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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/date/2008/4/3/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/date/2008/4/3/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Jan Bruegel - The Underworld  (more Soehnee)</title><link>http://clipmarks.com/clipmark/1D81EC74-D6E8-4A91-AAD8-088EBFDA965C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/michellezm/"&gt;michellezm&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Some images can be enlarged on site &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp0.blogger.com/_xQwP8MNj0EA/Rj0NTilnJOI/AAAAAAAABWI/Xsv-j2DlqQ4/s1600-h/+Aenaes+and+the+Sybil+in+Hades+-+%28Jan+Bruegel+the+Elder+-+1600%29.jpg" title="http://bp0.blogger.com/_xQwP8MNj0EA/Rj0NTilnJOI/AAAAAAAABWI/Xsv-j2DlqQ4/s1600-h/+Aenaes+and+the+Sybil+in+Hades+-+%28Jan+Bruegel+the+Elder+-+1600%29.jpg"&gt;bp0.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/5FF803D7-9A9A-44E9-832B-519362912CCD.jpg" alt="[+Aenaes+and+the+Sybil+in+Hades+-+(Jan+Bruegel+the+Elder+-+1600).jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://monsterbrains.blogspot.com/2007/05/jan-brueghel-in-underworld-aenaes-and.html" title="http://monsterbrains.blogspot.com/2007/05/jan-brueghel-in-underworld-aenaes-and.html"&gt;monsterbrains.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/3250548B-3855-4280-B45B-8D33F241EC97.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp0.blogger.com/_xQwP8MNj0EA/Rj0SSilnJRI/AAAAAAAABWg/0SsB6dAxhqo/s1600-h/BID0618.gif" title="http://bp0.blogger.com/_xQwP8MNj0EA/Rj0SSilnJRI/AAAAAAAABWg/0SsB6dAxhqo/s1600-h/BID0618.gif"&gt;bp0.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/00DC664D-AFB7-4C9E-A69D-92E237BDF0F2.png" alt="[BID0618.gif]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://monsterbrains.blogspot.com/2007/05/jan-brueghel-in-underworld-aenaes-and.html" title="http://monsterbrains.blogspot.com/2007/05/jan-brueghel-in-underworld-aenaes-and.html"&gt;monsterbrains.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/74F07119-0B59-4979-B275-7E8CE9F9FA49.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/A15F6856-6DA2-4E3D-B048-BB7907094AB3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/4D998B6B-726B-419E-BB8C-359DEEFB225F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/D6A47D0B-AB39-4FA0-B229-BDA8C4713BBF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://monsterbrains.blogspot.com/2007/05/more-soehne-above-artworks-are.html" title="http://monsterbrains.blogspot.com/2007/05/more-soehne-above-artworks-are.html"&gt;monsterbrains.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;More Soehnée&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/24DDF844-1440-4BAD-8654-786336941C79.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/A25E4E2F-1F4B-4F89-B771-E0B7FFEBA732.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/EC596ADE-62D4-4C21-9479-CF2519A98F44.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/9C2856F8-CE54-48B9-AFDE-6200008E404D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/2DD12296-77EE-4016-8AA3-04737E959750.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/86C629FF-97DD-497E-8F89-43DB16B4B42F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/64268527-3A9D-4BB1-927F-B0DAA41D7FCF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/B676F8D3-D173-43E7-A47C-2CFCABC7A689.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://monsterbrains.blogspot.com/2007/04/jan-provost-last-judgment-this-painting.html" title="http://monsterbrains.blogspot.com/2007/04/jan-provost-last-judgment-this-painting.html"&gt;monsterbrains.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
