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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Grains of Sand Reveal Possible Fifth State of Matter</title><link>http://clipmarks.com/clipmark/52DF20DC-239D-43E0-B04A-1942CCA9D818/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tabsey/"&gt;tabsey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  20 sec vid at the source (wouldn't clip) which may help understanding what they are on about. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/wiredscience/2009/06/sandgrains/" title="http://www.wired.com/wiredscience/2009/06/sandgrains/"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In the formation of droplets in a stream of falling sand, scientists have witnessed a dynamic that points beyond the boundaries of traditional physics, and may represent one aspect of a fifth state of matter.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The droplets formed because of instabilities in the subtle atomic forces that attract sand grains to each other. Something similar happens to water falling from a faucet, but the forces acting on those molecules are 100,000 times stronger.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Measurements of this phenomena&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;overturn the previous explanation for sand droplets — that grains stick to each other after colliding — and quantify what’s called an “ultralow-surface-tension regime.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It’s entirely new territory for researchers, and just one of many dynamics governing the behavior of granular materials, which for reasons unknown to science act sometimes as solids, or liquids, or gases — or something in-between&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You walk on the beach, and the sand supports your weight. Pick up a handful, and it runs through your fingers, like a liquid&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=vD4PbSbxA3w" title="http://www.youtube.com/watch?v=vD4PbSbxA3w"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;div bgInactive="url(chrome://flashblock/content/flash.png) no-repeat center" bgActive="url(chrome://flashblock/content/flashplay.png) no-repeat center" title="http://s.ytimg.com/yt/swf/watch-vfl105721.swf" srcAttribute="http://s.ytimg.com/yt/swf/watch-vfl105721.swf" tabindex="0" role="button"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/wiredscience/2009/06/sandgrains/</clipSource><pubDate>Mon, 29 Jun 2009 14:27:21 GMT</pubDate></item><item><title>The Boss &amp; Co.: Glastonbury</title><link>http://clipmarks.com/clipmark/356AAF8B-A930-4A8E-93C9-4E24C83FDE88/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Springsteen was outstanding. Catch vids if you can. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/23962502-2748-49DA-AEB6-AB36A3168253.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" 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href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=36" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=36"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/931FF463-BAEA-474C-A8E0-43E89ED9AB2F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=39" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=39"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/C7F8ACF1-F806-4C91-BEB6-37D4C9C8E67E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=40" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=40"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/96FF4237-731B-4B5A-99B1-40D4457F50FA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=49" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=49"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/B142DECF-4D51-46A3-8A6C-689D38135C74.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=50" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=50"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/A1FAF394-9C0B-49A4-89E4-11E6914D0CF1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;GLASTONBURY, ENGLAND - JUNE 26:  Neil Young performs on the Pyramid Stage during day 2 of the Glastonbury Festival at Worthy Farm in Pilton, on June 26, 2009 in Glastonbury, England.  (Photo by Jim Dyson/Getty Images)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=54" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=54"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/D3DF4C24-EA4F-46F8-8258-C071E5A8FE95.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=62" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=62"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/481B1DE2-CA9B-4022-95E8-5CD917FCDF39.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;GLASTONBURY, ENGLAND - JUNE 26:  Terry Hall of The Specials performs on the Pyramid Stage during day two of the Glastonbury Festival at Worthy Farm in Pilton, on June 26, 2009 in Glastonbury, England.  (Photo by Jim Dyson/Getty Images)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=67" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=67"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/3FFF6C0D-1296-4360-9D60-977DC2CD10A7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;GLASTONBURY, ENGLAND - JUNE 26:  Lily Allen performs on the Pyramid Stage during day 2 of the Glastonbury Festival at Worthy Farm in Pilton, on June 26, 2009 in Glastonbury, England.  (Photo by Jim Dyson/Getty Images)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=66" title="http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/index.php?id=66"&gt;www.gallery.independent.