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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | abailart's clips</title><link>http://clipmarks.com/clipper/abailart/</link><feedUrl>http://rss.clipmarks.com/clipper/abailart/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Photos of the Earth and Moon - From Other Worlds</title><link>http://clipmarks.com/clipmark/06D73DE4-6784-4203-A4DF-ABC1BC81271B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.universetoday.com/2008/05/07/photos-of-the-earth-and-moon-from-other-worlds/" title="http://www.universetoday.com/2008/05/07/photos-of-the-earth-and-moon-from-other-worlds/"&gt;www.universetoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/57C2A7CA-1B21-4555-9293-CF640CCC7E5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
We're familiar with the close-up images of Earth captured by orbital satellites and astronauts on the International Space Station. But here are a few pictures of the Earth and Moon captured at a distance, while passing around the Moon, or orbiting distant Saturn. In the words of Carl Sagan, "Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Since Sagan commented on Voyager 1's image of Earth, several more pics of the Earth and Moon have been captured that really put our tiny spot in the Universe into perspective&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Voyager 1 - the Pale Blue Dot&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A5052807-E47F-4005-BD07-CF08C82C0D66.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
This image, captured by NASA's Voyager 1 spacecraft on February 14, 1990, is the one Sagan was talking about&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Cassini - the Earth from Saturn&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/FDBD0B7F-2311-4725-82AC-BC779E90DC3D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C3A442ED-3065-4C7A-93A8-4BE6630436C7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a tiny blue-white dot.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;there's Earth, seen from a distance of 1.4 billion km &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Mars Express - the Earth and Moon from Mars&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/719DE8CA-5D2B-4A49-8EF7-2743D54EDFB0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;&lt;BR /&gt;
Opportunity Rover - the Earth from the Surface of Mars&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EE7F9800-B688-4145-B7F9-CCCE198F2D26.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D166F58C-DC00-4B6A-85CB-3530E40719EA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EB57E35E-D91F-4968-A0E4-6C7FBB13211A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/638B634F-F03A-42A7-928A-9C846330A388.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C05B5C84-F86E-4501-AFB1-C1115A57B7BD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AB2DCD74-FEFA-47FF-9DB6-CFAD5E4BDA87.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.universetoday.com/2008/05/07/photos-of-the-earth-and-moon-from-other-worlds/</clipSource><pubDate>Sat, 10 May 2008 06:16:36 GMT</pubDate></item><item><title>Some Very Interesting Free Books</title><link>http://clipmarks.com/clipmark/AFBD796F-EDDB-408D-A003-E0B184CAC108/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://books.google.com/books?q=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;rview=1&amp;source=gbs_subrefine_b" title="http://books.google.com/books?q=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;rview=1&amp;source=gbs_subrefine_b"&gt;books.google.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
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&lt;A href="http://books.google.com/books?id=m1cU0TamkQMC&amp;printsec=frontcover&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=m1cU0TamkQMC&amp;printsec=frontcover&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Plan of the Creation; Or, &lt;B&gt;Other&lt;/B&gt; &lt;B&gt;Worlds&lt;/B&gt;, and who Inhabit Them&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=m1cU0TamkQMC&amp;printsec=frontcover&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=m1cU0TamkQMC&amp;printsec=frontcover&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Charles Louis Hequembourg&lt;/A&gt;
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&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
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&lt;A href="http://books.google.com/books?id=-JtMAAAAMAAJ&amp;pg=PA132&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=-JtMAAAAMAAJ&amp;pg=PA132&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Soul in Nature&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=-JtMAAAAMAAJ&amp;pg=PA132&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=-JtMAAAAMAAJ&amp;pg=PA132&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Hans Christian Ørsted, Leonard Horner, Joanna B. Horner&lt;/A&gt;
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&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=FkYnAAAAMAAJ&amp;pg=PA291&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Essays on the Spirit of the Inductive Philosophy, the Unity of ...&lt;/A&gt;
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&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=FkYnAAAAMAAJ&amp;pg=PA291&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=FkYnAAAAMAAJ&amp;pg=PA291&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Baden Powell&lt;/A&gt;
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&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=UwE4AAAAMAAJ&amp;pg=PA98&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Two New &lt;B&gt;Worlds&lt;/B&gt; I. The Infra-world II.&lt;/A&gt;
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&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=UwE4AAAAMAAJ&amp;pg=PA98&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Edmund Edward Fournier d'Albe&lt;/A&gt;
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&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=kKAAAAAAMAAJ&amp;pg=PA27&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The World Machine&lt;/A&gt;
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&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=kKAAAAAAMAAJ&amp;pg=PA27&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=kKAAAAAAMAAJ&amp;pg=PA27&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Carl Snyder&lt;/A&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
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&lt;A href="http://books.google.com/books?id=KxIhAAAAMAAJ&amp;pg=PA150&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
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&lt;A tabindex="-1" href="http://books.google.com/books?id=KxIhAAAAMAAJ&amp;pg=PA150&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Earliest Cosmologies&lt;/A&gt;
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&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=KxIhAAAAMAAJ&amp;pg=PA150&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=KxIhAAAAMAAJ&amp;pg=PA150&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;William Fairfield Warren&lt;/A&gt;
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&lt;/DIV&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap blue"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=2spCAAAAIAAJ&amp;pg=PA301&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=2spCAAAAIAAJ&amp;pg=PA301&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Basic Outline of Universology&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=2spCAAAAIAAJ&amp;pg=PA301&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=2spCAAAAIAAJ&amp;pg=PA301&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Stephen Pearl Andrews&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap blue"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=fzHRWaDMg1cC&amp;pg=PA162&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=fzHRWaDMg1cC&amp;pg=PA162&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Glimpses of the Cosmos&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=fzHRWaDMg1cC&amp;pg=PA162&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=fzHRWaDMg1cC&amp;pg=PA162&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Lester Frank Ward&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap red"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=oFMlAAAAMAAJ&amp;pg=PA14&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=oFMlAAAAMAAJ&amp;pg=PA14&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Man's Place in the Universe&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=oFMlAAAAMAAJ&amp;pg=PA14&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=oFMlAAAAMAAJ&amp;pg=PA14&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Alfred Russel Wallace&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap brown"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=YctCAAAAIAAJ&amp;pg=PA388&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=YctCAAAAIAAJ&amp;pg=PA388&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Rational Cosmology&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=YctCAAAAIAAJ&amp;pg=PA388&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=YctCAAAAIAAJ&amp;pg=PA388&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Laurens Perseus Hickok&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap blue"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=jxEHAAAAQAAJ&amp;pg=PA10&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=jxEHAAAAQAAJ&amp;pg=PA10&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Unity of Nature&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=jxEHAAAAQAAJ&amp;pg=PA10&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=jxEHAAAAQAAJ&amp;pg=PA10&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;George Douglas Campbell Argyll&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap blue"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=5bhRAAAAMAAJ&amp;pg=PA97&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=5bhRAAAAMAAJ&amp;pg=PA97&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Metaphysic&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=5bhRAAAAMAAJ&amp;pg=PA97&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=5bhRAAAAMAAJ&amp;pg=PA97&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Hermann Lotze&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap green"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=Pv4eAAAAMAAJ&amp;pg=PA90&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=Pv4eAAAAMAAJ&amp;pg=PA90&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;A few simple rhymes and three essays on the structure of the universe.