      &lt;DIV&gt;&lt;/DIV&gt;&lt;SPAN&gt;&lt;A&gt;Jan Provost - The Last Judgement&lt;/A&gt;&lt;/SPAN&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://bp1.blogger.com/_xQwP8MNj0EA/RjQ4xClnI5I/AAAAAAAABTk/2WVN8Z9FCOM/s1600-h/hellmouth.jpg"&gt;&lt;IMG border="0" id="BLOGGER_PHOTO_ID_5058730696603280274" alt="" src="http://bp1.blogger.com/_xQwP8MNj0EA/RjQ4xClnI5I/AAAAAAAABTk/2WVN8Z9FCOM/s400/hellmouth.jpg" /&gt;&lt;/A&gt;This painting made from oil on oak panel dated at 1525 presents a Bosh influenced opening into hell. You can see the rest of the painting &lt;A href="http://www.dia.org/the_collection/overview/viewobject.asp?objectid=57842"&gt;here.&lt;/A&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;A href="http://bp1.blogger.com/_xQwP8MNj0EA/RjRBIClnI6I/AAAAAAAABTs/qo7IAbLMbQ8/s1600-h/Three_old_women_beating_a_Devil_on_the_ground.jpg"&gt;&lt;SPAN&gt;&lt;SPAN&gt;Daniel Hopfer&lt;/SPAN&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://bp1.blogger.com/_xQwP8MNj0EA/RjRBIClnI6I/AAAAAAAABTs/qo7IAbLMbQ8/s1600-h/Three_old_women_beating_a_Devil_on_the_ground.jpg"&gt;&lt;IMG border="0" id="BLOGGER_PHOTO_ID_5058739887833293730" alt="" src="http://bp1.blogger.com/_xQwP8MNj0EA/RjRBIClnI6I/AAAAAAAABTs/qo7IAbLMbQ8/s400/Three_old_women_beating_a_Devil_on_the_ground.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;The above etching is titled "Three Old Women Beating a Devil On The Ground." You can see more works by Hopfer at &lt;A href="http://bibliodyssey.blogspot.com/2007/04/armour-to-paper-on-origins-of-etching.html"&gt;the great post on his etchings at BibliOdyssey&lt;/A&gt; and &lt;A href="http://commons.wikimedia.org/wiki/Category:Daniel_Hopfer"&gt;the gallery page at Wikipedia.&lt;/A&gt;&lt;DIV&gt;&lt;/DIV&gt;
    &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bp0.blogger.com/_xQwP8MNj0EA/Rj0NTilnJOI/AAAAAAAABWI/Xsv-j2DlqQ4/s1600-h/+Aenaes+and+the+Sybil+in+Hades+-+%28Jan+Bruegel+the+Elder+-+1600%29.jpg</clipSource><pubDate>Thu, 03 Apr 2008 22:38:31 GMT</pubDate></item><item><title>Art of Charles-Frederic Soehnee</title><link>http://clipmarks.com/clipmark/A42AC2FE-DD87-48A8-8CA8-28DC0573E43D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/michellezm/"&gt;michellezm&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Some of the pictures can be enlarged on site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/2007/03/soehnee_1.html" title="http://www.spamula.net/blog/2007/03/soehnee_1.html"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Between May 1818 and May 1819, Charles-Frédéric &lt;A title="Some of Soehnée's paintings on Artnet." href="http://www.artnet.com/artist/710881/charles-frederic-soehnee.html"&gt;Soehnée&lt;/A&gt; filled three albums with an extraordinary series of watercolour paintings and sketches. These, together with a single lithograph, ‘as far as we know, […] make up the bulk, if not the entirety of &lt;A title="Illustrated article (in French) about Soehnée." href="http://www.latribunedelart.com/Nouvelles_breves/Breves_2006/03_06/Soehnee_530.htm"&gt;Soehnée&lt;/A&gt;’s &lt;I&gt;œuvre&lt;/I&gt;.’ Some details from these watercolours, scanned from the &lt;A title="Product page at Éditions Gallimard, for Patrick Mauriès' catalogue of Soehnée's work." href="http://www.gallimard.fr/catalog/html/actu/index/index_soehnee.html"&gt;catalogue&lt;/A&gt; of his work published last year, follow below.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/E045B2C5-8BA9-4DA1-BCA1-CBCD03BA9221.jpg" alt="Detail from an untitled watercolour (Mauriès cat. no. 108) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/E816BEE3-3ED9-4901-B5F6-12D5D78764DB.jpg" alt="Detail from an untitled watercolour (Mauriès cat. no. 59) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/9596E7D5-5FB6-4200-A017-4805C6DC1BC0.jpg" alt="Detail from an untitled watercolour (Mauriès cat. no. 68) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/E55B4C2E-9A15-4112-A250-3D1094442C86.jpg" alt="Detail from an untitled watercolour (Mauriès cat. no. 101) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/F8040995-B6E8-4FA2-8C38-F38997E5B24F.jpg" alt="Detail from an untitled watercolour (Mauriès cat. no. 86) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/34F51575-C94B-4204-9101-B60787498B9F.jpg" alt="Detail from 'Première Halte,' a watercolour (Mauriès cat. no. 76) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/9ACF0259-97BC-4BB0-970C-15FD90171F8A.jpg" alt="Detail from 'Voyage en Enfer,' a watercolour (Mauriès cat. no. 83) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/F98A0069-A83F-43AE-9A94-CCEABF7CB2FF.jpg" alt="Detail from 'L'Enfer des Jouers,' a watercolour (Mauriès cat. no. 81) by Charles-Frédéric Soehnée, 1818/19." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee01.jpg" title="http://www.spamula.net/blog/i43/soehnee01.