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/16BD6609-D021-4D96-BB0F-986E6DB18AB3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/glastonbury/" rel="tag"&gt;glastonbury&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gallery.independent.co.uk/WAS/GettyImageGallery/v3/53/site/</clipSource><pubDate>Sun, 28 Jun 2009 13:23:49 GMT</pubDate></item><item><title>Hypnotic Trances: science confirms benefits</title><link>http://clipmarks.com/clipmark/9192239C-68AD-4012-BC53-026EB7384A08/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  According to a new study of the neural mechanisms of hypnosis-induced paralysis, Braid's definition was remarkably accurate. The study, published in the journal Neuron, demonstrates that hypnosis does indeed lead to increased activity in areas of the brain involved in attention, as well as in other areas involved in mental imagery and self-awareness. Hypnosis can therefore exert control over bodily movements by enhancing mental representations of the self (or self-imagery) and focusing attention on them. &lt;br/&gt;&lt;br/&gt;Read on » &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/neurophilosophy/" title="http://scienceblogs.com/neurophilosophy/"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/023D53CC-D1DA-414C-BB5B-03D79F62E48E.jpg" alt="50424.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;THE TERM 'HYPNOSIS' was coined by the Scottish physician James Braid in his 1853 book &lt;EM&gt;&lt;A href="http://www.hypnoticblaze.com/free_stuff/FREE%20-%20Neurypnology%20by%20James%20Braid%20(167%20pages).pdf"&gt;Neurypnology&lt;/A&gt;&lt;/EM&gt;. Braid defined hypnosis as "a peculiar condition of the nervous system, induced by a fixed and abstracted attention of the mental and visual eye". He argued that hypnosis was a form of "nervous sleep", and tried to distinguish his theory from that of the mesmerists, who believed that the effects of hypnosis were mediated by a vital force, or animal magnetism.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Because of mesmerism, and its association with stage entertainment and charlatanry, hypnosis was regarded with skepticism for much of its history. In recent years, though, it has come under the scrutiny of cognitive neuroscientists, and is now thought of as an altered state of consciousness - sometimes referred to as being trance-like - which is associated with increased suggestibility, enhanced imagery and reduced reality testing.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/hypnosis/" rel="tag"&gt;hypnosis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/neurophilosophy/</clipSource><pubDate>Sun, 28 Jun 2009 12:17:58 GMT</pubDate></item><item><title>Swine Disease: key symptoms</title><link>http://clipmarks.com/clipmark/E1110C53-6755-4665-9D39-EC80F300AE86/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thetruthburns.files.wordpress.com/2008/11/big-pig1.jpg" title="http://thetruthburns.files.wordpress.com/2008/11/big-pig1.jpg"&gt;thetruthburns.files.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/FDBBFD8A-DC2E-4D60-8746-8FA51DBDE141.jpg" alt="http://thetruthburns.files.wordpress.com/2008/11/big-pig1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://saysomethingfunny.files.wordpress.com/2009/05/animal-farm-pig.jpg" title="http://saysomethingfunny.files.wordpress.com/2009/05/animal-farm-pig.jpg"&gt;saysomethingfunny.files.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/40AEDC75-B490-4F38-BC08-6044CB0027DF.jpg" alt="http://saysomethingfunny.files.wordpress.com/2009/05/animal-farm-pig.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://3.bp.blogspot.com/_ZFddlnsaLjk/SfltQmLxo8I/AAAAAAAAABs/yIm5XQpAca0/s320/capitalist_pig_1.jpg" title="http://3.bp.blogspot.com/_ZFddlnsaLjk/SfltQmLxo8I/AAAAAAAAABs/yIm5XQpAca0/s320/capitalist_pig_1.jpg"&gt;3.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/EEB81D3C-C6D1-430D-8E47-C716A6BFFB3E.jpg" alt="http://3.bp.blogspot.com/_ZFddlnsaLjk/SfltQmLxo8I/AAAAAAAAABs/yIm5XQpAca0/s320/capitalist_pig_1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://4.bp.blogspot.com/_RoVKle4RyYs/SYm0S-oFNAI/AAAAAAAAATw/evhYGzixG0Y/s400/Capitalist+Pig.jpg" title="http://4.bp.blogspot.com/_RoVKle4RyYs/SYm0S-oFNAI/AAAAAAAAATw/evhYGzixG0Y/s400/Capitalist+Pig.jpg"&gt;4.bp.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/D8497410-D94B-44D1-B689-55708E50E890.jpg" alt="http://4.bp.blogspot.com/_RoVKle4RyYs/SYm0S-oFNAI/AAAAAAAAATw/evhYGzixG0Y/s400/Capitalist+Pig.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://garynelsonacousticroots.files.wordpress.com/2008/07/pig_man.jpg" title="http://garynelsonacousticroots.files.wordpress.com/2008/07/pig_man.jpg"&gt;garynelsonacousticroots.files.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/B7AEEBC2-04C6-4A15-9C8A-60089200240F.jpg" alt="http://garynelsonacousticroots.files.wordpress.com/2008/07/pig_man.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.funpicsfree.com/photogallery/funnypics041509/photoshoppedpics11.jpg" title="http://www.funpicsfree.com/photogallery/funnypics041509/photoshoppedpics11.jpg"&gt;www.funpicsfree.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/685BE4E7-1434-4A0B-AA1E-2DDF4BAA8C7A.jpg" alt="http://www.funpicsfree.com/photogallery/funnypics041509/photoshoppedpics11.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pink-floyd-lyrics.com/html/pigs-animals-lyrics.html" title="http://www.pink-floyd-lyrics.com/html/pigs-animals-lyrics.html"&gt;www.pink-floyd-lyrics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Big man, pig man, ha ha charade you are.&lt;BR /&gt;You well heeled big wheel, ha ha charade you are.&lt;BR /&gt;And when your hand is on your heart,&lt;BR /&gt;You're nearly a good laugh, &lt;BR /&gt;Almost a joker,&lt;BR /&gt;With your head down in the pig bin,&lt;BR /&gt;Saying "Keep on digging."&lt;BR /&gt;Pig stain on your fat chin.&lt;BR /&gt;What do you hope to find.&lt;BR /&gt;When you're down in the pig mine.&lt;BR /&gt;You're nearly a laugh,&lt;BR /&gt;You're nearly a laugh&lt;BR /&gt;&lt;DIV&gt;But you're really a cry.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=8XjY2m0bAaU" title="http://www.youtube.com/watch?v=8XjY2m0bAaU"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pink+floyd/" rel="tag"&gt;pink floyd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animals/" rel="tag"&gt;animals&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://thetruthburns.files.wordpress.com/2008/11/big-pig1.jpg</clipSource><pubDate>Sun, 28 Jun 2009 17:36:28 GMT</pubDate></item><item><title>Me and You</title><link>http://clipmarks.com/clipmark/8868038E-FDCA-4602-9660-C3F79CAF8063/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.famousquotesandauthors.com/topics/helping_other_people_quotes.html" title="http://www.famousquotesandauthors.com/topics/helping_other_people_quotes.html"&gt;www.famousquotesandauthors.