&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=Pv4eAAAAMAAJ&amp;pg=PA90&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=Pv4eAAAAMAAJ&amp;pg=PA90&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Charles McGregor&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap green"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=iyI9iOctY8sC&amp;pg=PA227&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=iyI9iOctY8sC&amp;pg=PA227&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Living Universe&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=iyI9iOctY8sC&amp;pg=PA227&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=iyI9iOctY8sC&amp;pg=PA227&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Henry Truro Bray&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap blue"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=2w8KAAAAIAAJ&amp;pg=PA248&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=2w8KAAAAIAAJ&amp;pg=PA248&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Wilderness of &lt;B&gt;Worlds&lt;/B&gt;&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=2w8KAAAAIAAJ&amp;pg=PA248&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=2w8KAAAAIAAJ&amp;pg=PA248&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;George Wilkinson Morehouse&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap green"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=vElDWEDfJtoC&amp;pg=PA457&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=vElDWEDfJtoC&amp;pg=PA457&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Cosmos and Diacosmos&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=vElDWEDfJtoC&amp;pg=PA457&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=vElDWEDfJtoC&amp;pg=PA457&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Denton Jaques Snider&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="dsb"&gt;&lt;DIV class="cornert"&gt;&lt;/DIV&gt;&lt;DIV class="cornerb"&gt;&lt;/DIV&gt;
&lt;DIV class="ca"&gt;&lt;DIV class="fcwrap brown"&gt;
&lt;DIV class="fc"&gt;
&lt;A href="http://books.google.com/books?id=QgAMAAAAMAAJ&amp;pg=RA2-PR1&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1" class="fclink"&gt; &lt;/A&gt;
&lt;TABLE width="133" height="188" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="middle" align="center"&gt;
&lt;DIV class="fccontents"&gt;
&lt;DIV class="booktitle"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=QgAMAAAAMAAJ&amp;pg=RA2-PR1&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;The Story of Creation&lt;/A&gt;
&lt;/DIV&gt;
&lt;DIV class="byline"&gt;&lt;A tabindex="-1" href="http://books.google.com/books?id=QgAMAAAAMAAJ&amp;pg=RA2-PR1&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;~&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="bookauthor"&gt;
&lt;A tabindex="-1" href="http://books.google.com/books?id=QgAMAAAAMAAJ&amp;pg=RA2-PR1&amp;dq=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;ei=1PMkSI-WJKHQjgGSi8HJDQ&amp;rview=1"&gt;Edward Clodd&lt;/A&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/free+books/" rel="tag"&gt;free books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/other+worlds/" rel="tag"&gt;other worlds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/creation/" rel="tag"&gt;creation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/knowledge/" rel="tag"&gt;knowledge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/old/" rel="tag"&gt;old&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://books.google.com/books?q=other+worlds+subject:%22Cosmology%22&amp;as_brr=1&amp;rview=1&amp;source=gbs_subrefine_b</clipSource><pubDate>Sat, 10 May 2008 02:03:57 GMT</pubDate></item><item><title>Magazine Mentality: the Victorian Clipmarks?</title><link>http://clipmarks.com/clipmark/D48D4A03-47AD-4091-AB9B-67B4AC8D5C74/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The site has the contents and articles from the magazine. For some reason it reminds me a bit of Clipmarks! In any case, I am sure there is a wealth of information there to be shared. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.history.rochester.edu/pennymag/pmintro.htm" title="http://www.history.rochester.edu/pennymag/pmintro.htm"&gt;www.history.rochester.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BIG&gt;T&lt;/BIG&gt;he &lt;BIG&gt;P&lt;/BIG&gt;enny &lt;BIG&gt;M&lt;/BIG&gt;agazine, published every Saturday, was aimed at
the working class. It was part of the Society for the Diffusion
of Useful Knowledge's program for liberal reform. for its
reader, however, it was a source of information on subjects of
general interest: everyday things like tea and coffee,
well-known places in England, a series on animals and birds of
Britain, descriptions of prsent-day manufacturing, even an
American alaman and a serial of a personal account of an
immigrant's problems. Poetry was published, too, and there are
several illustrations in each issue.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.history.rochester.edu/pennymag/211/toc.htm" title="http://www.history.rochester.edu/pennymag/211/toc.htm"&gt;www.history.rochester.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;FONT size="-1"&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/valley.htm"&gt;Valley of Meran.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/butter.htm"&gt;Butter.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/cfa.htm"&gt;Curious Fashion and Anecdote.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/goats.htm"&gt;Goats as Wet-nurses.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/emd.htm"&gt;Expediency of measuring distances from a Common Centre in London.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/tomb.htm"&gt;Galilee of Durham Cathedral and Tomb of Venerable Bede.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/eagle.htm"&gt;The Great Eagle.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/mineral.htm"&gt;Mineral Kingdom - Section XLI. Mercury or Quicksilver.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;LI&gt;&lt;A _base_target="CONTENT" href="http://www.history.rochester.edu/pennymag/211/cuc.htm"&gt;Custom of sitting uncovered in Churches.&lt;/A&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;/FONT&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;BIG&gt;THE PENNY MAGAZINE&lt;/BIG&gt;&lt;BR /&gt;
&lt;FONT size="-1"&gt;No. 211 - July 18, 1835&lt;/FONT&gt;&lt;BR /&gt;
&lt;B&gt;Table of Contents&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/penny+magazine/" rel="tag"&gt;penny magazine&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.history.rochester.edu/pennymag/pmintro.htm</clipSource><pubDate>Wed, 07 May 2008 09:13:51 GMT</pubDate></item><item><title>Dead Man Walking</title><link>http://clipmarks.com/clipmark/FF88D5DE-06F4-4227-93D0-A98B3A543C73/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "The Dead Man Walking" is reprinted from Time's Laughingstocks and Other Verses. Thomas Hardy. London: Macmillan and Co. 1909. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.poetry-archive.com/h/the_dead_man_walking.html" title="http://www.poetry-archive.com/h/the_dead_man_walking.html"&gt;www.poetry-archive.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;THE DEAD MAN WALKING&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thomas Hardy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
                    &lt;DL&gt;
                      &lt;DT&gt;&lt;FONT size="+2"&gt;&lt;IMG width="22" height="25" border="0" align="bottom" naturalsizeflag="3" src="http://www.poetry-archive.com/h/../t_pic.gif" /&gt;&lt;/FONT&gt;HEY hail
                      me as one living,
                      &lt;/DT&gt;&lt;DT&gt;But don't they know
                      &lt;/DT&gt;&lt;DT&gt;That I have died of late years,
                      &lt;/DT&gt;&lt;DT&gt;Untombed although?
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;I am but a shape that stands here,
                      &lt;/DT&gt;&lt;DT&gt;A pulseless mould,
                      &lt;/DT&gt;&lt;DT&gt;A pale past picture, screening
                      &lt;/DT&gt;&lt;DT&gt;Ashes gone cold.
