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&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.philosophypages.com/</clipSource><pubDate>Tue, 22 Jul 2008 00:30:29 GMT</pubDate></item><item><title>The Strange History of Cheese</title><link>http://clipmarks.com/clipmark/F00DB745-9B11-4207-B9CF-3B55D2F3B7C4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.livescience.com/history/070528_cheese_science.html" title="http://www.livescience.com/history/070528_cheese_science.html"&gt;www.livescience.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Strange History of Cheese&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
For many, the mild, slightly nutty flavor of Gruyère is the perfect addition to a steaming bowl of French onion soup or a ham sandwich, but for the medieval peasants who first created it, the flavor was secondary to matters of survival and location. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Gruyère resulted from the historic collision of food scarcity and a mountainous geography, yielding a distinct and rigorous cheese-making process. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In fact, all cheese types—there are now more than 1,400--initially arose due to the unique constraints forced by geography and the human effort to preserve the valuable commodity that is milk, says food scientist Paul Kindstedt, of the University of Vermont. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
“Whether you’re talking about &lt;A href="http://www.livescience.com/animals/050711_ap_cloned_milk.html"&gt;milk from a cow&lt;/A&gt;, goat, sheep, water buffalo, camel, yak or any other mammal thats milk is used for cheese-making, all milk contains five basic components,” Kindstedt said. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Those components are water, lactose (or “milk sugar”), fat, protein and minerals. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.livescience.com/history/070528_cheese_science.html</clipSource><pubDate>Sat, 12 Jul 2008 02:10:18 GMT</pubDate></item><item><title>About eggs</title><link>http://clipmarks.com/clipmark/6B08F8F8-FB38-495E-8E26-A965310DBDC4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Eggs have been known to, and enjoyed by, humans for many centuries. Jungle fowl were domesticated in India by 3200 B.C.E. Record from China and Egypt show that fowl were domesticated and laying eggs for human consumption around 1400 B.C.E., and there is archaeoligical evidence for egg consumption dating back to the Neolithic age. The Romans found egg-laying hens in England, Gaul, and among the Germans. The first domesticated fowl reached North America with the second voyage of Columbus in 1493."&lt;br/&gt;---Encyclopedia of Food and Culture, Solomon H. Katz, editor, William Woys Weaver, associate editor [Charles Scribner's Sons:New York] 2003, Volume 1 (p. 558)  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.foodtimeline.org/foodeggs.html" title="http://www.foodtimeline.org/foodeggs.html"&gt;www.foodtimeline.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;A name="eggs"&gt;&lt;FONT size="+1" color="#003366"&gt;&lt;B&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;FONT size="+1" color="#003366"&gt;&lt;B&gt;&lt;A href="http://www.foodtimeline.org/index.html"&gt;Food Timeline&lt;/A&gt;&amp;gt;&lt;/B&gt;&lt;/FONT&gt;&lt;B&gt;&lt;FONT size="+3" color="#003366"&gt;eggs&lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="+3" color="#003366"&gt;&lt;/FONT&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;A href="#abouteggs"&gt;About eggs&lt;/A&gt;&lt;BR /&gt;
&lt;A href="#eggsymbolism"&gt;Egg symbolism&lt;/A&gt;&lt;BR /&gt;
&lt;A href="#deviledeggs"&gt;Deviled eggs&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.foodtimeline.org/easter.html#eastereggs"&gt;Easter eggs&lt;/A&gt;&lt;BR /&gt;
&lt;A href="#eggsbenedict"&gt;Eggs Benedict&lt;/A&gt;&lt;BR /&gt;
&lt;A href="#omelettes"&gt;omelettes&lt;/A&gt;&lt;BR /&gt;
&lt;A href="#souffle"&gt;souffle&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://www.foodtimeline.org/foodsandwiches.html#western"&gt;Western
sandwiches&lt;/A&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;A name="abouteggs"&gt;
&lt;FONT size="4" color="#003366"&gt;&lt;B&gt;When and why did humans begin consuming eggs?&lt;/B&gt;&lt;/FONT&gt;&lt;BR /&gt;
Humans have been consuming eggs since the dawn of human time. The history is complicated and
diverse; the culinary applications are innumerable.  When, where, and why have people been
eating eggs? &lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;A name="abouteggs"&gt;"It is likely that female game birds were, at some time in the early history of man, perceived as a
source both of meat and of eggs. Men discovered that by removing from the nest eggs that they
did not wish to have hatch (or that they simply wished to eat), they could induce the female jungle
fowl to lay additional eggs and, indeed, to continue to lay eggs throught an extended laying
season."
