<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/date/2008/3/1/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/date/2008/3/1/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Folding(Proteins)@home-Distributed Computing </title><link>http://clipmarks.com/clipmark/89D526E1-CF46-4A10-9598-08662380645E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/pokkets/"&gt;pokkets&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Stanford University is doing valuable protein research spreading the load to thousands of personal computers using unallocated CPU time.It has a low 'status' so all other programs are given priority. I had heard about it but didn't know it was so easy to join. You can be anonymous, have a username, or also be part of a team. where the work done is tallied.&lt;br/&gt;I found out about it at the Ubuntu site, so I joined team Ubuntu, but thought there could   always be a team clipmarks. I'll leave that with egoldstein, I just joined and have no idea about teams and team numbers. Theres 1 'client' per CPU so dual cores can have 2 (2 teams?) There is a link in the program to show how many proteins have been done. Programs for linux,apple and mac. I don't know about after rebooting. Ubuntu has a script that restarts every reboot Windows may have to run exe again. mac?  I can't be sure the username search works from the clip, but if you're interested the top link to Stanford will make a lot more sense &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://folding.stanford.edu/English/Main" title="http://folding.stanford.edu/English/Main"&gt;folding.stanford.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="vis"&gt;&lt;A title="Folding@home" href="http://folding.stanford.edu" id="logo"&gt;&lt;/A&gt;
&lt;DIV id="menu"&gt;&lt;UL&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Main" class="selflink"&gt;Home&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Download" class="wikilink"&gt;Download&lt;/A&gt;
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&lt;/LI&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Stats" class="wikilink"&gt;Stats&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Science" class="wikilink"&gt;Science&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Papers" class="wikilink"&gt;Results&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/Awards" class="wikilink"&gt;Awards&lt;/A&gt;
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&lt;/LI&gt;&lt;/UL&gt;&lt;DIV class="vspace"&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
	&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
Our goal: to understand protein folding, misfolding, and related diseases &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="vspace"&gt;&lt;STRONG&gt;What is protein folding and how is folding linked to disease?&lt;/STRONG&gt;&lt;BR /&gt;Proteins are biology's workhorses -- its "nanomachines." Before proteins can carry out these important functions, they assemble themselves, or "fold." The process of protein folding, while critical and fundamental to virtually all of biology, in many ways remains a mystery.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="vspace"&gt;Moreover, when proteins do not fold correctly (i.e. "misfold"), there can be serious consequences, including many well known &lt;A href="http://folding.stanford.edu/English/FAQ-Diseases" class="wikilink"&gt;diseases&lt;/A&gt;, such as Alzheimer's, Mad Cow (BSE), CJD, ALS, Huntington's, Parkinson's disease, and many Cancers and cancer-related syndromes.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://folding.stanford.edu/English/Download" title="http://folding.stanford.edu/English/Download"&gt;folding.stanford.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://i93.photobucket.com/albums/l55/darkstar-rising/Fold003.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="vspace"&gt;&lt;STRONG&gt;How do I choose a username?&lt;/STRONG&gt; 
To check if a name is already being used, use this search tool.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;INPUT type="hidden" value="userstats" name="qtype" /&gt;
&lt;INPUT type="submit" class="inputbutton" value="search" name="submitopt" /&gt;
&lt;INPUT type="text" size="50" class="inputbox" value="YourName" name="qname" /&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Type your name above (where it says "&lt;SPAN class="wikiword"&gt;YourName&lt;/SPAN&gt;") to see if that user name is already being used. You can also choose not to have a username&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
For More&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; See:&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;&lt;LI&gt;&lt;A href="http://folding.stanford.edu/English/FAQ" class="wikilink"&gt;FAH FAQ&lt;/A&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A rel="nofollow" href="http://foldingforum.org" class="urllink"&gt;Folding Support Forum&lt;/A&gt;
