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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Deleuze on Difference and Art</title><link>http://clipmarks.com/clipmark/49CD3E9B-6770-45C2-93A1-E1E078F971A4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  pics from Earth as Art.&lt;br/&gt;views come through the eyes of Landsat -7 satellite.&lt;br/&gt;&lt;br/&gt;1. Pinacate Volcano Field, Mexico.&lt;br/&gt;2. Richat Structure in African desert of auritania.&lt;br/&gt;3. Icefall, Lambert Glacier, Antarctica.&lt;br/&gt;4. Ganges River Delta, India.&lt;br/&gt;5. Volga River Delta flows into the Caspian sea.&lt;br/&gt;&lt;br/&gt;(you may also refer to it as deterritorialized reflections coming out of our atmosphere ..-)) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/syncopath/512/84D7F224-3568-499A-B2AC-07073E8901FA.jpg" alt="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/syncopath/512/4A6EB82A-D029-441B-BCAE-A676500B41C8.jpg" alt="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://larvalsubjects.wordpress.com/2007/09/23/bogue-on-deleuze-and-art/" title="http://larvalsubjects.wordpress.com/2007/09/23/bogue-on-deleuze-and-art/"&gt;larvalsubjects.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The intense world of differences, in which we find the reason behind qualities and the being of the sensible, is precisely the object of a superior empiricism.  This empiricism teaches us a strange ‘reason’, that of the multiple, chaos and difference (nomadic distributions, crowned anarchies).  It is always differences which resemble one another, which are analogous, opposed or identical:  difference is behind everything, but behind difference there is nothing.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Every object, every thing, must see its own identity swallowed up in difference, each being no more than a difference between differences&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;We know that modern art tends to realise these conditions:  in this sense it becomes a veritable &lt;STRONG&gt;theatre&lt;/STRONG&gt; of metamorphoses and permutations.  A theatre where nothing is fixed, a labyrinth without a thread (Ariadne has hung herself).  The work of art leaves the domain of representation in order to become ‘experience’, transcendental empiricism or science of the sensible.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/syncopath/512/1658BCB7-B105-44C4-876C-54356812DD7F.jpg" alt="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/syncopath/512/687650C1-9CD8-4755-9843-499C4FF9B6CC.jpg" alt="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/syncopath/512/E746E2D2-6010-4594-A685-E85742FFDC70.jpg" alt="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg</clipSource><pubDate>Thu, 10 Dec 2009 15:23:03 GMT</pubDate></item><item><title>Deleuze on Difference and Art</title><link>http://clipmarks.com/clipmark/AA815D87-1C41-4E0D-9294-E88B161FF3AB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  pics taken from Earth as Art. &lt;br/&gt;views come through the eyes of Landsat -7 satellite.&lt;br/&gt;(you may also refer to it as a deterritorialized reflections coming out of our atmosphere ..-)) &lt;br/&gt;&lt;br/&gt;1. Pinacate Volcano Field, Mexico.&lt;br/&gt;2. Richat Structure in African desert of auritania.&lt;br/&gt;3. Icefall, Lambert Glacier, Antarctica.&lt;br/&gt;4. Ganges River Delta, India.&lt;br/&gt;5. Volga River Delta flows into the Caspian sea. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/syncopath/512/0579FF61-20C7-4D9A-B247-B57DA7BD86B2.jpg" alt="http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/syncopath/512/124391CB-F452-496F-9B01-85284B2E07A8.jpg" alt="http://earthasart.gsfc.nasa.gov/images/richat_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://larvalsubjects.wordpress.com/2007/09/23/bogue-on-deleuze-and-art/" title="http://larvalsubjects.wordpress.com/2007/09/23/bogue-on-deleuze-and-art/"&gt;larvalsubjects.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The intense world of differences, in which we find the reason behind qualities and the being of the sensible, is precisely the object of a superior empiricism&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This empiricism teaches us a strange ‘reason’, that of the multiple, chaos and difference (nomadic distributions, crowned anarchies)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It is always differences which resemble one another, which are analogous, opposed or identical:  difference is behind everything, but behind difference there is nothing.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Every object, every thing, must see its own identity swallowed up in difference, each being no more than a difference between differences&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Difference must be shown &lt;STRONG&gt;differing&lt;/STRONG&gt;.  