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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/date/2008/4/6/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/date/2008/4/6/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title> Did you know? about Mental health</title><link>http://clipmarks.com/clipmark/53A5A75B-316C-4666-BE03-5CAF4DF70E3E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tidbit2/"&gt;tidbit2&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  very good site &lt;br/&gt;better than most&lt;br/&gt;balanced attitude &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yourmentalhealth.ie/index.php?option=com_content&amp;task=view&amp;id=2&amp;Itemid=2" title="http://www.yourmentalhealth.ie/index.php?option=com_content&amp;task=view&amp;id=2&amp;Itemid=2"&gt;www.yourmentalhealth.ie&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="moduletable-yo"&gt;
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					Did you know?				&lt;/H3&gt;&lt;/DIV&gt;
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				&lt;UL&gt;&lt;LI&gt;Over 90% of Irish people agree that talking to a friend or family member can help when you experience mental health problems &lt;/LI&gt; &lt;LI&gt; 85% of Irish people agree that “&lt;EM&gt;anyone can experience a mental health problem&lt;/EM&gt;” &lt;/LI&gt;&lt;/UL&gt;		&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.yourmentalhealth.ie/index.php?option=com_content&amp;task=view&amp;id=2&amp;Itemid=2</clipSource><pubDate>Sun, 06 Apr 2008 23:38:50 GMT</pubDate></item><item><title>The Language of God</title><link>http://clipmarks.com/clipmark/F051E262-A44A-4E6E-BA8E-26ED3007D110/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dakotayii/"&gt;dakotayii&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;   Among Collins’s most controversial beliefs is that of “theistic evolution”, which claims natural selection is the tool that God chose to create man. In his version of the theory, he argues that man will not evolve further.&lt;br/&gt;“Scientifically, the forces of evolution by natural selection have been profoundly affected for humankind by the changes in culture and environment and the expansion of the human species to 6 billion members. So what you see is pretty much what you get.”&lt;br/&gt;“If one is willing to accept the existence of God or some supernatural force outside nature then it is not a logical problem to admit that, occasionally, a supernatural force might stage an invasion,” he says. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timesonline.co.uk/tol/news/uk/article673663.ece" title="http://www.timesonline.co.uk/tol/news/uk/article673663.ece"&gt;www.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Francis Collins, the director of the US National Human Genome Research Institute, claims there is a rational basis for a creator and that scientific discoveries bring man “closer to God”. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;His book, The Language of God, to be published in September, will reopen the age-old debate about the relationship between science and faith. “One of the great tragedies of our time is this impression that has been created that science and religion have to be at war,” said Collins, 56. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For Collins, unravelling the human genome did not create a conflict in his mind. Instead, it allowed him to “glimpse at the workings of God”. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;When you make a breakthrough it is a moment of scientific exhilaration because you have been on this search and seem to have found it,” he said. “But it is also a moment where I at least feel closeness to the creator in the sense of having now perceived something that no human knew before but God knew all along&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.timesonline.co.uk/tol/news/uk/article673663.ece</clipSource><pubDate>Sun, 06 Apr 2008 20:06:18 GMT</pubDate></item><item><title>The Pressure of Time</title><link>http://clipmarks.com/clipmark/4087E19A-46F3-4206-84A1-FB5A978EBE42/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A verb is a movement that must have an object, an urge for an attaching of its desire, for what would the sea be if there were no shore to crash upon and sound its melancholy slow withdrawing ebb, and where would mari-time be if all were only sea? And where would you be if all there was is me? Verbs are the electricity of stories, being comes into being on energy's random licking of obscure and fleeting objects. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/east-meets-west/200804/being-in-time" title="http://blogs.psychologytoday.com/blog/east-meets-west/200804/being-in-time"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Here I am, noticing time… noticing the symbols of time… noticing that the clock says: “12:12” and thinking how seldom I run into this symmetry of hours and minutes… hearing a church bell chime… hearing a factory whistle… hearing the alarm clock beeping… noticing clock hands move with their Parkinsonian tics… noticing time… noticing myself being-in-time… remembering my first watch… remembering staring at the clock in the middle of a sleepless night… remembering being amazed by the sun-dial… and bringing myself back to this moment of being-in-time… playing time-tag with my consciousness of my presence… till next time…&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Just one thought on my mind: being is a gerund.&lt;SPAN&gt; &lt;/SPAN&gt;What’s a gerund?&lt;SPAN&gt; &lt;/SPAN&gt;It’s a process in time.  Being is a process in time...&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A thermometer measures temperature. A tire gauge measures pressure. What does a clock measure? Clock is the only "device" that measures nothing. Nothing, except for self-imposed pressure...&lt;SPAN&gt; &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/time+for+coffee/" rel="tag"&gt;time for coffee&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/east-meets-west/200804/being-in-time</clipSource><pubDate>Sun, 06 Apr 2008 16:31:02 GMT</pubDate></item><item><title>Brain 'imaging' in the Renaissance</title><link>http://clipmarks.com/clipmark/BC708984-FFC0-49A9-A1D1-387ADAC5D3E3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  So were these master artists of the Renaissance trying to hide images of anatomically correct brains in their religious work? Why would they do it? Were they trying to put science into religion without getting caught? Or is this just one big coincidence? Maybe the four scientists that wrote the article need to take a break from the neurosciences.