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The entire population of the universe, with one trifling exception, is composed of others.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/john_andrew_holmes_quotes.html"&gt;John Andrew Holmes&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Everyone needs help from everyone.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/bertolt_brecht_quotes.html"&gt;Bertolt Brecht&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;No matter what accomplishments you make, somebody helped you.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/althea_gibson_quotes.html"&gt;Althea Gibson&lt;/A&gt;&lt;/DIV&gt;&lt;DIV align="right"&gt;&lt;A href="javascript:_add_fav('8801');"&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A man wrapped up in himself makes a very small bundle.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/benjamin_franklin_quotes.html"&gt;Benjamin Franklin&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;He who lives only for himself is truly dead to others.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/publilius_syrus_quotes.html"&gt;Publilius Syrus&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Three things in human life are important: The first is to be kind. The second is to be kind. And the third is to be kind.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/henry_james_quotes.html"&gt;Henry James&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;If I can stop one heart from breaking, I shall not live in vain; If I can ease one life the aching, Or cool one pain, Or help one fainting robin Unto his nest again, I shall not live in vain.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/emily_dickinson_quotes.html"&gt;Emily Dickinson&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Good manners are the techniques of expressing consideration for the feelings of others&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/alice_duer_miller_quotes.html"&gt;Alice Duer Miller&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Be kind, for everyone you meet is fighting a hard battle.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/plato_quotes.html"&gt;Plato&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Kindness affects more than severity.&lt;/DIV&gt;&lt;DIV&gt;- &lt;A href="http://www.famousquotesandauthors.com/authors/aesop_quotes.html"&gt;Aesop&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.famousquotesandauthors.com/topics/helping_other_people_quotes.html</clipSource><pubDate>Sun, 28 Jun 2009 14:19:59 GMT</pubDate></item><item><title>Ars Psychiatrica</title><link>http://clipmarks.com/clipmark/5701DA13-B9E8-4871-ADCA-7865B1517482/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This is a splendid blog site. Light and intelligent, it is packed full of great topic archives and links to numerous other great sites. Psychiatry, culture, art, philosophy. Something here for most people. Lovely collection of poetry too. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://arspsychiatrica.blogspot.com/" title="http://arspsychiatrica.blogspot.com/"&gt;arspsychiatrica.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;
Ars Psychiatrica
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;The Arts of Psychiatry...Psychiatry of the Arts&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Well, Here We Are&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/756BCD28-D087-4528-A05B-B0BF5EED4CAA.jpg" alt="Well, Here We Are" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="title"&gt;Corporate Mission Statement&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="widget-content"&gt;
&lt;EM&gt;Voracity; Velocity; Veracity; Vivacity &lt;/EM&gt;&lt;BR /&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="title"&gt;Ethos&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="widget-content"&gt;&lt;DIV&gt;
"At a lyceum, not long since, I felt that the lecturer had chosen a theme too foreign to himself, and so failed to interest me as much as he might have done.  He described things not in or near to his heart, but toward his extremities and superficies."&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;Thoreau, "Life Without Principle"&lt;/DIV&gt;&lt;BR /&gt;This blog consists of reflections, by a psychiatrist, about psychiatry, psychology, and related matters (which can include just about anything).&lt;BR /&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/7A181B80-4245-4159-830E-F0A31A6BD363.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/05DC5186-F53B-47D1-BAD2-ACC575194830.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Prodigious Poems&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/7679325A-3EC2-4730-BEFF-C7CABB2F5EFE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/888E72AB-BC7B-432B-AFFC-213095D715D3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/2D463189-3C7A-4DAC-AF60-6994FA2A1709.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/F31A183A-2440-436B-B7FA-E00E780E99B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/ADC93648-813C-47E8-BD73-1FD6C1BAEE6C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/C5444B37-50B1-4404-90A0-4891BD6F304C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/7CD46094-5910-4817-819E-9FEC7C3AD950.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/004B8B8B-3402-4CD6-BB5A-CA68AD441932.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/65EF0187-66F4-4632-A4D9-B9F38A384224.