<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/date/2008/4/22/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/date/2008/4/22/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Morning in the Streets: social documentary</title><link>http://clipmarks.com/clipmark/A0517F88-77C4-4C2F-A151-97F9A3EAD613/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Half hor film on site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.screenonline.org.uk/tv/id/1224984/index.html" title="http://www.screenonline.org.uk/tv/id/1224984/index.html"&gt;www.screenonline.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7BE9E99D-F576-42D1-BF6B-EAE9754B0A21.jpg" alt="Main image of Morning in the Streets (1959)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;CITE&gt;Morning in the Streets&lt;/CITE&gt;, made by the BBC's &lt;CITE class="party"&gt;Northern Film Unit&lt;/CITE&gt;, was publicised 
as an "impression of life and opinion in the back streets of a Northern City in 
the morning". The city in question is never identified: scenes were shot in 
Manchester, Salford, Stockport and Liverpool then combined as if capturing a 
single half-day in a single location. Because the film is impressionistic rather 
than journalistic, this artistically licensed deceit is easy to accept. While a 
minority of viewers disliked the film, it was hailed for bringing television 
documentary to a new level of artistic ambition, worthy of film antecedents. And 
in fact, after its broadcast &lt;CITE&gt;Morning in the Streets&lt;/CITE&gt; became part of the 
non-theatrical documentary repertory, available for years for 16mm bookings. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbc.co.uk/liverpool/content/articles/2008/04/09/history_morning_on_the_streets_feature.shtml" title="http://www.bbc.co.uk/liverpool/content/articles/2008/04/09/history_morning_on_the_streets_feature.shtml"&gt;www.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ACD0BECE-378A-4E41-9D06-0020D080A261.jpg" alt="Morning on the Streets" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7A085F4C-DF46-49DB-B68A-39DC29EB4090.jpg" alt="Children playing" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AB0D5B6B-00F6-44DB-B942-834D3AE5034F.jpg" alt="Man on the streets" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.screenonline.org.uk/tv/id/1224984/index.html" title="http://www.screenonline.org.uk/tv/id/1224984/index.html"&gt;www.screenonline.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It's not a faultless film.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But the 
imperfections almost work in favour of the film, which is beautiful rather than 
pretty. &lt;/P&gt;
&lt;P class="bricksrc"&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbc.co.uk/liverpool/content/articles/2008/04/09/history_morning_on_the_streets_feature.shtml" title="http://www.bbc.co.uk/liverpool/content/articles/2008/04/09/history_morning_on_the_streets_feature.shtml"&gt;www.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;&lt;LI class="web-link"&gt;&lt;A class="bbc-link" title="Watch this film" href="http://www.bbc.co.uk/archive/white/189_white.shtml"&gt;Watch: Morning on the Streets&lt;/A&gt;&lt;/LI&gt;&lt;LI class="web-link"&gt;&lt;A class="bbc-link" title="See memories of Liverpool" href="http://www.bbc.co.uk/dna/memoryshare/liverpool/ArticleSearch?contenttype=-1&amp;phrase=_memory&amp;s_from=drill_down&amp;show=10&amp;s_last_search=%2Fdna%2Fmemoryshare%2Fliverpool%2FArticleSearch?contenttype=-1%26phrase=_memory%26show=10%26s_dateview=century%26s_day=%26s_month=%26s_year=%26s_decade=%26phrase=_memory%26s_phrase=_memory&amp;s_decade=null&amp;phrase=liverpool&amp;s_startdate=&amp;s_newsearch=0"&gt;Contribute to Memoryshare&lt;/A&gt;&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/liverpool/" rel="tag"&gt;liverpool&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/north+west+film+archive/" rel="tag"&gt;north west film archive&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/documentary/" rel="tag"&gt;documentary&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.screenonline.org.uk/tv/id/1224984/index.html</clipSource><pubDate>Tue, 22 Apr 2008 11:42:35 GMT</pubDate></item><item><title>Ouroboros: the serpent eats its tail</title><link>http://clipmarks.com/clipmark/CCE45436-6352-4617-8AB0-7BA1C025AE7E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dragon.org/chris/ouroboros.html" title="http://www.dragon.org/chris/ouroboros.html"&gt;www.dragon.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9410D81A-B9CD-4ABF-9D55-7084C1DA48FF.gif" alt="[ouroboros in greek text]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/39AB8F0D-B0A3-4FAE-8574-97C52C9DBC5E.gif" alt="[Egyptian ouroboros]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0A1389C5-F9AF-493F-A788-8D40469AA085.jpg" alt="[Millenium logo]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The Serpent biting its own tail is first seen as early as 1600 years BC in Egypt.  From there it moved to the Phonecians and then to the Greeks, who called it the &lt;A href="http://www.perseus.tufts.edu:80/cgi-bin/lexindex?entry=ou)robo/ros&amp;word=tail"&gt;Ouroboros&lt;/A&gt;, which means &lt;EM&gt;devouring its tail&lt;/EM&gt;.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://teek.artspots.com/image/10664" title="http://teek.artspots.com/image/10664"&gt;teek.artspots.