We know that modern art tends to realise these conditions:  in this sense it becomes a veritable &lt;STRONG&gt;theatre&lt;/STRONG&gt; of metamorphoses and permutations.  A theatre where nothing is fixed, a labyrinth without a thread (Ariadne has hung herself).  The work of art leaves the domain of representation in order to become ‘experience’, transcendental empiricism or science of the sensible.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/syncopath/512/978FC66A-64B6-4D00-9F49-8B87F85B5135.jpg" alt="http://earthasart.gsfc.nasa.gov/images/icefall_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/syncopath/512/BECFE49F-D958-4374-9AE1-0F847035499B.jpg" alt="http://earthasart.gsfc.nasa.gov/images/ganges_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg" title="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg"&gt;earthasart.gsfc.nasa.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/syncopath/512/CD984601-9678-467F-9129-645F38B89C8F.jpg" alt="http://earthasart.gsfc.nasa.gov/images/volga_hires.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://earthasart.gsfc.nasa.gov/images/pinacate_hires.jpg</clipSource><pubDate>Thu, 10 Dec 2009 15:04:17 GMT</pubDate></item><item><title>Some More Routine Deaths</title><link>http://clipmarks.com/clipmark/1BC6CC44-6C39-4599-A5AA-BAB999DC2EB5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Draw your own conclusions about the efficacy of western occupations in Iraq and Afghanistan.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/world/middle_east/8400865.stm" title="http://news.bbc.co.uk/1/hi/world/middle_east/8400865.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;B&gt;A series of car bombings has killed at least 127 people and wounded 448 in the centre of the Iraqi capital, Baghdad.&lt;/B&gt;&lt;/P&gt;&lt;P&gt;The first blast targeted a police patrol in the Dora district of the city. Four others occurred near official buildings within minutes. &lt;/P&gt;&lt;P&gt;Veteran politician Mowaffaq al-Rubaie, an ex-national security adviser, blamed al-Qaeda militants for the attacks. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/world/south_asia/8400869.stm" title="http://news.bbc.co.uk/1/hi/world/south_asia/8400869.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;B&gt;A rocket and a suicide car bomb attack on the office of Pakistan's intelligence agency in Multan city has killed at least 12 people, police say.&lt;/B&gt;&lt;/P&gt;&lt;P&gt;More than 25 others were injured in the attack in the Qasim Bela area in Punjab province. &lt;/P&gt;&lt;P&gt;The blast comes just a day after two bombs exploded in a busy market in Lahore, killing at least 48 people. &lt;/P&gt;&lt;P&gt;More than 400 people have been killed during a string of attacks mounted by Islamist militants in recent weeks. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/militant+activity/" rel="tag"&gt;militant activity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/world/middle_east/8400865.stm</clipSource><pubDate>Tue, 08 Dec 2009 14:04:30 GMT</pubDate></item><item><title>modern poetry</title><link>http://clipmarks.com/clipmark/8B9A2700-1ED9-4FA1-86F0-470B277C1206/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/doodleicious/"&gt;doodleicious&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  am clipping this for a writer friend of mine.............. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://oyc.yale.edu/english/modern-poetry" title="http://oyc.yale.edu/english/modern-poetry"&gt;oyc.yale.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="courseHeader1"&gt;&lt;STRONG&gt;Modern Poetry&lt;/STRONG&gt; with Professor Langdon Hammer&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/doodleicious/512/DEC80040-6599-4A27-828E-2F2E29494246.jpg" alt="course images" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;About the Course&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This course covers the body of modern poetry, its characteristic techniques, concerns, and major practitioners.  The authors discussed range from Yeats, Eliot, and Pound, to Stevens, Moore, Bishop, and Frost with additional lectures on the poetry of World War One, Imagism, and the Harlem Renaissance.  Diverse methods of literary criticism are employed, such as historical, biographical, and gender criticism.&lt;A href="http://oyc.yale.edu/english/modern-poetry/content/class-sessions"&gt; view class sessions &amp;gt;&amp;gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This Yale College course, taught on campus twice per week for 50 minutes, was recorded for Open Yale Courses in Spring 2007.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/modern/" rel="tag"&gt;modern&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://oyc.yale.edu/english/modern-poetry</clipSource><pubDate>Mon, 07 Dec 2009 10:08:04 GMT</pubDate></item><item><title>Us and Them</title><link>http://clipmarks.com/clipmark/F1496141-1398-4152-B16A-472F39CD53E8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poemhunter.com/poem/we-and-they/" title="http://www.poemhunter.com/poem/we-and-they/"&gt;www.poemhunter.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD width="30" valign="top"&gt;&lt;/TD&gt;
