmy.com/images/b8beaq6-1209225753HBwquph.jpg" title="http://www.geekarmy.com/images/b8beaq6-1209225753HBwquph.jpg"&gt;www.geekarmy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/172DBA88-FBA3-4247-A20A-61B80AD3DF2F.jpg" alt="http://www.geekarmy.com/images/b8beaq6-1209225753HBwquph.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://graphics8.nytimes.com/images/2008/09/04/travel/escapes/05American_Slide_6.jpg</clipSource><pubDate>Fri, 05 Sep 2008 08:32:00 GMT</pubDate></item><item><title>68 Molecules that hold the key to all Cellular Life</title><link>http://clipmarks.com/clipmark/3E6C487E-C332-413E-8011-C46BA09A19F1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Currently, the vast majority of medical research looks to the human genome and proteome for answers, but those answers remain elusive, and perhaps for good reason.&lt;br/&gt;&lt;br/&gt;“We have now found instances where the pathogenesis of widespread and chronic diseases can be attributed to a change in the glycome, for example, in the absence of definable changes in the genome or proteome,” Marth said, adding that, as biomedical researchers, “we need to begin to cultivate the integration of disciplines in a holistic and rigorous way in order to perceive and most effectively manipulate the biological mechanisms of health and disease.”&lt;br/&gt;&lt;br/&gt;Marth believes that biology should become more integrative both in academic and research settings.  “I’m one who believes that we don’t need to sacrifice breadth of knowledge in order to acquire depth of understanding.” &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.physorg.com/news139743407.html" title="http://www.physorg.com/news139743407.html"&gt;www.physorg.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/1336D65D-81B1-49A5-8214-3E447876B77E.jpg" alt="hi-res image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/09/080903213325.htm" title="http://www.sciencedaily.com/releases/2008/09/080903213325.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why is it that the origins of many serious diseases remain a mystery?  In considering that question, a scientist at the University of California, San Diego School of Medicine has come up with a unified molecular view of the indivisible unit of life, the cell, which may provide an answer.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Reviewing findings from multiple disciplines, Jamey Marth, Ph.D., UC San Diego Professor of Cellular and Molecular Medicine and Investigator with the Howard Hughes Medical Institute, realized that only 68 molecular building blocks are used to construct these four fundamental components of cells: the nucleic acids (DNA and RNA), proteins, glycans and lipids.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Like the periodic table of elements, first published in 1869 by Russian chemist Dmitri Mendeleev, is to chemistry, Marth’s visual metaphor offers a new framework for biologists.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These 68 building blocks provide the structural basis for the molecular choreography that constitutes the entire life of a cell&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/biology/" rel="tag"&gt;biology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cell+biology/" rel="tag"&gt;cell biology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.physorg.com/news139743407.html</clipSource><pubDate>Fri, 05 Sep 2008 01:01:12 GMT</pubDate></item><item><title>Metta Bhavana - Developing Loving Kindness</title><link>http://clipmarks.com/clipmark/194CB786-9DF4-4ED8-BE51-E17747573089/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dharmachakra.com/series/details?ser=X33" title="http://www.dharmachakra.com/series/details?ser=X33"&gt;www.dharmachakra.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;a series of talks by &lt;A href="http://www.dharmachakra.com/series/speaker?sp=Kamalashila" title="More series by this speaker"&gt;Kamalashila&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="row"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11A"&gt;&lt;IMG alt="" src="http://www.dharmachakra.com/images/talks/small/M11A.jpg" /&gt;&lt;/A&gt;&lt;P class="hang"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11A"&gt;4. Metta Bhavana - Introduction and Basic Tools&lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="row"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11B"&gt;&lt;IMG alt="" src="http://www.dharmachakra.com/images/talks/small/M11B.jpg" /&gt;&lt;/A&gt;&lt;P class="hang"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11B"&gt;5. Metta Bhavana - Full Lead-through&lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="row"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11C"&gt;&lt;IMG alt="" src="http://www.dharmachakra.com/images/talks/small/M11C.jpg" /&gt;&lt;/A&gt;&lt;P class="hang"&gt;&lt;A href="http://www.dharmachakra.com/talks/details?num=M11C"&gt;6. Metta Bhavana - Short Lead-through&lt;/A&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dharmachakra.com/talks/details?num=M11B" title="http://www.dharmachakra.com/talks/details?num=M11B"&gt;www.dharmachakra.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/96CF8A90-FC18-4B98-AADF-11D01E8BF228.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Metta Bhavana - Full Lead-through&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE class="detailstracks"&gt;