&lt;br/&gt;&lt;br/&gt;What do you think?&amp;lt;&amp;lt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://streetanatomy.com/blog/2008/01/22/hidden-brain-imaging-in-renaissance-masterpieces/" title="http://streetanatomy.com/blog/2008/01/22/hidden-brain-imaging-in-renaissance-masterpieces/"&gt;streetanatomy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/F700A8C4-EA49-4696-9DCE-8650D9DEEC95.jpg" alt="Gerardâ€™s Transfiguration of Christ" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;An interesting article published by four UK scientists in the neurosciences speculates that the masters of the Renaissance hid brain imagery in their religious masterpieces.  Some of the sneaky artists in question include Raphael, Michelangelo, and Gerard David.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;During the Renaissance, scholars began to rely more on empirical evidence, especially in the anatomical sciences.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Artists were especially fascinated, but with most of their commissions coming from the religious clergy, how could they show off their deeper knowledge of the human body without being sacreligious?  They had to hide it in their artwork.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;FL Mershberger was the first to suggest hidden brain anatomy in Michelangelo’s “The Creation of Adam.”   He noted that the cloth and figures behind God resembled the shape of an anatomically correct brain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/6DCAF2C0-C945-42FE-8819-626951133CDE.jpg" alt="Michelangeloâ€™s â€œCreation of Adamâ€" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/E10BFC37-69B8-4862-87CF-0FA4EDC314F8.jpg" alt="Michelangeloâ€™s â€œCreation of Adamâ€ with brain cross section" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Meshberger’s interpretation is that “God, in the process of creating Adam, gives him the gift of ‘intellect,’ symbolized by the brain.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Raphael’s “Transfiguration of Christ.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/5357FFAD-E3A7-4927-85B1-1B5B44DD5A2B.jpg" alt="Raphaelâ€™s â€œTransfiguration of Christâ€" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/D7DE4537-BF5A-4E03-94CE-21E788471956.jpg" alt="Raphaelâ€™s â€œTransfiguration of Christâ€ with brain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hidden+images/" rel="tag"&gt;hidden images&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/masterpiece/" rel="tag"&gt;masterpiece&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://streetanatomy.com/blog/2008/01/22/hidden-brain-imaging-in-renaissance-masterpieces/</clipSource><pubDate>Sun, 06 Apr 2008 16:20:55 GMT</pubDate></item><item><title>To be Interesting and Interested Let Go of Mind</title><link>http://clipmarks.com/clipmark/22D33458-F8E8-429B-99CA-FA043603F80D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;lt;&amp;lt;&amp;lt;The practice of mindfulness – in its psychologically Buddhist sense – has been described as a kind of detachment, dis-identification, i.e. dis-interest from one’s own thoughts, which, as Snelling points out in his “Buddhist Handbook,” are “not us” (3).&lt;br/&gt;&lt;br/&gt;Notice Snelling's italics: our thougths are "not us."  This Buddhist proposition that we are not our thoughts would imply that any real communication beetwen us (and not between our respective fleeting states of mind) would have to be non-verbal... &lt;br/&gt;&lt;br/&gt; &lt;br/&gt;&lt;br/&gt;So, then, it would seem that in order for us to show inter-est in others’ thoughts, for us to inter-exist, we need to lose interest in our own thoughts.  To co-exist, it seems, we need to never mind our own minds. With no thoughts to stand in the way of understanding, there is nothing between us, there are no gaps of misunderstanding to bridge…&amp;gt;&amp;gt;&amp;gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/east-meets-west/200804/never-mind-the-mind-0" title="http://blogs.psychologytoday.com/blog/east-meets-west/200804/never-mind-the-mind-0"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Did you know that the semantics of the word “interest” have to do with &lt;I&gt;inter-existence&lt;/I&gt; (“inter” – between, “est” – to be)?&lt;SPAN&gt;  &lt;/SPAN&gt;The nineteenth century philosopher and theologian Soren Kierkegaard noted that the word “inter-est” “expresses the fact that we are so intimately involved in the objective world that we cannot be content to regard truth objectively, i.e. &lt;I&gt;disinterestedly&lt;/I&gt;” (1).&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;While Kierkegaard here seemed to be concerned with the notions of truth and objectivity, this quotation (I stumbled upon in Rollo May’s “Meaning of Anxiety”), prompted a realization that being &lt;I&gt;mindfully&lt;/I&gt; interested in each other is nothing less than meeting in between.&lt;SPAN&gt;  &lt;/SPAN&gt;Mindful presence is a co-existence in the space of shared subjectivity, without the usual preoccupations with the truth…&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kierkegaard/" rel="tag"&gt;kierkegaard&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inter-est/" rel="tag"&gt;inter-est&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/communication/" rel="tag"&gt;communication&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/east-meets-west/200804/never-mind-the-mind-0</clipSource><pubDate>Sun, 06 Apr 2008 16:16:19 GMT</pubDate></item><item><title>Tel Aviv 10th international doc. Film Festival</title><link>http://clipmarks.com/clipmark/81E49FC4-ACA1-4FD2-8BAD-DEDC8B31F753/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "In Israel we are at a crossroads between East and west, between different religions; we have issues like immigration and inter-marriage," said Tsur. "Young filmmakers are looking at Israel from a different angle."  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ynetnews.com/articles/0,7340,L-3527389,00.html" title="http://www.ynetnews.com/articles/0,7340,L-3527389,00.html"&gt;www.ynetnews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Tel Aviv's 10th international documentary film festival opens with hopes of looking beyond political conflict; many of its films focus on identity, diversity in Jewish state&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;From one soldier's account of the &lt;A target="_blank" href="http://www.ynetnews.com/articles/0,7340,L-3284170,00.html " class="bluelink"&gt;Lebanon &lt;/A&gt;war