                                                            &lt;TD valign="top"&gt;
                                                                &lt;SPAN&gt;
                                                                    Father and Mother, and Me,&lt;BR /&gt;  Sister and Auntie say&lt;BR /&gt;All the people like us are We,&lt;BR /&gt;  And every one else is They.&lt;BR /&gt;And They live over the sea,&lt;BR /&gt;  While We live over the way,&lt;BR /&gt;But-would you believe it? --They look upon We&lt;BR /&gt;&lt;DIV&gt;  As only a sort of They!&lt;/DIV&gt;&lt;/SPAN&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All good people agree,&lt;BR /&gt;  And all good people say,&lt;BR /&gt;All nice people, like Us, are We&lt;BR /&gt;  And every one else is They:&lt;BR /&gt;But if you cross over the sea,&lt;BR /&gt;  Instead of over the way,&lt;BR /&gt;You may end by (think of it!) looking on We&lt;BR /&gt;&lt;DIV&gt;  As only a sort of They!
                                                                    &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/rudyard+kip%3bing/" rel="tag"&gt;rudyard kip;ing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.poemhunter.com/poem/we-and-they/</clipSource><pubDate>Mon, 07 Dec 2009 08:35:25 GMT</pubDate></item><item><title>Tolstoy on War and Light</title><link>http://clipmarks.com/clipmark/6967B061-7F49-433B-B37F-E3D339D29E5B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You say if enemies, such as Germans, Turks, or savages, come to attack you, and if you do not make war, they will kill you all. This is an error. If there were a society of Christians who did no evil to anybody, and who gave the surplus of their labor to others, no enemies, either Germans, Turks, or savages, would torture or kill them. They would take what these Christians (for whom there would exist no difference between Germans, Turks, or savages) would give up to them. If a Christian is called upon to take part in war, that is the moment for him to testify the truth to those who do not know it. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikisource.org/w/index.php?title=What_I_Believe_(Tolstoy)/Chapter_12&amp;oldid=658960" title="http://en.wikisource.org/w/index.php?title=What_I_Believe_(Tolstoy)/Chapter_12&amp;oldid=658960"&gt;en.wikisource.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Christ has revealed to me that the fifth snare is ‘the distinction we make between our own and foreign nations.’ If, therefore, a feeling of enmity arises in my heart against a foreigner, I cannot help acknowledging, after a few moments’ serious reflection, that the feeling is a wicked one; I can no longer justify this feeling to myself by acknowledging the superiority of my own nation over others, or by the cruelty or barbarity of any other nation.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;All that I formerly prized as something worthy of respect – love for our native land, pride in our country, and our administration in military exploits – now seems not only pitiful but also hideous to me. Cosmopolitanism, which I had formerly despised, now seems a noble thing to me.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Men linked together by deception form, we might say, a compact body. In the compactness of this body lies all the evil of the world.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Deeds, which bring the light to each man’s heart, can alone destroy the chain&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;this has gone on for eighteen hundred years.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tolstoy/" rel="tag"&gt;tolstoy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/'what+i+believe'/" rel="tag"&gt;'what i believe'&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://en.wikisource.org/w/index.php?title=What_I_Believe_(Tolstoy)/Chapter_12&amp;oldid=658960</clipSource><pubDate>Sat, 05 Dec 2009 12:17:34 GMT</pubDate></item><item><title>Abel</title><link>http://clipmarks.com/clipmark/E1BFDB27-2C5D-4233-BF8B-3492316E9E5B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Demetrios Capetanakis, poet, philosopher and literary critic, died of an incurable disease in London in 1944, at the age of 32. During that time he completed seventeen poems which John Lehmann calls ‘one of the most astonishing literary achievements I have ever come across. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thatspoetry.wordpress.com/2007/07/09/abel/" title="http://thatspoetry.wordpress.com/2007/07/09/abel/"&gt;thatspoetry.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;My brother Cain, the wounded, liked to sit&lt;/P&gt;
