<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's art collection</title><link>http://clipmarks.com/clipper/abailart/clipcast/art/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/clipcast/art/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Artforms of Nature </title><link>http://clipmarks.com/clipmark/D9FFD0B6-2558-427D-8374-21AE7610A674/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The nineteen century German biologist Ernst Haeckel is famous for his fantastically illustrated book Artforms of Nature. The copyright for this book from 1904 has now expired and thanks to Wikimedia Commons it is available for everyone to appreciate.&lt;br/&gt;&lt;br/&gt;--------------------------------------------------------------------------------&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.subblue.com/blog/2009/7/18/artforms_of_nature" title="http://www.subblue.com/blog/2009/7/18/artforms_of_nature"&gt;www.subblue.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Artforms of Nature&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/BBE4B641-36FC-45F1-8A62-07D6D148AF0D.jpg" alt="Haeckel Ascomycetes 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 aria-level="0" aria-posinset="0" aria-setsize="0"&gt;The nineteen century German biologist Ernst Haeckel is famous for his fantastically illustrated book &lt;A aria-level="0" title="External link." aria-posinset="0" aria-setsize="0" href="http://commons.wikimedia.org/wiki/Kunstformen_der_Natur" jQuery1254121422640="13"&gt;Artforms of Nature&lt;/A&gt;. The copyright for this book from 1904 has now expired and thanks to Wikimedia Commons it is available for everyone to appreciate.&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;Haekel's artistic interpretation of the biological forms he studied have a clarity of symmetry and detail that has been a source of inspiration for many artists and engineers over the years. They provide the perfect subject matter for the &lt;A aria-level="0" title="Fractal Explorer" aria-posinset="0" aria-setsize="0" href="http://www.subblue.com/projects/fractal_explorer"&gt;Fractal Explorer&lt;/A&gt; plugin.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/EF4220B7-4A20-44BE-8061-5B7A1A2677DD.jpg" alt="Astrophyton darwinium 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/FB8298CC-E9C2-4A1C-B529-3C7B79DDCCFC.jpg" alt="Astrophyton darwinium 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/9AC1F0C4-000E-43D9-9624-00F51442BAF6.jpg" alt="Astrophyton darwinium 2" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/F6537531-B4FE-4303-AFC6-0AF8B690D637.jpg" alt="Haeckel Astrophyton darwini" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/1C5A3104-5004-4F05-938E-476C0F18E43D.jpg" alt="Ensifera ensifera" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/9FCB0B53-546D-43F9-8C38-66C6CEE8C7CC.jpg" alt="Haeckel Ascomycetes 5" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/B2EA5B88-665E-4ADA-810C-DB69AFB16DE1.jpg" alt="Haeckel Ascomycetes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/6A1BE145-B43F-471A-A8E9-6AD409A4E871.jpg" alt="Haeckel Ascomycetes 4" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/7D0A1393-3DE6-4EDD-94B2-6C306BA7C186.jpg" alt="Haeckel Ascomycetes 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/C35156B6-658C-4EF9-A529-4DBA9B030FA2.jpg" alt="Asteridea" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/61517566-C595-44B9-BCC0-DDBF9341F623.jpg" alt="Asteridea" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/88AD0450-444D-40D0-9182-72FA1C59F46C.jpg" alt="Eurypterid" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/7C88EA31-2A95-46F2-A588-467C2A880606.jpg" alt="Aspidonia" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/0DE54B09-9ABB-407B-8C8E-941ED910A238.jpg" alt="Aspidonia" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/3C7D36C3-A532-453D-9715-F79177C8FDCC.jpg" alt="Thalamphora" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/einbar/512/A0545A3E-1055-4026-8BD2-0725FE5DFAF6.jpg" alt="Thalamphora" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/einbar/512/42B3598D-D6F5-4E6F-B390-8F85DFAE149C.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/einbar/512/1EC387AE-B6C3-4CDD-8756-D5A78D8F5A21.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/einbar/512/2251D13D-6555-4179-973C-61FC386D8AC7.jpg" alt="Phaeodaria" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P aria-level="0" aria-posinset="0" aria-setsize="0"&gt;All images here are released under a Creative Commons Attribution-Noncommercial-Share Alike license.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.subblue.com/blog/2009/7/18/artforms_of_nature</clipSource><pubDate>Mon, 28 Sep 2009 08:10:27 GMT</pubDate></item><item><title>The Romance of Alexander the Great</title><link>http://clipmarks.com/clipmark/674CB1AF-C385-4204-B1BA-CDB73472B70A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The gorgeous full and half page illuminated manuscript miniatures seen above - definitely click through to large and very large versions for the full impact - were produced by the workshop of the Flemish illuminator, Jehan de Grise, between 1338 and 1344.&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html" title="http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A7E0B57D-B4B3-49F2-8FF8-979FE67DC4E0.jpg" alt="The Romance of Alexander 1r MS. Bodl. 264" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;The Romance of Alexander'&lt;/SPAN&gt; was originally produced in Greek in about 200-300 AD from a variety of written accounts and stories from the oral tradition. It purports to record the history of Alexander the Great &lt;SMALL&gt;(d. 323 BC)&lt;/SMALL&gt; but is really a fantastical amalgam of legend and fact that catapulted the already remarkable accomplishments of Alexander's thirty two years on the planet to mythological status&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A title="The Romance of Alexander 1r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930652251/sizes/l/"&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 2v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931439326/sizes/l/"&gt;&lt;IMG width="351" height="500" alt="The Romance of Alexander 2v MS. Bodl. 264" src="http://farm4.static.flickr.com/3522/3931439326_85aa94796c.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 21v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931438128/sizes/l/"&gt;&lt;IMG width="348" height="500" alt="The Romance of Alexander 21v MS. Bodl. 264" src="http://farm3.static.flickr.com/2628/3931438128_a2aa0e6579.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 43v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931440858/sizes/l/"&gt;&lt;IMG width="343" height="500" alt="The Romance of Alexander 43v MS. Bodl. 264" src="http://farm3.static.flickr.com/2500/3931440858_253f2a79ea.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 51v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931442450/sizes/l/"&gt;&lt;IMG width="338" height="500" alt="The Romance of Alexander 51v MS. Bodl. 264" src="http://farm3.static.flickr.com/2471/3931442450_3d07b2f357.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 67v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931443976/sizes/l/"&gt;&lt;IMG width="338" height="500" alt="The Romance of Alexander 67v MS. Bodl. 264" src="http://farm3.static.flickr.com/2426/3931443976_7ab3828bcb.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 88v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931445590/sizes/l/"&gt;&lt;IMG width="337" height="500" alt="The Romance of Alexander 88v MS. Bodl. 264" src="http://farm3.static.flickr.com/2618/3931445590_e818fd4102.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 101v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930641645/sizes/l/"&gt;&lt;IMG width="337" height="500" alt="The Romance of Alexander 101v MS. Bodl. 264" src="http://farm4.static.flickr.com/3468/3930641645_d986348708.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 119r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931426224/sizes/l/"&gt;&lt;IMG width="323" height="500" alt="The Romance of Alexander 119r MS. Bodl. 264" src="http://farm4.static.flickr.com/3479/3931426224_059021ac44.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 127v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931428100/sizes/l/"&gt;&lt;IMG width="334" height="500" alt="The Romance of Alexander 127v MS. Bodl. 264" src="http://farm4.static.flickr.com/3491/3931428100_9235163c0a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 164v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931430042/sizes/l/"&gt;&lt;IMG width="326" height="500" alt="The Romance of Alexander 164v MS. Bodl. 264" src="http://farm3.static.flickr.com/2491/3931430042_fa8f92c5f9.