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/06DBB15F-4F52-4D89-816B-17CA9AC059F1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/E262A2FE-EF5B-4EDB-A936-BB57A7CA360A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/25544CFA-C80E-46C8-A96A-28B83EAE75D9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/609BF43D-98C8-4371-8D33-736B39CD0918.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/7D69EDF4-8B14-426C-9714-4054A6A04ECA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/9D4229A9-42FB-4128-BB9D-8509916A2234.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/A0964903-52FA-4DCC-85DA-729043192F35.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/F8D78A0C-560B-43B8-A78B-B0BC1821B66F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/416AF55F-367B-49EB-BFC2-1FC603A32265.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/FB795FD8-FEC8-4798-9CA6-FB5D86B07863.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/AFD3C05A-BAE0-413B-864A-C71297C191D8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/0B2C7F8A-787C-4463-AA7D-CCF845BB777F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/05576EE2-2B33-4865-A84D-AA861E3E4166.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/4F9AFD62-4022-40A0-9288-09806B459965.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ars+psychiatrica/" rel="tag"&gt;ars psychiatrica&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://arspsychiatrica.blogspot.com/</clipSource><pubDate>Sun, 28 Jun 2009 12:33:39 GMT</pubDate></item><item><title>I felt a Funeral in my Brain</title><link>http://clipmarks.com/clipmark/A373E678-247C-42DC-9881-A935C7AD8DD4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cs.rice.edu/~ssiyer/minstrels/poems/871.html" title="http://www.cs.rice.edu/~ssiyer/minstrels/poems/871.html"&gt;www.cs.rice.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;I felt a Funeral, in my Brain&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;PRE&gt;I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading--treading--till it seemed
That Sense was breaking through--

And when they all were seated,
A Service, like a Drum--
Kept beating--beating--till I thought
My Mind was going numb--

And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space--began to toll,

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here--

And then a Plank in Reason, broke,
And I dropped down, and down--
And hit a World, at every plunge,
And Finished knowing--then--

	-- &lt;A href="http://www.cs.rice.edu/~ssiyer/minstrels/poems/../index_poet_D.html#Dickinson"&gt;Emily Dickinson&lt;/A&gt;&lt;/PRE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/emily+dickinson/" rel="tag"&gt;emily dickinson&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cs.rice.edu/~ssiyer/minstrels/poems/871.html</clipSource><pubDate>Sat, 27 Jun 2009 11:43:24 GMT</pubDate></item><item><title>Existentialism in Literature and Film</title><link>http://clipmarks.com/clipmark/D32C7CF2-4AF1-4FDB-A582-5D2E0340E7AE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Fast+T+friend/"&gt;Fast T friend&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Haven't checked it out yet, but it seems promising. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://webcast.berkeley.edu/course_details.php?seriesid=1906978306" title="http://webcast.berkeley.edu/course_details.php?seriesid=1906978306"&gt;webcast.berkeley.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Phil 7: Existentialism in Literature and Film - Spring 2006.  The course will be organized around various attempts to reinterpret the Judeo/Christian God, and to determine in what sense, if at all, such a God is still a living God.  We will study Dostoyevsky's and Kierkegaard's attempts to preserve a non-theological version of the God of Christianity, as well as Nietzche's attempt to save us from belief in any version of God offered by our tradition.  We will view and discuss three films that deal with related issues.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Fast T friend/512/70B7575C-F091-4853-B151-33D8624B00A3.gif" alt="Lecture Archive" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;Introduction: What is Existentialism?&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;'Fear and Trembling' - Preamble from Heart I&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;Discussion of Film 'The Third Man' - Rough audio quality&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;'Sickness Unto Death' (xeroxed excerpts) I&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;'Brothers Karamazov', Part I&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;Film: 'Breathless' - No Lecture&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cinema/" rel="tag"&gt;cinema&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/existentialism/" rel="tag"&gt;existentialism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://webcast.berkeley.edu/course_details.php?seriesid=1906978306</clipSource><pubDate>Mon, 22 Jun 2009 16:02:50 GMT</pubDate></item><item><title>The Consciousness Conundrum</title><link>http://clipmarks.com/clipmark/7523AEE7-C108-437F-8874-16F905A1768F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JICWyllie/"&gt;JICWyllie&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spectrum.ieee.org/biomedical/imaging/the-consciousness-conundrum" title="http://www.spectrum.ieee.org/biomedical/imaging/the-consciousness-conundrum"&gt;www.spectrum.ieee.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In spite of all those advances, neuroscientists still do not understand at all how a brain (the squishy agglomeration of tissue and neurons) makes a conscious mind (the intangible entity that enables you to fall in love, find irony in a novel, and appreciate the elegance of a circuit design). ”No one has the foggiest notion,” says the neuroscientist Eric Kandel of Columbia University Medical Center, in New York City. ”At the moment all you can get are informed, intelligent opinions.” &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Adding to the complexity, synaptic connections constantly form, strengthen, weaken, and dissolve. Old neurons die and--evidence now indicates, overturning decades of dogma--new ones are born.