---&lt;I&gt;The Chicken Book&lt;/I&gt;, Page Smith and Charles Daniel [University of Georgia
Press:Athens] 1975 (p. 11-12)
&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.foodtimeline.org/foodeggs.html</clipSource><pubDate>Sat, 12 Jul 2008 02:02:52 GMT</pubDate></item><item><title>Continental Philosophy</title><link>http://clipmarks.com/clipmark/6169A6A1-83BA-41B9-9BB2-3E79F315B467/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.continental-philosophy.org/" title="http://www.continental-philosophy.org/"&gt;www.continental-philosophy.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="sitename"&gt;



&lt;H1&gt;&lt;A href="http://www.continental-philosophy.org"&gt;Continental Philosophy&lt;/A&gt;&lt;/H1&gt;

&lt;H2&gt;A Bulletin Board for Continental Philosophy, History of Philosophy and More…&lt;/H2&gt;



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&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="widgettitle"&gt;Archives&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.continental-philosophy.org/</clipSource><pubDate>Sun, 06 Jul 2008 17:20:32 GMT</pubDate></item><item><title>Yesterday marked a first in US legislative history: </title><link>http://clipmarks.com/clipmark/C657AD24-988F-4814-9E82-BC1E35157E19/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.socialmedian.com/story/433087/georgia-judge-blocks-new-coal-power-plant-because-of-greenhouse-gas-emissions?email_alert=1&amp;uid=1534&amp;click_from=recent-news-network" title="http://www.socialmedian.com/story/433087/georgia-judge-blocks-new-coal-power-plant-because-of-greenhouse-gas-emissions?email_alert=1&amp;uid=1534&amp;click_from=recent-news-network"&gt;www.socialmedian.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
							
								
									&lt;A target="new" href="http://feeds.treehugger.com/~r/treehuggersite/~3/324287675/georgia-judge-blocks-coal-plant-because-ghg-emissions.php"&gt;Georgia Judge Blocks New Coal Power Plant Because of Greenhouse Gas Emissions&lt;/A&gt;
								
							
						&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/FEDE05A7-8CFA-41AE-92B6-83C0F14C1D81.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.treehugger.com/files/2008/07/georgia-judge-blocks-coal-plant-because-ghg-emissions.php" title="http://www.treehugger.com/files/2008/07/georgia-judge-blocks-coal-plant-because-ghg-emissions.php"&gt;www.treehugger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="entry-header"&gt;&lt;A href="http://www.treehugger.com/files/2008/07/georgia-judge-blocks-coal-plant-because-ghg-emissions.php"&gt;Georgia Judge Blocks New Coal Power Plant Because of Greenhouse Gas Emissions&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/40F75598-8536-4B30-B78B-262497BEACF7.jpg" alt="Coal Train" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Yesterday marked a first in US legislative history: The first time that a state court has applied the principles of the April 2007 decision of the &lt;A href="http://www.treehugger.com/files/2007/04/supreme_court_d.php"&gt;US Supreme Court&lt;/A&gt; in Massachusetts v. Environmental Protection Agency to a proposed power plant project.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Without emissions reduction plan in place, Plant will not be approved&lt;/STRONG&gt;&lt;BR /&gt;
The court in question is the Fulton County Superior Court in Georgia and the application in question is for the planned Longleaf 1200 MW coal-fired power plant outside of Columbus. This plant was the first coal-fired plant to be proposed in Georgia for over 20 years. The project had been granted approval by an administrative court, but this was overturned by Judge Thelma Wyatt on the grounds that the plant had no plan in place to limit its CO2 emissions.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.socialmedian.com/story/433087/georgia-judge-blocks-new-coal-power-plant-because-of-greenhouse-gas-emissions?email_alert=1&amp;uid=1534&amp;click_from=recent-news-network</clipSource><pubDate>Wed, 02 Jul 2008 02:04:21 GMT</pubDate></item><item><title>Dictionary of the History of Ideas</title><link>http://clipmarks.com/clipmark/6AAEAE88-4550-4C9E-9868-54B404BFDF97/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://etext.lib.virginia.edu/DicHist/alpha/alpha-all.html" title="http://etext.lib.virginia.edu/DicHist/alpha/alpha-all.html"&gt;etext.lib.virginia.