&lt;P&gt;Brushing my shoulder, by the staring water&lt;/P&gt;
&lt;P&gt;Of life, or death, in cinemas half-lit&lt;/P&gt;
&lt;P&gt;By scenes of peace that always turned to slaughter&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;He liked to talk to me. His eager voice&lt;/P&gt;
&lt;P&gt;Whispered the puzzle of his bleeding thirst,&lt;/P&gt;
&lt;P&gt;Or prayed me not to make my final choice,&lt;/P&gt;
&lt;P&gt;Unless we had a chat about it first.&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;And then he chose the final pain for me.&lt;/P&gt;
&lt;P&gt;I do not blame his nature: he’s my brother;&lt;/P&gt;
&lt;P&gt;Nor what you call the times: our love was free,&lt;/P&gt;
&lt;P&gt;Would be the same at any other time; but rather&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;The ageless ambiguity of things&lt;/P&gt;
&lt;P&gt;Which makes our life mean death, our love be hate.&lt;/P&gt;
&lt;P&gt;My blood that streams across the bedroom sings:&lt;/P&gt;
&lt;P&gt;“I am my brother opening the gate!”&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;(&lt;EM&gt;Demetrios Capetanakis&lt;/EM&gt;)&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/capetanakis/" rel="tag"&gt;capetanakis&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/abel/" rel="tag"&gt;abel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://thatspoetry.wordpress.com/2007/07/09/abel/</clipSource><pubDate>Sat, 05 Dec 2009 08:57:54 GMT</pubDate></item><item><title>Intelligent Discussion Forums</title><link>http://clipmarks.com/clipmark/0837FE63-646D-4196-835A-1CC9FD32A7AF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Although they are broadly 'philosophical', the sites I have looked at have categories across a wide range of subjects and ideas. There are several more on the site clipped. The ones I have looked at appear to be stimulating and courteous.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://forum.philosophynow.org/viewtopic.php?f=5&amp;t=1586" title="http://forum.philosophynow.org/viewtopic.php?f=5&amp;t=1586"&gt;forum.philosophynow.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://forums.philosophyforums.com/" class="postlink"&gt;http://forums.philosophyforums.com/&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;http://ilovephilosophy.com/phpbb/index.php&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://iloveopinions.com/" class="postlink"&gt;http://iloveopinions.com/&lt;/A&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;This site is I think a splinter group of ilovephilosophy.  There are some very kind souls and brilliant thinkers here, and also some conspiracy theorist cranks.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="postbody"&gt;&lt;DIV&gt;&lt;A href="http://www.dmoz.org/Society/Philosophy/Chats_and_Forums/" class="postlink"&gt;http://www.dmoz.org/Society/Philosophy/ ... nd_Forums/&lt;/A&gt;
&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://www.dmoz.org/Science/Science_in_Society/Skeptical_Inquiry/Critical_Thinking/" class="postlink"&gt;http://www.dmoz.org/Science/Science_in_ ... _Thinking/&lt;/A&gt;
&lt;/DIV&gt;
&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://directory.big-boards.com/" class="postlink"&gt;http://directory.big-boards.com/&lt;/A&gt;
&lt;/DIV&gt;
&lt;BR /&gt;&lt;A href="http://search.big-boards.com/result.php?q=philosophy+of+science" class="postlink"&gt;http://search.big-boards.com/result.php ... of+science&lt;/A&gt;&lt;/DIV&gt;

					&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/intelligent+discussion+forums/" rel="tag"&gt;intelligent discussion forums&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://forum.philosophynow.org/viewtopic.php?f=5&amp;t=1586</clipSource><pubDate>Thu, 03 Dec 2009 18:34:03 GMT</pubDate></item><item><title>Walking the Talk</title><link>http://clipmarks.com/clipmark/F2F4FD64-4119-4AAD-9729-E1E20C6D3B8C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gardendigest.com/walking.htm" title="http://www.gardendigest.com/walking.htm"&gt;www.gardendigest.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;Don't think you're on the right road &lt;BR /&gt;
just because it’s a well-beaten path.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-  Author Unknown&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;B&gt;&lt;FONT size="4"&gt;I was the world in
which I walked.&lt;BR /&gt;
&lt;/FONT&gt;&lt;/B&gt;-   Wallace Stevens, &lt;I&gt;Tea at the Palaz of Hoon&lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;A vigorous five-mile walk will do