	&lt;TBODY&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/01 Introduction - setting up your practice.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;1. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;Introduction - setting up your practice (2:33)&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/02 First stage - thinking of yourself.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;2. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;First stage - thinking of yourself (6:36)&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/03 Second Stage - thinking of a good friend.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;3. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;Second Stage - thinking of a good friend (7:21)&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/04 Third stage - thinking of a neutral person.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;4. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;Third stage - thinking of a neutral person (8:09)&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/05 Fourth stage - thinking of a difficult person or enemy.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;5. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;Fourth stage - thinking of a difficult person or enemy (7:24)&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD class="trackplay"&gt;&lt;A href="http://www.dharmachakra.com/talks/mp3/M11B The Metta Bhavana - Full Lead-through/06 Fifth stage - thinking of all four people; expanding to all beings everywhere.mp3" title="listen to this track"&gt;&lt;IMG src="http://www.dharmachakra.com/images/play2.png" alt="play" class="play" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD class="tracknumber"&gt;6. &lt;/TD&gt;&lt;TD class="tracktitle"&gt;Fifth stage - thinking of all four people; expanding to all beings everywhere (10:04)&lt;/TD&gt;&lt;/TR&gt;	&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dhammatalks.org.uk/sumed.php" title="http://www.dhammatalks.org.uk/sumed.php"&gt;www.dhammatalks.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2351611E-550F-4287-99A0-7A3D14666924.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/838AFA82-31D5-41F3-BC16-2CC10D05EBF3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;
      &lt;B&gt;&lt;FONT size="2"&gt;Venerable Ajahn Sumedho&lt;/FONT&gt;&lt;/B&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="style3"&gt;&lt;FONT size="2"&gt;&lt;B&gt;&lt;A href="http://www3.dhammatalks.org.uk/sounds/T08-04_A_Sumedho_Reflecting_on_Metta.mp3"&gt;Reflecting on Metta&lt;/A&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;SPAN class="style2"&gt;&lt;BR /&gt;
        &lt;/SPAN&gt;&lt;FONT size="1"&gt;&lt;I&gt;(14.4Mb mp3) &lt;/I&gt;- uploaded 07.04.2008&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/04FB4E63-4017-4F8C-B013-FF8F87CF6014.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.dharmachakra.com/series/details?ser=X33</clipSource><pubDate>Mon, 01 Sep 2008 20:56:27 GMT</pubDate></item><item><title>War is a Racket</title><link>http://clipmarks.com/clipmark/F3B3A975-A9D2-461C-B468-2938637C1BCF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sahara/"&gt;sahara&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Wars are really a continuous stream of coordinated acts of terrorism, related to money and power instigated by the people who will benefit from the war and its expected end result. War is an instrument to expand economic power by destroying the national institutions and intelligent people of the victimized nation. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rense.com/general80/qutes.htm" title="http://www.rense.com/general80/qutes.htm"&gt;www.rense.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;US General Smedley Butler wrote in his 1935 classic,
    "War Is a Racket": "I helped make Mexico safe for American
    oil interests in 1914," "I helped make Haiti and Cuba a decent
    place for the National City Bank boys to collect revenues in. I helped
    in the raping of half a dozen Central American republics for the benefit
    of Wall Street. I helped purify Nicaragua for the International Banking
    House of Brown Brothers in 1902-1912. I brought light to the Dominican
    Republic for the American sugar interests in 1916. I helped make Honduras
    right for American fruit companies in 1903. In China in 1927 I helped see
    to it that Standard Oil went its way unmolested." Butler acknowledged
    that he'd spent most of his thirty-three years in the Marines as "a
    high class muscle man for Big Business, Wall Street and the bankers. In
    short, I was a racketeer, a gangster for capitalism[ts]."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.rense.com/general80/qutes.htm</clipSource><pubDate>Mon, 01 Sep 2008 13:44:50 GMT</pubDate></item><item><title>Can we harness energy from outer space?</title><link>http://clipmarks.com/clipmark/68A0A35A-391A-4B61-8586-856A612AED71/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  While nuclear fusion has already been tested with the hydrogen isotopes deuterium and tritium, those reactions give off the majority of their energy as radioactive neutrons, raising both safety and production concerns. Helium-3, on the other hand, is perfectly safe. It doesn't give off any pollution or radioactive waste and poses no danger to surrounding areas.