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;Not at a minute's warning,
                      &lt;/DT&gt;&lt;DT&gt;Not in a loud hour,
                      &lt;/DT&gt;&lt;DT&gt;For me ceased Time's enchantments
                      &lt;/DT&gt;&lt;DT&gt;In hall and bower.
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;There was no tragic transit,
                      &lt;/DT&gt;&lt;DT&gt;No catch of breath,
                      &lt;/DT&gt;&lt;DT&gt;When silent seasons inched me
                      &lt;/DT&gt;&lt;DT&gt;On to this death ....
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;-- A Troubadour-youth I rambled
                      &lt;/DT&gt;&lt;DT&gt;With Life for lyre,
                      &lt;/DT&gt;&lt;DT&gt;The beats of being raging
                      &lt;/DT&gt;&lt;DT&gt;In me like fire.
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;But when I practised eyeing
                      &lt;/DT&gt;&lt;DT&gt;The goal of men,
                      &lt;/DT&gt;&lt;DT&gt;It iced me, and I perished
                      &lt;/DT&gt;&lt;DT&gt;A little then.
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;When passed my friend, my kinsfolk,
                      &lt;/DT&gt;&lt;DT&gt;Through the Last Door,
                      &lt;/DT&gt;&lt;DT&gt;And left me standing bleakly,
                      &lt;/DT&gt;&lt;DT&gt;I died yet more;
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;And when my Love's heart kindled
                      &lt;/DT&gt;&lt;DT&gt;In hate of me,
                      &lt;/DT&gt;&lt;DT&gt;Wherefore I knew not, died I
                      &lt;/DT&gt;&lt;DT&gt;One more degree.
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;And if when I died fully
                      &lt;/DT&gt;&lt;DT&gt;I cannot say,
                      &lt;/DT&gt;&lt;DT&gt;And changed into the corpse-thing
                      &lt;/DT&gt;&lt;DT&gt;I am to-day,
                      &lt;/DT&gt;&lt;DT&gt; 
                      &lt;/DT&gt;&lt;DT&gt;Yet is it that, though whiling
                      &lt;/DT&gt;&lt;DT&gt;The time somehow
                      &lt;/DT&gt;&lt;DT&gt;In walking, talking, smiling,
                      &lt;/DT&gt;&lt;DT&gt;I live not now.
                    &lt;/DT&gt;&lt;/DL&gt;
                  &lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/betrayal/" rel="tag"&gt;betrayal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.poetry-archive.com/h/the_dead_man_walking.html</clipSource><pubDate>Wed, 07 May 2008 08:56:34 GMT</pubDate></item><item><title>Daydreaming Good for Us</title><link>http://clipmarks.com/clipmark/2F8FBF5D-BA23-48BA-A499-EE2351EA3A84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.youtube.com/watch?v=5UF3Y1k2Q6g" rel="nofollow" target="_blank"&gt;www.youtube.com/watch?v=5UF3Y1k2Q6g&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;and if you can remember The Monkees,&lt;br/&gt;&lt;a href="http://www.youtube.com/watch?v=dRr-sNlddRo" rel="nofollow" target="_blank"&gt;www.youtube.com/watch?v=dRr-sNlddRo&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cosmosmagazine.com/node/980" title="http://www.cosmosmagazine.com/node/980"&gt;www.cosmosmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/D3FF331D-300E-4A1F-8547-1D517DEA1706.jpg" alt="Daydreaming improves thinking" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; Our minds may wander during boring tasks because daydreaming is actually the brain's normal state, rather than a pointless distraction, according to a new U.S. study.&lt;/P&gt;
&lt;P&gt;The researchers, reporting their findings today in the U.S. journal, &lt;I&gt;Science&lt;/I&gt;, found that daydreaming could be the result of the brain mulling over important - but not immediately relevant - issues when the external environment ceases to pose interesting and engaging problems.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.anthonystaynes.com/girl_daydreaming.htm" title="http://www.anthonystaynes.com/girl_daydreaming.htm"&gt;www.anthonystaynes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E7E13D95-7C5D-4B68-AFE4-5EB7A5AAF827.jpg" alt="Anthony Staynes - Girl Daydreaming." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cosmosmagazine.com/node/980" title="http://www.cosmosmagazine.com/node/980"&gt;www.cosmosmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;According to Mason, the most important question is why our brains evolved to wander at all. His team suggests that perhaps it keeps our brains aroused during mundane tasks, or simply that our brains may wander because they can.&lt;/P&gt;
&lt;P&gt;"In a sense these thoughts reflect an amazing capacity on our part to multi-task," said Mason. "It is as if we have a sense of how much [attention] we have 'left over' and allocate these resources to working out some problem or anticipating what we have to do in the near future."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/daydreaming/" rel="tag"&gt;daydreaming&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cosmosmagazine.com/node/980</clipSource><pubDate>Tue, 06 May 2008 21:00:39 GMT</pubDate></item><item><title>Sigmund Freud: a birthday salutation</title><link>http://clipmarks.com/clipmark/5EA34BCE-DD9C-45B1-AA42-78D71203FC00/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/evil-deeds/200805/refreshment-freuds-faucet-birthday-salutation-0" title="http://blogs.psychologytoday.com/blog/evil-deeds/200805/refreshment-freuds-faucet-birthday-salutation-0"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B718D96A-52FF-481D-8343-3B3623F59E44.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;My own approach to psychotherapy, developed over three decades of clinical practice, can best be described as &lt;EM&gt;existential depth psychology&lt;/EM&gt;: a (for some, unlikely) fusion of existential psychology (especially that of my former mentor, existential psychoanalyst Rollo May) and the psychodynamic depth psychology (&lt;EM&gt;Tiefenpsychologie&lt;/EM&gt;) of Freud, Jung, Adler, Rank, et al. While I would consider myself theoretically and practically more a Jungian than Freudian psychologist, &lt;IMG align="right" src="http://www.shikanda.net/ethnicity/illustrations_manch/freud.jpg" /&gt;Freud's writings influenced me profoundly from a very young age. As a somewhat intellectually precocious child, I started reading Freud&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F14486CA-EE2B-4EAC-B8A0-102EB8E7BF90.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It was Sigmund Freud's fascinating, flowing, lucid and penetrating prose that inspired me to later pursue a career as a psychotherapist, following brief flirtations with medicine, art, acupuncture, and more enduringly, music in my teens. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/26775785-7807-4F0B-A454-EE2828159722.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;his now famous couch &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sigmund Freud's "psychoanalysis" is the seminal fount from which all modern psychotherapy more or less springs.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9067345A-20E0-4EC2-AE96-4927DA8C29A5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/freud/" rel="tag"&gt;freud&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/evil-deeds/200805/refreshment-freuds-faucet-birthday-salutation-0</clipSource><pubDate>Tue, 06 May 2008 12:38:29 GMT</pubDate></item><item><title>Eternalism, Nihilism: new forms, old superstition</title><link>http://clipmarks.com/clipmark/8D25BAD1-D923-49C0-9F99-1094A1C02C05/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;lt;&amp;lt;&amp;lt;Throughout the Buddha's long period of teaching the Dhamma to His followers, He actively discouraged speculative arguments. During the 5th century B.C. India was a veritable hive of intellectual activity where scholars, yogis, philosophers, kings and even ordinary householders were constantly engaged in the philosophical arguments pertaining to human existence. Some of these were either ridiculously trivial or totally irrelevant. Some people wasted valuable time arguing at great length about all manner of subjects. They were far more concerned about proving their powers in mental gymnastics than seeking genuine solutions to the problems that beset humanity.&amp;gt;&amp;gt;&amp;gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://zencomp.com/greatwisdom/ebud/whatbudbeliev/111.htm" title="http://zencomp.com/greatwisdom/ebud/whatbudbeliev/111.htm"&gt;zencomp.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT face="Times New Roman"&gt;&lt;FONT size="6"&gt;T&lt;/FONT&gt;o develop Right View or Perfect