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Within a decade&lt;/B&gt; or so, computers will surpass the computational power of brains, many singularitarians say.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;We've heard such prophesies before. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;predicted that computers would exceed human intelligence within a generation. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But even Minsky admits that computers are still idiot savants. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/1-operation/" rel="tag"&gt;1-operation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/1-understanding/" rel="tag"&gt;1-understanding&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2-lack/" rel="tag"&gt;2-lack&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/3-research/" rel="tag"&gt;3-research&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/3-theory/" rel="tag"&gt;3-theory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/4-intl/" rel="tag"&gt;4-intl&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spectrum.ieee.org/biomedical/imaging/the-consciousness-conundrum</clipSource><pubDate>Thu, 25 Jun 2009 11:32:00 GMT</pubDate></item><item><title>Dangers of NeuroBabble </title><link>http://clipmarks.com/clipmark/2FADB944-16F9-4AF9-B9F6-1EEC5011817B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A very important point is being made in this article.While the materialist reduction of identity is as philosophically risible as it has always been, the ideological aspects of the discourses which see so much hot- eyed enthusiasm for popularised neuroscience require attention. The article concludes: "Hard-line identity theorists, and eliminativists above all, don’t appreciate how much they would change things if indeed we could come to believe and implement their theories. Our world would increasingly be leeched of meaning, morality, dignity and freedom, and if we rejected folk psychology in favour of scientific terminology about brain states, not only would we know less, not more, about ourselves; we would also have less to know about, because we would be less." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.opendemocracy.net/article/can-a-machine-change-your-mind" title="http://www.opendemocracy.net/article/can-a-machine-change-your-mind"&gt;www.opendemocracy.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/9886EF61-CB05-45CC-BC7E-08136E8AC05A.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
‘Can a machine read your mind?’ – the title of a recent (February 2009) &lt;A href="http://www.timesonline.co.uk/tol/life_and_style/health/article5790507.ece"&gt;article in the Times&lt;/A&gt; -- is meant to be sensational but is similar to hundreds of other articles appearing with increasing frequency, and merely repeating a story that has been familiar for the last 50 years. ‘It’s just a matter of time’ is the assumption behind such articles – just a matter of time before the gap between physical brain-stuff and consciousness is bridged. The Times article plays up the social interest angle of its story by describing experiments in which people’s brain activity is taken as proof of their guilt or innocence of crimes, or in which a computer ‘could tell with 78 per cent accuracy’ which of a number of drawings shown to volunteers was the one they were concentrating on ... 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The new neuro-social-sciences are the latest of many attempts to &lt;A href="http://en.wikipedia.org/wiki/Naturalism_(philosophy)"&gt;&lt;EM&gt;naturalise&lt;/EM&gt;&lt;/A&gt; the human---to make every aspect of our lives and selves comprehensible &lt;EM&gt;merely&lt;/EM&gt; as subjects of scientific explanation. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/030B7879-EDFE-45F6-99E7-FC70A8D04900.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humanity/" rel="tag"&gt;humanity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.opendemocracy.net/article/can-a-machine-change-your-mind</clipSource><pubDate>Wed, 27 May 2009 13:01:14 GMT</pubDate></item><item><title>Difference betwen Art and Science</title><link>http://clipmarks.com/clipmark/01DDA3B0-2C04-4784-A170-56B1710117D1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbc.co.uk/" title="http://www.bbc.co.uk/"&gt;www.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The difference between art and science is that science is what we understand well enough to explain to a computer. Art is everything else. DONALD KNUTH&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/49/" rel="tag"&gt;49&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bbc.co.uk/</clipSource><pubDate>Sat, 20 Jun 2009 11:25:37 GMT</pubDate></item><item><title>Images of Hell</title><link>http://clipmarks.com/clipmark/2837771B-4C65-40DC-815B-E36880BF2EA1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://sbcghostrecon.wordpress.com/2007/08/05/hell-no-i-wont-go/" title="http://sbcghostrecon.wordpress.com/2007/08/05/hell-no-i-wont-go/"&gt;sbcghostrecon.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/37DF7673-0314-4947-92C8-D36960037376.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.guardian.co.uk/books/2007/03/your_towering_visions_of_infer.html" title="http://blogs.guardian.co.uk/books/2007/03/your_towering_visions_of_infer.html"&gt;blogs.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/940DC714-9E23-4964-ADEC-E96D98861683.jpg" alt="Hell" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.remember.org/image/aronson/hell.html" title="http://www.remember.org/image/aronson/hell.html"&gt;www.remember.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/A2DDE3C0-1E07-452D-B63C-D58B162F5B40.jpg" alt="Hell" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Hell_%28Bosch%29&amp;oldid=166522490" title="http://en.wikipedia.org/w/index.php?title=Hell_%28Bosch%29&amp;oldid=166522490"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/AE686B3E-6E90-4DD7-BABD-E61C452A7E6E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.conservapedia.com/index.php?title=Hell&amp;oldid=349628" title="http://www.conservapedia.com/index.php?title=Hell&amp;oldid=349628"&gt;www.conservapedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/CD5C095D-0EE9-40D8-B714-FA2D08E679E2.jpg" alt="Hell, painted by Hieronymus Bosch, part of The Garden of Earthly Delights." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://padraigcaughey.blog.co.uk/2005/09/05/hell_and_judgement~164543" title="http://padraigcaughey.blog.co.uk/2005/09/05/hell_and_judgement~164543"&gt;padraigcaughey.blog.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/A1606C82-FCE4-495A-97A1-88FF753F8AB9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.reclaimingthemind.org/blog/2007/07/17/do-you-really-believe-in-hell/" title="http://www.reclaimingthemind.org/blog/2007/07/17/do-you-really-believe-in-hell/"&gt;www.reclaimingthemind.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/17E0CB3C-465C-4C4E-B137-09E305F26BC5.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.victoryvoice.net/?p=47" title="http://www.victoryvoice.net/?p=47"&gt;www.victoryvoice.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/0F580E44-1E48-4B37-9B58-19FA1081DE74.jpg" alt="Christ in Hell Chart" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ignatiusong.com/2004/11/mortal-sin-of-mc.html" title="http://www.ignatiusong.com/2004/11/mortal-sin-of-mc.html"&gt;www.ignatiusong.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/55CAABE4-EB1B-423B-922F-2D274AC950F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stairwaytohell.com/" title="http://www.stairwaytohell.com/"&gt;www.stairwaytohell.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/01B51921-F12B-4C76-B3E4-701600149541.jpg" alt="Click to enter!" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hellcitytattoofest.com/hell-city-sinema.cfm" title="http://www.hellcitytattoofest.com/hell-city-sinema.cfm"&gt;www.hellcitytattoofest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/031556C3-4BB8-46ED-AC52-5EA55918F8E7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://rocksnsucks.wordpress.com/2007/04/09/why-i-shouldnt-go-to-hell/" title="http://rocksnsucks.wordpress.com/2007/04/09/why-i-shouldnt-go-to-hell/"&gt;rocksnsucks.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/903D1BD0-A140-41E3-9F42-55F56692121D.jpg" alt="hell.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=Image:Hell_Depiction-angkor.jpg&amp;oldid=8866052" title="http://commons.wikimedia.org/w/index.php?title=Image:Hell_Depiction-angkor.jpg&amp;oldid=8866052"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/CA01D0AE-077D-4ED1-8165-7969AAB01656.jpg" alt="Image:Hell Depiction-angkor.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artcyclopedia.com/feature-2003-08-Max-Hell-of-Birds.html" title="http://www.artcyclopedia.com/feature-2003-08-Max-Hell-of-Birds.html"&gt;www.artcyclopedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/E19DA67C-E38E-4C89-AE24-F30A463E7811.jpg" alt="Max Beckmann: Hell of the Birds (detail)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.keshertalk.com/archives/2005/09/911_never_forge.php" title="http://www.keshertalk.com/archives/2005/09/911_never_forge.php"&gt;www.keshertalk.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/2F8FA111-9C12-4377-BABA-647401167830.jpg" alt="East Hell" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.freenewmexican.com/readerblogs/58403.html" title="http://www.freenewmexican.com/readerblogs/58403.html"&gt;www.freenewmexican.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/D1D37A0C-96A5-4D3C-BE15-775FD27798DC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://biblia.com/hell2.htm" title="http://biblia.com/hell2.htm"&gt;biblia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/C563B31F-FFEB-49D4-BAC6-C762AB67BE21.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.azuna.5u.com/pages/zLINK_pic_burning_hell.htm" title="http://www.azuna.5u.com/pages/zLINK_pic_burning_hell.htm"&gt;www.azuna.5u.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/399D4ADD-CB91-4DE8-878A-074A5ECCEB6F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://andreik2.com/_wsn/page13.html" title="http://andreik2.com/_wsn/page13.html"&gt;andreik2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/6C0D9ADF-90CF-43BA-9109-1B625D732BB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://alfin2100.blogspot.com/2006/04/well-meet-again-dont-know-where-dont.html" title="http://alfin2100.blogspot.com/2006/04/well-meet-again-dont-know-where-dont.html"&gt;alfin2100.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/CAFA5050-04A9-4050-BEE9-110251ADF62D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.duniho.com/fergus/academic/phd-thesis/" title="http://www.duniho.com/fergus/academic/phd-thesis/"&gt;www.duniho.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/10D0C623-0DC7-424C-89C4-1368DEA111D2.png" alt="Click for full size" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tzvee.blogspot.com/2007/03/pope-insists-hell-is-real-and-only-he.html" title="http://tzvee.blogspot.com/2007/03/pope-insists-hell-is-real-and-only-he.html"&gt;tzvee.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;&lt;A href="http://www.news.com.au/story/0,23599,21460090-2,00.html"&gt;Pope says hell and damnation are real and eternal&lt;/A&gt;&lt;/STRONG&gt;&lt;BR /&gt;By Richard Owen in Rome&lt;BR /&gt;&lt;DIV&gt;March 28, 2007 12:00am&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;HELL is a place where sinners really do burn in an everlasting fire, and not just a religious symbol designed to galvanise the faithful, Pope Benedict XVI has said.&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;Addressing a parish gathering in a northern suburb of Rome, the Pope said that in the modern world many people, including some believers, had forgotten that if they failed to "admit blame and promise to sin no more", they risked "eternal damnation - the inferno".