&lt;br/&gt;helium-3 has two prot­ons but only one neutron. When it's heated to very high temperatures and combined with deuterium, the reaction releases incredible amounts of energy. Just 2.2 pounds (one kilogram) of helium-3 combined with 1.5 pounds (0.67 kilograms) of deuterium produces 19 megawatt-years of energy Roughly 25 tons of the stuff could power the United States for an entire year.&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://science.howstuffworks.com/energy-from-space.htm" title="http://science.howstuffworks.com/energy-from-space.htm"&gt;science.howstuffworks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/041EED43-8270-4DD1-9A3C-641146FCF4EC.jpg" alt="helium-3 fusion" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;People have been searching for clean alternative energy sources for decades to no avail. As soon as one source seems to pass the test, someone uncovers its fatal flaw. &lt;A href="http://science.howstuffworks.com/nuclear-power.htm" linkindex="98"&gt;Nuclear&lt;/A&gt;, &lt;A href="http://science.howstuffworks.com/wind-power.htm" linkindex="99"&gt;wind&lt;/A&gt;, solar and hydropower have all been dragged through the mud to some degree. Traditional nuclear fission is too risky, winds aren't consistent, the &lt;A href="http://science.howstuffworks.com/sun.htm" linkindex="100"&gt;sun&lt;/A&gt; doesn't always penetrate the &lt;A href="http://science.howstuffworks.com/cloud.htm" linkindex="101"&gt;clouds&lt;/A&gt; and &lt;A href="http://science.howstuffworks.com/hydropower-plant.htm" linkindex="102"&gt;hydropower&lt;/A&gt; dams disrupt natural environments.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;It seems like any workable solution is &lt;A href="http://science.howstuffworks.com/question94.htm" linkindex="103" set="yes"&gt;light-years&lt;/A&gt; away -- literally. Some researchers think the an­swer to our energy needs rests in the &lt;A href="http://science.howstuffworks.com/star.htm" linkindex="104" set="yes"&gt;stars&lt;/A&gt;. From wind turbines on &lt;A href="http://science.howstuffworks.com/mars.htm" linkindex="105"&gt;Mars&lt;/A&gt; to helium-3 fusion, people are increasingly looking to extraterrestrial sources for the &lt;A href="http://science.howstuffworks.com/earth.htm" linkindex="106" set="yes"&gt;Earth's&lt;/A&gt; energy needs.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One of the sources they're looking at is &lt;STRONG&gt;helium-3&lt;/STRONG&gt; to use in nuclear fusion reactions. As opposed to &lt;STRONG&gt;nuclear&lt;/STRONG&gt; &lt;STRONG&gt;fission&lt;/STRONG&gt;, which splits an &lt;A href="http://science.howstuffworks.com/atom.htm" linkindex="107"&gt;atom's&lt;/A&gt; nucleus in half, &lt;STRONG&gt;nuclear&lt;/STRONG&gt; &lt;STRONG&gt;fusion&lt;/STRONG&gt; combines nuclei to produce energy. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/energy/" rel="tag"&gt;energy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/space/" rel="tag"&gt;space&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://science.howstuffworks.com/energy-from-space.htm</clipSource><pubDate>Sat, 30 Aug 2008 22:36:41 GMT</pubDate></item><item><title>Seeing in four dimensions</title><link>http://clipmarks.com/clipmark/4F09A365-7400-4733-9459-4B580721F4E0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The videos are all available free at &lt;a href="http://www.dimensions-math.org" rel="nofollow" target="_blank"&gt;www.dimensions-math.org&lt;/a&gt;. The videos go on to show how we can visualize imaginary numbers geometrically, how fractal patterns emerge in the Mandelbrot set and Julia sets, and how beautiful and complex shapes can be built up from circles. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencenews.org/view/generic/id/35740/title/Seeing_in_four_dimensions" title="http://www.sciencenews.org/view/generic/id/35740/title/Seeing_in_four_dimensions"&gt;www.sciencenews.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mathematicians create videos that help in visualizing four-dimensional objects&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Three dimensions can be so limiting.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/1A32D84E-BE41-4AE2-9C14-C99E1F3154C1.jpg" alt="access" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is the minor difficulty that our nervous systems are only equipped to conjure images in three dimensions. But that doesn’t stop Étienne Ghys of the École Normale Supérieure in &lt;ST1:PLACE w:st="on"&gt;&lt;ST1:CITY w:st="on"&gt;Lyon&lt;/ST1:CITY&gt;, &lt;ST1:COUNTRY-REGION w:st="on"&gt;France&lt;/ST1:COUNTRY-REGION&gt;&lt;/ST1:PLACE&gt;, from visualizing the four-dimensional dynamical systems he studies: “I live in dimension four,” he says.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/18D40016-F01B-456E-A547-43CA28F75BA6.jpg" alt="access" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;And you can too. Ghys has now created a &lt;A href="http://www.dimensions-math.org" linkindex="42" target="_blank" set="yes"&gt;series of video&lt;/A&gt;s teaching others to visualize four dimensions the way he does.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/EAC39748-E46F-45A6-9137-F26A96369E8C.jpg" alt="access" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;in four dimensions, there are six regular solids, including one with 600 faces! Each of those 600 faces is itself a three-dimensional tetrahedron, and 20 of them meet at each vertex.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;How on earth can we visualize such a thing?