more good for an &lt;/BIG&gt;&lt;BR /&gt;
&lt;BIG&gt;unhappy but otherwise healthy adult than all the &lt;/BIG&gt;&lt;BR /&gt;
&lt;BIG&gt;medicine and psychology in the world. &lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-   Paul Dudley White&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;All truly great
thoughts are conceived by walking.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-  Friedrich Nietzsche&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;Meandering leads to perfection.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-  Lao Tzu&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;He who limps is still walking.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-  Stanislaw J. Lec&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;Perhaps the truth depends on a walk
around the lake. &lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-  Wallace Stevens&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;B&gt;&lt;FONT size="4" face="Arial"&gt;It is a great
art to saunter.
&lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="4" face="Arial"&gt;&lt;BR /&gt;
&lt;/FONT&gt;&lt;FONT size="3" face="Arial" color="#800080"&gt;-  Henry David Thoreau,
1841&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;Slow down and enjoy life.  It's
not only the scenery you miss by going to &lt;BR /&gt;
fast - you also miss the sense of where you are going and why.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-   Eddie Cantor&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;STRONG&gt;&lt;BIG&gt;Travelers, there is no path, paths
are made by walking.&lt;BR /&gt;
&lt;/BIG&gt;&lt;/STRONG&gt;-   Antonio Machado&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#800000"&gt;&lt;BIG&gt;&lt;STRONG&gt;I like long walks, especially when
they are taken&lt;BR /&gt;
by people who annoy me.&lt;BR /&gt;
&lt;/STRONG&gt;&lt;/BIG&gt;-   Fred Allen&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/walking/" rel="tag"&gt;walking&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gardendigest.com/walking.htm</clipSource><pubDate>Tue, 01 Dec 2009 18:14:22 GMT</pubDate></item><item><title>Health Care Kills Two Million in a Decade</title><link>http://clipmarks.com/clipmark/8D60296E-4611-417A-AA01-2421466EAB7B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.chron.com/disp/story.mpl/deadbymistake/6555095.html" title="http://www.chron.com/disp/story.mpl/deadbymistake/6555095.html"&gt;www.chron.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="Text-TextBody HoustonText" id="id2447890"&gt;Richard Flagg drowned in his own blood. &lt;/P&gt;&lt;P class="Text-TextBody HoustonText" id="id2447892"&gt;Stanley Stinnett choked on his own vomit.&lt;/P&gt;&lt;P class="Text-TextBody HoustonText" id="id2447895"&gt;Both were victims of the leading cause of accidental death in America — mistakes made in medical care.&lt;/P&gt;&lt;P class="Text-TextBody HoustonText" id="id2447901"&gt;Experts estimate that a staggering 98,000 people die from preventable medical errors each year. More Americans die each month of preventable medical injuries than died in the terrorist attacks of Sept. 11, 2001.&lt;/P&gt;&lt;P class="Text-TextBody HoustonText" id="id2447907"&gt;In addition, a federal Centers for Disease Control and Prevention study concluded that 99,000 patients a year succumb to hospital-acquired infections. Almost all of those deaths, experts say, also are preventable.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A national investigation by Hearst Newspapers found that the medical community, the federal government and most states have overwhelmingly failed to take the effective steps outlined in the report a decade ago.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Consequently, over that period, as many as 2 million Americans have died needlessly of preventable medical mistakes.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/health+care/" rel="tag"&gt;health care&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.chron.com/disp/story.mpl/deadbymistake/6555095.html</clipSource><pubDate>Sun, 29 Nov 2009 22:32:41 GMT</pubDate></item><item><title>US Hospital Errors Kill 200,000 Each Year</title><link>http://clipmarks.com/clipmark/E1AF6FF4-E7F6-4E0E-A494-176490A744FD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Interesting bit of history. I'm sure these days everything is just perfect. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.reportingonhealth.org/resources/topics/hospital-errors-stealth-killers" title="http://www.reportingonhealth.org/resources/topics/hospital-errors-stealth-killers"&gt;www.reportingonhealth.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Whether they involve wrong-site surgeries, poor physician handwriting or prescription dose miscalculations, medical errors are rampant in America’s health care system.  