&lt;/LI&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://folding.stanford.edu/English/Main</clipSource><pubDate>Sun, 02 Mar 2008 02:11:18 GMT</pubDate></item><item><title>Amor fati</title><link>http://clipmarks.com/clipmark/AC74AC96-790B-40F1-8120-FA78943F945A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Amor_fati&amp;oldid=195000552" title="http://en.wikipedia.org/w/index.php?title=Amor_fati&amp;oldid=195000552"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Amor fati&lt;/B&gt; is a &lt;A title="Latin" href="http://en.wikipedia.org/wiki/Latin"&gt;Latin&lt;/A&gt; phrase that loosely translates to "love of fate" or "love of one's fate". It is used to describe an attitude in which one sees everything that happens in one's life, including &lt;A title="Suffering" href="http://en.wikipedia.org/wiki/Suffering"&gt;suffering&lt;/A&gt; and &lt;A title="Grief" href="http://en.wikipedia.org/wiki/Grief"&gt;loss&lt;/A&gt;, as good. That is, one feels that everything that happens is &lt;A title="Destiny" href="http://en.wikipedia.org/wiki/Destiny"&gt;destiny&lt;/A&gt;'s way of reaching its ultimate purpose, and so should be considered good.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The phrase is used repeatedly in &lt;A title="Nietzsche" class="mw-redirect" href="http://en.wikipedia.org/wiki/Nietzsche"&gt;Nietzsche&lt;/A&gt;'s writings and is representative of the general outlook on life he articulates in section 276 of &lt;I&gt;&lt;A title="The Gay Science" href="http://en.wikipedia.org/wiki/The_Gay_Science"&gt;The Gay Science&lt;/A&gt;&lt;/I&gt;, which reads,&lt;/P&gt;
&lt;BLOCKQUOTE&gt;
&lt;P&gt;I want to learn more and more to see as beautiful what is necessary in things; then I shall be one of those who make things beautiful. &lt;I&gt;Amor fati&lt;/I&gt;: let that be my love henceforth! I do not want to wage war against what is ugly. I do not want to accuse; I do not even want to accuse those who accuse. &lt;I&gt;Looking away&lt;/I&gt; shall be my only negation. And all in all and on the whole: some day I wish to be only a Yes-sayer&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/amor+fati/" rel="tag"&gt;amor fati&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Amor_fati&amp;oldid=195000552</clipSource><pubDate>Sat, 01 Mar 2008 18:54:07 GMT</pubDate></item><item><title>Gethsemane</title><link>http://clipmarks.com/clipmark/F4034CC4-71F5-45B5-AC69-B42D4BFBB91E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.liverpoolmuseums.org.uk/sudley/collections/gardenhall/garden_gethsemane_dyce.asp" title="http://www.liverpoolmuseums.org.uk/sudley/collections/gardenhall/garden_gethsemane_dyce.asp"&gt;www.liverpoolmuseums.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.liverpoolmuseums.org.uk/sudley/collections/graphics/large/garden_gethsemane_dyce.jpg" alt="'The Garden of Gethsemane', William Dyce" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; The subject is Jesus praying alone in Gethsemane: the setting is a wild Scottish glen at twilight. Christ’s spiritual journey is symbolised by the stony path leading to a dense forest under a waxing moon. Dyce, a deeply committed Christian, believed in a contemporary Christ, and represented him as a real person with whom the viewer could identify. The meticulous technique reflects Dyce’s admiration for the Pre-Raphaelites. The painting was in the collection of John Farnworth of Liverpool, where George Holt almost certainly saw and admired it years before he was able to buy it.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gethsemane/" rel="tag"&gt;gethsemane&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dyce/" rel="tag"&gt;dyce&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.liverpoolmuseums.org.uk/sudley/collections/gardenhall/garden_gethsemane_dyce.asp</clipSource><pubDate>Sat, 01 Mar 2008 12:29:37 GMT</pubDate></item><item><title>The Absurdity of Faith</title><link>http://clipmarks.com/clipmark/A94F2C26-1C62-430C-9AF1-FB9EDA6105F3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://alleyjd.wordpress.com/2008/01/12/the-strength-of-the-absurd/" title="http://alleyjd.wordpress.com/2008/01/12/the-strength-of-the-absurd/"&gt;alleyjd.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;The movement of faith must be continually on the strength of the absurd…&lt;BR /&gt;
Faith…having performed the movements of infinity…makes those of finitude.&lt;/I&gt;&lt;BR /&gt;
-Soren Kierkegaard, &lt;I&gt;Fear and Trembling&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/kierkegaard/" rel="tag"&gt;kierkegaard&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fear+and+tremblinf/" rel="tag"&gt;fear and tremblinf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/faith/" rel="tag"&gt;faith&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/absurd/" rel="tag"&gt;absurd&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://alleyjd.wordpress.com/2008/01/12/the-strength-of-the-absurd/</clipSource><pubDate>Sat, 01 Mar 2008 09:52:13 GMT</pubDate></item><item><title>Night Mail</title><link>http://clipmarks.com/clipmark/CD5B40C6-F24B-4C29-ACE6-5487BCC98B6D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.youtube.com/watch?v=Gmq6mFAEqNQ" rel="nofollow" target="_blank"&gt;http://www.youtube.com/watch?v=Gmq6mFAEqNQ&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newearth.demon.co.uk/poems/lyric206.htm" title="http://www.newearth.demon.co.uk/poems/lyric206.htm"&gt;www.newearth.demon.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="poem"&gt;This is the Night Mail crossing the border,&lt;BR /&gt;