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/DEF7EB44-8EB0-4880-AB74-E50DD987615B.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/D84506BB-A970-4D6D-AF07-6B4F868FAAAE.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-01"&gt;ABSTRACTION IN THE FORMATION OF CONCEPTS&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-02"&gt;ACADEMIC FREEDOM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-03"&gt;AGNOSTICISM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-04"&gt;ALCHEMY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-05"&gt;ALIENATION IN CHRISTIAN THEOLOGY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-06"&gt;ALIENATION IN HEGEL AND MARX&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-07"&gt;ALLEGORY IN LITERARY HISTORY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-08"&gt;AMBIGUITY AS AESTHETIC PRINCIPLE&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-09"&gt;ANALOGY IN EARLY GREEK THOUGHT&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-10"&gt;ANALOGY IN PATRISTIC AND MEDIEVAL THOUGHT&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-12"&gt;ANARCHISM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-13"&gt;ANCIENTS AND MODERNS IN THE EIGHTEENTH CENTURY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-14"&gt;ANTHROPOMORPHISM IN SCIENCE&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-15"&gt;ANTINOMY OF PURE REASON&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-16"&gt;APPEARANCE AND REALITY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-17"&gt;ART AND PLAY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-18"&gt;ART FOR ART'S SAKE&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-19"&gt;ASSOCIATION OF IDEAS&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-20"&gt;ASTROLOGY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-21"&gt;ATOMISM: ANTIQUITY TO THE SEVENTEENTH CENTURY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-22"&gt;ATOMISM IN THE SEVENTEENTH CENTURY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-23"&gt;AUTHORITY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-24"&gt;AXIOMATIZATION&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-25"&gt;BACONIANISM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-26"&gt;BALANCE OF POWER&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-27"&gt;BAROQUE IN LITERATURE&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-28"&gt;THEORIES OF BEAUTY TO THE MID-NINETEENTH CENTURY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-29"&gt;THEORIES OF BEAUTY SINCE THE MID-NINETEENTH CENTURY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-30"&gt;BEHAVIORISM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-31"&gt;BIOLOGICAL CONCEPTIONS IN ANTIQUITY&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-32"&gt;BIOLOGICAL HOMOLOGIES AND ANALOGIES&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-33"&gt;BIOLOGICAL MODELS&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="small"&gt;&lt;A href="http://etext.lib.virginia.edu/cgi-local/DHI/dhi.cgi?id=dv1-34"&gt;BUDDHISM&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" colspan="2"&gt;
&lt;P class="head"&gt;C-D&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://etext.lib.virginia.edu/DicHist/alpha/alpha-all.html</clipSource><pubDate>Fri, 27 Jun 2008 02:11:52 GMT</pubDate></item><item><title>George Bernard Shaw - Quotation</title><link>http://clipmarks.com/clipmark/0BA71F4C-EB5D-4931-BB46-B21D11D41A3D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Hey righthand, I clipped this little gem in reference to your comment on my clip about Afghanistan. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wisdomquotes.com/002380.html" title="http://www.wisdomquotes.com/002380.html"&gt;www.wisdomquotes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blogbody"&gt;

&lt;P&gt;We learn from history that we learn nothing from history.&lt;/P&gt;

&lt;A name="more"&gt;&lt;/A&gt;

&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="date"&gt;George Bernard Shaw&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.wisdomquotes.com/002380.html</clipSource><pubDate>Sun, 15 Jun 2008 16:03:23 GMT</pubDate></item><item><title>History of China</title><link>http://clipmarks.com/clipmark/3841DCE5-007D-4DB1-98D9-276477CA8A7E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www-chaos.umd.edu/history/toc.html" title="http://www-chaos.umd.edu/history/toc.html"&gt;www-chaos.umd.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/setting.html"&gt;&lt;FONT size="+1"&gt;Historical Setting&lt;/FONT&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/ancient1.html"&gt;&lt;FONT size="+1"&gt;The Ancient Dynasties&lt;/FONT&gt;&lt;/A&gt;