	 to the tale of an Israeli African prince, a Tel Aviv film festival is looking beyond political conflict to examine broader issues of strife and identity in &lt;A target="_blank" href="http://www.ynetnews.com/articles/0,7340,L-3284752,00.html" class="bluelink"&gt;Israel&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"People associate Israel with hardcore news, with fighting and conflict," said Ilana Tsur, the event's director. "But it's important to see there's such a wide range of other facets to life."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The films at Tel Aviv's 10th &lt;A target="_blank" href="http://docaviv.co.il/2008/index.asp" class="bluelink"&gt;International Documentary Film Festival&lt;/A&gt;,
	 which opened on Thursday, tackle meaty political themes&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But they also examine private and cultural struggle in a young country – Israel turns 60 next month – where a Russian Holocaust survivor and an Ethiopian Jew, or an ultra-Orthodox family and a secular singleton might live as neighbors.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/232CAFB1-8055-4AE2-877B-220ADAA63DE3.jpg" alt="PR Photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Probing polygamy. Brides of the Desert  &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.ynetnews.com/articles/0,7340,L-3527389,00.html</clipSource><pubDate>Sun, 06 Apr 2008 15:33:30 GMT</pubDate></item><item><title>Mathematicians are odd</title><link>http://clipmarks.com/clipmark/7AC26C2C-9A44-4751-B35D-B00E08222ADF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;u&gt;Disclaimer: &lt;/u&gt;&lt;br/&gt;I have nothing against mathematicians - I'd like to add: nothing efficacious, in any case.&lt;br/&gt;One of my mathematics teachers was extremely odd - but I venerated and adored him! &lt;br/&gt;Another mathematics teacher of mine was a prick, and I feared and hated him. But he was neither a good mathematician nor odd. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;searchsubject=OK&amp;keyword=" title="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;searchsubject=OK&amp;keyword="&gt;www.absolutelyhonest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

I have hardly ever known a mathematician who was capable of reasoning.&lt;BR /&gt; - &lt;A href="http://www.absolutelyhonest.com/authors/Plato_quotes.html"&gt;Plato&lt;/A&gt;, Greek author &amp; philosopher in Athens  (427 BC - 347 BC)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

Mathematics may be defined as the subject in which we never know what we are talking about, nor whether what we are saying is true.&lt;BR /&gt; - &lt;A href="http://www.absolutelyhonest.com/authors/Bertrand Russell_quotes.html"&gt;Bertrand Russell&lt;/A&gt;, British author, mathematician, &amp; philosopher  (1872 - 1970)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;keyword=Mathematicians&amp;keyword_search_type=quotes_only&amp;searchkeyword=OK" title="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;keyword=Mathematicians&amp;keyword_search_type=quotes_only&amp;searchkeyword=OK"&gt;www.absolutelyhonest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Mathematicians are like Frenchmen: whatever you say to them they translate into their own language, and forthwith it is something entirely different.&lt;BR /&gt; - &lt;A href="http://www.absolutelyhonest.com/authors/Johann Wolfgang von Goethe_quotes.html"&gt;Johann Wolfgang von Goethe&lt;/A&gt;, German dramatist, novelist, poet, &amp; scientist  (1749 - 1832)&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;searchsubject=OK&amp;keyword=" title="http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;searchsubject=OK&amp;keyword="&gt;www.absolutelyhonest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

In mathematics you don't understand things. You just get used to them.&lt;BR /&gt; - &lt;A href="http://www.absolutelyhonest.com/authors/Johann von Neumann_quotes.html"&gt;Johann von Neumann&lt;/A&gt;, US (Hungarian-born) computer scientist, mathematician  (1903 - 1957)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.absolutelyhonest.com/?let=&amp;subject=138&amp;keyword=mathematics+reality&amp;keyword_search_type=quotes_only&amp;searchkeyword=OK" title="http://www.absolutelyhonest.com/?let=&amp;subject=138&amp;keyword=mathematics+reality&amp;keyword_search_type=quotes_only&amp;searchkeyword=OK"&gt;www.absolutelyhonest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://www.cafepress.com/abshonest/4386451" class="bodylink"&gt;As far as the laws of mathematics refer to reality, they are not certain; and as far as they are certain, they do not refer to reality.&lt;/A&gt;&lt;BR /&gt; - &lt;A href="http://www.absolutelyhonest.com/authors/Albert Einstein_quotes.html"&gt;Albert Einstein&lt;/A&gt;, US (German-born) physicist  (1879 - 1955)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mathematicians/" rel="tag"&gt;mathematicians&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mathematics/" rel="tag"&gt;mathematics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reality/" rel="tag"&gt;reality&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.absolutelyhonest.com/?let=&amp;subject=206&amp;searchsubject=OK&amp;keyword=</clipSource><pubDate>Sun, 06 Apr 2008 15:07:48 GMT</pubDate></item><item><title>Fairy Art Passions</title><link>http://clipmarks.com/clipmark/1945E31F-FF16-4B10-BBE3-A700A916F7C7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Huge site, great images &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpassions.net/" title="http://www.artpassions.net/"&gt;www.artpassions.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7735B2B3-ADD5-4672-8FE4-69144DDD18D8.gif" alt="The Fairy Tale Book - Adrienne Segur" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="book antiqua, garamond, times" _moz-rs-heading=""&gt;Welcome to Art Passions!  &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="book antiqua, garamond, times"&gt;Art Passions is primarily about artists and illustrators whose works I grew up with. 
