<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | WIDEEYECINEMA's clips</title><link>http://clipmarks.com/clipper/WIDEEYECINEMA/</link><feedUrl>http://rss.clipmarks.com/clipper/WIDEEYECINEMA/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Behind Closed Doors: Stalin, Nazis and the West</title><link>http://clipmarks.com/clipmark/F1B50184-6C54-4B86-9357-C2F505330FFF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The quintessential bloodthirsty tyrant and evil genius, Joseph Stalin, massacred millions of Soviet subjects during three decades as dictator, yet played a critical role in manipulating his Western allies and German enemies during the 1940s. Film maker Laurence Rees based this impressive series on Stalin’s actual conversations with Franklin Roosevelt, Winston Churchill, and Nazi fuhrer Adolf Hitler, and their far-reaching consequences. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=2231" title="http://wideeyecinema.com/?p=2231"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to Behind Closed Doors: Stalin, Nazis and the West" href="http://wideeyecinema.com/?p=2231"&gt;Behind Closed Doors: Stalin, Nazis and the West&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The quintessential bloodthirsty tyrant and evil genius, Joseph Stalin, massacred millions of Soviet subjects during three decades as dictator, yet played a critical role in manipulating his Western allies and German enemies during the 1940s. Film maker Laurence Rees based this impressive series on Stalin’s actual conversations with Franklin Roosevelt, Winston Churchill, and Nazi fuhrer Adolf Hitler, and their far-reaching consequences.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tv+series/" rel="tag"&gt;tv series&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=2231</clipSource><pubDate>Sat, 30 May 2009 22:44:29 GMT</pubDate></item><item><title>Gregg Valentino: The Man Whose Arm Exploded</title><link>http://clipmarks.com/clipmark/0148F5C2-3050-434F-A93E-57FB45A50F07/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Meet Gregg Valentino, the man who beefed himself up to the point where his muscles just said, “NO MORE STEROIDS!” Gregg Valentino’s mountainous biceps are the result of 30 years’ training and an avalanche of “performance enhancers.” He is revered in the bodybuilding community but this film shows what happened when his body went into meltdown. Bodybuilders, experts and up-and-coming stars look at his oozing bicep and ask: is the steroid route really worth it? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://underdogcinema.com/culture/gregg-valentino-the-man-whose-arm-exploded/" title="http://underdogcinema.com/culture/gregg-valentino-the-man-whose-arm-exploded/"&gt;underdogcinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Gregg Valentino: The Man Whose Arm Exploded" rel="bookmark" href="http://underdogcinema.com/culture/gregg-valentino-the-man-whose-arm-exploded/"&gt;Gregg Valentino: The Man Whose Arm Exploded&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Meet Gregg Valentino, the man who beefed himself up to the point where his muscles just said, “NO MORE STEROIDS!” Gregg Valentino’s mountainous biceps are the result of 30 years’ training and an avalanche of “performance enhancers.” He is revered in the bodybuilding community but this film shows what happened when his body went into meltdown. Bodybuilders, experts and up-and-coming stars look at his oozing bicep and ask: is the steroid route really worth it?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/steroids/" rel="tag"&gt;steroids&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/body+building/" rel="tag"&gt;body building&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/documentary/" rel="tag"&gt;documentary&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://underdogcinema.com/culture/gregg-valentino-the-man-whose-arm-exploded/</clipSource><pubDate>Tue, 19 May 2009 04:42:07 GMT</pubDate></item><item><title>JFK II: The Bush Connection</title><link>http://clipmarks.com/clipmark/9161B4D1-3E9E-4D4A-AB1C-611378CFD84E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  JFK2 - The sequel to Oliver Stone’s JFK, you won’t see in the cinema. A thoroughly documented criminal indictment establishing beyond a reasonable doubt the guilt of George HW Bush as a supervisor in the conspiracy to assassinate John Kennedy. The evidence relies primarily on government documents and public records. The center piece of the evidence is a memo entitled “Assassination of President John F. Kennedy”, signed by J Edgar Hoover, head of the FBI, 5 days after the assassination, which names Bush as a supervisor of CIA-trained assassins. Another FBI memo establishes Bush’s presence in the Dallas area at the time of the assassination. These memos are corroborated extensively with details from Bush’s own official history of his life. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=1930" title="http://wideeyecinema.com/?p=1930"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to JFK II: The Bush Connection" href="http://wideeyecinema.com/?p=1930"&gt;JFK II: The Bush Connection&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;JFK2 - The sequel to Oliver Stone’s JFK, you won’t see in the cinema. A thoroughly documented criminal indictment establishing beyond a reasonable doubt the guilt of George HW Bush as a supervisor in the conspiracy to assassinate John Kennedy. The evidence relies primarily on government documents and public records. The center piece of the evidence is a memo entitled “Assassination of President John F. Kennedy”, signed by J Edgar Hoover, head of the FBI, 5 days after the assassination, which names Bush as a supervisor of CIA-trained assassins. Another FBI memo establishes Bush’s presence in the Dallas area at the time of the assassination. These memos are corroborated extensively with details from Bush’s own official history of his life.