	&lt;UL&gt;
	&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/ancient1.html#dawn"&gt;Dawn of History&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/ancient1.html#zhou"&gt;Zhou Period&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/ancient2.html"&gt;Hundred Schools of Thought&lt;/A&gt;
	&lt;/LI&gt;&lt;/UL&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial.html"&gt;&lt;FONT size="+1"&gt;The Imperial Era&lt;/FONT&gt;&lt;/A&gt;
	&lt;UL&gt;
	&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial.html#first"&gt;First Imperial Period&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial.html#disunity"&gt;Era of Disunity&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial2.html#restoration"&gt;Restoration of Empire&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial3.html#mongol"&gt;Mongolian Interlude&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial3.html#regain"&gt;Chinese Regain Power&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/imperial3.html#manchus"&gt;Rise of the Manchus&lt;/A&gt;
	&lt;/LI&gt;&lt;/UL&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern.html"&gt;&lt;FONT size="+1"&gt;Emergence Of Modern China&lt;/FONT&gt;&lt;/A&gt;
	&lt;UL&gt;
	&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern.html#western"&gt;Western Powers Arrive First Modern Period&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern.html#opium"&gt;Opium War, 1839-42 Era of Disunity&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern2.html#taiping"&gt;Taiping Rebellion, 1851-64 &lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern2.html#movement"&gt;Self-Strengthening Movement&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern3.html#reform"&gt;Hundred Days' Reform and Aftermath&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/modern3.html#republican"&gt;Republican Revolution of 1911&lt;/A&gt;
	&lt;/LI&gt;&lt;/UL&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican.html"&gt;&lt;FONT size="+1"&gt;Republican China&lt;/FONT&gt;&lt;/A&gt;
	&lt;UL&gt;
	&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican.html#nationalism"&gt;Nationalism and Communism&lt;/A&gt;
		&lt;UL&gt;
			&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican.html#warlords"&gt;Opposing the Warlords&lt;/A&gt;
			&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican2.html#guomindang"&gt;Consolidation under the Guomindang&lt;/A&gt;
			&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican2.html#communists"&gt;Rise of the Communists&lt;/A&gt;
		&lt;/LI&gt;&lt;/UL&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican3.html#anti-japanese"&gt;Anti-Japanese War&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/republican3.html#civilwar"&gt;Return to Civil War&lt;/A&gt;
	&lt;/LI&gt;&lt;/UL&gt;	&lt;BR /&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc.html"&gt;&lt;FONT size="+1"&gt;People's Republic Of China&lt;/FONT&gt;&lt;/A&gt;
	&lt;UL&gt;
	&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc.html#transition"&gt;Transition to Socialism, 1953-57&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc2.html#greatleap"&gt;Great Leap Forward, 1958-60&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc2.html#recovery"&gt;Readjustment and Recovery, 1961-65&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc3.html#cultural"&gt;Cultural Revolution Decade, 1966-76&lt;/A&gt;
			&lt;UL&gt;
			&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc3.html#militant"&gt;Militant Phase, 1966-68&lt;/A&gt;
			&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc3.html#congress"&gt;Ninth National Party Congress&lt;BR /&gt;to the Demise of Lin Biao, 1969-71&lt;/A&gt;
			&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc3.html#end_of_mao"&gt;End of the Era of Mao Zedong, 1972-76&lt;/A&gt;
		&lt;/LI&gt;&lt;/UL&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc4.html#postmao"&gt;Post-Mao Period, 1976-78&lt;/A&gt;
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc4.html#fourmodern"&gt;China and the Four Modernizations, 
	1979-82&lt;/A&gt;	 