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/6763175A-B184-4601-9258-9532B099A3A0.jpg" alt="http://www.spamula.net/blog/i43/soehnee01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee02.jpg" title="http://www.spamula.net/blog/i43/soehnee02.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/D550BBD9-F450-4F65-A424-245AB1D29593.jpg" alt="http://www.spamula.net/blog/i43/soehnee02.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee07.jpg" title="http://www.spamula.net/blog/i43/soehnee07.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/B04F5F6E-C8CF-4290-8911-3ACCD7F6A827.jpg" alt="http://www.spamula.net/blog/i43/soehnee07.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee05.jpg" title="http://www.spamula.net/blog/i43/soehnee05.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/F0246C31-AF98-4817-8592-4C168D3024FC.jpg" alt="http://www.spamula.net/blog/i43/soehnee05.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee06.jpg" title="http://www.spamula.net/blog/i43/soehnee06.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/12BC6BEA-4FCC-43EF-A05E-F90ECE2346A1.jpg" alt="http://www.spamula.net/blog/i43/soehnee06.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spamula.net/blog/i43/soehnee03.jpg" title="http://www.spamula.net/blog/i43/soehnee03.jpg"&gt;www.spamula.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/michellezm/512/89A6867C-D3BD-4F03-ACC2-515DEF6304F3.jpg" alt="http://www.spamula.net/blog/i43/soehnee03.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.spamula.net/blog/2007/03/soehnee_1.html</clipSource><pubDate>Thu, 03 Apr 2008 22:31:57 GMT</pubDate></item><item><title>Matter-Antimatter Split Hints at Physics Breakdown</title><link>http://clipmarks.com/clipmark/C4A7F0EF-A9F1-48AC-921A-9F2371091827/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciam.com/article.cfm?id=matter-antimatter-split-hi&amp;sc=rss" title="http://www.sciam.com/article.cfm?id=matter-antimatter-split-hi&amp;sc=rss"&gt;www.sciam.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nature may have handed scientists a new clue in a longstanding mystery: how matter beat out antimatter for dominance of the universe. Early data from twin experiments at the Tevatron, the world's reigning particle accelerator at Fermi National Accelerator Laboratory (Fermilab) in Batavia, Ill., suggest an unexpected chink in the hugely successful &lt;A href="http://www.sciam.com/article.cfm?id=the-coming-revolutions-in-particle-physics"&gt;standard model&lt;/A&gt; of particle physics.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/53ACBF73-80DD-4C4E-814C-6E9D0A73F8C0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;MATTER AND ANTIMATTER &lt;/STRONG&gt;  annihilate each other on contact. Experiments hint at a subtle difference between them that may explain why antimatter is so rare. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The twist comes from odd behavior in a particle called the B&lt;SUB&gt;S&lt;/SUB&gt;, which flips &lt;A target="_blank" href="http://www.fnal.gov/pub/presspass/press_releases/CDF_meson.html"&gt;back and forth&lt;/A&gt; between its matter and antimatter forms three trillions times per second. Researchers believe that such a breakdown, known as &lt;A target="_blank" href="http://www.symmetrymagazine.org/cms/?pid=1000194"&gt;CP violation&lt;/A&gt;, is required to explain why matter is so abundant.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/physics/" rel="tag"&gt;physics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciam.com/article.cfm?id=matter-antimatter-split-hi&amp;sc=rss</clipSource><pubDate>Thu, 03 Apr 2008 21:22:50 GMT</pubDate></item><item><title>Aztec Math Used Hearts and Arrows</title><link>http://clipmarks.com/clipmark/C75AC12A-3F05-4037-97E1-EFB927A83310/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciam.com/article.cfm?id=aztec-math-uses-hearts-and-arrows&amp;sc=rss" title="http://www.sciam.com/article.cfm?id=aztec-math-uses-hearts-and-arrows&amp;sc=rss"&gt;www.sciam.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Aztecs had more numbers than we do, or at least symbols denoting numerical concepts. When it came to measuring land—critical for levying the proper tax or tribute—these medieval Mesoamericans used arrows, hearts, hands and other units representing fractions, according to a new study in &lt;A href="http://www.sciencemag.org/"&gt;&lt;EM&gt;Science&lt;/EM&gt;&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/03874612-FF53-4497-A28D-2C16A942D472.jpg" alt="Oztoticpac-Lands-Map" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