I encourage you to explore this site and learn about the works of &lt;A href="http://rackham.artpassions.net/rackham.html" class="menuItem"&gt;Arthur 
Rackham&lt;/A&gt;, &lt;A href="http://dore.artpassions.net/dore.html" class="menuItem"&gt;Gustave Dore&lt;/A&gt;, &lt;A href="http://morris.artpassions.net/morris.html" class="menuItem"&gt;William Morris&lt;/A&gt;, &lt;A href="http://beardsley.artpassions.net/beardsley.html" class="menuItem"&gt;Aubrey 
Beardsley&lt;/A&gt;, &lt;A href="http://dulac.artpassions.net" class="menuItem"&gt;Edmund Dulac&lt;/A&gt;, &lt;A href="http://nielsen.artpassions.net/nielsen.html" class="menuItem"&gt;Kay Nielsen&lt;/A&gt;, &lt;A href="http://segur.artpassions.net/segur.html" class="menuItem"&gt;Adrienne Segur&lt;/A&gt;, &lt;A href="http://www.artpassions.net/wulfing/wulfing.html" class="menuItem"&gt;Sulamith Wulfing&lt;/A&gt;, &lt;A href="http://www.artpassions.net/goble/goble.html" class="menuItem"&gt;Warwick Goble&lt;/A&gt;, the Preraphaelites and 
others. 
&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;FONT face="book antiqua, garamond" color="#302870"&gt;
&lt;STRONG&gt; &lt;EM&gt;&lt;A href="http://fairytales.artpassions.net/tales.html" class="menuItem"&gt;Fairy Tale Art&lt;/A&gt;&lt;/EM&gt; 
&lt;/STRONG&gt;&lt;/FONT&gt;&lt;P&gt;&lt;/P&gt;&lt;FONT face="book antiqua, garamond" color="#302870"&gt;&lt;STRONG&gt;  
Fairy Tales are the myths we live by.  Illustrations to the best loved fairy tales from Andersen, Perrault, Brothers Grimm, La Fontaine.  I am working on this section so you will be able to find images by Fairy Tale as well as by Artist. 
&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7722A978-3A37-4302-8944-13DA1D0783FC.jpg" alt="Fairy Tales" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E2A35300-BA9B-464A-95D0-EDC20EAADC40.jpg" alt="Rackham art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8EBCEF3E-DCEC-466F-A338-9611209E7EA0.jpg" alt="Jessie M. King" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3259B88C-7C22-475C-A902-1FA18CFB0301.jpg" alt="Edmund Dulac" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FE8BEA87-4190-468D-B308-DDBF0E03B0B6.jpg" alt="Fairy Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/04744456-8E69-4D06-93EE-87FCBAA62A7F.jpg" alt="Warwick Goble" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0CC323E2-DA80-476E-9AAE-981BBAC19A81.jpg" alt="Kay Nielsen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E3449BA3-F7DC-4B30-A8DB-3937847862D6.gif" alt="Aubrey Beardsley" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E6ED19F4-3D2A-4F5B-A6E3-AF842FBCAA48.jpg" alt="Maxfield Parrish" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E34FE849-D98D-47B1-BD96-47B7EBB3FEF3.jpg" alt="Dawn, the Golden Haired" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A5856490-C998-4DD0-B48A-EA0851ABFB5C.jpg" alt="N.C. Wyeth illustrations to Robinson Crusoe" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A2DFF8C8-1505-499E-889E-4EB19A0FEFDA.jpg" alt="Sulamith Wulfing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/34D41AAF-13EA-420E-89F4-023B660AF1C5.jpg" alt="John Bauer" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/86326153-6844-43DF-A93B-8BA253742457.jpg" alt="William Morris and the PreRaphaelites" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://artsycraftsy.com/index.html" title="http://artsycraftsy.com/index.html"&gt;artsycraftsy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/417B2360-857B-42AA-A02E-C3F21E330BAC.jpg" alt="John Bauer" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/50C9562C-E0E5-49BA-99DF-6DC7A79B810F.jpg" alt="Aubrey Beardsley" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6A738716-687A-4456-A594-1A35C96107BF.jpg" alt="Gustave Dore" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/15ECEC05-D03A-4E4E-B44C-6861465B8F63.jpg" alt="Edmund Dulac" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/64A05228-9440-4458-9CD8-C78EF78CF304.jpg" alt="Victorian Fairies" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/08E7DAAE-FE9C-415E-AAB9-04D5AA2091DA.jpg" alt="Warwick Goble" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5D1D1D22-C882-40C8-8570-50A5D14484DD.jpg" alt="Jessie M. King" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E0D36D8F-A462-48D5-803A-F86EC7A83772.jpg" alt="Limbourg Brothers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/56624279-4852-442E-A849-4D8CB558F1D9.jpg" alt="William Morris" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7D2FA709-55F3-4C66-A166-1D1403368D86.jpg" alt="Arthur Rackham" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/44ED0607-D0A3-4793-AD76-9D49F9A0C26E.jpg" alt="Maxfield Parrish" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C91E6184-8992-4A7C-96C5-7BD142512458.jpg" alt="Kay Nielsen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A6F3CA18-D007-4B1C-8464-6AD48FB53132.jpg" alt="Sulamith Wulfing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/40FFCC1D-C1CD-471D-9E7C-7C92C008E0DB.gif" alt="Artsy Craftsy - Fairy Tale and Golden Age Illustrators, William Morris &amp; Co. Art and Tile" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/xineann/index.html" title="http://www.geocities.com/xineann/index.html"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/82450DEA-842D-4ED8-91AE-9607F3C4FEB9.gif" alt="Free Backgrounds and WallPapers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9086CDC9-9B76-47BB-B32A-89F81D92D5CA.gif" alt="Fairies Looking Through a Gothic Arch" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fairytales.artpassions.net/tales.html" title="http://fairytales.artpassions.net/tales.html"&gt;fairytales.artpassions.