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bush/" rel="tag"&gt;bush&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jfk/" rel="tag"&gt;jfk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/conspiracies/" rel="tag"&gt;conspiracies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/documentary/" rel="tag"&gt;documentary&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=1930</clipSource><pubDate>Mon, 18 May 2009 06:58:59 GMT</pubDate></item><item><title>The Bear (1988)</title><link>http://clipmarks.com/clipmark/5E209202-F0FC-453B-9686-80DAE10BE071/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The director of Quest for Fire creates yet another film in nature with almost no human dialogue in this picturesque story of an orphaned bear cub who is adopted by an adult male bear and must avoid hunters. Bart the Bear stars in this anthropomorphic fantasy. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://underdogcinema.com/nature/the-bear-1988/" title="http://underdogcinema.com/nature/the-bear-1988/"&gt;underdogcinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to The Bear (1988)" rel="bookmark" href="http://underdogcinema.com/nature/the-bear-1988/"&gt;The Bear (1988)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The director of  Quest for Fire creates yet another film in nature with almost no human dialogue in this picturesque story of an orphaned bear cub who is adopted by an adult male bear and must avoid hunters. Bart the Bear stars in this anthropomorphic fantasy.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/animals/" rel="tag"&gt;animals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://underdogcinema.com/nature/the-bear-1988/</clipSource><pubDate>Mon, 11 May 2009 18:57:26 GMT</pubDate></item><item><title>Monty Python’s The Meaning of Life (1983)</title><link>http://clipmarks.com/clipmark/6150A9FC-1869-4121-976B-0EC31053BCAC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Monty Python group examines the meaning and purpose of life in a series of sketches from conception to death and beyond. In typical Monty Python fashion they satirizes and humorizes almost everyone. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://atomicagecinema.com/goodlife/monty-pythons-the-meaning-of-life-1983/" title="http://atomicagecinema.com/goodlife/monty-pythons-the-meaning-of-life-1983/"&gt;atomicagecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Monty Python’s The Meaning of Life (1983)" rel="bookmark" href="http://atomicagecinema.com/goodlife/monty-pythons-the-meaning-of-life-1983/"&gt;Monty Python’s The Meaning of Life (1983)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The Monty Python group examines the meaning and purpose of life in a series of sketches from conception to death and beyond. In typical Monty Python fashion they satirizes and humorizes almost everyone.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/monty+python/" rel="tag"&gt;monty python&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://atomicagecinema.com/goodlife/monty-pythons-the-meaning-of-life-1983/</clipSource><pubDate>Wed, 06 May 2009 21:38:42 GMT</pubDate></item><item><title>Katyn (2007)</title><link>http://clipmarks.com/clipmark/3E5BBD7E-B9CD-4882-8D71-8D057C5CC028/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Katyn tells the truth about Communism. The Soviet Union was certainly evil and one its worst moments was Katyn, the massacre of 12,000 Polish officers, policemen and intellectuals in April 1940. The Nazis discovered the bodies in 1943 but for some reason no one believed them when they said they hadn’t done it this time. Our Russians maintained this lie and the West went along with it, as we went along with Stalin’s vicious colonization of our ally. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=1598" title="http://wideeyecinema.com/?p=1598"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to Katyn (2007)" href="http://wideeyecinema.com/?p=1598"&gt;Katyn (2007)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Katyn tells the truth about Communism. The Soviet Union was certainly evil and one its worst moments was Katyn, the massacre of 12,000 Polish officers, policemen and intellectuals in April 1940. The Nazis discovered the bodies in 1943 but for some reason no one believed them when they said they hadn’t done it this time. Our Russians maintained this lie and the West went along with it, as we went along with Stalin’s vicious colonization of our ally.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=1598</clipSource><pubDate>Mon, 04 May 2009 08:25:51 GMT</pubDate></item><item><title>Stanford University students this week button-holed former National Security Advisor and Secretary o</title><link>http://clipmarks.com/clipmark/C81AF53E-D8E3-4746-95C4-5EA3DA8020DB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Stanford University students this week button-holed former National Security Advisor and Secretary of State Condoleezza Rice … grilling her on Bush-era interrogation decisions in this video posted to YouTube.