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/68E9782B-E12A-4D00-BE34-1A5F1C753611.jpg" alt="access" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Still, they could try. We depict three-dimensional objects on a page all the time, essentially by drawing their outlines.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a third method called “stereographic projection,” which is less intuitive but much more helpful. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/4256C992-1224-4E37-906B-09224206CFD4.jpg" alt="access" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mathematics/" rel="tag"&gt;mathematics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/visualization/" rel="tag"&gt;visualization&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencenews.org/view/generic/id/35740/title/Seeing_in_four_dimensions</clipSource><pubDate>Sat, 30 Aug 2008 01:20:23 GMT</pubDate></item><item><title>brilliant use of computer presented stats</title><link>http://clipmarks.com/clipmark/746A921D-3125-4362-BB2E-CDFA9F8BA8EF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/jimbo1000/"&gt;jimbo1000&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  you won't see stats better than this and the subject is important too &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ted.com/index.php/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html" title="http://www.ted.com/index.php/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html"&gt;www.ted.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hans Rosling&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;with the best stats you've ever seen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;About this talk&lt;/H3&gt;
				&lt;P&gt;You've never seen data presented like this. With the drama and urgency of a sportscaster, statistics guru Hans Rosling debunks myths about the so-called "developing world."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/statistics/" rel="tag"&gt;statistics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/presentation/" rel="tag"&gt;presentation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/development/" rel="tag"&gt;development&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ted.com/index.php/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html</clipSource><pubDate>Thu, 28 Aug 2008 16:34:20 GMT</pubDate></item><item><title>The George Orwell Diaries</title><link>http://clipmarks.com/clipmark/27B333B1-C5C0-4D4B-9BE2-15ACD4300FC8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Published real-time in blog format with a 70 year lag.&lt;br/&gt;&lt;a href="http://orwelldiaries.wordpress.com" rel="nofollow" target="_blank"&gt;http://orwelldiaries.wordpress.com&lt;/a&gt;/ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://orwelldiaries.wordpress.com/" title="http://orwelldiaries.wordpress.com/"&gt;orwelldiaries.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="headerimg"&gt;
		&lt;H1&gt;&lt;A href="http://orwelldiaries.wordpress.com/"&gt;THE ORWELL PRIZE&lt;/A&gt;&lt;/H1&gt;
		&lt;DIV class="description"&gt;In association with the Orwell Trust, Political Quarterly and Media Standards Trust&lt;/DIV&gt;
	&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://orwelldiaries.wordpress.com/about/" title="http://orwelldiaries.wordpress.com/about/"&gt;orwelldiaries.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Orwell Prize, Britain’s pre-eminent prize for political writing, is publishing George Orwell’s diaries as a blog. From 9th August 2008, Orwell’s domestic and political diaries (from 9th August 1938 until October 1942) will be posted in real-time, exactly 70 years after the entries were written.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The diaries are exactly as Orwell wrote them.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For more information, click &lt;A href="http://www.theorwellprize.co.uk/life-and-work/orwelldiaries.aspx"&gt;here&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/25/business/media/25orwell.html" title="http://www.nytimes.com/2008/08/25/business/media/25orwell.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Though as prolific as any blogger (his collected writings occupy some 20 volumes), Orwell, who died in 1950, never had the chance to spontaneously publish his thoughts to a waiting public. Now — with some lag time — they are being made available that way at &lt;A target="_" href="http://orwelldiaries.wordpress.com"&gt;orwelldiaries.wordpress.com&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/george+orwell/" rel="tag"&gt;george orwell&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/diary/" rel="tag"&gt;diary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://orwelldiaries.wordpress.com/</clipSource><pubDate>Mon, 25 Aug 2008 10:59:20 GMT</pubDate></item><item><title>But is it art ? what makes a science-inspired image truly "art"?</title><link>http://clipmarks.com/clipmark/99381E88-32B0-4845-A8F0-DF833F4FD6AA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "that question prompted quite a bit of debate : what makes a science-inspired image truly "art"? Perhaps there is a debate, not so much because Frankel is blurring boundaries, but because she has raised the standard for scientific visualization to an unprecedented high level, making it much harder to tell the difference." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://twistedphysics.typepad.com/cocktail_party_physics/2008/08/but-is-it-art.html" title="http://twistedphysics.typepad.com/cocktail_party_physics/2008/08/but-is-it-art.html"&gt;twistedphysics.typepad.