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1516A582-76D5-41B2-BEEB-54A5F1E60FBF.jpg" alt="Sleeping Beauty, by Henry Maynell Rheam" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/dore_red1.jpg" title="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/dore_red1.jpg"&gt;www.artpassions.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/17A54456-36E1-4A4C-AD62-108BF88C738E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/rotmitwolf.jpg" title="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/rotmitwolf.jpg"&gt;www.artpassions.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9ED4B92F-D0E3-4F94-B001-E5A432A31079.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/segur_red.jpg" title="http://www.artpassions.net/cgi-bin/show_image.pl?../galleries/redhood/segur_red.jpg"&gt;www.artpassions.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/62B8CB06-5D1C-4D7D-B4E4-8FDFFBA70F44.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/artpassions/" rel="tag"&gt;artpassions&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fairy+art/" rel="tag"&gt;fairy art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.artpassions.net/</clipSource><pubDate>Sun, 06 Apr 2008 11:22:48 GMT</pubDate></item><item><title>Tower of Song</title><link>http://clipmarks.com/clipmark/BFC4A7DB-39E8-4AD4-A981-A40C6328504E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  alchemy, romanticism, philosophy, RADIO&lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.youtube.com/watch?v=u10V_7IVD2Y" rel="nofollow" target="_blank"&gt;www.youtube.com/watch?v=u10V_7IVD2Y&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.revradiotowerofsong.org/8programguide.html" title="http://www.revradiotowerofsong.org/8programguide.html"&gt;www.revradiotowerofsong.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5EEE99A4-0D27-4A04-B18D-54AD37A276F8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Well my friends are gone and my hair is grey&lt;BR /&gt;
   I ache in the places where I used to play&lt;BR /&gt;
   And I'm crazy for love but I'm not coming on&lt;BR /&gt;
   I'm just paying my rent every day&lt;BR /&gt;&lt;DIV&gt;
   Oh in the Tower of Song&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9459C158-185A-4FA9-9A3A-4B76A4196EDA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F748B9A4-6EF8-483D-99C9-7F54701CCE55.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#6666ff"&gt; Oh let my Lamp at midnight hour&lt;BR /&gt;
   Be seen in some high Lonely Towr,&lt;BR /&gt;
   Where I may oft out-watch the Bear,&lt;BR /&gt;
   With thrice great Hermes.&lt;BR /&gt;&lt;/FONT&gt;
  &lt;BR /&gt;
  &lt;FONT size="1" color="#6666ff"&gt;Milton, 'Il Penseroso' (1633)&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8114D22F-9701-4F96-8DAB-7CE45722D0BB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BECA1ADA-3B36-419F-9E06-AF4FAC4E95A9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/13DFF2A0-1CB1-44D7-A175-A7DD0764D29D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="georgia, 'times new roman', serif" color="#00cccc"&gt;“Wonder is the feeling of the philosopher, and philosophy begins in wonder. Wonder is the beginning of all wisdom.” &lt;FONT size="1"&gt;--Socrates&lt;/FONT&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#006699"&gt;&lt;I&gt;&lt;FONT size="2"&gt;And twenty-seven angels&lt;BR /&gt;
From the Great Beyond&lt;BR /&gt;
They tied me to this table&lt;BR /&gt;
In the Tower of Song . . .&lt;BR /&gt;
And I'm paying my rent every day&lt;BR /&gt;
In the Tower of Song&lt;/FONT&gt;&lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B0503BBD-83AE-493C-A872-7CEA36BF6ACE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7D7C1F9C-24D4-4FC9-B4C9-D1403CA43964.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A80CD150-0686-4359-8108-ABB3CC944F31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/D2CB5477-2580-4D6C-AAB5-D42A675812FF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Lady Reading the Letters of Heloise &amp; Abelard" (1780)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="100%" valign="middle" align="center" rowspan="1" colspan="1"&gt;
		
&lt;TABLE cellspacing="0" cellpadding="0" border="0" background="/images/clear_pixel.gif"&gt;
&lt;TBODY&gt;&lt;TR&gt;