&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;Hell "really exists and is eternal, even if nobody talks about it much any more".&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/hell/" rel="tag"&gt;hell&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://sbcghostrecon.wordpress.com/2007/08/05/hell-no-i-wont-go/</clipSource><pubDate>Thu, 17 Jan 2008 08:41:01 GMT</pubDate></item><item><title>The Psychology of Attention</title><link>http://clipmarks.com/clipmark/7C700B84-819B-4322-A5B2-1EFB57926E6F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spring.org.uk/2009/05/attention-how-it-works-how-it-fails-and-how-to-improve-it.php" title="http://www.spring.org.uk/2009/05/attention-how-it-works-how-it-fails-and-how-to-improve-it.php"&gt;www.spring.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A rel="bookmark" href="http://www.spring.org.uk/2009/05/attention-how-it-works-how-it-fails-and-how-to-improve-it.php"&gt;The Psychology of Attention&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/0D420B6F-6099-41F8-83F8-0D978130F78E.jpg" alt="holding_face1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;› How attention works, what happens when it fails and how it can be improved.&lt;/STRONG&gt;&lt;STRONG&gt;&lt;BR /&gt;
&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN id="more-5400"&gt;&lt;/SPAN&gt;Attention is one of the most fascinating and highly researched areas in psychology. Psychologists have found that with training we can perform impressive feats of multitasking, we can divide our visual attention (without moving our eyes) and we are surprisingly effective at picking out just one voice from a multitude.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This series of posts looks at how attention works, how it fails and what we can do to improve it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;1. &lt;A href="http://www.spring.org.uk/2009/03/the-cocktail-party-effect.php"&gt;The Cocktail Party Effect&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;2. &lt;A href="http://www.spring.org.uk/2009/03/the-attentional-spotlight.php"&gt;The Attentional Spotlight&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;3. &lt;A href="http://www.spring.org.uk/2009/03/learning-to-multitask-simultaneous-reading-and-writing.php"&gt;Learning to Multitask: Simultaneous Reading and Writing&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;4. &lt;A href="http://www.spring.org.uk/2009/04/can-attention-really-be-divided.php"&gt;Can Visual Attention Truly Be Divided?&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
&lt;P&gt;&lt;STRONG&gt;5. &lt;A href="http://www.spring.org.uk/2009/04/18-ways-attention-goes-wrong.php"&gt;18 Ways Attention Goes Wrong&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;6. &lt;A href="http://www.spring.org.uk/2009/04/attentional-blink-and-the-stream-of-consciousness.php" rel="bookmark"&gt;Attentional Blink and the Stream of Consciousness&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;7. &lt;A href="http://www.spring.org.uk/2009/05/how-meditation-improves-attention.php"&gt;How Meditation Improves Attention&lt;/A&gt;&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.spring.org.uk/2009/05/attention-how-it-works-how-it-fails-and-how-to-improve-it.php</clipSource><pubDate>Sat, 23 May 2009 07:11:57 GMT</pubDate></item><item><title>Lord Byron and Greece</title><link>http://clipmarks.com/clipmark/8FEDECAE-DC11-4185-B1E5-EB65AFA7CCED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://readytogoebooks.com/collection/LBC-grk-postcard.JPG" title="http://readytogoebooks.com/collection/LBC-grk-postcard.JPG"&gt;readytogoebooks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/C13D55CA-DD47-4F4A-BD24-AA3493C3339B.jpg" alt="http://readytogoebooks.com/collection/LBC-grk-postcard.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://readytogoebooks.com/collection/LBC-stamps.html" title="http://readytogoebooks.com/collection/LBC-stamps.html"&gt;readytogoebooks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/051B3852-D0F9-4820-BA7E-366C27CF70E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forum.stirpes.net/913-960-941-955-955-945/17164-25-march-1821-greek-war-independence.html#post160040" title="http://forum.stirpes.net/913-960-941-955-955-945/17164-25-march-1821-greek-war-independence.html#post160040"&gt;forum.stirpes.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;The mountains look on Marathon&lt;BR /&gt;
And Marathon looks on the sea;&lt;BR /&gt;
And musing there an hour,&lt;BR /&gt;
I dreamed that Greece might still be free&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/BBB27101-4BBD-4F42-BE82-FD9BEA9A0247.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fordham.edu/halsall/mod/byron-greece.html" title="http://www.fordham.edu/halsall/mod/byron-greece.html"&gt;www.fordham.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;Must we but weep o'er days more blest?&lt;BR /&gt;
  Must we but blush?---Our fathers bled.&lt;BR /&gt;
  Earth! render back from out thy breast&lt;BR /&gt;
  A remnant of our Spartan dead!&lt;BR /&gt;
  Of the three hundred grant but three,&lt;BR /&gt;
  To make a new Thermopylae.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.allempires.net/forum_posts.asp?TID=20276&amp;PID=467367" title="http://www.allempires.net/forum_posts.asp?TID=20276&amp;PID=467367"&gt;www.allempires.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/C29FF25F-E81D-45FF-962F-93FE75D7D190.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Lord Byron at Messologhi&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://members.fortunecity.com/fstav1/1821/fort1821/byron2.jpg" title="http://members.fortunecity.com/fstav1/1821/fort1821/byron2.jpg"&gt;members.fortunecity.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/E7E48579-7FF9-4C1D-98C5-7FEECA03E7D7.jpg" alt="http://members.fortunecity.com/fstav1/1821/fort1821/byron2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://members.fortunecity.com/fstav1/1821/fort1821/byron.jpg" title="http://members.fortunecity.com/fstav1/1821/fort1821/byron.jpg"&gt;members.fortunecity.