Bringing the cheque and the postal order,&lt;BR /&gt;
Letters for the rich, letters for the poor,&lt;BR /&gt;
The shop at the corner and the girl next door.&lt;BR /&gt;
Pulling up Beattock, a steady climb:&lt;BR /&gt;
The gradient's against her, but she's on time.&lt;BR /&gt;
Past cotton-grass and moorland boulder&lt;BR /&gt;
Shovelling white steam over her shoulder,&lt;BR /&gt;
Snorting noisily as she passes&lt;BR /&gt;
Silent miles of wind-bent grasses.&lt;/P&gt;

&lt;P class="poem"&gt;Birds turn their heads as she approaches,&lt;BR /&gt;
Stare from the bushes at her blank-faced coaches.&lt;BR /&gt;
Sheep-dogs cannot turn her course;&lt;BR /&gt;
They slumber on with paws across.&lt;BR /&gt;
In the farm she passes no one wakes,&lt;BR /&gt;
But a jug in the bedroom gently shakes.&lt;/P&gt;

&lt;P class="poem"&gt;Dawn freshens, the climb is done.&lt;BR /&gt;
Down towards Glasgow she descends&lt;BR /&gt;
Towards the steam tugs yelping down the glade of cranes,&lt;BR /&gt;
Towards the fields of apparatus, the furnaces&lt;BR /&gt;
Set on the dark plain like gigantic chessmen.&lt;BR /&gt;
All Scotland waits for her:&lt;BR /&gt;
In the dark glens, beside the pale-green sea lochs&lt;BR /&gt;
Men long for news.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/night+mail/" rel="tag"&gt;night mail&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/auden/" rel="tag"&gt;auden&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newearth.demon.co.uk/poems/lyric206.htm</clipSource><pubDate>Sat, 01 Mar 2008 09:39:45 GMT</pubDate></item><item><title>The Sad Terrorist</title><link>http://clipmarks.com/clipmark/87C9E50D-624E-473F-9A54-B6A951493601/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Nicholas Shakespeare reviews Blood &amp;amp; Rage: a Cultural History of Terrorism by Michael Burleigh.&lt;br/&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/03/01/bobur101.xml" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/03/01/bobur101.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the moral squalor, intellectual poverty and psychotic nature of terrorist organisations, from the Fenians of the mid-19th century to today's jihadists - the latter group, especially, being composed of unstable males of conspicuously limited abilities and imagination, and yet who pose "an existential threat to the whole of civilisation" with their crusade to realise "a world that almost nobody wants", all in the hope of an afterlife featuring 72 virgins and rivers foaming with honey and beer.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sour, lazy nobodies, ugly, of febrile imagination and indifferent talent, who can only become somebody by blowing others, inevitably persons more talented and intelligent, up.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Blood &amp; Rage&lt;/B&gt; is in all sorts of ways an outstanding book; it is also fuelled by the manic energy and focus of someone accelerating a truckload of intellectual high-explosives into the gates of a "stunningly" credulous soft-liberal establishment, composed of "colluding" human rights lawyers and "celebrity useful idiots" &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/terrorism/" rel="tag"&gt;terrorism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/03/01/bobur101.xml</clipSource><pubDate>Sat, 01 Mar 2008 09:10:00 GMT</pubDate></item><item><title>wind dam</title><link>http://clipmarks.com/clipmark/B5D31B1C-598A-4E93-82C9-354CC9B0E3A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/queenmum/"&gt;queenmum&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://ecofuss.com/the-wind-dam-could-be-better-than-wind-turbines/" title="http://ecofuss.com/the-wind-dam-could-be-better-than-wind-turbines/"&gt;ecofuss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://ecofuss.com/wp-content/uploads/2008/02/wind-dam-project.jpg" alt="Wind Dam Project" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Laurie is aware of this issues has come up with some solutions - the dam will have a conic shape that will reduce the turbulences and it should be built in areas where the wind comes from one direction. The project has already been financed by a Finnish company which has allocated $5 millions for a 17,000 square-foot Kevlar dam which will be anchored in a valley near Lake Ladoga in Russia. The project is expected to be completed by next year.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://ecofuss.com/the-wind-dam-could-be-better-than-wind-turbines/</clipSource><pubDate>Sat, 01 Mar 2008 05:26:55 GMT</pubDate></item></channel></rss>