    View, we must first be aware of two views which are considered imperfect or wrong. &lt;/FONT&gt;&lt;/P&gt;
    &lt;P&gt;&lt;FONT face="Times New Roman"&gt;&lt;FONT&gt;The first view is eternalism. This doctrine or
    belief is concerned with eternal life or with eternal things. Before the Buddha's time, it
    was taught that there is an abiding entity which could exist forever, and that man can
    live the eternal life by preserving the eternal soul in order to be in union with Supreme
    Being. In Buddhism, this teaching is called &lt;I&gt;sassata ditthi &lt;/I&gt;----the view of
    eternalists. Such views still exist even in the modern world owing to man's craving for
    eternity.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The second false view is nihilism or the view held
    by the nihilists who claim that there is no life after death. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The
    teaching of kamma is enough to prove that the Buddha did not teach annihilation after
    death; Buddhism accepts 'survival' not in the sense of an eternal soul, but in the sense
    of a renewed becoming.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/eternalism/" rel="tag"&gt;eternalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nihilism/" rel="tag"&gt;nihilism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buddhism/" rel="tag"&gt;buddhism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://zencomp.com/greatwisdom/ebud/whatbudbeliev/111.htm</clipSource><pubDate>Tue, 06 May 2008 09:47:03 GMT</pubDate></item><item><title>People like Us: the Quirkyalone</title><link>http://clipmarks.com/clipmark/C8B3321C-2D83-4BF6-A65B-827FC72F44FC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.quirkyalone.net/qa/peoplelikeus.php" title="http://www.quirkyalone.net/qa/peoplelikeus.php"&gt;www.quirkyalone.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I am, perhaps, what you might call deeply single. Almost never ever in a relationship. Until recently, I wondered whether there might be something weird about me&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3B67C1FB-78F1-4FF7-9C75-AADE18694566.gif" alt="Emily Dickinson" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;Emily Dickinson: quirky and alone, but not quirkyalone. We are sociable people.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;f Jung was right, that people are different in fundamental ways that drive them from within, then the quirkyalone is simply to be added to the pantheon of personality types assembled over the 20th century&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width="160" cellpadding="5" align="left"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD align="center"&gt;&lt;P class="caption"&gt;&lt;/P&gt;
		&lt;/TD&gt;
	&lt;/TR&gt;
&lt;/TBODY&gt;&lt;/TABLE&gt;

	&lt;P&gt;I. Only now, when the idea of marrying at age 20 has become thoroughly passé, are we quirkyalones emerging in greater numbers.&lt;/P&gt;
	
	&lt;P&gt;We are the puzzle pieces who seldom fit with other puzzle pieces. Romantics, idealists, eccentrics, we inhabit singledom as our natural resting state.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For the quirkyalone, there is no patience for dating just for the sake of not being alone. We want a miracle. Out of millions, we have to find the one who will understand.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/055EAC2A-078F-40AE-9CC6-47A4052781C3.gif" alt="Vibrator" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;Quirkyalones have vibrators.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;when one quirkyalone finds another, oooh la la. The earth quakes.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/quirkyalone/" rel="tag"&gt;quirkyalone&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.quirkyalone.net/qa/peoplelikeus.php</clipSource><pubDate>Mon, 05 May 2008 21:40:28 GMT</pubDate></item><item><title>Outstanding Nudes</title><link>http://clipmarks.com/clipmark/BB787D92-A069-40ED-AB5C-5537F64F701A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Please see site for credits. It takes a while to load but there are hundreds pf astounding images. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://xupacabras.weblog.com.pt/arquivo/fotos_de_corpos_pbbw_nudes_photos/" title="http://xupacabras.weblog.com.pt/arquivo/fotos_de_corpos_pbbw_nudes_photos/"&gt;xupacabras.weblog.com.pt&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/03B3CF29-2775-4667-8F4C-9E7CE1BA2C1B.jpg" alt="katarzina-deranged.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7E0B2AD8-FB3B-49EC-8EA8-EC216004CE5C.jpg" alt="DougBeasley-nest.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1F9110FD-5114-48C5-8ECB-927724B5D59E.jpg" alt="ViktorIvanovski3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5FC67D9F-37B2-4C16-A31C-F2D0DB2A3C6C.jpg" alt="ViktorIvanovski6.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/84581C85-F6E9-43F2-BDDA-2DA079D9ABB3.jpg" alt="jan_bengtsson_2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0324997A-0F62-4B6E-B542-16B1BAF744E6.jpg" alt="4th.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/90C7D440-B795-4EE4-8D25-4009124D178E.jpg" alt="Jacek Pomykalski6.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8B0CDE0B-5B4D-482A-BCB1-1186D2D92353.jpg" alt="StephenHaynes-terpsichore.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/33615784-3BEB-4505-8260-2DBE555E427A.jpg" alt="marabu6.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B91EC478-A7E6-4CFA-89DC-91240B53FB5A.jpg" alt="marabu.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E774D99D-EE77-41B7-BABE-AC86697D22B3.jpg" alt="JerrySchatzbergLegscape.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/46289A3B-7922-4CB0-8F62-AC3CA929F85D.jpg" alt="JerrySchatzbergadeceptiverose.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/2EDCED37-5683-4B8D-BB55-7C3697B06FA7.jpg" alt="1311studio7.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/99126F2E-6A4B-4CE7-B242-E1FA0E0563A6.jpg" alt="1311studio4.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9542A963-99AE-42FC-995F-C846533CCD80.jpg" alt="ElenaVasilieva-Evilways.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3D666153-1FA1-41F2-B91B-6FBC8363F332.jpg" alt="ElenaVasilieva-SharpFeelings.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AAA4003F-6EE2-43FE-9012-8E0B01D67960.jpg" alt="ElenaVasilievawhenthenightcomes.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5F3AE167-BEF0-4E57-A762-D3233CBD66A8.jpg" alt="Christoper Voelker - mascara.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/94E5EA31-09C0-42CC-A35E-CAC6574AF7CD.jpg" alt="Christoper Voelker - kiss-me.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/56247F62-2656-431E-98CC-E8C5B89EC75E.jpg" alt="Petervan3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A77A8389-5674-480B-9178-C290343D4422.jpg" alt="Emilschildt-fifie.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/86CB75F9-561B-4319-8D84-4DFF0249779B.jpg" alt="MicaelaPetroni-The Mummy.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AB881C06-49FC-48E5-8208-ADF9B4BB07EC.jpg" alt="gb4.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/99232427-0C08-4D27-8A18-353A0010B4A5.jpg" alt="FrancescaWoodman-snake.