To figure this out, mathematician &lt;A href="http://www.iimas.unam.mx/index.php/colaboradors/detalle/1/0/3"&gt;Maria del Carmen Jorge y Jorge&lt;/A&gt; of the National Autonomous University of Mexico (U.N.A.M) channeled the mind of an Aztec land surveyor. That meant retraining herself to use a &lt;A href="http://www.sciencemag.org/cgi/content/abstract/210/4469/499?ck=nck"&gt;different numerical system&lt;/A&gt; and combing through the &lt;EM&gt;Codex Vergara&lt;/EM&gt;, one of two remaining books that record &lt;A href="http://www.loc.gov/exhibits/kislak/kislak-exhibit.html"&gt;Aztec land surveying&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/math/" rel="tag"&gt;math&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbols/" rel="tag"&gt;symbols&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/aztec/" rel="tag"&gt;aztec&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciam.com/article.cfm?id=aztec-math-uses-hearts-and-arrows&amp;sc=rss</clipSource><pubDate>Thu, 03 Apr 2008 21:21:36 GMT</pubDate></item><item><title>Make ur own ceiling cat!</title><link>http://clipmarks.com/clipmark/F0A6F4A1-82ED-4B42-9C45-F40CF9EA3561/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/bignosemousie/"&gt;bignosemousie&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Hahahahahahaha.  So great, I can't stop thinking of ways to use this. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tubbypaws.blogspot.com/2008/03/meow-you-can-has-lolcats.html" title="http://tubbypaws.blogspot.com/2008/03/meow-you-can-has-lolcats.html"&gt;tubbypaws.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/bignosemousie/512/D3CBD0F2-8675-48D2-A35A-97E795B4893F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/bignosemousie/512/E4002A4E-4F15-416D-B6AB-2D035C99A842.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;He is watching you right now so please make&lt;BR /&gt;this model^-^ You can tape it to your ceiling,&lt;BR /&gt;his rightful place. Print and cut out the pattern&lt;BR /&gt;and stick it together, this one it quite easy to&lt;BR /&gt;make I think though I cried a little designing&lt;BR /&gt;it. lolcats are nice. meow^-^&lt;BR /&gt;Click on the image to make it bigger...&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ceiling+cat/" rel="tag"&gt;ceiling cat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lol/" rel="tag"&gt;lol&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/craft/" rel="tag"&gt;craft&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://tubbypaws.blogspot.com/2008/03/meow-you-can-has-lolcats.html</clipSource><pubDate>Thu, 03 Apr 2008 20:59:37 GMT</pubDate></item><item><title>Saint Orlan: ultimate body art</title><link>http://clipmarks.com/clipmark/04CEE885-DED8-4C9B-9DCD-4F030657CD4F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "If lipstick is an impression only for the Object, do feminists dream of the withering away of that second skin of make-up? But if it also carries a woman's potential for impressing/painting on the Object, the lover's lips or collar, what then? Will a feminist ever write a Milneresque tract:'On Not Being Able to Not Paint One's Lips':"&lt;br/&gt;-Kalu Singh &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html" title="http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html"&gt;weblogs.clarin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6A3345AA-9321-49F3-B3CF-1E9EBDFDF6BF.jpg" alt="orlan.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.english.ucsb.edu/faculty/ecook/courses/eng114em/whoisorlan.htm" title="http://www.english.ucsb.edu/faculty/ecook/courses/eng114em/whoisorlan.htm"&gt;www.english.ucsb.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Orlan is a performance 
    artist who uses her own body and the procedures of plastic surgery to make 
    "carnal art". She is transforming her face, but her aim is not to 
    attain a commonly held standard of beauty. Orlan is the only artist working 
    so radically with her own body, asking questions about the status of the body 