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 188v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931431732/sizes/l/"&gt;&lt;IMG width="332" height="500" alt="The Romance of Alexander 188v MS. Bodl. 264" src="http://farm4.static.flickr.com/3450/3931431732_66f443f82d.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 196v MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3930650701/sizes/l/"&gt;&lt;IMG width="333" height="500" alt="The Romance of Alexander 196v MS. Bodl. 264" src="http://farm4.static.flickr.com/3442/3930650701_90f9c92fa6.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="The Romance of Alexander 218r MS. Bodl. 264" href="http://www.flickr.com/photos/bibliodyssey/3931436418/sizes/l/"&gt;&lt;IMG width="343" height="500" alt="The Romance of Alexander 218r MS. Bodl. 264" src="http://farm3.static.flickr.com/2638/3931436418_d29db5d7a1.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Attributed to an unknown author called Pseudo-Callisthenes&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;not really a single work but a great evolving and heterogeneous collection of texts and manuscripts, often shaped by regional scribes and translators to fit the pervading culture. Impossible deeds were often attributed to Alexander - his encounter with a tribe of headless men, for instance&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;an ascent into the air in a basket borne by eagles, a descent into the ocean in a diving bell, a meeting with the Amazons, an interview with the Brahmans or naked philosophers, and the search for the Water of Life&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/09/romance-of-alexander-great.html</clipSource><pubDate>Mon, 21 Sep 2009 17:23:04 GMT</pubDate></item><item><title>Seven Japanese aesthetic principles</title><link>http://clipmarks.com/clipmark/0474C1EF-6C11-4642-AFD8-91C44402905A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#ccccff"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html" title="http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html"&gt;www.presentationzen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Below are just seven design-related principles (there are more) that govern the aesthetics of the Japanese garden and other art forms in Japan.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Kanso &lt;SPAN&gt;(簡素)&lt;/SPAN&gt; &lt;/STRONG&gt;Simplicity or elimination of clutter. Things are expressed in a plain, simple, natural manner.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Fukinsei (不均整)&lt;/STRONG&gt; Asymmetry or irregularity. The idea of controlling balance in a composition via irregularity and asymmetry is a central tenet of the Zen aesthetic. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Shibui/Shibumi (渋味) &lt;/STRONG&gt;Beautiful by being understated, or by being precisely what it was meant to be and not elaborated upon. Direct and simple way, without being flashy&lt;SPAN&gt;. Elegant simplicity, articulate brevity.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Shizen (自然) &lt;/STRONG&gt;Naturalness. Absence of pretense or artificiality, full creative intent unforced.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Yugen (幽玄) &lt;/STRONG&gt;Profundity or suggestion rather than revelation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Datsuzoku (脱俗)&lt;/STRONG&gt; Freedom from habit or formula. Escape from daily routine or the ordinary. Unworldly. Transcending the conventional.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Seijaku (静寂)&lt;/STRONG&gt;Tranquility or an energized calm (quite), stillness, solitude.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.presentationzen.com/presentationzen/2009/09/exposing-ourselves-to-traditional-japanese-aesthetic-ideas-notions-that-may-seem-quite-foreign-to-most-of-us-is-a-goo.html</clipSource><pubDate>Mon, 07 Sep 2009 18:09:48 GMT</pubDate></item><item><title>The Bible in Stained Glass</title><link>http://clipmarks.com/clipmark/1E26BE5B-61C1-4044-B841-CD7F37FB6FE4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/nativite.htm" title="http://vitrail.dophan.com/vitraux/htm/nativite.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La Nativité&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/CF364EFA-EFE2-4BBC-8392-FC938DD90C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/8E43A7F0-13DE-4DEB-B1E2-ED5D901B4A5E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9ED5A460-6AF6-4737-876A-118F6A6B6491.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BAF80C6A-40AD-4DCB-A92B-E0E3F16AF4AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/6D34B486-BFAB-4140-A776-F6C602406835.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/" title="http://vitrail.dophan.com/"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; Thèmes bibliques :
&lt;UL&gt;
&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//1_Ancien.html" target="_blank"&gt;Ancien Testament&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//2_Nouveau.html" target="_blank"&gt;Nouveau Testament et Apocryphes&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//3_Bible.html" target="_blank"&gt;Autres thèmes de la Bible&lt;/A&gt; ,
&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//4_Saints.html" target="_blank"&gt;Saints&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//5_Legendes.html" target="_blank"&gt;Histoires et Légendes&lt;/A&gt; , 
&lt;/LI&gt;&lt;/UL&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/benissant.htm" title="http://vitrail.dophan.com/vitraux/htm/benissant.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Jésus bénissant les enfants&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D542C0E2-B55D-449A-A080-36D6F5A73E48.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/DFF06AB6-F64E-4C5A-B341-614A61824DA6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B5BA7893-B098-46F2-B8EB-EC72E7FEF211.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/ECAC7E28-5E02-40E6-9ED4-58A19172651D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B0243EF8-9727-4D8B-987E-11A9C24C712F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9616CF55-5BEF-4412-B513-4135BFFA7D04.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1D910D06-9552-43FC-AD43-4304B269D0DA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/tentation.htm" title="http://vitrail.dophan.com/vitraux/htm/tentation.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La tentation de Jésus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/61A37ACA-25CF-4044-8567-E0441F605C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EF3F8B68-0EA4-479C-AF9A-98AB1F58DEE9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/300B236D-7379-446B-9532-F77D39C53FB6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://vitrail.dophan.com/vitraux/htm/nativite.htm</clipSource><pubDate>Fri, 04 Sep 2009 22:19:30 GMT</pubDate></item><item><title>Melusine</title><link>http://clipmarks.com/clipmark/DB959891-9DC3-4F27-9C1D-383B51DF860D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A 14th century fresh water mermaid. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg" title="http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/C84C13BD-F0B3-45F5-AAA0-255AD5C21B1B.jpg" alt="File:Melusinediscovered.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110" title="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Melusine&lt;/B&gt; (or &lt;B&gt;Melusina&lt;/B&gt;) is a figure of &lt;A title="Europe" href="http://en.wikipedia.org/wiki/Europe"&gt;European&lt;/A&gt; &lt;A title="Legend" href="http://en.wikipedia.org/wiki/Legend"&gt;legends&lt;/A&gt; and &lt;A title="Folklore" href="http://en.wikipedia.org/wiki/Folklore"&gt;folklore&lt;/A&gt;, a feminine &lt;A title="Spirit" href="http://en.wikipedia.org/wiki/Spirit#Metaphysical_and_metaphorical_uses"&gt;spirit&lt;/A&gt; of fresh waters in sacred springs and rivers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;She is usually depicted as a woman who is a &lt;A title="Serpent (symbolism)" href="http://en.wikipedia.org/wiki/Serpent_(symbolism)"&gt;serpent&lt;/A&gt; or &lt;A title="Fish" href="http://en.wikipedia.org/wiki/Fish"&gt;fish&lt;/A&gt; from the waist down (much like a &lt;A title="Mermaid" href="http://en.wikipedia.org/wiki/Mermaid"&gt;mermaid&lt;/A&gt;). She is also sometimes illustrated with wings, two tails or both, and sometimes referred to as a &lt;A class="mw-redirect" title="Nix" href="http://en.wikipedia.org/wiki/Nix"&gt;nixie&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/09/streamlining.html" title="http://bibliodyssey.blogspot.com/2009/09/streamlining.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the story outlines the consequences for her human husband after he watches the changeling Melusine bathe against her wishes (or similar).