Following up on its landmark 1999 study,“To Err is Human,” the Institute of Medicine in 2006 found that a hospital patient is the victim of a medical error every single day he or she is hospitalized. Most errors have no consequences, but a 2008 study of 2000-2002 Medicare data by the for-profit health quality evaluation organization HealthGrades estimated that nearly 200,000 hospitalized patients died from potentially preventable medical errors each year. The issue remains in the news as Medicare and other insurers are increasingly refusing to pay for extra medical care necessitated by preventable medical errors.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/us+hospital+errors/" rel="tag"&gt;us hospital errors&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.reportingonhealth.org/resources/topics/hospital-errors-stealth-killers</clipSource><pubDate>Sun, 29 Nov 2009 22:29:23 GMT</pubDate></item><item><title>One in Eight Americans Use Welfare for Food</title><link>http://clipmarks.com/clipmark/2D37FC90-70C3-4991-A1E7-73A215FC58C4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/11/29/us/29foodstamps.html?_r=1&amp;th&amp;emc=th#" title="http://www.nytimes.com/2009/11/29/us/29foodstamps.html?_r=1&amp;th&amp;emc=th#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;MARTINSVILLE, Ohio — With food stamp use at record highs and climbing every month, a program once scorned as a failed welfare scheme now helps feed one in eight Americans and one in four children.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;While the numbers have soared during the &lt;A title="More articles about the recession." href="http://topics.nytimes.com/top/reference/timestopics/subjects/r/recession_and_depression/index.html?inline=nyt-classifier"&gt;recession&lt;/A&gt;, the path was cleared in better times when the Bush administration led a campaign to erase the program’s stigma, calling food stamps “nutritional aid” instead of welfare, and made it easier to apply. That bipartisan effort capped an extraordinary reversal from the 1990s, when some conservatives tried to abolish the program, Congress enacted large cuts and bureaucratic hurdles chased many needy people away.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/poverty/" rel="tag"&gt;poverty&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2009/11/29/us/29foodstamps.html?_r=1&amp;th&amp;emc=th#</clipSource><pubDate>Sun, 29 Nov 2009 10:38:40 GMT</pubDate></item><item><title>Understanding the psychology of Authoritarianism</title><link>http://clipmarks.com/clipmark/7B24A437-D595-4EC0-B6FA-E01E8BEE8C0B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Lexica/"&gt;Lexica&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boingboing.net/2009/11/23/understanding-the-ps.html" title="http://www.boingboing.net/2009/11/23/understanding-the-ps.html"&gt;www.boingboing.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mike sez, "Bob Altemeyer's excellent book 'The Authoritarians' is online in full pdf format.  It's a result of 30+ years of research into what he calls 'right-wing authoritarianism'- right in the sense of 'might makes' rather than 'opposite of left'.  It's a fascinating explanation of how the minds of this subset of the population works- or in some cases, fails to: how they are able to assiduously apply double standards, fail to notice inconsistencies in their beliefs, justify abominable behavior, etc.  Somehow, knowing that these people really, truly, can't reason in the same way the majority of us can makes them a little less irksome, if not less frightening."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/Lexica/512/A2698F3D-6CBE-47B4-A16D-50DD694ED5AD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
&lt;/BLOCKQUOTE&gt;

&lt;A href="http://home.cc.umanitoba.ca/~altemey/"&gt;The Authoritarians&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/republicans/" rel="tag"&gt;republicans&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/conservatives/" rel="tag"&gt;conservatives&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sarah-palin/" rel="tag"&gt;sarah-palin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rush-limbaugh/" rel="tag"&gt;rush-limbaugh&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/james-dobson/" rel="tag"&gt;james-dobson&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/authoritarianism/" rel="tag"&gt;authoritarianism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fascism/" rel="tag"&gt;fascism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.boingboing.net/2009/11/23/understanding-the-ps.html</clipSource><pubDate>Wed, 25 Nov 2009 16:19:32 GMT</pubDate></item><item><title>Open Learn Units on Climate Change</title><link>http://clipmarks.com/clipmark/3FB1ABF9-EC48-4CD6-B56F-19BB5122619F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Free learning units on climate change.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.open.ac.uk/blogs/openair/?p=413" title="http://www.open.ac.uk/blogs/openair/?p=413"&gt;www.open.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;List of OpenLearn units related to climate change:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=2805"&gt;Climate change&lt;/A&gt;&lt;BR /&gt;