    in society.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B27C82E1-9E36-452E-B255-4BACE5DF4432.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1AF3EBA5-7637-441B-ACBF-826D2845513A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/65E6A591-81B1-4775-8045-B9F1E32DBF0B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3DCB6EA1-88FA-4DC0-8753-F52D2A3A1A26.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/DB958D6F-7933-4CBE-8DCD-8F8CECD032C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BCE6B667-CFBE-4FDD-B3ED-14A697EAF66E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/812D235C-EE16-4740-BAAA-EADDBADB9B45.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;she has since May 1990 undergone a series of plastic surgical 
    operations to transform herself into a new being, modelled on Venus, Diana, 
    Europa, Psyche and Mona Lisa.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stanford.edu/class/history34q/readings/Orlan/Orlan.html" title="http://www.stanford.edu/class/history34q/readings/Orlan/Orlan.html"&gt;www.stanford.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E8AF4DFD-ACE8-4813-80BA-3B155AD5B2CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9CD0A641-29B3-487C-981D-7BFC10060B43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://creativetechnology.salford.ac.uk/fuchs/modules/creative_technology/body.htm" title="http://creativetechnology.salford.ac.uk/fuchs/modules/creative_technology/body.htm"&gt;creativetechnology.salford.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/490B1C15-CB2B-42F4-80CB-20021A471535.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F4E18A56-366E-4A26-8251-41A2FF40C041.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.digibodies.org/online/orlan.htm" title="http://www.digibodies.org/online/orlan.htm"&gt;www.digibodies.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/226C0747-CDDA-4F56-9D47-ACF676F43EF8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
  

Orlan is the only artist to use plastic surgery as her medium of choice.
Since 1990, she has undergone a series of choreographed "performances" during which her face is surgically morphed
through the use of plastic surgery. Her intention is not to become "beautiful" but rather to suggest that the "objective (
beauty) is unattainable and the process horrifying." &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.medienkunstnetz.de/kuenstler/orlan/biografie/" title="http://www.medienkunstnetz.de/kuenstler/orlan/biografie/"&gt;www.medienkunstnetz.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A138C9C3-F7B0-4DFC-B458-48821387E55B.jpg" alt="Orlan »La Réincarnation de Sainte Orlan« | Vorher/Nachher - Simulation" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oldsite.vislab.usyd.edu.au/education/schools/guests/sharon/outline.html" title="http://oldsite.vislab.usyd.edu.au/education/schools/guests/sharon/outline.html"&gt;oldsite.vislab.usyd.edu.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9AFE65D6-E59F-474B-BEBA-E2067A9C7223.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artpool.hu/harmas/oszi/nevek/orlan.html" title="http://www.artpool.hu/harmas/oszi/nevek/orlan.html"&gt;www.artpool.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8CA772FC-A46E-43FC-B7E8-1AA06B0AD36B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artreview.com.au/Pages/Featured.aspx?wid=7dd8fc81-f09b-40de-b401-e32a22d40f0b" title="http://www.artreview.com.au/Pages/Featured.aspx?wid=7dd8fc81-f09b-40de-b401-e32a22d40f0b"&gt;www.artreview.com.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9F8A9A31-FBF1-4A2C-9F37-FC727CD33672.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp2.blogger.com/_x4_N2JYJj3c/RfJ758UbVRI/AAAAAAAAAFk/RQ6Iz1VHeoE/s1600-h/OrlanAmericanIndian.jpg" title="http://bp2.blogger.com/_x4_N2JYJj3c/RfJ758UbVRI/AAAAAAAAAFk/RQ6Iz1VHeoE/s1600-h/OrlanAmericanIndian.jpg"&gt;bp2.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C0B1AD4B-B2BC-43C0-AEF0-7FE59DD85373.jpg" alt="[OrlanAmericanIndian.