&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A13E8EDB-DC25-469F-AC6E-FCF7C3A51E33.jpg" alt="Melusine - von Ringoltingen, 1468 b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/0B7EDE68-16B0-4280-8C94-74BB3B618D93.jpg" alt="Melusine - von Ringoltingen, 1468" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/EBA6CB10-59B5-4518-996A-56E6ED7CF6BA.jpg" alt="Melusine - von Ringoltingen, 1468 a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/6421C7BD-B460-4100-B109-4D76DE5E8BFF.jpg" alt="Melusine - von Ringoltingen, 1468 c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://forschung.gnm.de/ressourcen/bibliothek/01_htm/hs4028.htm"&gt;These cropped details are from a 1468 &lt;I&gt;'Melusine'&lt;/I&gt; manuscript, hosted by the German National Museum&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.pitt.edu/~dash/melusina.html" title="http://www.pitt.edu/~dash/melusina.html"&gt;www.pitt.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#france"&gt;Melusina&lt;/A&gt; (France, Thomas Keightley)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#luxembourg"&gt;Melusina&lt;/A&gt; (Luxembourg)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#bechstein"&gt;Melusina&lt;/A&gt; (Germany, Ludwig Bechstein) &lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="#erzgebirge"&gt;Melusina&lt;/A&gt; (Germany, Joh. Aug. Ernst
Köhler)&lt;P&gt;
&lt;/P&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image009.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image009.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8EE76E2C-D348-4456-804E-326617733C6C.jpg" alt="Original image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image011.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/slides/image011.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/194210DA-0445-4002-B537-9C0050881B7A.jpg" alt="Original image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/index.html" title="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/index.html"&gt;forschung.gnm.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
	
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			  &lt;SMALL&gt;011&lt;/SMALL&gt;
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			  &lt;SMALL&gt;012&lt;/SMALL&gt;
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			  &lt;SMALL&gt;013&lt;/SMALL&gt;
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			  &lt;SMALL&gt;014&lt;/SMALL&gt;
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			  &lt;SMALL&gt;015&lt;/SMALL&gt;
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			  &lt;SMALL&gt;016&lt;/SMALL&gt;
		  &lt;/A&gt;
		&lt;/TD&gt;
	
		&lt;TD width="75" valign="bottom"&gt;
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					&lt;IMG width="56" height="75" border="0" src="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/../../../bibliothek/Hs4028/hs4028/thumbs/image017.jpg" class="image" /&gt;&lt;BR /&gt;
				
			  &lt;SMALL&gt;017&lt;/SMALL&gt;
		  &lt;/A&gt;
		&lt;/TD&gt;
	
		&lt;TD width="75" valign="bottom"&gt;
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					&lt;IMG width="56" height="75" border="0" src="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/../../../bibliothek/Hs4028/hs4028/thumbs/image018.jpg" class="image" /&gt;&lt;BR /&gt;
				
			  &lt;SMALL&gt;018&lt;/SMALL&gt;
		  &lt;/A&gt;
		&lt;/TD&gt;
	
		&lt;TD width="75" valign="bottom"&gt;
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					&lt;IMG width="56" height="75" border="0" src="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/../../../bibliothek/Hs4028/hs4028/thumbs/image019.jpg" class="image" /&gt;&lt;BR /&gt;
				
			  &lt;SMALL&gt;019&lt;/SMALL&gt;
		  &lt;/A&gt;
		&lt;/TD&gt;
	
		&lt;TD width="75" valign="bottom"&gt;
		  &lt;A href="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/../../../bibliothek/Hs4028/hs4028/slides/image020.html"&gt;
				
					&lt;IMG width="56" height="75" border="0" src="http://forschung.gnm.de/ressourcen/bibliothek/Hs4028/hs4028/../../../bibliothek/Hs4028/hs4028/thumbs/image020.jpg" class="image" /&gt;&lt;BR /&gt;
				
			  &lt;SMALL&gt;020&lt;/SMALL&gt;
		  &lt;/A&gt;
		&lt;/TD&gt;
	
	&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110" title="http://en.wikipedia.org/w/index.php?title=Melusine&amp;oldid=306093110"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Melusine legends are especially connected with the northern, most Celtic areas of &lt;A title="Gaul" href="http://en.wikipedia.org/wiki/Gaul"&gt;Gaul&lt;/A&gt;, and the &lt;A title="Low Countries" href="http://en.wikipedia.org/wiki/Low_Countries"&gt;Low Countries&lt;/A&gt;. Sir &lt;A title="Walter Scott" href="http://en.wikipedia.org/wiki/Walter_Scott"&gt;Walter Scott&lt;/A&gt; told a Melusine tale in &lt;I&gt;&lt;A title="The Minstrelsy of the Scottish Border" href="http://en.wikipedia.org/wiki/The_Minstrelsy_of_the_Scottish_Border"&gt;The Minstrelsy of the Scottish Border&lt;/A&gt;&lt;/I&gt; (1802 -1803) &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/wiki/File:Melusine-Ludwig_Michael_von_Schwanthaler-1845.jpg" title="http://en.wikipedia.org/wiki/File:Melusine-Ludwig_Michael_von_Schwanthaler-1845.jpg"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/26834FB1-5670-466F-9524-8A6E20588893.jpg" alt="File:Melusine-Ludwig Michael von Schwanthaler-1845.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Melusine” in the Russell Cotes Museum &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.eaudrey.com/myth/melusine.htm" title="http://www.eaudrey.com/myth/melusine.htm"&gt;www.eaudrey.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/F40A0278-EEB4-47AD-91EC-2CCBF4366CF9.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.essbare-landschaften.de/kolumnen/Melusine.html" title="http://www.essbare-landschaften.de/kolumnen/Melusine.html"&gt;www.essbare-landschaften.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/AA4636F9-655A-4B15-828B-73E956D2D4F6.jpg" alt="Melusine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg" title="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg"&gt;undine.freeblog.hu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4679DA09-9CF7-47B6-85C2-A646BAF0ABCD.jpg" alt="http://undine.freeblog.hu/files/JuliusHubner_Melusine.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg" title="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg"&gt;artfiles.art.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/BE20230C-BA84-421D-B35F-A53EA3222070.jpg" alt="http://artfiles.art.com/images/-/Emile-Bayard/Melusine-Revealed-Giclee-Print-C12366964.jpeg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/wiki/File:Melusinediscovered.jpg</clipSource><pubDate>Tue, 01 Sep 2009 17:02:28 GMT</pubDate></item><item><title>Colourful artwork from Sarah Applebaum</title><link>http://clipmarks.com/clipmark/105CD274-0D01-44B5-A1F3-6CACAE1365BF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sarahapplebaum.com/index.php?silo=portfolio" title="http://www.sarahapplebaum.com/index.php?silo=portfolio"&gt;www.sarahapplebaum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_SoftCoreRoomView_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Soft Core at Receiver Gallery&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_ConjoinedYetis_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Three Person Costume - One Piece&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_BAC_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;BAC Installation&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_michelleOc_02.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Phantasmagoria (detail)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/959E0A98-41F1-4C98-BF5C-8F871AAB10EC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_michelleOc_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Phantasmagoria&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_bigpile_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Pile Installation&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_HardwareStoreRight_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Hang Out Some till 2007&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_studioLamplit_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Padded Room&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_costumeBluestatic_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Static Costume&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/71141AFF-C41E-4190-9A5B-73B8DF66D267.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_MarinTrees_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Tree Series- Marin&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_YetiHacking_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Conjoined Yetis taking the dogs for a walk&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_groupDreaming_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Group Dreaming, One piece arrangement for sleeping dreaming&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_FeltGun_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;1 of 21, from 21 Gun Salute&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/246A6CF3-B133-4D83-AD79-FCC93117DFCB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8D4DDA5A-AC67-441F-870D-29B467B1403D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG src="http://www.sarahapplebaum.com/images/installation/installation_Squares_01.jpg" id="big_image" /&gt;