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9A2FE4DA-8C75-4D99-B004-130A24B17FC7.jpg" alt="martincooper-stipend.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/104DD69C-6880-4673-9AD5-F834AB21CEBB.jpg" alt="HowardChang.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/35AB4286-15DF-4A7D-85A5-2161EAB898EB.jpg" alt="Edgar Honetschlager-stilLife.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FA277BAC-B78E-4E19-BCE5-5B9299764978.jpg" alt="Alain-Marc-lafilledIcare.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F30371B8-39D9-4D9D-B108-94FADD6F1801.jpg" alt="SandrineHermandGrisel-2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5B011811-C13E-4F76-BD96-63725FC667F1.jpg" alt="ChristianCoigny.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3E3CAE51-6CF0-4A5A-BE6D-77BC5C1FE586.jpg" alt="GunterKnop-Corner.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C3627164-F73C-49E3-B957-DC16D7CCCC5A.jpg" alt="SandraGalba3.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/330B7520-4197-431F-9961-3D899FBA82CD.jpg" alt="medusa.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A9DC0EB3-8866-4101-AC97-141E5FB38140.jpg" alt="DonnaMurtyTodd-wakingfromnightmare.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ADE6B645-C8A2-4F0D-AB6C-9979A0714D3E.jpg" alt="Georg Suturin.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/42557928-CEEE-4F9A-8D2D-65F04C4706B7.jpg" alt="FLORIAN SToLLINGER22.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A6D6E1D0-D491-442E-8053-D090FB4CF7A6.jpg" alt="Nausher Banaji-iinto ourselves.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6EBC3618-35B5-457E-A596-4ECF0F694C28.jpg" alt="IgorAmelkovich-shehatesme.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/975834C8-3E7B-4387-8EC6-8EF14DDC5D5A.jpg" alt="Alvin Booth5.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3657C9D3-ECC7-4A60-92B8-FAB3754D0516.jpg" alt="Ivan Pinkava - Ecco, la Luce!.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/17CC5EFC-555E-481E-B894-62D2B8497147.jpg" alt="Dirk Lalomy 2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/BC79F68A-569A-4F0F-9337-033BE0FBE1D3.jpg" alt="Thierry le Goues 5.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0B7F29AB-1AAD-46F7-86EA-FCDE63FD4698.jpg" alt="Gerard EGIAP Hol 2.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4B8DB3B3-1A13-4AEF-B440-4578B942E71B.jpg" alt="Lorraine M Daley - Stopping the Fall.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3CA138FC-F95F-4CAF-8ADB-7EE100C63E27.jpg" alt="Pedro Isztin - Raphaelle.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7C905AEB-4149-47F6-A2B7-29F586F5C273.jpg" alt="MARK ARBEIT - Desert Still Life.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F16CF2B4-C26F-47B5-A345-A4B1CA9B2A3A.jpg" alt="Knut Hoftun Knudsen - Amfibie.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/331D070D-5064-4553-AA15-2A173663C98F.jpg" alt="Miguel V. Arana - see you in hell.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1AFEB804-D4FA-4D48-A04C-2199829EA9EC.jpg" alt="Miguel.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/75E4CCA9-2D9E-4E78-BBC4-8DD54BB63AC4.jpg" alt="Miguel V. Arana - 1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B52316F7-0A4A-4851-93C3-3E57827A0FD0.jpg" alt="Elfi Kaut - mauerrisse.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/30866F54-465C-42AE-8948-467B61011744.jpg" alt="Tomy Ceballos - Volcan.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/87607057-C8DB-4478-843E-EE76821B3E96.jpg" alt="Erwin Olaf - Chess.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1B58AC7D-D2CF-4518-A024-5032B91968E6.jpg" alt="Petr Flynt - Tale about golden fish.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AC1824A5-7F73-4BD6-A978-ED4331F075A3.gif" alt="Adam Albrec - Corresponding.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;IMG width="142" height="318" border="0" src="http://xupacabras.weblog.com.pt/arquivo/Laurence Demaison.jpg" alt="Laurence Demaison.jpg" /&gt; &lt;IMG width="143" height="318" border="0" src="http://xupacabras.weblog.com.pt/arquivo/Laurence Demaison2.jpg" alt="Laurence Demaison2.jpg" /&gt; &lt;IMG width="142" height="318" border="0" src="http://xupacabras.weblog.com.pt/arquivo/Laurence Demaison3.jpg" alt="Laurence Demaison3.jpg" /&gt;&lt;BR /&gt;
Fotos de &lt;A href="http://www.ewgalerie.com/Fotografen/Demaison.html"&gt;Laurence Demaison&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/89B02958-178B-4A1F-8B81-0596760CB920.jpg" alt="Jerry Schatzberg - Agilidade.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ADD7D474-1153-4275-B3E9-812B9D6A2EA2.jpg" alt="WILLY RONIS- LeNuProvencal.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5F6D52BC-E719-4705-96F2-A7E27BEB4F10.jpg" alt="Warrior.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B1B0B792-12EB-48A3-B0C8-89718432CFC3.jpg" alt="Zdenek Rerych - crash test.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/3CBB7381-7C1B-4710-888F-6B680A893899.jpg" alt="Raivo Nael - Linhas curvas.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8C8C1921-04CD-46F4-9004-DC79880CF97F.jpg" alt="Willie Dillon - 4 pernas.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A73D3425-DF92-48A0-A7C1-26BC5A8BD1A4.jpg" alt="Mikhail Palinchak - ritual.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nudes/" rel="tag"&gt;nudes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://xupacabras.weblog.com.pt/arquivo/fotos_de_corpos_pbbw_nudes_photos/</clipSource><pubDate>Mon, 05 May 2008 12:15:12 GMT</pubDate></item><item><title>A sad, sweet poem out of America: Robert Frank</title><link>http://clipmarks.com/clipmark/A55437DD-B1F1-4E30-AB29-BD891C0647CD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://updatecenter.britannica.com/art?assemblyId=60092&amp;type=A" title="http://updatecenter.britannica.com/art?assemblyId=60092&amp;type=A"&gt;updatecenter.britannica.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C299932A-D315-4199-BA33-CB91BBA7CF71.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.mit.edu/21w.784/www/BD%20Supplementals/Materials/UnitOne/NYC.html" title="http://web.mit.edu/21w.784/www/BD%20Supplementals/Materials/UnitOne/NYC.html"&gt;web.mit.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FC84482A-B443-4AFA-A0EC-B182AA45BADB.jpg" alt="Frank's "New York City"" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;n 1955, the Swiss photographer Robert Frank traveled throughout the United States by car and returned with a bleak portrait of what the American road had to offer. As Kerouac writes in his introduction, Frank's photographs had "sucked a sad, sweet, poem out of America," a sadness found in the forlorn looks of dime store waitresses, funeral attendees, and human faces rendered unrecognizable in the glare of jukeboxes. The slightly offset angles and the blurred focus of many of the photographs suggest the nervousness and dislocation of the people they capture. Frank dispels any romantic notions of the lingering pioneer spirit of America by presenting a landscape of people and places absent of hope and promise.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artthrob.co.za/01june/images/rodero01a.jpg" title="http://www.artthrob.co.za/01june/images/rodero01a.jpg"&gt;www.artthrob.co.za&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E176DFD7-5CBB-4AD3-B902-BF5057A650AC.jpg" alt="http://www.artthrob.co.za/01june/images/rodero01a.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://caraphillips.wordpress.com/2007/12/27/home/" title="http://caraphillips.wordpress.com/2007/12/27/home/"&gt;caraphillips.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/366B43B6-30A1-405E-BDCF-46383A6C3A55.jpg" alt="h2_199251623.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.ncf.ca/ek867/frank.parade.hoboken.jpg" title="http://web.ncf.ca/ek867/frank.parade.hoboken.jpg"&gt;web.ncf.