	&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://www-chaos.umd.edu/history/prc5.html"&gt;Reforms, 1980-88&lt;/A&gt;
	&lt;/LI&gt;&lt;/UL&gt;&lt;BR /&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www-chaos.umd.edu/history/toc.html</clipSource><pubDate>Sun, 15 Jun 2008 02:46:57 GMT</pubDate></item><item><title> The Triumph of Mischief</title><link>http://clipmarks.com/clipmark/B55391BB-BF16-4E1C-87AA-14C31BFF9DA4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Of Irish/English and Cree ancestry, raised in Manitoba and now living in Toronto, Monkman uses video, photography, painting, installation, and performance art to construct new stories that take into account the missing narratives and perspectives of Aboriginal peoples. His work re-invents the past as a way of challenging one-dimensional representations of First Nations people and changing the way we think, not only about specific histories, but about the construction and authority of capital “H” history itself." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artknowledgenews.com/Kent_Monkman.html" title="http://www.artknowledgenews.com/Kent_Monkman.html"&gt;www.artknowledgenews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;The Winnipeg Art Gallery features Kent Monkman's ~ The Triumph of Mischief&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/7C2CFC4E-E9D2-4A37-9A60-03719755FE03.jpg" alt="Kent Monkman - The Triumph of Mischief, 2007 - Acrylic on canvas - Collection of the artist" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; &lt;STRONG&gt;WINNIPEG&lt;/STRONG&gt;&lt;STRONG&gt;, MB -  &lt;/STRONG&gt;Nineteenth-century photography and  Romantic painting, colonial portrayals of Aboriginal peoples, and Hollywood films and television have all presented a  damaging and inaccurate stereotypical representation of First Nations art and  history. It is these misconceptions that inform the work of Kent Monkman,  &lt;STRONG&gt;on exhibition at The Winnipeg Art Gallery,&lt;/STRONG&gt; &lt;STRONG&gt;&lt;EM&gt;Kent  Monkman: The Triumph of Mischief&lt;/EM&gt;&lt;/STRONG&gt;  ;  &lt;STRONG&gt;t&lt;/STRONG&gt;&lt;STRONG&gt;he  exhibition will be on view from June 6 to August 17, 2008.&lt;/STRONG&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.artknowledgenews.com/Kent_Monkman.html</clipSource><pubDate>Sun, 08 Jun 2008 02:51:01 GMT</pubDate></item><item><title>The Lure of the East</title><link>http://clipmarks.com/clipmark/C1828CAD-7B60-48AA-9ED7-C33CE98C6766/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.artknowledgenews.com/Tate-Britain.html" title="http://www.artknowledgenews.com/Tate-Britain.html"&gt;www.artknowledgenews.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;Tate Britain Opens ~ The Lure of the East: British Orientalist Painters&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/BDDCFE05-52F2-48AB-83ED-7942F1F18735.jpg" alt="Richard Dadd - The Flight out of Egypt, 1849-50 - at Tate Britain" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt; &lt;STRONG&gt;LONDON.-&lt;/STRONG&gt; The Lure of the East: British Orientalist        Painting, &lt;STRONG&gt;opening at Tate Britain&lt;/STRONG&gt; on 4 June, is the first        exhibition to survey the history of British painters’ representations of        the Middle East from the seventeenth to the early twentieth centuries. It        will explore the great range of artistic responses to the peoples, cities        and landscapes of the regions lying just across the Mediterranean from        Europe. &lt;STRONG&gt;On exhibition 4 June – 31 August 2008.        &lt;/STRONG&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/8E220420-11AB-4CB5-ACA9-83BFB79E2B49.jpg" alt="Arthur Melville An Arab Interior 1881 Courtesy National Galleries of Scotland" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.artknowledgenews.com/Tate-Britain.html</clipSource><pubDate>Wed, 04 Jun 2008 22:35:39 GMT</pubDate></item><item><title>Computer History Museum</title><link>http://clipmarks.com/clipmark/54F3C461-6F19-40D4-9F10-1EB5A952009D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.computerhistory.org/exhibits/" title="http://www.computerhistory.org/exhibits/"&gt;www.computerhistory.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/357FDA7B-8B31-478B-AA8A-3C67685EB969.png" alt="Computer History Museum" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="clearfix" id="exwrapfull"&gt;