				&lt;DIV id="big_label"&gt;Geometric Felt Fabric&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sarahapplebaum.com/index.php?silo=portfolio</clipSource><pubDate>Mon, 24 Aug 2009 17:10:40 GMT</pubDate></item><item><title>Some spectacular macro-snaps</title><link>http://clipmarks.com/clipmark/36A3F668-844A-4660-AD15-6BE4E939393C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/cakebelly/"&gt;cakebelly&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://acidcow.com/pics/3541-the_best_of_closeup_photos_64_pics.html" title="http://acidcow.com/pics/3541-the_best_of_closeup_photos_64_pics.html"&gt;acidcow.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/7C5DA5FB-831D-4CC1-82D1-537981A3D64D.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/372025D0-06C2-4671-A836-80C353B398BB.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/25C7B547-DE63-4B71-A858-303BEF7CE5CE.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/015360FF-9170-4892-BE70-BC439677AFBD.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/A784DCA7-C958-423D-A181-270356697D41.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/365F527B-C42A-4711-81F7-158E08BDCEBE.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/F697FB54-0C60-4ACB-8B17-90772A9E3A25.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/12F0EC5E-EE8A-40C3-9FA8-44872949663D.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/E742271A-BAE0-4D2A-9AAE-66681403FF57.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/41B70407-7BEF-40E0-9EF5-B8E9457A5791.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/0A6BDBD8-D59A-429D-8E42-20D6C27AEDBB.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/8FC6817E-711B-46EA-9591-70F3B356455F.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/A489943D-0BE6-4E46-9289-7B1D1D06F8A5.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/BB5279B5-2EAF-47F9-A015-422808FA5A47.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/3785D8CC-D85B-41EC-93D7-0A3F018984FD.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/BFAF364C-4ED4-452D-9344-9CC0D1B71504.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/CDA7792C-B292-4813-8F42-A252AB2D59A8.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/D0C1D26A-11C5-4402-8298-EE436C86202E.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/C30C3C41-6BC9-4204-8843-592EB545D283.jpg" alt="The Best of Close-Up Photos (64 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Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/30D0111B-E463-4C06-88C1-1948BCBC66F5.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/B12D003B-0CD1-4FEE-A346-EEEAFBBA9787.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/E097522F-518D-4FE1-A65B-A0AF0D67F831.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/2F6334A1-03A9-4439-A40E-72EB83EB428C.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/D7EBDA81-220C-4623-B579-5C3F61887E78.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/5C4A33BE-96DA-45A3-A7F7-0024E6DD7EEE.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/B095C5BC-5182-43B3-B93C-AC62FBD41F81.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/DBCCC79D-B674-4C1E-B15B-5F97FDFD3F98.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/F517B2FA-4029-42AD-9448-C4BCDBD242E5.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/BE9A0510-9FBC-4A99-8F42-8E558CFE8F61.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/A38DCF1F-A36A-4524-BEBE-B3F777CED2A8.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/5A04B7AE-8BB4-413D-A4D1-A3797DEB8D07.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/8D0C90FD-1B03-4E76-89DA-5E09BD9BE250.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/cakebelly/512/01B62685-608F-4424-8636-64BE4110F154.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/cakebelly/512/E927DC70-2052-44FD-B6CA-9EB130385204.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/cakebelly/512/DE4153B0-1410-469E-93FD-B70D3F0F09E5.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/cakebelly/512/1841FF3D-6E7C-4DFD-93BD-64168E271B80.jpg" alt="The Best of Close-Up Photos (64 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://acidcow.com/pics/3541-the_best_of_closeup_photos_64_pics.html</clipSource><pubDate>Mon, 24 Aug 2009 08:02:55 GMT</pubDate></item><item><title>"Plastic Life" Art</title><link>http://clipmarks.com/clipmark/0B81FECC-418A-4B30-B6CA-CC5B99EDE252/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sldavis/"&gt;sldavis&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thewondrous.com/2009/07/30-incredible-plastic-life-art-examples/" title="http://thewondrous.com/2009/07/30-incredible-plastic-life-art-examples/"&gt;thewondrous.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;SPAN class="drop-cap"&gt;P&lt;/SPAN&gt;lastic is all around us.  It shapes much of the packaging for our food and drink.  For many of us, it is during our home, our place of work, our car and the bus we take to and from work.  It can be in our clothing, eyeglasses, teeth, computers, phones, dishes, utensils, and toys but Vincent Bousserez is man who has converted plastic into life. We invite you to check out his creations and have a comment on his remarkable effort.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/62A85D46-0410-4081-B006-E2905F45C38A.jpg" alt="Plastic Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/C072F810-D1F1-41B7-B548-01FFC6B323C5.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sldavis/512/00DA6006-BB2A-44B3-A47E-A5799E5873CE.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sldavis/512/E2F41E28-1E19-4C5C-85E4-6E34D9EE2755.jpg" alt="plastic art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/C10E33F8-847A-40A2-AAD4-1C54FCC3DB71.jpg" alt="Plastic Life" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/B6157293-34EA-40AD-924A-BAAB8973321F.jpg" alt="Plastic Art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sldavis/512/61BD5C2D-34D1-4529-B7ED-139BE45A6C9F.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sldavis/512/D624FD97-A81F-4877-B702-E58B18DC8408.jpg" alt="Wonderful photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/1ABE8FD9-A48C-4918-9061-87A3385F3482.jpg" alt="Weird Photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/DD9AB0E7-DD8B-402A-83EF-DFDC5912CB1E.jpg" alt="Weird stuff" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sldavis/512/6996C7E3-0337-40EF-BB53-8B03B33C681A.jpg" alt="Weird Things" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sldavis/512/8CC521B9-1984-47A0-BE5D-6104CAFEA623.jpg" alt="Wonderful Things" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/64E65B44-4CC2-4EF5-8804-582B60F3E335.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/0867EDB2-A1BD-4E83-8EF6-9F1141B40352.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sldavis/512/9087789C-2B69-4FCF-9463-8155AC4266E0.jpg" alt="Dance party" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sldavis/512/868D0F0D-497C-498A-9A11-E7EF717EF4BC.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/7CB846B3-17F8-4FF8-A489-AB17FB262B06.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/9C8E5404-AAD5-4CB8-BB9D-D9FF1907C580.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/sldavis/512/94FC7250-86C5-45AA-93C4-0E672ABA1DCD.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/sldavis/512/944F0F1B-4699-4C7B-B93B-45F592DC99E7.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/sldavis/512/21F5122E-3FF0-48A5-BA66-C91B17C87243.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/sldavis/512/1B7F0B3F-764F-4E43-9B85-CB480CC577F3.jpg" alt="Plastic Life By Vincent Bousserez" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://thewondrous.com/2009/07/30-incredible-plastic-life-art-examples/</clipSource><pubDate>Sat, 22 Aug 2009 06:14:41 GMT</pubDate></item><item><title>Zoomorphic Calligraphy</title><link>http://clipmarks.com/clipmark/7A2F547E-9DEE-4893-964B-735E06C554DC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2006/06/zoomorphic-calligraphy.html" title="http://bibliodyssey.blogspot.com/2006/06/zoomorphic-calligraphy.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/09D2F847-C72E-4586-9D22-6FA80184EDAE.