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/body/" rel="tag"&gt;body&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/orlan/" rel="tag"&gt;orlan&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beauty/" rel="tag"&gt;beauty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/male+gaze/" rel="tag"&gt;male gaze&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychoanalysis/" rel="tag"&gt;psychoanalysis&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weblogs.clarin.com/itinerarte/archives/2007/06/feminismo_besos_y_balas_1.html</clipSource><pubDate>Thu, 03 Apr 2008 10:29:15 GMT</pubDate></item><item><title>This Human Being is a Guest House</title><link>http://clipmarks.com/clipmark/36CD5322-24C3-4A65-9BE7-8F6F77247FD4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wildmind.org/blogs/on-practice/paths-to-purification" title="http://www.wildmind.org/blogs/on-practice/paths-to-purification"&gt;www.wildmind.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;
&lt;STRONG&gt;THE GUEST HOUSE&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;This being human is a guest house.&lt;BR /&gt;
Every morning a new arrival.&lt;/P&gt;
&lt;P&gt;A joy, a depression, a meanness,&lt;BR /&gt;
some momentary awareness&lt;/P&gt;
&lt;P&gt;Welcome and entertain them all!&lt;BR /&gt;
Even if they’re a crowd of sorrows,&lt;BR /&gt;
who violently sweep your house&lt;BR /&gt;
empty of furniture,&lt;BR /&gt;
still, treat each guest honorably.&lt;BR /&gt;
He may be clearing you out&lt;BR /&gt;
for some new delight.&lt;/P&gt;
&lt;P&gt;The dark thought, the shame, the malice,&lt;BR /&gt;
meet them at the door laughing,&lt;BR /&gt;
and invite them in.&lt;/P&gt;
&lt;P&gt;Be grateful for whoever comes,&lt;BR /&gt;
because each has been sent&lt;BR /&gt;
as a guide from beyond. &lt;/P&gt;
&lt;P&gt;- Jelaluddin Rumi (Sufi poet, 1207-1273)
&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rumi/" rel="tag"&gt;rumi&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wildmind.org/blogs/on-practice/paths-to-purification</clipSource><pubDate>Thu, 03 Apr 2008 10:05:36 GMT</pubDate></item><item><title>Eros and Thanatos, Life and Death</title><link>http://clipmarks.com/clipmark/53314A0E-3CBD-4E5F-97AD-5F79FF9CF7A5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.huffingtonpost.com/tag/tom-cruise/3" title="http://www.huffingtonpost.com/tag/tom-cruise/3"&gt;www.huffingtonpost.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9B4087B2-EA1E-4F94-9839-027D65730D34.jpg" alt="eyeswideshuttommask2.jpg picture by BrandoBardot" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://members.aol.com/slicklynne/ldlplogo.jpg" title="http://members.aol.com/slicklynne/ldlplogo.jpg"&gt;members.aol.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/033ACEB4-8F27-4964-AA38-4721A4D10E12.jpg" alt="The image “http://members.aol.com/slicklynne/ldlplogo.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bc.edu/bc_org/avp/cas/fnart/art/19th/sculpture/lacombe1.jpg" title="http://www.bc.edu/bc_org/avp/cas/fnart/art/19th/sculpture/lacombe1.jpg"&gt;www.bc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/874AF2F2-4E77-420D-B13D-31DFA46633CC.jpg" alt="http://www.bc.edu/bc_org/avp/cas/fnart/art/19th/sculpture/lacombe1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timboucher.com/journal/2007/04/12/to-die-upon-the-hand-i-love-so-well/" title="http://www.timboucher.com/journal/2007/04/12/to-die-upon-the-hand-i-love-so-well/"&gt;www.timboucher.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E5299140-3224-4E39-90A9-D4BCFE40FF95.jpg" alt="alien-queen-kali-cobra-sex-death7.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B217F1F0-DD55-4189-9691-8E8C88A005B6.jpg" alt="isis-wadjet-cobra-goddess30.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/03D94DD5-C567-4013-A3AE-939909E566E4.gif" alt="lilith-love-death.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/28717AD5-AD08-4FD2-B4C4-F1E42CA95FC8.jpg" alt="lilith-love-death-sirens.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5263D5A2-982B-4633-ABD7-2AE1CCBB5C56.jpg" alt="lilith-love-death-sirens4.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/76EA647F-16AB-499A-B86C-5A40C3FB4493.jpg" alt="Gaiadaphne.JPG" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;I’ll follow thee and make a heaven of hell,&lt;BR /&gt;
To die upon the hand I love so well.&lt;/EM&gt;&lt;BR /&gt;