					&lt;DIV class="exhibit babbageengine"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/babbage/"&gt;&lt;IMG alt="The Babbage Engine" src="http://www.computerhistory.org/exhibits/img/ex-babbageengine.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/babbage/"&gt;The Babbage Engine&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/babbage/"&gt;The Story of the First Computer Pioneer&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit siliconengine"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/semiconductor/"&gt;&lt;IMG alt="The Silicon Engine" src="http://www.computerhistory.org/exhibits/img/ex-siliconengine.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/semiconductor/"&gt;The Silicon Engine&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/semiconductor/"&gt;A Timeline of Semiconductors in Computing History&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit visiblestorage"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/virtualvisiblestorage/"&gt;&lt;IMG alt="Visible Storage" src="http://www.computerhistory.org/exhibits/img/ex-visiblestorage.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/virtualvisiblestorage/"&gt;Visible Storage&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/virtualvisiblestorage/"&gt;Highlights from the Computer&lt;BR /&gt;History Museum's Collection&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit timeline"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/timeline/"&gt;&lt;IMG alt="Computer History Timeline" src="http://www.computerhistory.org/exhibits/img/ex-timeline.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/timeline/"&gt;Computer History Timeline&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/timeline/"&gt;Significant Milestones &lt;BR /&gt;1939 - 1994&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit pdp1"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/pdp-1/"&gt;&lt;IMG alt="PDP-1 Restoration" src="http://www.computerhistory.org/exhibits/img/ex-pdp1.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/pdp-1/"&gt;PDP-1 Restoration&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/pdp-1/"&gt;The History and Restoration of a Groundbreaking Computer&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit chess"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/chess/"&gt;&lt;IMG alt="Mastering the Game" src="http://www.computerhistory.org/exhibits/img/ex-chess.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/chess/"&gt;Mastering the Game&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/chess/"&gt;A History of Computer Chess&lt;BR /&gt; &lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit sellingcomputer"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/brochures/"&gt;&lt;IMG alt="Selling the Computer Revolution" src="http://www.computerhistory.org/exhibits/img/ex-sellingcomputer.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/brochures/"&gt;Selling the Computer&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/brochures/"&gt;Computer Marketing Brochures in the Collection&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit microprocessor"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/microprocessors/"&gt;&lt;IMG alt="Microprocessors" src="http://www.computerhistory.org/exhibits/img/ex-microprocessors.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/microprocessors/"&gt;Microprocessors&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/microprocessors/"&gt;The First 25 Years of the Microprocessor 1971 - 1996&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit internethistory"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/internet_history/"&gt;&lt;IMG alt="Internet History" src="http://www.computerhistory.org/exhibits/img/ex-internethistory.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/internet_history/"&gt;Internet History&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/internet_history/"&gt;Major Milestones&lt;BR /&gt;1962 - 1992&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit fellows"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/fellowawards/hall_of_fellows.html"&gt;&lt;IMG alt="Hall of Fellows" src="http://www.computerhistory.org/exhibits/img/ex-fellows.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/fellowawards/hall_of_fellows.html"&gt;Hall of Fellows&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/fellowawards/hall_of_fellows.html"&gt;Industry Leaders of the &lt;BR /&gt;Information Age&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					&lt;DIV class="exhibit tdih"&gt;