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;&lt;DIV&gt;"This new mode was not a matter of script metamorphosing into living forms which are also readable letters, but of using script to delineate such forms. Seldom had the flexibility of the Arabic alphabet been so tested.&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;This practice established itself only relatively late in Islamic art, when the taboos outlawing religious iconography had lost some of their power.&lt;/DIV&gt;&lt;BR /&gt;[Zoomorphic calligraphy] developed [..] in Ottoman Turkey, India and Qajar Iran [and] was known as early as 1458."&lt;/BLOCKQUOTE&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa%20e.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa%20e.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa%20f.gif"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa%20f.png" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa%20b.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa%20b.jpg" /&gt;&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa%20c1.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa%20c1.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Hassan%20Musa%20d.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Hassan%20Musa%20d.jpg" /&gt;&lt;/A&gt;All the above zoomorphic (and anthropomorphic) works are © &lt;A href="http://www.people.cornell.edu/pages/sh40/Musa.html"&gt;Hassan Musa&lt;/A&gt; from Sudan.&lt;BR /&gt;&lt;DIV&gt;Most, but not all of these images come from the &lt;A href="http://www.sudanartists.org/hassanmusa.htm"&gt;Sudan Artists Gallery&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Lions.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Lions.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Menagerie.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Menagerie.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Besmele%2C%20calligraphy%20shape%20of%20bird%20figure%20In%20name%20of%20Allah%2CMost%20Gracious%2C%20Most%20Merciful%20%28Besmele%29%20Author%20Seda.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Besmele%2C%20calligraphy%20shape%20of%20bird%20figure%20In%20name%20of%20Allah%2CMost%20Gracious%2C%20Most%20Merciful%20%28Besmele%29%20Author%20Seda.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Horse.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Horse.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Fish.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Fish.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Jill%201.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Jill%201.jpg" /&gt;&lt;/A&gt;"Hafez (d. 1390) is Iran’s premier and most quoted lyric poet.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The painter and printmaker Jila Peacock has chosen ten love poems from Hafez and following the footsteps of the great Islamic calligraphers, has produced ten shape-poems that sit by her own translations from the Persian."&lt;BR /&gt;&lt;A href="http://www.jilapeacock.co.uk/hafez.htm"&gt;Jila Peacock's&lt;/A&gt; '&lt;A href="http://www.sylpheditions.com/hafez.html"&gt;&lt;SPAN&gt;Ten Poems from Hafez&lt;/SPAN&gt;&lt;/A&gt;', &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/man..%20Contemporary%20Moroccan%20calligraphic%20panel.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/man..%20Contemporary%20Moroccan%20calligraphic%20panel.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/17th%20century%20Ottoman%20turkey%20%28micrography%29.jpg"&gt;&lt;IMG border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/17th%20century%20Ottoman%20turkey%20%28micrography%29.jpg" /&gt;&lt;/A&gt;17th century&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Turkey&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EDBD50D2-4919-406E-9A0F-08C32F75AE7F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/83D62707-D99A-430C-8597-E2EEB9574316.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2006/06/zoomorphic-calligraphy.html</clipSource><pubDate>Thu, 20 Aug 2009 14:18:59 GMT</pubDate></item><item><title>The Secret Rosicrucian Symbols</title><link>http://clipmarks.com/clipmark/F179272C-F9BD-47A6-B313-F6BEFEE4AAB6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0035&amp;id=HistSciTech.GeheimeFiguren&amp;isize=" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0035&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/701A4038-295B-4E1C-B74D-85639ABF57C8.jpg" alt="[page image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2006/11/secret-rosicrucian-symbols.html" title="http://bibliodyssey.blogspot.com/2006/11/secret-rosicrucian-symbols.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://digital.library.wisc.edu/1711.dl/HistSciTech.GeheimeFiguren"&gt;The ever excellent University of Wisconsin Digital Library has recently posted  '&lt;SPAN&gt;Geheime Figuren der Rosenkreuzer, aus dem 16ten und 17ten Jahrhundert&lt;/SPAN&gt;' ('Secret Symbols of the Rosicrucians from the 16th and 17th Centuries') to their History of Science and Technology subsite&lt;/A&gt;. It was published in 1785-1788. There are multiple format page images available  (click 'display gallery view').&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;&lt;A href="http://bibliodyssey.blogspot.com/2006/11/secret-rosicrucian-symbols.html"&gt;&lt;/A&gt;
&lt;/H3&gt;
&lt;DIV class="post-header-line-1"&gt;&lt;/DIV&gt;
&lt;DIV class="post-body entry-content"&gt;
&lt;P&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Cruce%20Rosea.1.jpg"&gt;&lt;IMG width="306" height="306" border="0" alt="cruce rosea" src="http://photos1.blogger.com/blogger/1717/1584/400/Cruce%20Rosea.1.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Scala%20Philosophorum%20Cabalistica%20Magia.jpg"&gt;&lt;IMG width="257" height="399" border="0" alt="scala philosophorum cabalistica magia" src="http://photos1.blogger.com/blogger/1717/1584/400/Scala%20Philosophorum%20Cabalistica%20Magia.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Spiritus%20Sanctus.jpg"&gt;&lt;IMG width="365" height="400" border="0" alt="spiritus sanctus" src="http://photos1.blogger.com/blogger/1717/1584/400/Spiritus%20Sanctus.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Tabula%20Smargadina%20Hermetis.jpg"&gt;&lt;IMG width="400" height="359" border="0" alt="tabula smargadina hermetis" src="http://photos1.blogger.com/blogger/1717/1584/400/Tabula%20Smargadina%20Hermetis.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Universale.jpg"&gt;&lt;IMG width="272" height="399" border="0" alt="universale" src="http://photos1.blogger.com/blogger/1717/1584/400/Universale.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Magia%20Lucifer.jpg"&gt;&lt;IMG width="256" height="400" border="0" alt="magia lucifer" src="http://photos1.blogger.com/blogger/1717/1584/400/Magia%20Lucifer.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Iungfrau%20Sophia.jpg"&gt;&lt;IMG width="262" height="399" border="0" alt="inugfrau sophia" src="http://photos1.blogger.com/blogger/1717/1584/400/Iungfrau%20Sophia.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Mysterium%20Magnum.jpg"&gt;&lt;IMG width="257" height="399" border="0" alt="mysterium magnum" src="http://photos1.blogger.com/blogger/1717/1584/400/Mysterium%20Magnum.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Natura%20Elementa.jpg"&gt;&lt;IMG width="262" height="399" border="0" alt="natura elementa" src="http://photos1.blogger.com/blogger/1717/1584/400/Natura%20Elementa.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Mons%20Philosophorum.jpg"&gt;&lt;IMG width="240" height="400" border="0" alt="mons philosophorum" src="http://photos1.blogger.com/blogger/1717/1584/400/Mons%20Philosophorum.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Iesus%20Lucifers.jpg"&gt;&lt;IMG width="383" height="400" border="0" alt="iesus lucifers" src="http://photos1.blogger.com/blogger/1717/1584/400/Iesus%20Lucifers.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Etubique%20Bene%20Radix%20Davidis.jpg"&gt;&lt;IMG width="400" height="390" border="0" alt="etubique bene radix davidis" src="http://photos1.blogger.com/blogger/1717/1584/400/Etubique%20Bene%20Radix%20Davidis.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Die%20Hermetische%20Philosophie.jpg"&gt;&lt;IMG width="323" height="400" border="0" alt="hermetische philosophie" src="http://photos1.blogger.com/blogger/1717/1584/400/Die%20Hermetische%20Philosophie.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Figura%20Cabalistica.jpg"&gt;&lt;IMG width="260" height="400" border="0" alt="figura cabalistica" src="http://photos1.blogger.com/blogger/1717/1584/400/Figura%20Cabalistica.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.levity.com/alchemy/secret_s.html"&gt;Adam McLean tells us&lt;/A&gt;: &lt;/P&gt;&lt;BLOCKQUOTE&gt;"This 18th century compendium, drew on 17th century alchemical sources such as Adrian von Mynsich, with mystical pieces from Valentin Weigel, and Abraham von Franckenberg's works on Jacob Boehme. It was an important and influential source of Rosicrucian ideas, albeit filtered through an 18th century perspective."&lt;/BLOCKQUOTE&gt;&lt;DIV&gt; Adam has posted translations from a selection of images&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=gallery&amp;entity=HistSciTech.GeheimeFiguren.p0021&amp;id=HistSciTech.GeheimeFiguren&amp;posn=start" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=gallery&amp;entity=HistSciTech.GeheimeFiguren.p0021&amp;id=HistSciTech.GeheimeFiguren&amp;posn=start"&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="contentshdr"&gt;