- &lt;A href="http://shakespeare.mit.edu/midsummer/midsummer.2.1.html"&gt;A Midsummer Night’s Dream&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cactuspillow.com/lindypaintings.html" title="http://www.cactuspillow.com/lindypaintings.html"&gt;www.cactuspillow.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B3EB94DF-17C5-4D95-AEA6-5E71240F2CD5.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4AC11465-B312-420C-9A3A-7B6E9A55D69B.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://english.aljazeera.net/mritems/images/2007/2/7/1_212705_1_9.jpg" title="http://english.aljazeera.net/mritems/images/2007/2/7/1_212705_1_9.jpg"&gt;english.aljazeera.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E6BC47B9-469C-4844-94D9-B5C4B5C036F0.jpg" alt="http://english.aljazeera.net/mritems/images/2007/2/7/1_212705_1_9.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.animeforum.com/showthread.php?t=15678" title="http://www.animeforum.com/showthread.php?t=15678"&gt;www.animeforum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1C84FCBE-D460-4E56-84A1-69C60ED442FF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timboucher.com/journal/2007/04/12/to-die-upon-the-hand-i-love-so-well/" title="http://www.timboucher.com/journal/2007/04/12/to-die-upon-the-hand-i-love-so-well/"&gt;www.timboucher.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/CE1E330F-5A88-4F7F-9B21-8AE07A2CA7FD.jpg" alt="alien-queen-kali-cobra-sex-death2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Oh, no, he’s got my toe,&lt;BR /&gt;
O gee, he’s up to my knee,&lt;BR /&gt;
Oh, my, he’s reached my thigh,&lt;BR /&gt;
O fiddle, he’s up to my middle,&lt;BR /&gt;
Oh heck, he’s up to my neck&lt;BR /&gt;
O dread, He’s got my . . . (gulp!)&lt;BR /&gt;
I’m being swallowed by a boa-constrictor, a boa-constrictor, a boa-constrictor,&lt;BR /&gt;
I’m being swallowed by a boa-constrictor,&lt;BR /&gt;
And I don’t like it one little bit.&lt;BR /&gt;
O dread, He’s up to my . . . (grand and glorious slurp!)&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.muse-gallery.com/digital/borch.html" title="http://www.muse-gallery.com/digital/borch.html"&gt;www.muse-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ABA80D35-D32A-43A1-8B0C-E2937F05082D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://casoual.wordpress.com/2007/01/20/dos-meus-quadros-iii-i-parte/hans-baldung-death-and-the-maidenjpg/" 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“http://img212.imageshack.us/img212/4898/amorepsiche28oz.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://altreligion.about.com/library/graphics/thanatos8.jpg" title="http://altreligion.about.com/library/graphics/thanatos8.jpg"&gt;altreligion.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BAC2439B-CD92-448B-BDA6-CB86DA98C908.jpg" alt="http://altreligion.about.com/library/graphics/thanatos8.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://franceslean84.blogspot.com/2007/03/brangre-haegy-eros-thanatos-perasma.html?showComment=1202354520000#c2081689679443242227" title="http://franceslean84.blogspot.com/2007/03/brangre-haegy-eros-thanatos-perasma.html?showComment=1202354520000#c2081689679443242227"&gt;franceslean84.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5589CE64-BA28-4F84-9C90-E2DA1B2BDE74.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://miramaze.blog.co.uk/2007/09/10/do_you_allow_yourself_to_get_aroused~2954865" title="http://miramaze.blog.co.uk/2007/09/10/do_you_allow_yourself_to_get_aroused~2954865"&gt;miramaze.blog.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B0B1D237-550B-4F4F-97B7-8F822BD1FBEF.jpg" alt="http://www.metaphotography.com/erosthanatos.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;EROs's job is to arouse and to stir up.. create chaos.. a potentially creatove space .. where something can be born.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Like Dionysus, he was sometimes referred to as Eleutherios, &lt;STRONG&gt;"the liberator". &lt;/STRONG&gt;His Roman equivalent was Cupid, "desire", also known as &lt;STRONG&gt;Amor, "love".&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;EROS and THANATOS work together.&lt;/P&gt;
	&lt;P&gt;Eros - Life force&lt;BR /&gt;