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/274116EE-C304-4A14-BD2A-F61DB2036BF0.jpg" alt="The image “http://web.ncf.ca/ek867/frank.parade.hoboken.jpg” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.stayinbuenosaires.com/blog/2007/09/05/robert-frank-words/" title="http://www.stayinbuenosaires.com/blog/2007/09/05/robert-frank-words/"&gt;www.stayinbuenosaires.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="hoverNav"&gt;&lt;A id="prevLink" href="#"&gt;&lt;/A&gt;&lt;A id="nextLink" href="#"&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://shs.westport.k12.ct.us/jwb/Collab/CivRts/baby.gif" title="http://shs.westport.k12.ct.us/jwb/Collab/CivRts/baby.gif"&gt;shs.westport.k12.ct.us&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B2DB2A4F-A0C7-4A2D-A1AD-0BD3F8A4138D.gif" alt="The image “http://shs.westport.k12.ct.us/jwb/Collab/CivRts/baby.gif” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.e-flux.com/shows/view/2254" title="http://www.e-flux.com/shows/view/2254"&gt;www.e-flux.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5CAA341D-4002-4A41-AC8F-1366C98E18A3.jpg" alt="1127751288fotomuseum.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.josephbellows.com/artists/robert-frank/" title="http://www.josephbellows.com/artists/robert-frank/"&gt;www.josephbellows.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yale.edu/amstud/r66/fr1.html" title="http://www.yale.edu/amstud/r66/fr1.html"&gt;www.yale.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/E6097FAC-3D76-4B00-9CBA-3A1E22A865F0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.last.fm/group/Photographs+and+photographers/forum/30708/_/107760/_/3198766" title="http://www.last.fm/group/Photographs+and+photographers/forum/30708/_/107760/_/3198766"&gt;www.last.fm&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A597688D-F0B7-4AF8-8651-C19E837B4FA0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spencerart.ku.edu/collection/photography/frank.shtml" title="http://www.spencerart.ku.edu/collection/photography/frank.shtml"&gt;www.spencerart.ku.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/03C49EF4-1A66-404E-9BAB-EBB2A89E0FD2.jpg" alt="U.S. 285, New Mexico by Robert Frank" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/03/sm_robertfrank03.xml" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/03/sm_robertfrank03.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8E762144-3B08-4EF5-A076-E026427A8BE7.jpg" alt="Canal Street" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C177A2A7-0CAF-4CE4-BF34-4DC364B8B907.jpg" alt="Funeral" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/61990B45-4D26-4674-8A0C-939DDE7F1043.jpg" alt="Elevator" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/03/sm_robertfrank03.xml&amp;page=2" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/05/03/sm_robertfrank03.xml&amp;page=2"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/2ADD0807-B7BF-44D4-9357-40B2D9677289.jpg" alt="Park" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/robert+frank/" rel="tag"&gt;robert frank&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://updatecenter.britannica.com/art?assemblyId=60092&amp;type=A</clipSource><pubDate>Mon, 05 May 2008 08:03:10 GMT</pubDate></item><item><title>Introduction to Goat Harnesses</title><link>http://clipmarks.com/clipmark/AEF3F0F2-036E-432D-8AD2-9CC58C16B17C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A few links to educational resources for utilising a goat. Even those unfortunate not to own a goat may join in the rewarding hobby of collecting goat harnesses and related accessories. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://whinny.org/4hgoatprojects.htm" title="http://whinny.org/4hgoatprojects.htm"&gt;whinny.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/AB584624-00E5-4FCC-B8E3-F90A3075D53B.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.marnasmenagerie.com/?id=54" title="http://www.marnasmenagerie.com/?id=54"&gt;www.marnasmenagerie.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FABC1976-EAA5-47CC-B740-F2C596339A18.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://content3.clipmarks.com/content/9F132E30-20A4-4844-A2B0-E7432963CE16/" title="http://content3.clipmarks.com/content/9F132E30-20A4-4844-A2B0-E7432963CE16/"&gt;content3.clipmarks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/B8A3D441-02B1-433C-9CF2-4A5757A47913.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.workinggoats.com/?id=80" title="http://www.workinggoats.com/?id=80"&gt;www.workinggoats.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/488B2479-47F7-4961-B336-01DE1BB4AC23.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.goattracksmagazine.com/harness.html" title="http://www.goattracksmagazine.com/harness.html"&gt;www.goattracksmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C893C7F9-F1AA-4C44-9E70-B72F1AAF05F7.jpg" alt="Driving" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Photo courtesy of Carole Contreras and The&lt;BR /&gt;
          American Harness Goat Association.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/goatacres.geo/bridle.html" title="http://www.geocities.com/goatacres.geo/bridle.html"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0D33C76F-BC80-441F-A5BB-E9B30F4948AD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/goatacres.geo/harness.html" title="http://www.geocities.com/goatacres.geo/harness.html"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0556B373-6BA5-47B9-BDBC-EABECA815002.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ravenwoodfarm.com/driving-harness.html" title="http://www.ravenwoodfarm.com/driving-harness.html"&gt;www.ravenwoodfarm.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F5C17F5E-64F5-4EF9-996D-41D4A22321F1.jpg" alt="Mini Beta Yearling Halter" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FF2CCE0C-E80A-4C1E-BCCF-34D2DAA7DE57.jpg" alt="Mini Black Leather Pulling Harness" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/DEFCD0AD-E241-4FBC-ABCE-69FA20DBBBF7.jpg" alt="Double Billets" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0944E340-4154-440F-92A1-EE7B3D01768F.jpg" alt="Limo in his new goat harness" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.workinggoats.com/?id=158" title="http://www.workinggoats.com/?id=158"&gt;www.workinggoats.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/ECFD98BB-D1F5-419C-ADE0-6B008FC66EFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bancroft.library.ca.gov/diglib/image.cfm?id=429&amp;start=1" title="http://bancroft.library.ca.gov/diglib/image.cfm?id=429&amp;start=1"&gt;bancroft.library.ca.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0BEAD22B-B34D-47CD-AA50-00D302C524AB.jpg" alt="Shades of Whittier - Alice" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/twomanyirons/harness1.html" title="http://www.geocities.com/twomanyirons/harness1.html"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F7943F06-1149-42CA-BF11-49C5C0486219.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.geocities.com/goatacres.geo/driving.html" title="http://www.geocities.com/goatacres.geo/driving.html"&gt;www.geocities.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Training and working a goat in harness is an activity that is educational, challenging and very rewarding.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Many possibilities have been suggested for the using of harness goats.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/goat+harnesses/" rel="tag"&gt;goat harnesses&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://whinny.org/4hgoatprojects.htm</clipSource><pubDate>Sun, 04 May 2008 09:21:24 GMT</pubDate></item><item><title>UK Voters Wake Up and tell "New Labour' to F@*K Off</title><link>http://clipmarks.com/clipmark/3B4C053D-6CAE-49F8-A2E6-116AB29CA149/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timesonline.co.uk/tol/comment/columnists/matthew_parris/article3864138.ece" title="http://www.timesonline.co.uk/tol/comment/columnists/matthew_parris/article3864138.ece"&gt;www.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