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="entry-header"&gt;but is it art?&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/095B79AA-4AB2-4C8F-A89A-0AC275EC400D.jpg" alt="Felicef" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;art and science have a rich long history of feeding into each other&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The undisputed queen of scientific visualization today is MIT's &lt;A href="http://web.mit.edu/felicef"&gt;Felice Frankel&lt;/A&gt;, whose stunning images of things like colonies of bacteria or the behavior of water molecules have graced many a cover of the leading scientific journals &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; most famous photograph is the one below&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Frankel's work is aesthetically pleasing, as well as scientifically accurate, but is it art?&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2007/06/12/science/12frankel.html" title="http://www.nytimes.com/2007/06/12/science/12frankel.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/78E7E245-B70D-4556-AC55-A4B48A37B62C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; When people call Felice Frankel an artist, she winces.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; “My stuff is about phenomena.” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Phenomena like magnetism or the behavior of water molecules or how colonies of bacteria  grow — phenomena of nature. “So I don’t call it art,” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“When it’s art, it’s more about the creator, not necessarily the concept in the image.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/F8406163-D4C0-4511-BF5C-A7961B4E8A0E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“She has transformed the visual face of science.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  “To me the idea is to engage somebody to look at something, and they don’t even know it’s science,”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“People are not intimidated by pictures. It permits them to ask questions.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/C06FD495-19E0-4288-991E-180111AC1A08.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/einbar/512/F7530A2F-0982-493C-BCBF-793BF7747D39.jpg" alt="Photographing Science" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://twistedphysics.typepad.com/cocktail_party_physics/2008/08/but-is-it-art.html</clipSource><pubDate>Sat, 23 Aug 2008 06:40:14 GMT</pubDate></item><item><title>"Invisible Cities": five-minute audio collages from 24 cities around the world</title><link>http://clipmarks.com/clipmark/62BBB381-A4C6-417A-8DF2-0F4C251D3B0E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/enbar/"&gt;enbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Pretty amazing. Twenty-four artists working with field recording teams put together five-minute audio pastiches representing 24 cities -- Beijng, Belfast, Marrakesh, Naples, Washington, and more. All mp3s downloadable. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fallt.com/invisiblecities" title="http://www.fallt.com/invisiblecities"&gt;www.fallt.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="title"&gt;
	&lt;H1&gt; Various Artists | Invisible Cities &lt;/H1&gt;
    &lt;H2&gt;&lt;SPAN class="format"&gt;Audio Installation/MP3&lt;/SPAN&gt; | F.0037.0001&lt;/H2&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/4BF63FF6-A67E-4507-A11D-6AE7C416A647.gif" alt="Various Artists | Invisible Cities" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Curated by Fällt designers Fehler, 'Invisible Cities' offers the opportunity to experience an intimate series of portraits of the world's cities painted with sound.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Through the interface of a gallery wall, each city, represented by an audio work of five minutes duration, is accessible through headphones. Participants in the gallery can transcend distance - moving from Moscow to Montreal, from Berlin to Beijing - in the time it takes to plug a pair of headphones into an alternative location.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A series of artists were invited to contribute a five minute audio work inspired by and utilising the sounds of the cities they cherish. Their contributions range from quiet and contemplative to noisy and frenetic with styles ranging from the pristine digital crackles of Baltimore based artist Richard Chartier (Whitney Biennial, 12k, LINE) to the near-silence of Tokyo based ultra-minimalist *0 (Nosei Sakata).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/enbar/512/C1C155C1-689D-414E-A03B-89ED4578D5C6.png" alt="British Council" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="works"&gt;&lt;P&gt;&lt;A title="Beijing Sound Unit | Beijing" href="http://www.fallt.com/invisiblecities/beijing"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/beijing_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Fehler | Belfast" href="http://www.fallt.com/invisiblecities/belfast"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/belfast_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Stephan Mathieu | Berlin" href="http://www.fallt.com/invisiblecities/berlin"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/berlin_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Lawrence English | Brisbane" href="http://www.fallt.com/invisiblecities/brisbane"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/brisbane_icon.png" /&gt;&lt;/A&gt;