Climate change is a key issue on today’s social and political agenda. This unit explores the basic science that underpins climate change and global warming.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3122"&gt;Climate change: island life in a volatile world&lt;/A&gt;&lt;BR /&gt;
What impact will global warming really have? This unit examines the potential problems faced by the people of the Pacific Island of Tuvalu as a result of rising sea levels. Where would you go if your island is only a few feet above sea level? Who would you blame?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=1526"&gt;Global warming&lt;/A&gt;&lt;BR /&gt;
This unit provides an introduction to global warming. We will be considering the history of global warming by looking at the pattern of ice ages and analyisis of recorded temperatures. We will aim to gather meaningful information from this data. We will briefly assess the impact and influence of humans on global warming and, finally, we will examine climate models and how to predict future changes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/open+learn/" rel="tag"&gt;open learn&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ou/" rel="tag"&gt;ou&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/climate+change/" rel="tag"&gt;climate change&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.open.ac.uk/blogs/openair/?p=413</clipSource><pubDate>Tue, 24 Nov 2009 09:24:52 GMT</pubDate></item><item><title>Free Open University Courses</title><link>http://clipmarks.com/clipmark/929B57DF-7854-4B10-9E43-33200F5D78A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Much more at site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.open.ac.uk/openlearn/news/newsletter/email-online.php" title="http://www.open.ac.uk/openlearn/news/newsletter/email-online.php"&gt;www.open.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;OpenLearn is now in its third year and its time for a change. OpenLearn will soon be expanding to become the hub for all Open University materials that are freely available to the public, including videos, podcasts and lots more interactive content.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3956"&gt;Studying religion&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4008"&gt;Death and medicine: postponement and promise&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4004"&gt;The medicalised context of bereavement&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3980"&gt;Understanding children: babies being heard&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3999"&gt;Starting with maths: patterns and formulas&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3922"&gt;An overview of active galaxies&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4014"&gt;Learning from audio visual material: Introducing surveillance&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4033"&gt;What do we mean by 'family'?&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4001"&gt;Starting with psychology&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3958"&gt;Learning from audio visual material: Migrants and borders&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=4015"&gt;'Problem' populations, 'problem' places&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3990"&gt;Introducing ethics in Information and Computer Sciences&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
&lt;P&gt;&lt;SPAN&gt;&lt;STRONG&gt;Top five units&lt;/STRONG&gt;&lt;/SPAN&gt;&lt;/P&gt;
&lt;P&gt;&lt;SPAN&gt;This month's five most popular OpenLearn units are:&lt;/SPAN&gt;&lt;/P&gt;
&lt;UL&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=2850"&gt;EPOCH Psychology History Timeline&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=2987"&gt;Judges and the Law&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=2748"&gt;Start writing fiction&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=3359"&gt;Essay and report writing skills&lt;/A&gt;&lt;/LI&gt;
    &lt;LI&gt;&lt;A href="http://openlearn.open.ac.uk/course/view.php?id=2717"&gt;Plate Tectonics&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.open.ac.uk/openlearn/news/newsletter/email-online.php</clipSource><pubDate>Mon, 23 Nov 2009 18:57:13 GMT</pubDate></item></channel></rss>