It's over. There was nothing constructive in the voters' message. These
elections were not an invitation to change. They were a big two-fingered
salute, a raspberry, a pressing of the de-trousered national buttocks to the
window of the polling station.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the judgment that takes only two words to deliver, one
of which I shall avoid in print.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;let us say “push off”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Prepare yourself then for a great barrage of
phrasemaking that will involve the endless repetition, in no particular
order, of the following thoughts, typically conjoined with Gordon Brown's
name:
&lt;/P&gt;&lt;P&gt;
wake-up call
&lt;/P&gt;&lt;P&gt;
message from the electorate
&lt;/P&gt;&lt;P&gt;
take it on the chin
&lt;/P&gt;&lt;P&gt;
listen to voters
&lt;/P&gt;&lt;P&gt;
learn lessons
&lt;/P&gt;&lt;P&gt;
heed concerns
&lt;/P&gt;&lt;P&gt;
need for change
&lt;/P&gt;&lt;P&gt;
get back in touch
&lt;/P&gt;&lt;P&gt;
sharpen up the act&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
show contrition
&lt;/P&gt;&lt;P&gt;
find a new narrative
&lt;/P&gt;&lt;P&gt;
feel their pain
&lt;/P&gt;&lt;P&gt;
show humility
&lt;/P&gt;&lt;P&gt;
understand more
&lt;/P&gt;&lt;P&gt;
blitz of initiatives
&lt;/P&gt;&lt;P&gt;
sense of purpose
&lt;/P&gt;&lt;P&gt;
simpler messages
&lt;/P&gt;&lt;P&gt;
sharpen the argument
&lt;/P&gt;&lt;P&gt;
clearer sense of direction
&lt;/P&gt;&lt;P&gt;
relaunch/refocus/rediscover/
&lt;/P&gt;&lt;P&gt;
redefine/repair/refresh/reshuffle/rethink/renew
&lt;/P&gt;&lt;P&gt;
begin fightback
&lt;/P&gt;&lt;P&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/'new+labour'/" rel="tag"&gt;'new labour'&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.timesonline.co.uk/tol/comment/columnists/matthew_parris/article3864138.ece</clipSource><pubDate>Sat, 03 May 2008 06:41:03 GMT</pubDate></item><item><title>May Day Massacre</title><link>http://clipmarks.com/clipmark/CF296206-1748-43B4-AAEB-34ADA8D49854/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  May Day, aka Labour Day. The absurd specatacle of a Labour Prime Minister, a LABOUR prime minister, shrugging off the 'difficult economic circumstances' facing the losers from his ten year gambling spree. Even now he has the audacity to prop up the private profits of banks with taxpayers' money. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.timesonline.co.uk/tol/news/politics/article3864666.ece" title="http://www.timesonline.co.uk/tol/news/politics/article3864666.ece"&gt;www.timesonline.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Boris Johnson sealed a nightmarish first electoral test for Gordon Brown,
surging to a hugely symbolic victory for the Conservatives in London.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Mr Brown suffered humilation across the country as the party lost an
astonishing 331 seats. It was Labour’s worst election night for 40 years,
leaving its local government and campaigning base severely weakened and
ministers fearing for their survival at the next general election.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Councillors were left almost defenceless in the face of the 10p tax row and
economic worries. Labour finished third overall, with just 24 per cent of
the vote. The Conservatives secured 44 per cent on an evening of unbridled
triumph and the Liberal Democrats 25 per cent.
&lt;/P&gt;&lt;P&gt;
The Tories gained 256 seats and the Liberal Democrats 34&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Mr Brown blamed “difficult economic circumstances”.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.timesonline.co.uk/tol/news/politics/article3864666.ece</clipSource><pubDate>Sat, 03 May 2008 06:33:24 GMT</pubDate></item><item><title>Meltdown for Labour as UK Right Surges</title><link>http://clipmarks.com/clipmark/18CAFC77-CF25-41F8-BC2E-BFDEEFEF8739/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If there is any good news for the Left in the UK it is that there has never been a better time to speak out for a new party that displays decency, an ethical foreign policy and a genuine commitment to those  disenfranchised by the savage redistribution of wealth to the rich. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/commentisfree/2008/may/03/labour" title="http://www.guardian.co.uk/commentisfree/2008/may/03/labour"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It threatens to be a slow death, as Labour decays steadily towards defeat in 2010. That, at least, is what plenty in the party fear after a horror show of a performance in local elections across England and Wales.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This was more than the traditional bloody nose administered by a restless electorate halfway through a parliament. That much was clear from the sheer scale of the punch.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Labour did not just trail the Tories, as they had done in previous council contests. They were 20 points behind.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;many of those that Labour would think of as its core voters abandoned the party. Angry over the abolition of the 10p tax rate, too many were ready to stay home or even break the habit of a lifetime and vote Conservative. One phone-in show yesterday had ex-Labour supporters queuing up to denounce their party - and its leader - for no longer seeming to know what they are for.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Labour is about to enter the twilight.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/labour+party/" rel="tag"&gt;labour party&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/commentisfree/2008/may/03/labour</clipSource><pubDate>Sat, 03 May 2008 06:02:52 GMT</pubDate></item><item><title>45 Photo Editing Tutorials for Photoshop</title><link>http://clipmarks.com/clipmark/F2A274A5-D13F-4C66-BB74-3FAF4DF21BA2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sweetsfoods/"&gt;sweetsfoods&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vandelaydesign.com/blog/design/photo-editing-tutorials/" title="http://vandelaydesign.com/blog/design/photo-editing-tutorials/"&gt;vandelaydesign.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link: 45 Photo Editing Tutorials for Photoshop" rel="bookmark" href="http://vandelaydesign.com/blog/design/photo-editing-tutorials/"&gt;45 Photo Editing Tutorials for Photoshop&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If you’re looking to improve a website by using Photoshop to enhance a photo to make it clearer, more interesting, or more exciting, here are 45 of the best tutorials to show you some of the possibilities.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshopessentials.com/photo-effects/story-shadows/"&gt;Telling stories with shadows&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/12E6102D-E382-4DB0-B007-4EE0148DAA74.jpg" alt="telling stories with shadows" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.seb4d.com/tutorials/Mattepainting/mattepainting_english.htm"&gt;Photoshop matte painting&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/57C30351-4011-4CE4-9D92-5BAC698B0743.jpg" alt="Matte painting" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.askphotoshop.com/creating-drama-with-a-soft-spotlight/"&gt;Creating drama with a soft spotlight&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/F29776A1-3C98-4EB1-8CF8-B3BDBD83EC01.jpg" alt="soft spotlight" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.askphotoshop.com/softer-background-effect/"&gt;Softer background effect&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/9FAD25B9-E018-4645-AEDC-19458AD5FECB.jpg" alt="softer background effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshopessentials.com/photo-effects/hand-tint/"&gt;Old fashioned, hand-tinted effect&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/CE41E5FB-A4A2-4BA1-99C8-81F388E88588.jpg" alt="hand-tinted