			&lt;H2&gt;Gallery View&lt;/H2&gt;
			&lt;P class="biblio"&gt;&lt;CITE&gt;Geheime Figuren der Rosenkreuzer, aus dem 16ten und 17ten Jahrhundert: aus einem alten Mscpt. Zum erstenmal ans Licht gestellt: erstes -[drittes] Heft&lt;/CITE&gt;&lt;BR /&gt;
			(1785-[1788])&lt;/P&gt;
		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR&gt;
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	&lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;A href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0027&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;&lt;IMG src="http://images.library.wisc.edu/HistSciTech/EFacs/GeheimeFiguren/thumb/0027.jpg" /&gt;&lt;BR /&gt;[Page]&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0067&amp;id=HistSciTech.GeheimeFiguren&amp;isize=" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0067&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/44D76D07-3F4B-487D-AC1B-449E1B5FD29E.jpg" alt="[page image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0073&amp;id=HistSciTech.GeheimeFiguren&amp;isize=" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0073&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/113B2D40-1AE8-4EA3-BF67-22CEE045A29B.jpg" alt="[page image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0069&amp;id=HistSciTech.GeheimeFiguren&amp;isize=" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0069&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/915F0A2B-97B4-4EB9-B42D-99A69319B13B.jpg" alt="[page image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0075&amp;id=HistSciTech.GeheimeFiguren&amp;isize=" title="http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0075&amp;id=HistSciTech.GeheimeFiguren&amp;isize="&gt;digicoll.library.wisc.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/5C2A8754-4172-487F-AAEF-B63F961A9BC9.jpg" alt="[page image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&amp;entity=HistSciTech.GeheimeFiguren.p0035&amp;id=HistSciTech.GeheimeFiguren&amp;isize=</clipSource><pubDate>Thu, 20 Aug 2009 13:43:33 GMT</pubDate></item><item><title>20 Beautiful Examples of Urban Decay Photography</title><link>http://clipmarks.com/clipmark/0306CB6A-AB79-4747-9EF8-8777F531815A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/n2sooners/"&gt;n2sooners&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More at the site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://digital-photography-school.com/20-beautiful-examples-of-urban-decay-photography" title="http://digital-photography-school.com/20-beautiful-examples-of-urban-decay-photography"&gt;digital-photography-school.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Urban decay photography is the technique of photographing abandoned and rundown buildings. In many cases the buildings haven’t been abandoned for more than a few years. Often illegal, photographers of abandoned buildings typically bypass “no trespassing” signs to capture these spectacular shots.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The characteristic dark and somber coloring sets the mood of these once populated structures. Now they stand as mere memories of the past, luckily to have even one lone photographer wandering their halls once again.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Take a look and get inspired by &lt;STRONG&gt;20 Beautiful Examples of Urban Decay Photography&lt;/STRONG&gt; below. Also check out our recent post - &lt;A href="http://digital-photography-school.com/how-to-photograph-abandoned-places" bitly="BITLY_PROCESSED" linkindex="38"&gt;How to Photograph Abandoned Places&lt;/A&gt;.&lt;BR /&gt;
&lt;SPAN id="more-8046"&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=592c6301-09d3-44fd-9e57-76dce60837aa" bitly="BITLY_PROCESSED" linkindex="40"&gt;&lt;IMG height="443" width="450" alt="" src="http://thumbs.imagekind.com/member/f60f2b96-2a19-4224-a06b-86cb8163d70e/uploadedartwork/450X450/592c6301-09d3-44fd-9e57-76dce60837aa.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Pile up by Irina Souiki&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=b52c13d1-7757-4f50-86c3-c0ae8efb56c2" bitly="BITLY_PROCESSED" linkindex="41"&gt;&lt;IMG height="337" width="450" alt="Strike by Xtreme Xplorations" src="http://thumbs.imagekind.com/member/f7b392ff-21d2-455f-b991-8d8c4f04077a/uploadedartwork/450X450/b52c13d1-7757-4f50-86c3-c0ae8efb56c2.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Strike by Xtreme Xplorations&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=7f3833fa-552f-4f44-b072-314f1fb08a2e" bitly="BITLY_PROCESSED" linkindex="46"&gt;&lt;IMG height="450" width="333" alt="Growing In by WootenCreative" src="http://thumbs.imagekind.com/member/5e63db49-628b-44ae-804f-94dcf9036b69/uploadedartwork/450X450/7f3833fa-552f-4f44-b072-314f1fb08a2e.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Growing In by WootenCreative&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=2f11354b-e403-483e-b91a-0fdfc7e19f16" bitly="BITLY_PROCESSED" linkindex="49"&gt;&lt;IMG height="450" width="318" alt="Portal by Chris Smart" src="http://thumbs.imagekind.com/member/116a1252-7091-49c2-b6e4-a3f9f54f7a81/uploadedartwork/450X450/2f11354b-e403-483e-b91a-0fdfc7e19f16.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Portal by Chris Smart&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=f95bc188-061f-4489-9afb-35969f27fc9f" bitly="BITLY_PROCESSED" linkindex="52"&gt;&lt;IMG height="450" width="299" alt="mayhem in the stairwell by Irina Souiki" src="http://thumbs.imagekind.com/member/f60f2b96-2a19-4224-a06b-86cb8163d70e/uploadedartwork/450X450/f95bc188-061f-4489-9afb-35969f27fc9f.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;mayhem in the stairwell by Irina Souiki&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=054fb886-83ca-423e-9e87-3c26623ff1e6" bitly="BITLY_PROCESSED" linkindex="53"&gt;&lt;IMG height="450" width="282" alt="2009 Portfolio by Rob Dobi" src="http://thumbs.imagekind.com/member/5235f51a-9974-4552-9dc8-71396fe9f2e1/uploadedartwork/450X450/054fb886-83ca-423e-9e87-3c26623ff1e6.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;2009 Portfolio by Rob Dobi&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=b2b4ee66-8c8d-41cc-a0fd-f49a09be481f" bitly="BITLY_PROCESSED" linkindex="55"&gt;&lt;IMG height="331" width="450" alt="Tunnel to Nowhere by Zach Fein" src="http://thumbs.imagekind.com/member/92605bfa-06a8-4f61-afb1-3bcef356e42b/uploadedartwork/450X450/b2b4ee66-8c8d-41cc-a0fd-f49a09be481f.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Tunnel to Nowhere by Zach Fein&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A target="_blank" href="http://www.imagekind.com/showartwork.aspx?IMID=25084fd1-8e09-4bfe-a817-22a2dce232c0" bitly="BITLY_PROCESSED" linkindex="57"&gt;&lt;IMG height="337" width="450" alt="Hudson River Psychiatric Center by Rob Dobi" src="http://thumbs.imagekind.com/member/cafb1460-d817-4250-8694-8edc8f88c671/uploadedartwork/450X450/25084fd1-8e09-4bfe-a817-22a2dce232c0.jpg" /&gt;&lt;/A&gt;&lt;P class="wp-caption-text"&gt;Hudson River Psychiatric Center by Rob Dobi&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/decay/" rel="tag"&gt;decay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/digital+photography+school/" rel="tag"&gt;digital photography school&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dps/" rel="tag"&gt;dps&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://digital-photography-school.com/20-beautiful-examples-of-urban-decay-photography</clipSource><pubDate>Fri, 14 Aug 2009 16:58:53 GMT</pubDate></item><item><title>Information Aesthetics </title><link>http://clipmarks.com/clipmark/948C8049-6B7A-4EAA-AD13-BA6AB4D61FB9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rj3sp/"&gt;rj3sp&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://infosthetics.com/archives/2009/08/siggraph09_the_information_aesthetics_exhibition.html" title="http://infosthetics.com/archives/2009/08/siggraph09_the_information_aesthetics_exhibition.html"&gt;infosthetics.