						&lt;DIV class="info"&gt;
							&lt;A href="http://www.computerhistory.org/tdih/"&gt;&lt;IMG alt="This Day in History" src="http://www.computerhistory.org/exhibits/img/ex-tdih.jpg" class="eximage" /&gt;&lt;/A&gt;
							&lt;H3&gt;&lt;A href="http://www.computerhistory.org/tdih/"&gt;This Day in History&lt;/A&gt;&lt;/H3&gt;
							&lt;P&gt;&lt;A href="http://www.computerhistory.org/tdih/"&gt;What Happened in Computing History Today&lt;/A&gt;&lt;/P&gt;
						&lt;/DIV&gt;
					&lt;/DIV&gt;
					

				&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/computers/" rel="tag"&gt;computers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/museum/" rel="tag"&gt;museum&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.computerhistory.org/exhibits/</clipSource><pubDate>Mon, 02 Jun 2008 01:47:25 GMT</pubDate></item><item><title>The Red Crescent </title><link>http://clipmarks.com/clipmark/EB2E7D29-4C07-4C48-92CB-21D889B9165C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A brief history &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.icrc.org/web/eng/siteeng0.nsf/html/emblem-history" title="http://www.icrc.org/web/eng/siteeng0.nsf/html/emblem-history"&gt;www.icrc.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="86%"&gt;&lt;BR /&gt;During the war between Russia and Turkey, the Ottoman Empire declared that it would use the red crescent on a white background in place of the red cross. While respecting the red cross symbol, the Ottoman authorities believed that the red cross was, by its very nature, offensive to Muslim soldiers. The red crescent was temporarily accepted for the duration of this conflict. &lt;BR /&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="14%"&gt;&lt;DIV class="subhead2"&gt;
1876-1878&lt;/DIV&gt;&lt;BR /&gt;
&lt;P&gt;&lt;IMG width="37" height="44" alt="" src="http://www.icrc.org/web/eng/siteeng0.nsf/bec704ee467cf7efc1256c5a003242f4/c806cab4a068f98ac125713100515a93/Body/0.3116!OpenElement&amp;FieldElemFormat=gif" /&gt;&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.icrc.org/web/eng/siteeng0.nsf/html/emblem-history</clipSource><pubDate>Wed, 21 May 2008 22:04:57 GMT</pubDate></item><item><title>Disasters</title><link>http://clipmarks.com/clipmark/2851C123-B0F5-471D-93AC-D3A92F5A5B95/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Go to site.  Its really quite interesting to discover just what happened during the year of your birth, or any arbitrary year .&lt;br/&gt;&lt;br/&gt;Grab a tiny bit of history &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www3.gendisasters.com/" title="http://www3.gendisasters.com/"&gt;www3.gendisasters.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Socratoad/512/964874A7-2C61-4D04-BAE0-78E5AD67E9AE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Navigation&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI id="menu-sub87" class="menutitle collapsed"&gt;&lt;A title="Browse disasters by type of disaster" href="http://www3.gendisasters.com/taxonomy_menu/3"&gt;Browse by Disaster&lt;/A&gt;&lt;DIV id="sub87" class="submenu"&gt;

&lt;UL class="menu dhtml_menu"&gt;
  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/taxonomy_menu/3/55"&gt;Accidents&lt;/A&gt;&lt;/LI&gt;
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  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/taxonomy_menu/3/74"&gt;Collapses other&lt;/A&gt;&lt;/LI&gt;
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  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/taxonomy_menu/3/57"&gt;Earthquakes&lt;/A&gt;&lt;/LI&gt;
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  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/taxonomy_menu/3/65"&gt;Landslides&lt;/A&gt;&lt;/LI&gt;
  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/category/disasters/mining-explosions-accidents"&gt;Mining Explosions and Accidents&lt;/A&gt;&lt;/LI&gt;
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  &lt;LI class="leaf"&gt;&lt;A href="http://www3.gendisasters.com/category/disasters/train-wrecks-accidents"&gt;Train Wrecks and Accidents&lt;/A&gt;&lt;/LI&gt;

&lt;/UL&gt;