&lt;A title="aMute | Brussels" href="http://www.fallt.com/invisiblecities/brussels"&gt;&lt;IMG width="22" height="22" class="right" src="http://www.fallt.com/assets/invisiblecities/brussels_icon.png" /&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A title="Massimo | Catania" href="http://www.fallt.com/invisiblecities/catania"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/catania_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Raqs Media Collective | Delhi" href="http://www.fallt.com/invisiblecities/delhi"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/delhi_icon.png" /&gt;&lt;/A&gt;
&lt;A title="The Quiet American | Hanoi" href="http://www.fallt.com/invisiblecities/hanoi"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/hanoi_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Chris Watson | Lalibela" href="http://www.fallt.com/invisiblecities/lalibela"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/lalibela_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Jonathan Segel | Lima" href="http://www.fallt.com/invisiblecities/lima"&gt;&lt;IMG width="22" height="22" class="right" src="http://www.fallt.com/assets/invisiblecities/lima_icon.png" /&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A title="ru*mor* | Lisbon" href="http://www.fallt.com/invisiblecities/lisbon"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/lisbon_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Alejandra and Aeron | Logrono" href="http://www.fallt.com/invisiblecities/logrono"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/logrono_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Janek Schaefer | London" href="http://www.fallt.com/invisiblecities/london"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/london_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Akira Rabelais | Los Angeles" href="http://www.fallt.com/invisiblecities/losangeles"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/los_angeles_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Gregory Cowley | Marrakesh" href="http://www.fallt.com/invisiblecities/marrakesh"&gt;&lt;IMG width="22" height="22" class="right" src="http://www.fallt.com/assets/invisiblecities/marrakesh_icon.png" /&gt;&lt;/A&gt;&lt;/P&gt;

&lt;P&gt;&lt;A title="skoltz_kolgen | Montreal" href="http://www.fallt.com/invisiblecities/montreal"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/montreal_icon.png" /&gt;&lt;/A&gt;
&lt;A title="Sergey Tishkov | Moscow" href="http://www.fallt.com/invisiblecities/moscow"&gt;&lt;IMG width="22" height="22" src="http://www.fallt.com/assets/invisiblecities/moscow_icon.png" /&gt;&lt;/A&gt;
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&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/audio/" rel="tag"&gt;audio&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cool/" rel="tag"&gt;cool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mp3/" rel="tag"&gt;mp3&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/global/" rel="tag"&gt;global&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cities/" rel="tag"&gt;cities&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.fallt.com/invisiblecities</clipSource><pubDate>Fri, 22 Aug 2008 03:25:36 GMT</pubDate></item><item><title>A New State Of Mind</title><link>http://clipmarks.com/clipmark/BB40A85C-EE1F-4AB4-B6DC-32627C724AFD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  But that view of the neurotransmitter was vastly oversimplified. What wasn’t yet clear was that dopamine is also a profoundly important source of information. It doesn’t merely let us take pleasure in the world; it allows us to understand the world. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.seedmagazine.com/news/2008/08/a_new_state_of_mind.php" title="http://www.seedmagazine.com/news/2008/08/a_new_state_of_mind.php"&gt;www.seedmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/5EEC4E51-EEF5-48AA-AF23-B3123CB04CEE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Montague discovered the powers of dopamine, a neurotransmitter in the brain. His research on the singular chemical has drawn tantalizing connections between the peculiar habits of our neurons and the peculiar habits of real people, so that the various levels of psychological description — the macro and the micro, the behavioral and the cellular — no longer seem so distinct.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What began as an investigation into a single neurotransmitter has morphed into an exploration of the social brain&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“We are profoundly social animals,” he says. “You can’t really understand the brain until you understand how these social behaviors happen, or what happens when they go haywire.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; even as Montague attempts to answer these incredibly complex questions, his work remains rooted in the molecular details of dopamine.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The importance of dopamine&lt;/B&gt; was discovered by accident&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dopamine/" rel="tag"&gt;dopamine&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.seedmagazine.com/news/2008/08/a_new_state_of_mind.php</clipSource><pubDate>Wed, 20 Aug 2008 17:25:05 GMT</pubDate></item></channel></rss>