&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="104" border="0" src="http://www.revradiotowerofsong.org/images/130_Dante_His_Poem1.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Dante &amp; His Poem&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="88" border="0" src="http://www.revradiotowerofsong.org/images/130_Dante_Beatrice_H._Holiday,1883_.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Dante falls in love&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="160" border="0" src="http://www.revradiotowerofsong.org/images/130_Love_smiteth_Dante1.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Love (Eros) Smiteth Dante&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="86" border="0" src="http://www.revradiotowerofsong.org/images/130_Dante_s_Dream_at_Beatrice_s_Death.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Dante's Dream at Beatrice's Death&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="191" border="0" src="http://www.revradiotowerofsong.org/images/130_Dante_weeps_scribes,_Love_s_Pallor.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;"Love's Pallor": Dante weeps &amp; scribes&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;


&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="62" border="0" src="http://www.revradiotowerofsong.org/images/130_Salutation_of_Beatrice1.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;The Salutation of Beatrice&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="143" border="0" src="http://www.revradiotowerofsong.org/images/130_Beatrice,_queen_of_all_Good1.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Beatrice, Queen of All Good&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="150" border="0" src="http://www.revradiotowerofsong.org/images/130_Meeting_of_Dante_Beatrice_in_Paradise.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Meeting of Beatrice &amp; Dante in Paradise&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="179" border="0" src="http://www.revradiotowerofsong.org/images/130_Beatrice1.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Beatrice&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;&lt;TD valign="top"&gt;
&lt;TABLE width="130" cellspacing="0" cellpadding="0" border="0" summary="thumbnail table"&gt;
&lt;TBODY&gt;&lt;TR&gt;
&lt;TD valign="bottom" align="center"&gt;&lt;A href="javascript:alert('This link contains javascript. Please visit the clip source to follow this link.');" target="_self"&gt;&lt;IMG width="130" height="127" border="0" src="http://www.revradiotowerofsong.org/images/130_Dante.jpg" alt="" /&gt;&lt;/A&gt;&lt;/TD&gt;
&lt;/TR&gt;
&lt;TR&gt;
&lt;TD valign="top" align="center"&gt;Dante &amp; Divine Comedy&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt; 
&lt;/TD&gt;
&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt;
	    
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              Tristan gives Isolde the love potion. The legend is described in 
              pictures by August Spieß in the &lt;A class="grey3" href="http://www.neuschwanstein.com/english/castle/legends/../rooms/bedroom.htm"&gt;bedroom&lt;/A&gt; 
              of King Ludwig II.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thecia.com.au/reviews/t/tristan-and-isolde.shtml" title="http://thecia.com.au/reviews/t/tristan-and-isolde.shtml"&gt;thecia.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3A2DB277-2301-4F57-B4B4-9AFE8EFAFC4D.jpg" alt="Tristan and Isolde" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.revradiotowerofsong.org/8programguide.html" title="http://www.revradiotowerofsong.org/8programguide.html"&gt;www.revradiotowerofsong.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9D811879-BFFC-48F3-A1FD-557354589C0B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="5" face="georgia, 'times new roman', serif" color="#ff33ff"&gt;I&lt;/FONT&gt;&lt;FONT size="5" face="georgia, 'times new roman', serif" color="#ff33ff"&gt;MPOSSIBLE LOVE:&lt;/FONT&gt;&lt;BR /&gt;&lt;FONT size="4" face="georgia, 'times new roman', serif" color="#006600"&gt;TRISTAN &amp; ISOLDE&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.meaus.com/prometheus90.htm" title="http://www.meaus.com/prometheus90.htm"&gt;www.meaus.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/071D0E0A-7EF1-4BB9-912A-41124FF6B4A5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.law.du.edu/winokur/Agora/AAPages/MusciArtists3.htm" title="http://www.law.du.edu/winokur/Agora/AAPages/MusciArtists3.htm"&gt;www.law.du.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4F830F3D-0054-4F8D-97C7-C8AF08119DD0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.soundtrackcollector.com/images/movie/large/Tristan_and_isolde_(2006).jpg" title="http://www.soundtrackcollector.com/images/movie/large/Tristan_and_isolde_(2006).jpg"&gt;www.soundtrackcollector.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/09BA69A1-AB66-4FAA-84BB-A543E41CEA7B.jpg" alt="http://www.soundtrackcollector.com/images/movie/large/Tristan_and_isolde_(2006).jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://etc.usf.edu/clipart/5700/5767/romeo&amp;juliet_6.htm" title="http://etc.usf.edu/clipart/5700/5767/romeo&amp;juliet_6.htm"&gt;etc.usf.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8F7D04F1-CED6-416B-9292-46FEEEE0293B.gif" alt="Romeo and Juliet " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Romeo and Juliet&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=Image:Romeo_Juliet.jpg&amp;oldid=4324916" title="http://commons.wikimedia.org/w/index.php?title=Image:Romeo_Juliet.jpg&amp;oldid=4324916"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/870BB324-28EF-45C1-9974-E3FB1A9EE1A3.jpg" alt="Image:Romeo Juliet.