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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/date/2008/4/23/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/date/2008/4/23/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Genes can be altered by experience</title><link>http://clipmarks.com/clipmark/154A3E11-6FAE-4E65-AD82-DDD3A4FF5683/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/jimbo1000/"&gt;jimbo1000&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Natural selection and mutations have seemed to me too slow to describe evolution. It looks as though there is a faster mechanism working alongside them. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.prospect-magazine.co.uk/article_details.php?id=10140" title="http://www.prospect-magazine.co.uk/article_details.php?id=10140"&gt;www.prospect-magazine.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD&gt;&lt;H1 class="h1img"&gt;&lt;IMG class="replacement" alt="What" src="https://www.prospect-magazine.co.uk/functions/heading.php?text=What%20&amp;selector=.h1img" /&gt;&lt;IMG class="replacement" alt="genes" src="https://www.prospect-magazine.co.uk/functions/heading.php?text=genes%20&amp;selector=.h1img" /&gt;&lt;IMG class="replacement" alt="remember" src="https://www.prospect-magazine.co.uk/functions/heading.php?text=remember%20&amp;selector=.h1img" /&gt;&lt;/H1&gt;
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    	&lt;A href="http://www.prospect-magazine.co.uk/vis_index.php?select_issue=625"&gt;May 2008 | 146&lt;/A&gt; &lt;SPAN class="smallgrey"&gt;»&lt;/SPAN&gt; &lt;A href="http://www.prospect-magazine.co.uk/list.php?category=169&amp;issue=625"&gt;Special report&lt;/A&gt; &lt;SPAN class="smallgrey"&gt;»&lt;/SPAN&gt; &lt;A href="http://www.prospect-magazine.co.uk/article_details.php?id=10140"&gt;What genes remember&lt;/A&gt;
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	&lt;SPAN class="leadtext"&gt;Many geneticists now think that the behaviour of our genes can be altered by experience—and even that these changes can be passed on to future generations. This finding may transform our understanding of inheritance and evolution&lt;/SPAN&gt;&lt;BR /&gt;
	&lt;DIV class="h3"&gt;Philip Hunter&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.prospect-magazine.co.uk/article_details.php?id=10140</clipSource><pubDate>Wed, 23 Apr 2008 21:00:54 GMT</pubDate></item><item><title>Pain as an art form</title><link>http://clipmarks.com/clipmark/96EE0AED-C957-4AC8-9E8F-D4EA561D6B1C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mr. Collen wrote to pain doctors around the world to solicit examples of art from pain patients. Working with San Francisco college student James Gregory, 21, who suffers from chronic pain as the result of a car accident, the two created the Pain Exhibit, an online gallery of art from pain sufferers. The images are evocative and troubling.“Some of them are painful even to look at,'’ Dr. Basbaum said.&lt;br/&gt;&lt;br/&gt;Finding ways to communicate pain is essential to patients who are suffering, many of whom don’t receive adequate treatment from doctors.Mr. Collen said the main goal of the exhibit is to raise awareness about the problem of chronic pain.“People don’t believe what they can’t see,'’ Mr. Collen said. “But they see a piece of art an individual created about their pain and everything changes.'’ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A" title="http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A"&gt;well.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;Pain as an Art Form&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/415D0602-2FDA-4D44-9A7A-A15D0D0D912C.jpg" alt="INSERT DESCRIPTION" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Pain doesn’t show up on a body scan and can’t be measured in a test. As a result, many chronic pain sufferers turn to art, opting to paint, draw or sculpt images in an effort to depict their pain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It’s often much more difficult to put pain into words, which is one of the big problems with pain,'’ said Allan I. Basbaum&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/8F118322-116A-46E4-88E1-A20B7F4D6606.jpg" alt="INSERT DESCRIPTION" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“The Broken Column,” by Frida Kahlo&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It was only when I started doing art about pain, and physicians saw the art, that they understood what I was going through,” Mr. Collen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;who suffers from chronic back pain&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;said.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Words are limiting, but art elicits an emotional response.'’&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some of the images from the Pain Exhibit, like &lt;A target="_blank" href="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html" linkindex="35" set="yes"&gt;“Broken People”&lt;/A&gt; by Robert S. Beal of Tulsa, Okla., depict the physical side of pain. Others, such as &lt;A target="_blank" href="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html" linkindex="36" set="yes"&gt;“Against the Barrier to Life,”&lt;/A&gt; convey the emotional challenges of chronic pain.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html" title="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html"&gt;www.painexhibit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Broken People&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/3D1E7E7E-2D97-4863-AD41-B50AB2F7F172.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html" title="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html"&gt;www.painexhibit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Against The Barrier To Life&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/5D947793-838E-4942-8D42-758FF730184A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" class="style1"&gt;Artist Statement&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I feel I am constantly fighting against a tidal wave of pain in order to achieve some quality of life.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A</clipSource><pubDate>Wed, 23 Apr 2008 19:51:32 GMT</pubDate></item></channel></rss>