&lt;br/&gt;It’s the first time anyone has gotten Rice on the record about the interrogation tactics since the Obama administration released the memos. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=1530" title="http://wideeyecinema.com/?p=1530"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to Condoleezza Rice: “We Did Not Torture Anyone”" href="http://wideeyecinema.com/?p=1530"&gt;Condoleezza Rice: “We Did Not Torture Anyone”&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Stanford University students this week button-holed former National Security Advisor and Secretary of State Condoleezza Rice … grilling her on Bush-era interrogation decisions in this video posted to YouTube.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
It’s the first time anyone has gotten Rice on the record about the interrogation tactics since the Obama administration released the memos.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=1530</clipSource><pubDate>Fri, 01 May 2009 09:48:42 GMT</pubDate></item><item><title>Altered States (1980)</title><link>http://clipmarks.com/clipmark/D4C598BF-FD73-4E94-B2BB-9417E25199D1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A research scientist who believes in different states of consciousness uses a sensory deprivation tank and hallucinogenic drugs to find the ultimate truth. But soon his mind-altering experiments get out of control… &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://hollowvision.com/media-2/altered-states-1980/" title="http://hollowvision.com/media-2/altered-states-1980/"&gt;hollowvision.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Altered States (1980)" rel="bookmark" href="http://hollowvision.com/media-2/altered-states-1980/"&gt;Altered States (1980)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
A research scientist who believes in different states of consciousness uses a sensory deprivation tank and hallucinogenic drugs to find the ultimate truth. But soon his mind-altering experiments get out of control…&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychedelics/" rel="tag"&gt;psychedelics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drugs/" rel="tag"&gt;drugs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/consciousness/" rel="tag"&gt;consciousness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://hollowvision.com/media-2/altered-states-1980/</clipSource><pubDate>Wed, 29 Apr 2009 03:55:25 GMT</pubDate></item><item><title>Salbuchi: Global Meltdown - What We Can Do</title><link>http://clipmarks.com/clipmark/8D303B47-617D-4E94-AC79-D849064565D6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Describes what needs to be done regarding the Financial Meltdown. Put the financial system in its proper place and bring Health to the Economy. All based on the Argentine experience of having suffered systemic collapses, hrperinflation and the gross corruption of wanton speculation. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=1482" title="http://wideeyecinema.com/?p=1482"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to Salbuchi: Global Meltdown - What We Can Do" href="http://wideeyecinema.com/?p=1482"&gt;Salbuchi: Global Meltdown - What We Can Do&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Describes what needs to be done regarding the Financial Meltdown. Put the financial system in its proper place and bring Health to the Economy. All based on the Argentine experience of having suffered systemic collapses, hrperinflation and the gross corruption of wanton speculation.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/finances/" rel="tag"&gt;finances&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=1482</clipSource><pubDate>Mon, 27 Apr 2009 08:46:39 GMT</pubDate></item><item><title>Mahesh Bhatt presents: Poison on the Platter</title><link>http://clipmarks.com/clipmark/9D5EFDAF-719F-4DC8-AF58-C862D0AAB257/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  “Poison on the Platter”, is an eye-opening film, made by Mahesh Bhatt and Ajay Kanchan, illustrating how all of our lives are gonna be (adversely) affected by genetically modified foods. It is no more a farmer’s issue alone, it’s a matter of the consumers’ right to food safety. You and I wouldn’t even be able to separate/choose a normal Brinjal from/over a GM one, if Bt Brinjal - a GM crop produced by the mighty agri-MNC Monsanto - is let through by our corrupt regulatory body. Let’s put up strong resistance, demanding a ban on GM food/crops for 5 years, until they are proven safe for human consumption by independent, long-term studies. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wideeyecinema.com/?p=1415" title="http://wideeyecinema.com/?p=1415"&gt;wideeyecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent link to Mahesh Bhatt presents: Poison on the Platter" href="http://wideeyecinema.com/?p=1415"&gt;Mahesh Bhatt presents: Poison on the Platter&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