Thantatos - Death&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://beautiful4est.com/fotos/eros.htm" title="http://beautiful4est.com/fotos/eros.htm"&gt;beautiful4est.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BBBF1F6A-10A4-4CD1-97FD-F8613061966F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.trans4mind.com/mind-development/freud.html" title="http://www.trans4mind.com/mind-development/freud.html"&gt;www.trans4mind.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C1897A7C-DA07-4744-9406-D6E3561A6886.jpg" alt="sigmund-freud.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/eros-thanatos.+freud/" rel="tag"&gt;eros-thanatos. freud&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/death+in+life/" rel="tag"&gt;death in life&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eroticism/" rel="tag"&gt;eroticism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.huffingtonpost.com/tag/tom-cruise/3</clipSource><pubDate>Thu, 03 Apr 2008 09:41:39 GMT</pubDate></item><item><title>Coffee Cuts Risks of Brain Disorders</title><link>http://clipmarks.com/clipmark/AF0709EA-165F-4403-A0ED-86B8FB067634/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Good news in a cruel world! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/health/7326839.stm" title="http://news.bbc.co.uk/1/hi/health/7326839.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;B&gt;Coffee may cut the risk of dementia by blocking the damage cholesterol can inflict on the body, research suggests.&lt;/B&gt;
&lt;/P&gt;&lt;P&gt;
The drink has already been linked to a lower risk of Alzheimer's Disease, and a study by a US team for the Journal of Neuroinflammation may explain why.
&lt;/P&gt;&lt;P&gt;
A vital barrier between the brain and the main blood supply of rabbits fed a fat-rich diet was protected in those given a caffeine supplement.
&lt;/P&gt;&lt;P&gt;
UK experts said it was the "best evidence yet" of coffee's benefits.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8ECC1C2C-E974-403C-8F11-4624CD7C50A2.jpg" alt="Coffee" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The "blood brain barrier" is a filter which protects the central nervous system from potentially harmful chemicals carried around in the rest of the bloodstream.
&lt;/P&gt;&lt;P&gt;
Other studies have shown that high levels of cholesterol in th&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD class="sibtbg"&gt;
			                
					
			                
			                     
			                    &lt;DIV&gt;
	
		&lt;DIV class="mva"&gt;
			&lt;IMG width="24" height="13" border="0" alt="" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/start_quote_rb.gif" /&gt;
			&lt;B&gt;Caffeine is a safe and readily available drug and its ability to stabilise the blood brain barrier means it could have an important part to play in therapies against neurological disorders&lt;/B&gt;
		&lt;IMG width="23" vspace="0" height="13" border="0" align="right" alt="" src="http://newsimg.bbc.co.uk/nol/shared/img/v3/end_quote_rb.gif" /&gt;&lt;BR clear="all" /&gt;	&lt;/DIV&gt;
	
	




&lt;/DIV&gt;
			                
			                     
			                    &lt;DIV class="mva"&gt;
	&lt;DIV&gt;Dr Jonathan Geiger&lt;BR /&gt;University of North Dakota&lt;/DIV&gt;


&lt;/DIV&gt;
			                
			            &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/coffee/" rel="tag"&gt;coffee&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dementia/" rel="tag"&gt;dementia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neuroloigical+disorders/" rel="tag"&gt;neuroloigical disorders&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/health/7326839.stm</clipSource><pubDate>Thu, 03 Apr 2008 08:12:12 GMT</pubDate></item><item><title>Lips That Touch Liquor Shall Not Touch Ours</title><link>http://clipmarks.com/clipmark/39712B2B-D0BB-42D1-BE6E-E9EC38FA0EA2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/mickfinn/"&gt;mickfinn&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.strangepersons.com/images/content/5226.jpg" title="http://www.strangepersons.com/images/content/5226.jpg"&gt;www.strangepersons.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/mickfinn/512/063E8529-EF55-4ABA-A91E-BEED6711B91D.jpg" alt="http://www.strangepersons.com/images/content/5226.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.strangepersons.com/images/content/5226.jpg</clipSource><pubDate>Thu, 03 Apr 2008 06:06:00 GMT</pubDate></item></channel></rss>