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/981544F8-14D4-427E-A934-8EA85B2BD282.jpg" alt="http://members.fortunecity.com/fstav1/1821/fort1821/byron.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.metmuseum.org/toah/images/h2/h2_1997.382.38.jpg" title="http://www.metmuseum.org/toah/images/h2/h2_1997.382.38.jpg"&gt;www.metmuseum.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/31DD572E-18B2-41F8-9115-067977823184.jpg" alt="http://www.metmuseum.org/toah/images/h2/h2_1997.382.38.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poemhunter.com/poem/maid-of-athens-ere-we-part/" title="http://www.poemhunter.com/poem/maid-of-athens-ere-we-part/"&gt;www.poemhunter.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Maid of Athens, ere we part, &lt;BR /&gt;Give, oh, give back my heart! &lt;BR /&gt;Or, since that has left my breast, &lt;BR /&gt;Keep it now, and take the rest! &lt;BR /&gt;Hear my vow before I go, &lt;BR /&gt;&lt;DIV&gt;Zoë mou sas agapo. &lt;/DIV&gt;&lt;BR /&gt;By those tresses unconfined, &lt;BR /&gt;Wooed by each Aegean wind; &lt;BR /&gt;By those lids whose jetty fringe &lt;BR /&gt;Kiss thy soft cheeks' blooming tinge; &lt;BR /&gt;By those wild eyes like the roe, &lt;BR /&gt;&lt;DIV&gt;Zoë mou sas agapo. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.panoramio.com/photo/7168274" title="http://www.panoramio.com/photo/7168274"&gt;www.panoramio.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/abailart/512/7FD979C4-0393-4B10-8EC2-4E7E122A9F41.jpg" alt="Statue of Hellas and Lord Byron, near the Botanical Gardens in Athens" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 str="Statue of Hellas and Lord Byron, near the Botanical Gardens in Athens" id="photo-title"&gt;Statue of Hellas and Lord Byron, near the Botanical Gardens in Athens&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="https://webspace.utexas.edu/msb396/www/pictures/greece_02/templeatsounion.html" title="https://webspace.utexas.edu/msb396/www/pictures/greece_02/templeatsounion.html"&gt;webspace.utexas.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/abailart/512/830CAFEE-406B-4334-A8A7-3187C16DC4E0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="style1"&gt;This is a temple to Poseidon at Sounion, the end cape of Attica. Sailors used to offer sacrifice here in hopes of a safe voyage. Lord Byron carved his name into one of the front pillars. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://upload.wikimedia.org/wikipedia/commons/6/68/Graffito_Byron_at_Sounion.jpg" title="http://upload.wikimedia.org/wikipedia/commons/6/68/Graffito_Byron_at_Sounion.jpg"&gt;upload.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/abailart/512/DFDDE0B1-D373-4DE8-8D12-BE666C35E8DC.jpg" alt="http://upload.wikimedia.org/wikipedia/commons/6/68/Graffito_Byron_at_Sounion.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://davidderrick.files.wordpress.com/2007/07/lord-byron-on-his-death-bed.jpg" title="http://davidderrick.files.wordpress.com/2007/07/lord-byron-on-his-death-bed.jpg"&gt;davidderrick.files.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/abailart/512/BC513AB6-EC69-4612-A8B4-AB45C68F8175.jpg" alt="http://davidderrick.files.wordpress.com/2007/07/lord-byron-on-his-death-bed.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/byron/" rel="tag"&gt;byron&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/greece/" rel="tag"&gt;greece&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://readytogoebooks.com/collection/LBC-grk-postcard.JPG</clipSource><pubDate>Sat, 29 Nov 2008 07:43:50 GMT</pubDate></item><item><title>Emotional Cartography - Technologies of the Self</title><link>http://clipmarks.com/clipmark/B7590241-7DFA-4E26-ADFD-5D83A9A64914/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.emotionalcartography.net/" title="http://www.emotionalcartography.net/"&gt;www.emotionalcartography.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style2"&gt;Emotional Cartography - Technologies of the Self&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/95504072-7372-4392-A7B1-FA245A72749E.jpg" alt="Emotional Cartography - Edited by Christian Nold" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="style1"&gt;Emotional Cartography is a collection of essays from artists, designers, psychogeographers, &lt;BR /&gt;
  cultural researchers, futurologists and neuroscientists, brought together by Christian Nold, to &lt;BR /&gt;
  explore the political, social and cultural implications of visualising intimate biometric data and &lt;BR /&gt;
  emotional experiences using technology.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.brainpickings.org/index.php/2009/06/04/emotional-cartography/" title="http://www.brainpickings.org/index.php/2009/06/04/emotional-cartography/"&gt;www.brainpickings.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/637C213E-8E1D-4ED1-B990-CCC791B5E4A7.png" alt="Greenwich Emotional Map" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;From art projects to hi-tech gadgets, the collection looks at emotion in its social context. It’s an experiment in cultural hacking — a way to bridge the individual with the collective through experiential interconnectedness.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/EECE37C9-401F-4822-96C3-CCA0D08E5EAE.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hacking is an idea, as well as a social movement, which is about subverting and reclaiming the tools and metaphors that we’re given. Hacking is a DIY culture of action — a very individualistic community, but still a community with a vision of sha&lt;A href="http://www.joinred.com?entry=redyoursite&amp;referrer=www.brainpickings.org"&gt;(red)&lt;/A&gt; benefits.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Download the book in PDF &lt;A target="_blank" href="http://www.emotionalcartography.net/EmotionalCartography.pdf"&gt;here&lt;/A&gt;, for 53 glorious pages of technology, art and cultural insight.&lt;BR /&gt;
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