“Poison on the Platter”, is an eye-opening film, made by Mahesh Bhatt and Ajay Kanchan, illustrating how all of our lives are gonna be (adversely) affected by genetically modified foods. It is no more a farmer’s issue alone, it’s a matter of the consumers’ right to food safety. You and I wouldn’t even be able to separate/choose a normal Brinjal from/over a GM one, if Bt Brinjal - a GM crop produced by the mighty agri-MNC Monsanto - is let through by our corrupt regulatory body. Let’s put up strong resistance, demanding a ban on GM food/crops for 5 years, until they are proven safe for human consumption by independent, long-term studies.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/gmo/" rel="tag"&gt;gmo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/monsanto/" rel="tag"&gt;monsanto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://wideeyecinema.com/?p=1415</clipSource><pubDate>Thu, 23 Apr 2009 06:57:46 GMT</pubDate></item><item><title>The Man Who Fell to Earth (1976)</title><link>http://clipmarks.com/clipmark/BE34ECFA-0542-4A77-BE26-16B678A835ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return spacecraft, and meets Mary-Lou, a girl who falls in love with him. He does not count on the greed and ruthlessness of business here on Earth, however. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://atomicagecinema.com/darkdays/the-man-who-fell-to-earth-1976/" title="http://atomicagecinema.com/darkdays/the-man-who-fell-to-earth-1976/"&gt;atomicagecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to The Man Who Fell to Earth (1976)" rel="bookmark" href="http://atomicagecinema.com/darkdays/the-man-who-fell-to-earth-1976/"&gt;The Man Who Fell to Earth (1976)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return spacecraft, and meets Mary-Lou, a girl who falls in love with him. He does not count on the greed and ruthlessness of business here on Earth, however.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://atomicagecinema.com/darkdays/the-man-who-fell-to-earth-1976/</clipSource><pubDate>Wed, 22 Apr 2009 06:00:45 GMT</pubDate></item><item><title>The Outer Limits: The Architects of Fear (1963)</title><link>http://clipmarks.com/clipmark/AE19841A-CD60-4387-8247-45D2645C904D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Although no specific era is indicated within the story, the plot revolves around a Cold War setting in which a nuclear holocaust appears to be imminent. In an attempt to stave off a confrontation between military superpowers through uniting the world against a common enemy, a group of scientists decide to physically transform one of their own members into an alien being and stage a fake invasion of Earth. This transformation is achieved by genetic alteration of scientist Allen Leighton, using genetic material from a rather small and non-threatening alien lifeform which the scientists have in their possession. Complications arise when the physical alteration also affects Leighton’s mind, and is compounded by his strong attachment to his pregnant wife. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://atomicagecinema.com/darkdays/the-outer-limits-architects-of-fear-1963/" title="http://atomicagecinema.com/darkdays/the-outer-limits-architects-of-fear-1963/"&gt;atomicagecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to The Outer Limits: The Architects of Fear (1963)" rel="bookmark" href="http://atomicagecinema.com/darkdays/the-outer-limits-architects-of-fear-1963/"&gt;The Outer Limits: The Architects of Fear (1963)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Although no specific era is indicated within the story, the plot revolves around a Cold War setting in which a nuclear holocaust appears to be imminent. In an attempt to stave off a confrontation between military superpowers through uniting the world against a common enemy, a group of scientists decide to physically transform one of their own members into an alien being and stage a fake invasion of Earth. This transformation is achieved by genetic alteration of scientist Allen Leighton, using genetic material from a rather small and non-threatening alien lifeform which the scientists have in their possession. Complications arise when the physical alteration also affects Leighton’s mind, and is compounded by his strong attachment to his pregnant wife.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sci-fi/" rel="tag"&gt;sci-fi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tv+series/" rel="tag"&gt;tv series&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://atomicagecinema.com/darkdays/the-outer-limits-architects-of-fear-1963/</clipSource><pubDate>Mon, 20 Apr 2009 01:12:48 GMT</pubDate></item><item><title>The Daydreamer (1966)</title><link>http://clipmarks.com/clipmark/AD5885C7-0841-4A78-A21F-0399EC31F54B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Four stories from Hans Christian Andersen appear in The Daydreamer, a feature using the Animagic process that uses live action combined with stop-motion puppets. Included are “The Little Mermaid,” “The Emperor’s New Clothes,” “Thumbelina,” and “The Garden Of Paradise.” Songs and dances compliment an international all-star cast of voices used for the characters. Ray Bolger, Margaret Hamilton, Burl Ives, Hayley Mills, Boris Karloff, Cyril Ritchard, Patty Duke, Terry-Thomas and Victor Borge join Ed Wynn in his second-to-last screen role. This was the last film in which fans would hear the voices of Sessue Hayakawa and Tallulah Bankhead. Director Jules Bass provided the lyrics, with Murray Law providing the music for this entertaining children’s fantasy. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://atomicagecinema.com/goodlife/the-daydreamer-1966/" title="http://atomicagecinema.com/goodlife/the-daydreamer-1966/"&gt;atomicagecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to The Daydreamer (1966)" rel="bookmark" href="http://atomicagecinema.com/goodlife/the-daydreamer-1966/"&gt;The Daydreamer (1966)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Four stories from Hans Christian Andersen appear in The Daydreamer, a feature using the Animagic process that uses live action combined with stop-motion puppets. Included are “The Little Mermaid,” “The Emperor’s New Clothes,” “Thumbelina,” and “The Garden Of Paradise.” Songs and dances compliment an international all-star cast of voices used for the characters. Ray Bolger, Margaret Hamilton, Burl Ives, Hayley Mills, Boris Karloff, Cyril Ritchard, Patty Duke, Terry-Thomas and Victor Borge join Ed Wynn in his second-to-last screen role. This was the last film in which fans would hear the voices of Sessue Hayakawa and Tallulah Bankhead. Director Jules Bass provided the lyrics, with Murray Law providing the music for this entertaining children’s fantasy.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/kids/" rel="tag"&gt;kids&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movies/" rel="tag"&gt;movies&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://atomicagecinema.com/goodlife/the-daydreamer-1966/</clipSource><pubDate>Fri, 17 Apr 2009 08:13:41 GMT</pubDate></item><item><title>http://underdogcinema.com/culture/craig-bodeker-a-conversation-about-race/</title><link>http://clipmarks.com/clipmark/EB1EA35D-CEA3-44FD-9654-07DF489023B6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Is racism dead in America? Did the election of Barack Obama mean the end of racism? Do you know racism when you see it? Is racism today the same as it was 20 years ago? 30? 40?&lt;br/&gt;This film will change what you think you know about racism. In his groundbreaking new documentary; A Conversation About Race, filmmaker Craig Bodeker redefines the conventional wisdom on Race and Racism. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://underdogcinema.com/culture/craig-bodeker-a-conversation-about-race/" title="http://underdogcinema.com/culture/craig-bodeker-a-conversation-about-race/"&gt;underdogcinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to Craig Bodeker: A Conversation about Race" rel="bookmark" href="http://underdogcinema.com/culture/craig-bodeker-a-conversation-about-race/"&gt;Craig Bodeker: A Conversation about Race&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Is racism dead in America? Did the election of Barack Obama mean the end of racism? Do you know racism when you see it? Is racism today the same as it was 20 years ago? 30? 40?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
This film will change what you think you know about racism. In his groundbreaking new documentary; A Conversation About Race, filmmaker Craig Bodeker redefines the conventional wisdom on Race and Racism.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/documentary/" rel="tag"&gt;documentary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/society/" rel="tag"&gt;society&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/racism/" rel="tag"&gt;racism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://underdogcinema.com/culture/craig-bodeker-a-conversation-about-race/</clipSource><pubDate>Thu, 16 Apr 2009 21:45:28 GMT</pubDate></item><item><title>The Persuaders: Overture (1971)</title><link>http://clipmarks.com/clipmark/DDDC4F45-BFEF-46AA-BC2E-A415CCB7C46F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/WIDEEYECINEMA/"&gt;WIDEEYECINEMA&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Two international playboys receive a summons to the Riviera, where they wind up under the thumb of a retired judge with a hunger for justice. Judge Fulton needs someone outside the law to pursue the mystery of a crime syndicate that is still operating after the apparent death of its boss. Fulton challenges Wilde and Sinclair to rise above their selfish lifestyles and, developing a taste for sparring with each other, the pair pursue a beautiful girl who unknowingly holds the key to locking up the bad guys. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://atomicagecinema.com/goodlife/the-persuaders-overture-1971/" title="http://atomicagecinema.com/goodlife/the-persuaders-overture-1971/"&gt;atomicagecinema.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A title="Permanent Link to The Persuaders: Overture (1971)" rel="bookmark" href="http://atomicagecinema.com/goodlife/the-persuaders-overture-1971/"&gt;The Persuaders: Overture (1971)&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Two international playboys receive a summons to the Riviera, where they wind up under the thumb of a retired judge with a hunger for justice. Judge Fulton needs someone outside the law to pursue the mystery of a crime syndicate that is still operating after the apparent death of its boss. Fulton challenges Wilde and Sinclair to rise above their selfish lifestyles and, developing a taste for sparring with each other, the pair pursue a beautiful girl who unknowingly holds the key to locking up the bad guys.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tv+series/" rel="tag"&gt;tv series&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vintage/" rel="tag"&gt;vintage&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://atomicagecinema.com/goodlife/the-persuaders-overture-1971/</clipSource><pubDate>Thu, 16 Apr 2009 09:45:25 GMT</pubDate></item></channel></rss>