image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshopessentials.com/photo-effects/ghosting/"&gt;Ghosting an image&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/0E1B28B4-E74F-4EDA-A7AF-0C724E571194.jpg" alt="Ghosting an image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/enhance-your-image-with-selective-color-adjustments/"&gt;Enhance your image with selective color adjustments&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/CE18F124-C5B3-4643-9951-8736C3A65DEE.jpg" alt="selective color adjustments" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/tutorials-effects/creating-a-vector-composite-effect-from-a-photo/"&gt;Creating a vector composite effect from a photo&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/1ED41412-E7D0-4EBA-8F27-4093249465BA.jpg" alt="vector composite effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/create-an-illustrated-look-from-a-photograph/"&gt;Create an illustrated look from a photograph&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/F00B02E8-D0DD-477D-8695-F97779B8949B.jpg" alt="create an illustrated look from a photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://abduzeedo.com/sparkling-hot-girl-photoshop"&gt;Sparkling hot girl in Photoshop&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/B1BF5EA9-EEA0-46F5-BEB5-8E8CAC8D8CCB.jpg" alt="Sparkling hot girl" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://photoshop8x.com/view_tut.php?id=5"&gt;Beautiful lady effect&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/35F8A63D-AD37-4F9E-AB69-64B279B69CCB.jpg" alt="beautiful lady effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/how-to-break-sunlight-through-the-clouds/"&gt;How to break sunlight through the clouds&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/A30AB67F-CB5C-49B3-8F4A-380AD34C3E4C.jpg" alt="break sunlight through the clouds" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/beyond-the-healing-brush-%E2%80%93-removing-objects-from-photos/"&gt;Beyond the healing brush - removing objects from photos&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/302AD196-2B46-442D-BBAB-4D485EB138DE.jpg" alt="removing objects from photos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.eyesontutorials.com/articles/291/1/Photo-retouching/Page1.html"&gt;Photo retouching&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/A2F493AB-9E49-41D8-B12E-27421F1292AC.jpg" alt="photo retouching" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/applying-a-realistic-tattoo/"&gt;Applying a realistic tattoo&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/2D971EAB-5015-4286-BDAD-C75D848DDB8D.jpg" alt="applying a realistic tattoo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshoproadmap.com/Photoshop-blog/2007/09/13/give-your-photos-a-retro-comic-book-effect/"&gt;Give your photos a retro comic book effect&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/5EF76024-14D3-49D3-9B23-1FBFDCD00A1C.jpg" alt="retro comic book effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://photoshoptutorials.ws/photoshop-tutorials/photo-manipulation/photo-cutout.html"&gt;Photo cutout&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/668B7515-F072-4893-B70B-AC74926D5EF7.jpg" alt="photo cutout" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://photoshoptutorials.ws/photoshop-tutorials/photo-effects/gritty-hdr.html"&gt;Gritty HDR&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/BA9C75B0-5ADC-4024-84B2-FEAACD1524BF.jpg" alt="Gritty HDR" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://photoshoptutorials.ws/photoshop-tutorials/photo-effects/star-diffusion.html"&gt;Star difussion&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/9CE49074-C49B-4D7A-8608-7E8D94330369.jpg" alt="Star difussion" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/photo-effects-tutorials/add-dynamic-lighting-to-a-flat-photograph/"&gt;Add dynamic lighting to a flat photograph&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/96871750-8D74-4DFB-ADF9-1BDCD9298461.jpg" alt="dynamic lighting" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://photoshoptutorials.ws/photoshop-tutorials/photo-effects/selective-sepia.html"&gt;Selective sepia&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/6B219076-977D-41E9-95DB-B66C915A57E0.jpg" alt="selective sepia" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://psdtuts.com/designing-tutorials/adding-flames-and-effects-to-make-an-image-with-impact/"&gt;Adding flames and effects to make an image with impact&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/B55FEDD4-E9A0-441D-B164-67844F74873A.jpg" alt="flames and effects" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshopstar.com/photo-effects/photo-restoration-correcting-a-red-over-saturated-photo/"&gt;Photo restoration&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/C8812513-577B-4A2C-953E-AA887D364022.jpg" alt="photo restoration" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;A href="http://www.photoshopstar.com/photo-effects/hot-and-fiery-photo-effect/"&gt;Hot and fiery photo&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/05E779E6-B8AC-4D85-A829-41E63E244C7B.jpg" alt="hot and fiery photo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/A0422889-6711-42B3-AA61-443A8E96304B.jpg" alt="turn a photo into a collage of polaroids" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/1CA9F368-430E-42B3-B772-C6BB5DC1C5CD.jpg" alt="pop art inspired by Lichtenstein" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/F2562DDB-297E-4CB5-AE07-0B7F8B65BDCE.jpg" alt="pop art" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/8B35EF83-FDCA-412A-AF05-0059A5A860E4.jpg" alt="vector art with photoshop" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/E6432108-FF1E-4E16-8162-25DFD516A07A.jpg" alt="high-key black and white" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/E276B95B-2FC4-4CED-8916-4C5D9B1C2005.jpg" alt="coloring effects" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/11003D2D-0FFC-47F4-99F0-B4627DC3C6D2.jpg" alt="color and motion blur" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/02FEC97C-0C08-4B3A-8240-EE0D90F82B74.jpg" alt="creating borderw with displacement" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/770D0337-EFD7-4B52-BF39-35895753C5EE.jpg" alt="changing eye color" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/97151DFD-745C-4830-9B8D-745254ABECB5.jpg" alt="facial photo retouching" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/C747C08B-DEA6-49F8-8CF8-A73D3E9B020B.jpg" alt="making skin beautiful" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/68DEBB46-BCC0-4A7F-BC72-6B197E610B93.jpg" alt="Change hair color" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/3D895E06-970E-477F-BDDD-37C5667E82DB.jpg" alt="selecting and extracting hair" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/4984BA09-C540-463B-8892-7FDBFE01F59A.jpg" alt="Phoenix hair effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/5321B0A8-01D1-4100-8960-17345062B4B4.jpg" alt="creating a 3D effect" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/B01F3AAB-29F2-4FEC-9D86-CD2DE92FB70E.jpg" alt="Black &amp; White with touch of color" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/57B34DBD-97EA-4C54-BA55-807314E09F1F.jpg" alt="replacing a background" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/sweetsfoods/512/8CB57554-0D7D-4899-AA26-5ADD896C93D0.jpg" alt="Super silhouettes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photo/" rel="tag"&gt;photo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/graphic-design/" rel="tag"&gt;graphic-design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/design/" rel="tag"&gt;design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photoshop/" rel="tag"&gt;photoshop&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://vandelaydesign.com/blog/design/photo-editing-tutorials/</clipSource><pubDate>Sat, 03 May 2008 00:12:22 GMT</pubDate></item></channel></rss>