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4C57B22D-7524-4656-B787-8ECECDBEA11F.jpg" alt="19_aris-ouroboros" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://altreligion.about.com/library/graphics/masonic/ouroboros.jpg" title="http://altreligion.about.com/library/graphics/masonic/ouroboros.jpg"&gt;altreligion.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5C13B2ED-5FAC-4C29-9F87-5486B676F227.jpg" alt="http://altreligion.about.com/library/graphics/masonic/ouroboros.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://z.about.com/d/altreligion/1/0/F/j/2/ouroboros35.jpg" title="http://z.about.com/d/altreligion/1/0/F/j/2/ouroboros35.jpg"&gt;z.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/53C04613-850A-49A0-ADC5-1B355B40FF64.jpg" alt="http://z.about.com/d/altreligion/1/0/F/j/2/ouroboros35.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wilsonsalmanac.com/images1/ouroboros_bw_medb.jpg" title="http://www.wilsonsalmanac.com/images1/ouroboros_bw_medb.jpg"&gt;www.wilsonsalmanac.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6368C4E2-95DE-4DAC-9625-D5DD96E18DBB.jpg" alt="The image “http://www.wilsonsalmanac.com/images1/ouroboros_bw_medb.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wisdomportal.com/Ouroboros.html" title="http://www.wisdomportal.com/Ouroboros.html"&gt;www.wisdomportal.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0948E7C0-76D2-4FAD-899B-4020FE333785.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9BFA4561-89A2-44BC-A9C1-98185C8FFB9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;V838 Monocerotis&lt;/I&gt;: &lt;FONT size="2"&gt;Hubble Space Telescope/NASA&lt;BR /&gt;
(February 8, 2004)&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://users.ucom.net/~vegan/pentacle.htm" title="http://users.ucom.net/~vegan/pentacle.htm"&gt;users.ucom.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E06E8148-5F1A-4E2C-8085-2FCFD181968F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.xzentradi.com/images/Ouroboros-Sleve-Cover-final.jpg" title="http://www.xzentradi.com/images/Ouroboros-Sleve-Cover-final.jpg"&gt;www.xzentradi.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/792DF81D-56DC-41D9-B708-335563F93422.jpg" alt="The image “http://www.xzentradi.com/images/Ouroboros-Sleve-Cover-final.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.groundzeromedia.org/dis/conjuring/conjuring.shtml" title="http://www.groundzeromedia.org/dis/conjuring/conjuring.shtml"&gt;www.groundzeromedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The serpent locked on its tail represents immobility and yet coils around the earth demonstrating perpetual movement. It represents the confusing message of your end being your beginning, your disintegration becoming reintegration. It is death before the spark of creation.  It is believed to be the representation of the grand eternal cycle.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E5944DCC-3B64-4C7C-BEA7-984896FAF071.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ouroboros/" rel="tag"&gt;ouroboros&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dragon.org/chris/ouroboros.html</clipSource><pubDate>Tue, 22 Apr 2008 10:08:59 GMT</pubDate></item><item><title>The Meaningless of Meaning</title><link>http://clipmarks.com/clipmark/B0BB3391-C549-4570-8748-8EE3E7FA3CBF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;lt;&amp;lt;&amp;lt;To Nabokov, skimming the Present without sinking into the Past is a miracle that befits only the most experienced: "Otherwise the inexperienced miracle-worker will find himself no longer walking on water but descending upright among staring fish" (if I may add) under the weight of past associations.&amp;gt;&amp;gt;&amp;gt;&lt;br/&gt;&lt;br/&gt;Thus do we think we have thought and felt and experience the One, the Abyss, the Edge, the Love....  yet the graceful lightness of being is elusive and we are weighed down always, especially 'Now' (oh, its 'Power'!) by the depreciating luggage of our conceptual memories and ossified identities. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence" title="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Meaning is a process of filling in the blanks of the mind… with words… that trigger other words…&lt;SPAN&gt;  &lt;/SPAN&gt;that trigger more words… &lt;SPAN&gt; &lt;/SPAN&gt;As we grow and acquire language, we, in essence, acquire a baggage of associations that weighs us down as we try to skate the thin ice of presence.&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Nabokov, in Transparent Things, writes: “When we concentrate on a material object &amp;lt;…&amp;gt; the very act of attention may lead to our involuntary sinking into the history of that object.&lt;SPAN&gt;  &lt;/SPAN&gt;Novices must learn to skim over matter if they want to stay at the exact level of the moment.”&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“A thin veneer of immediate reality is spread over natural and artificial matter, and whoever wishes to remain in the now, with the now, on the now, should please not break its tension film.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Meaning is an &lt;EM&gt;artifact&lt;/EM&gt; of the Past, not the actual fact of the Present.&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;instead of seeing reality as it is, we see a “so-called” reality &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Language constructs perception: first, the word, then, the perceived reality. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/nabokov/" rel="tag"&gt;nabokov&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence</clipSource><pubDate>Tue, 22 Apr 2008 09:43:21 GMT</pubDate></item></channel></rss>