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artsycraftsy.com/rackham/titania.html" title="http://www.artsycraftsy.com/rackham/titania.html"&gt;www.artsycraftsy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4E99589B-6FAF-4213-8B47-E8C52F30F832.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A4CF2793-6129-4C7B-9CB2-2217678FB326.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Titania and Bottom (from A Midsummer Night's Dream) &lt;/EM&gt; by Arthur Rackham.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artsycraftsy.com/rackham/msd_bottom.html" title="http://www.artsycraftsy.com/rackham/msd_bottom.html"&gt;www.artsycraftsy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A0C7251B-79BD-4BB2-A305-6D345DBA8702.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.illusionsgallery.com/Lamia.html" title="http://www.illusionsgallery.com/Lamia.html"&gt;www.illusionsgallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1EC5ED04-7EDE-49FD-A8AC-712307B980C7.jpg" alt="Lamia, John William Waterhouse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;CENTER&gt;&lt;I&gt;&lt;FONT size="+2" face="Georgia" color="#d1dedc"&gt;Lamia&lt;/FONT&gt;&lt;/I&gt;&lt;/CENTER&gt;&lt;/H1&gt;

    &lt;H1&gt;&lt;CENTER&gt;&lt;FONT size="+1" face="Georgia" color="#d1dedc"&gt;John
    William Waterhouse&lt;/FONT&gt;&lt;/CENTER&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.theatrehistory.com/british/tempest001.html" title="http://www.theatrehistory.com/british/tempest001.html"&gt;www.theatrehistory.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BA7213B2-4AA0-4BB1-A042-EC7CA82A8E6E.jpg" alt="MIRANDA AND CALIBAN" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;CENTER&gt;&lt;FONT size="-2" face="Arial"&gt;MIRANDA AND CALIBAN&lt;/FONT&gt;&lt;/CENTER&gt;
																															&lt;/DT&gt;&lt;DT&gt;
																																&lt;CENTER&gt;
																																	&lt;I&gt;&lt;FONT size="-2" face="Arial"&gt;A painting by James Ward (1769-1859)&lt;/FONT&gt;&lt;/I&gt;&lt;/CENTER&gt;&lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.picoodle.com/view.php?img=/9/8/14/f_ForbiddenLom_276daaa.jpg&amp;srv=img34" title="http://www.picoodle.com/view.php?img=/9/8/14/f_ForbiddenLom_276daaa.jpg&amp;srv=img34"&gt;www.picoodle.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AAE550A3-4407-4682-8A84-FB000E9CD618.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.elfwood.com/art/j/a/jadegoblin/forbidden_love_elfwood.jpg.html" title="http://www.elfwood.com/art/j/a/jadegoblin/forbidden_love_elfwood.jpg.html"&gt;www.elfwood.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9B37AB29-607C-4448-BDC3-F47554182FA9.jpg" alt="FORBIDDEN LOVE - SciFi and Fantasy Art by Jade N. Bengco" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tshirtdujour.com/blog/index.php?tag=heart" title="http://tshirtdujour.com/blog/index.php?tag=heart"&gt;tshirtdujour.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C14607A9-89CB-42D4-9C2C-3CF586946B7A.jpg" alt="The Forbidden Love" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://selinafenech.deviantart.com/art/Impossible-Love-30392649" title="http://selinafenech.deviantart.com/art/Impossible-Love-30392649"&gt;selinafenech.deviantart.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5EBE7723-122F-4660-8999-6AC21014F0DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Impossible Love        &lt;SMALL&gt;by *&lt;A href="http://selinafenech.deviantart.com/" class="u"&gt;SelinaFenech&lt;/A&gt;&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://botop-v.blogspot.com/2006/09/impossible-love-history.html" title="http://botop-v.blogspot.com/2006/09/impossible-love-history.html"&gt;botop-v.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6A34B436-F8BD-47B2-AB4E-14D9C225742D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sofacinema.co.uk/guardian/images/products/9/2759-large.jpg" title="http://www.sofacinema.co.uk/guardian/images/products/9/2759-large.jpg"&gt;www.sofacinema.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/368F26BB-43E5-4889-9936-511368679BEC.jpg" alt="http://www.sofacinema.co.uk/guardian/images/products/9/2759-large.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.arlindo-correia.com/040404.html" title="http://www.arlindo-correia.com/040404.html"&gt;www.arlindo-correia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/182049FB-CC8E-4E26-8C9B-11BD3ABC89A9.jpg" alt="Ted Hughes - Sylvia Plath" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/imagepages/2005/09/22/books/23plat3.html" title="http://www.nytimes.com/imagepages/2005/09/22/books/23plat3.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4633D815-63AD-4F5F-A5B6-2B38A16A41F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pittstate.edu/engl/nichols/arthur2.html" title="http://www.pittstate.edu/engl/nichols/arthur2.html"&gt;www.pittstate.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3053B652-B9CE-4DAD-A7D9-1C9E6F5C9A04.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Lancelot Bears Off Guenevere" by H. J. Ford&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/14D4751C-28A5-4CCA-AD86-A409BF74F14A.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/436FE47A-9520-46CC-BC60-44D73A1DDF5D.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="center"&gt;"Queen Guinevere's Deathbed" by N. C. Wyeth&lt;/P&gt;