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="posttitle"&gt;SIGGRAPH'09: The Information Aesthetics Showcase Exhibition&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/rj3sp/512/917C8844-4DAD-4523-AB00-D971D8930D2C.jpg" alt="information_aesthetics_showcase.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.siggraph.org/s2009/galleries_experiences/information_aesthetics/" title="http://www.siggraph.org/s2009/galleries_experiences/information_aesthetics/"&gt;www.siggraph.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Information Aesthetics Showcase&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The emergent field of information aesthetics combines a rich variety of technical and artistic disciplines. Designers and new media artists are joining scientific visualization, informatics, and medical imaging specialists to create purposive, predictive, and creative representations of information. SIGGRAPH 2009 is highlighting this field in recognition of the increasingly prominent role that information visualization and data graphics are assuming in our digitally mediated culture.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=MsedkQF2aA0" title="http://www.youtube.com/watch?v=MsedkQF2aA0"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Transparent LED stereoscopic installation of telecom data visualization Eunju Han&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://design.ajou.ac.kr/~thembtimap/" title="http://design.ajou.ac.kr/~thembtimap/"&gt;design.ajou.ac.kr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 align="left" class="style1"&gt;The MBTI Map
      
      &lt;BR /&gt;
    &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/rj3sp/512/FD3371D0-5771-454D-B101-A9E6D463520F.jpg" alt="The MBTI Map" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://r-dimension.xsrv.jp/projects_e/cloc/" title="http://r-dimension.xsrv.jp/projects_e/cloc/"&gt;r-dimension.xsrv.jp&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link to c-loc Software" rel="bookmark" href="http://r-dimension.xsrv.jp/projects_e/cloc/"&gt;c-loc Software&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/rj3sp/512/FBFF9D8A-C06A-4158-96CE-EADA123F1003.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/rj3sp/512/7F7730AE-126A-420E-8944-91564AA5FE00.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;QuickTimeVideo&lt;/H2&gt;
&lt;P&gt;&lt;A target="_blank" href="http://r-dimension.xsrv.jp/projects_e/wp-content/uploads/2009/02/cloc_miraikan.html"&gt;LOW&lt;/A&gt; — &lt;A target="_blank" href="http://r-dimension.xsrv.jp/projects_e/wp-content/uploads/2009/02/cloc_miraikan_l.html"&gt;HIGH&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.junji.org/invisibles/" title="http://www.junji.org/invisibles/"&gt;www.junji.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;SPAN lang="EN-US"&gt;&lt;B&gt;&lt;U&gt;Touch&lt;/U&gt;&lt;/B&gt;&lt;/SPAN&gt;&lt;SPAN lang="EN-US"&gt;&lt;B&gt;&lt;U&gt; the Invisibles&lt;/U&gt;&lt;/B&gt;&lt;/SPAN&gt;
  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/rj3sp/512/A194A8FA-31D5-4160-8EDF-951399B16841.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://lab.softwarestudies.com/2008/05/visualizing-cultural-patterns.html" title="http://lab.softwarestudies.com/2008/05/visualizing-cultural-patterns.html"&gt;lab.softwarestudies.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/rj3sp/512/D30F38C7-F738-437E-80CF-642D23EB47F0.jpg" alt="Software Studies" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title"&gt;
&lt;A href="http://lab.softwarestudies.com/2008/05/visualizing-cultural-patterns.html"&gt;Cultural Analytics Research Environment&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/rj3sp/512/6E6155BD-6287-4E82-BA95-D71036AAF1BD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/rj3sp/512/49EBD5F5-8438-4009-B26A-465DE3992495.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/rj3sp/512/E75F3984-0085-4E8A-97D3-687454725FC7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/software/" rel="tag"&gt;software&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/exhibition/" rel="tag"&gt;exhibition&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interface/" rel="tag"&gt;interface&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computers/" rel="tag"&gt;computers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://infosthetics.com/archives/2009/08/siggraph09_the_information_aesthetics_exhibition.html</clipSource><pubDate>Sun, 09 Aug 2009 11:00:41 GMT</pubDate></item><item><title>Wetscape</title><link>http://clipmarks.com/clipmark/DE2A084D-1B65-4967-8003-92E085F075EC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/willhelm/"&gt;willhelm&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://pinkonhead.com/inspiration/photography/19-hand-picked-raining-photos/" title="http://pinkonhead.com/inspiration/photography/19-hand-picked-raining-photos/"&gt;pinkonhead.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/willhelm/512/CBFC4EE8-394D-46B4-8739-C8D9BC1AD291.jpg" alt="it's raining in Tokyo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/willhelm/512/6AE829F6-C718-48B1-9536-57DA0AEAE9C1.jpg" alt="seeds and drops" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/willhelm/512/741D06D3-46B0-438D-A8F8-2E28B40E4002.jpg" alt="Green &amp; Wet" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/willhelm/512/374C000A-7D63-4EE3-87A1-39A64778DB4B.jpg" alt="It's Raining " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/willhelm/512/F82DB782-A26A-48F0-8716-F40AA723F924.jpg" alt="Depth of Rain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/willhelm/512/11EFEB05-500D-46F7-B107-E05D7A217559.jpg" alt="Photo by Skoje" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/willhelm/512/15774969-28F0-40AE-A709-ED23724285E2.jpg" alt="The rain man" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/willhelm/512/C9190C65-2392-489F-AC9D-D621D29C64CE.jpg" alt="I Wrote a Song" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/willhelm/512/ED0DF2F5-0761-4960-99F9-E8ACA1C2CDFA.jpg" alt="Woman in the Rain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/willhelm/512/F4B8D292-BCD8-4641-9ED3-97BAB640EF5A.jpg" alt="raininess" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/willhelm/512/51591DCF-DB64-4329-B667-4C8B064C2AF9.jpg" alt="Red Shoes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/willhelm/512/8D5C227E-ECB8-4F96-A014-826287488386.jpg" alt="Cycling through the rain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/willhelm/512/BEFA39F1-AD88-4927-9F99-EC2737A798DD.jpg" alt="It's raining, it's poring ..." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/willhelm/512/3BB94549-E6C9-4D8E-B3E2-C07060490D10.jpg" alt="Déluge" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/willhelm/512/549AC728-4332-4EE3-B217-426E948D7FDE.jpg" alt="After the rain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://pinkonhead.com/inspiration/photography/19-hand-picked-raining-photos/</clipSource><pubDate>Sat, 08 Aug 2009 07:47:43 GMT</pubDate></item><item><title>La Caricature</title><link>http://clipmarks.com/clipmark/A4723068-051C-4FFB-9C95-6F94773F5B05/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  For information and explanations visit this great blog &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/08/la-caricature.html" title="http://bibliodyssey.blogspot.com/2009/08/la-caricature.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;"The first quarter of the 19th century in France was a turbulent time. Napoleon had just been defeated, and the war between the Royalists and Republicans had begun anew with fresh vigor. Charles X, after an attempt to restore the absolutism of the old French monarchy and put an end to the freedom of press, had been forced to abdicate in the July Revolution of 1830. The “citizen-king” Louis-Philippe was elected to take his place. All this political turmoil, plus the new technique of lithography led to the birth of a new popular art form: the political caricature." &lt;SMALL&gt;[&lt;A href="http://www.abcgallery.com/list/2002feb16.html"&gt;source&lt;/A&gt;]&lt;/SMALL&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/CFEF6263-E28C-4394-A50A-B4627496BF98.jpg" alt="Bâstard Foetus Hérédité" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Bâstard Foetus Hérédité&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1831&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/9E1EE754-C2EE-4601-9FEB-1B11FBB36069.jpg" alt="Papillons de France" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Papillons de France&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9F950BFE-DFF8-47D5-B919-5A89228CA6A3.jpg" alt="La mort-aux-rats politiques" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;La Mort-aux-Rats Politiques&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/5A332D7A-2602-49F9-B472-4910C2F021A7.jpg" alt="La Caricature - Cabinet d'histoire naturelle. (suite)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Cabinet d'Histoire Naturelle&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8AA93691-6A92-45D5-A3D4-33BF96CBF055.jpg" alt="Le Charivari .. Quelle poussière!!" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Satirical caricature of a bourgeois couple&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;children in a cloud of dust looking at the couple with contempt&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/9B1B65AC-F0EE-4D15-8794-DABDBD6DC392.jpg" alt="Les Parisiens Pittoresques - Le Charivari .. Censeurs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Censeurs&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8EC63CBA-9D71-4E72-ABBE-803884B2D23B.jpg" alt="Doubles faces (Daumier) 1838" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/149D7BF0-A605-43A3-85C0-C67E696D62E2.jpg" alt="Doubles faces (Daumier) 1838 (rotated a)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;A 30 ans - A 60 ans&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;From a series of six prints called &lt;I&gt;'Doubles faces'&lt;/I&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/AF07098E-D7DD-435E-91C5-6F8AAA708573.jpg" alt="Bertrand, j'adore l'industrie (Daumier)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/2420C9E4-65EA-4A72-A339-69E7BB96381C.jpg" alt="L'Imagination (Daumier)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/318B4AFA-7FCE-46E4-8B39-0F77D6FDE00F.jpg" alt="La Caricature .. Soufflez, soufflez, vous ne l'eteindrez jamais (Grandville AND Daumier)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Soufflez, soufflez, vous ne l'eteindrez jamais&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Satire on censorship&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F12F635C-0AB6-45E5-A12D-9716EC920371.jpg" alt="Mr Croupion" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/0D27F30D-2324-4785-B43E-267458B2BB50.jpg" alt="Sautez grenouilles! Sautez dans la fange!" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/710E2794-7C14-4517-B270-C0275A13FBFC.jpg" alt="Eh bien, mon cher Emile, vous en voila donc aussi coiffe" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FC4663B0-5868-46F1-8E4D-D91224F8BFE2.jpg" alt="Le boucher des Pays-Bas" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/9517654F-D465-48B0-ADB9-D46BE849C25A.jpg" alt="Robe a la fluxion de poitrine, des ateliers de Mademoiselle Vanite (C Philipon - Nouveau Journal de Modes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;(The pneumonia dress from Miss Vanity's boutique)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/08/la-caricature.html</clipSource><pubDate>Thu, 06 Aug 2009 20:48:53 GMT</pubDate></item><item><title>Capturing the 19th Century in Photographs</title><link>http://clipmarks.com/clipmark/89075901-8D37-458F-AEE8-E6E4A854E83E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/2009/aug/04/british-library-photography-exhibition-victorians" title="http://www.guardian.co.uk/artanddesign/2009/aug/04/british-library-photography-exhibition-victorians"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="image"&gt;
							&lt;IMG width="460" height="276" alt="Hippopotamus from Points of View: Capturing the 19th Century in Photographs" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2009/8/4/1249393666240/Hippopotamus-from-Points--001.jpg" /&gt;
									  &lt;P class="caption"&gt;The hippopotamus at the Zoological Gardens, Regent's Park, London, 1852, from Points of View: Capturing the 19th Century in Photographs. Photograph: Don Juan Carlos, Duke of Montizon/The British Library&lt;/P&gt;
					&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;/STRONG&gt;The Victorians staring in appear bemused, while the poor hippo looks as if he's just given up. And who could blame him. Transported from his hot home on the mudbanks of the Nile to spend the next 28 years living behind bars in Regent's Park.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The image of Obaysch will be one of more than 250 rarely seen 19th-century photographs to be exhibited at the &lt;A href="http://www.guardian.co.uk/books/british-library"&gt;British Library&lt;/A&gt;'s big winter show, details of which were announced today. Incredibly, for an institution which has some 350,000 photographs spread across its various and vast archives, this will be the first major photographic exhibition to be held at the library.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196607" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196607"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/A2F57E41-DE5D-4698-BF0C-CD7C9D30CACB.jpg" alt="Points of View book: Portrait of William Henry Fox Talbot, early 1840s" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;William Henry Fox Talbot&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Talbot invented and patented the negative/positive photographic process&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351229602" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351229602"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/7B034E70-93DC-472F-93F3-BE9D43BFB0F5.jpg" alt="Points of view: Points of View: Capturing the 19th Century in Photographs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196602" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196602"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/CCA8A189-2374-4C6E-BA77-C8C092584BE4.jpg" alt="Points of View book: Helmet of the Emperor Charles V, in the Royal Armoury, Madrid, c.1862" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
			&lt;P&gt;Helmet of the Emperor Charles V&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196594" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196594"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Gettysburg (July 1863&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196596" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196596"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E42FDE64-3823-48E8-82C5-3FC9F7538E9D.jpg" alt="Points of View book: Hastings from the beach - low water, c.1864" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hastings&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196609" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196609"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9050724F-E6BB-431B-8B92-6087A15346C9.jpg" alt="Points of View book: Trilithons B and C from the south-west, Stonehenge, c.1867" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196613" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196613"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/425D6C6A-6748-4D39-830F-B35D1A2C1FDD.jpg" alt="Points of View book: Street life in London: Workers on the 'Silent Highway', 1876-7" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196598" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196598"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/7C69AAF0-772D-4359-B2E2-008128ECF296.jpg" alt="Points of View book: Portrait of Oscar Wilde, New York, 1882" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Oscar Wilde&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1882&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196611" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196611"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/701C34FC-70C8-404A-A032-18A67E331C56.jpg" alt="Points of View book: Printing Kodak negatives by daylight, Harrow, 1891" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196605" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196605"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8ABE7F69-5479-4A0B-86F5-E2AF1A80C9D3.jpg" alt="Points of View book: X-ray photograph of frogs, 1890s" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196600" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351196600"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AFF36F1B-6300-4332-BE6D-EE57C9B1349E.jpg" alt="Points of View book: Construction work on the Central Line of the London Underground, 1898" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351229696" title="http://www.guardian.co.uk/artanddesign/gallery/2009/aug/04/photography-exhibition-british-library?picture=351229696"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B0FC7B37-90AA-4330-B28A-DF53A02CB28A.jpg" alt="Points of view: Points of View: Capturing the 19th Century in Photographs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/2009/aug/04/british-library-photography-exhibition-victorians</clipSource><pubDate>Wed, 05 Aug 2009 17:41:24 GMT</pubDate></item></channel></rss>