	&lt;P class="center-2"&gt;["Then Sir Launcelot saw her visage, but he wept
not greatly, but sighed."]&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/76D6D918-428C-47C8-A1B9-E745AF2D12A7.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Lady of Shalott" by J. W. Waterhouse   &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A7A1CFC8-DCAF-4869-AA8A-CC1B711A0E5B.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="center"&gt;"The Lady of Shalott" by William
Holman Hunt&lt;/P&gt;
	&lt;P class="center-2"&gt;[The Lady is cursed to view life--and Lancelot--&lt;/P&gt;
	&lt;P class="center-2"&gt; second-hand through her mirror and her art.]&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/EB8F6357-FBB9-4AD3-B0B1-212256790C4A.jpg" alt="*" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="center"&gt;"Elaine" by Sophia Anderson&lt;/P&gt;
	&lt;P class="center-2"&gt;[Rejected by Lancelot, Elaine dies and floats down the river to Camelot.]&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.1902encyclopedia.com/A/ABE/peter-abelard.html" title="http://www.1902encyclopedia.com/A/ABE/peter-abelard.html"&gt;www.1902encyclopedia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/59251D54-3C92-4759-A18D-AF4A7E2CE897.jpg" alt="Abelard and Heloise painting" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;DIV&gt;Abelard and Heloise surprised by Master Fulbert&lt;/DIV&gt;
													&lt;BR /&gt;
													
								(Painting by Jean Vignaud)&lt;BR /&gt;
												&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;tutor to the maiden, he used the unlimited power which he thus obtained over her for the purpose of seduction,&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.art.co.uk/asp/sp-asp/_/pd--12364052/sp--A/Abelard_and_Heloise_French_Scholar_and_Nun_Embracing_in_the_Scriptorium.htm" title="http://www.art.co.uk/asp/sp-asp/_/pd--12364052/sp--A/Abelard_and_Heloise_French_Scholar_and_Nun_Embracing_in_the_Scriptorium.htm"&gt;www.art.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ABF34EBB-874E-48B4-8B69-5F97298EC796.jpg" alt=""Abelard and Heloise French Scholar and Nun Embracing in the Scriptorium" Giclee Print" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://teaattrianon.blogspot.com/2007/05/abelard-and-heloise.html" title="http://teaattrianon.blogspot.com/2007/05/abelard-and-heloise.html"&gt;teaattrianon.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C48200B7-ED00-428D-A1BB-C8B4A742BD1C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wisdomhousebooks.com/Difference.html" title="http://www.wisdomhousebooks.com/Difference.html"&gt;www.wisdomhousebooks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4E90F291-84E4-40DB-B21A-8A71EAF856B0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.neuschwanstein.com/english/castle/legends/tristan_isolde.htm</clipSource><pubDate>Sun, 06 Apr 2008 09:57:21 GMT</pubDate></item><item><title>SOME critics of Israel and Zionism are Anti-Semitic</title><link>http://clipmarks.com/clipmark/DBDD6F25-70AD-4392-A7B9-F1B19E16AB02/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.haaretz.com/hasen/spages/970653.html" title="http://www.haaretz.com/hasen/spages/970653.html"&gt;www.haaretz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There will be those who will counter that critics of Israel are often mistakenly and/or derisively termed anti-Semitic. That is too often true. But it is no justification for letting true Jew hate slide.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The jihad has a problem with the Jews.
&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;Not just a problem with Israel. Not just the occupation. Not just the policies of the Israeli government, the actions of the Israel Defense Forces, the support by Washington and the West for Israel's embargo against Hamas-ruled Gaza.
&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;Islamists don't care who knows it anymore. They hate the Jews. And, not to put too fine a point on it, they want the Jews dead.
&lt;/DIV&gt;
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is imam and legislator Sheik Yunus al-Astal, who, citing a Koranic verse indicating that "suffering by fire is the Jews' destiny in this world and the next," concludes that "we are sure that the holocaust is still to come upon the Jews."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Quite clearly, there are those for whom the existence of the Jews is intolerable.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/jews/" rel="tag"&gt;jews&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anti-semitism/" rel="tag"&gt;anti-semitism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jihad/" rel="tag"&gt;jihad&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.haaretz.com/hasen/spages/970653.html</clipSource><pubDate>Sun, 06 Apr 2008 09:12:04 GMT</pubDate></item></channel></rss>