&lt;/DIV&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/optional.++separate+by+commas./" rel="tag"&gt;optional.  separate by commas.&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www3.gendisasters.com/</clipSource><pubDate>Thu, 17 Apr 2008 04:10:20 GMT</pubDate></item><item><title>The 30 most influential persons of the last 1,000 years</title><link>http://clipmarks.com/clipmark/7D13A2DD-06B3-4803-A9AC-FDD0D7A1AD20/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/amgumen/"&gt;amgumen&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/30_1.html" title="http://www.hyperhistory.com/online_n2/History_n2/index_n2/30_1.html"&gt;www.hyperhistory.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
30  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/beethoven.html"&gt;Beethoven&lt;/A&gt;&lt;BR /&gt;
29  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/science_n2/faraday.html#ford"&gt;Henry Ford&lt;/A&gt; &lt;FONT color="GREEN"&gt;S&lt;/FONT&gt;&lt;BR /&gt;
28  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/bach.html"&gt;J. S. Bach&lt;/A&gt;&lt;BR /&gt;
27  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/napoleon.html"&gt;Napoleon&lt;/A&gt;&lt;BR /&gt;
26  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/mozart.html"&gt;Mozart&lt;/A&gt;&lt;BR /&gt;
25  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/watt.html"&gt;James Watt&lt;/A&gt;&lt;BR /&gt;
24  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons5_n2/aquinas.html"&gt;St. Thomas&lt;/A&gt;&lt;BR /&gt;
23  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/lincoln.html"&gt;Lincoln&lt;/A&gt;&lt;BR /&gt;
22  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/ppersons5_n2/genghis.html"&gt;Genghis Khan&lt;/A&gt;&lt;BR /&gt;
21  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/washington.html"&gt;Washington&lt;/A&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
20  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/adam.html"&gt;Adam Smith&lt;/A&gt;&lt;BR /&gt;
19  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/michelangelo.html"&gt;Michelangelo&lt;/A&gt;&lt;BR /&gt;
18  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/locke.html"&gt;John Locke&lt;/A&gt;&lt;BR /&gt;
17  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/gandhi.html"&gt;Gandhi&lt;/A&gt;&lt;BR /&gt; 
16  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/hitler.html"&gt;Hitler&lt;/A&gt;&lt;BR /&gt;
15  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/jefferson.html"&gt;Jefferson&lt;/A&gt;&lt;BR /&gt;
14  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/edison.html"&gt;Edison&lt;/A&gt;&lt;BR /&gt;
13  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/science_n2/pasteur.html"&gt;Pasteur&lt;/A&gt; &lt;FONT color="GREEN"&gt;S&lt;/FONT&gt;&lt;BR /&gt;
12  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/freud.html"&gt;Freud&lt;/A&gt;&lt;BR /&gt;
11  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/leonardo.html"&gt;Leonardo&lt;/A&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
10  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/galileo.html"&gt;Galileo&lt;/A&gt;&lt;BR /&gt;
 9  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/copernicus.html"&gt;Copernicus&lt;/A&gt;&lt;BR /&gt;
 8  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/einstein.html"&gt;Einstein&lt;/A&gt;&lt;BR /&gt;
 7  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/marx.html"&gt;Marx&lt;/A&gt;&lt;BR /&gt;
 6  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/columbus.html"&gt;Columbus&lt;/A&gt;&lt;BR /&gt;
 5  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/shakespeare.html"&gt;Shakespeare&lt;/A&gt;&lt;BR /&gt;
 4  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/darwin.html"&gt;Darwin&lt;/A&gt;&lt;BR /&gt;
 3  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/luther.html"&gt;Luther&lt;/A&gt;&lt;BR /&gt;
 2  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons6_n2/newton.html"&gt;Newton&lt;/A&gt;&lt;BR /&gt;
 1  &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../../people_n2/persons5_n2/gutenberg.html"&gt;Gutenberg&lt;/A&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top"&gt;
The 30 most influential persons of the last 1,000 years according to 
a list compiled by the History Channel and aired by AE TV. All persons are depicted in the 
&lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../people.html"&gt;General Lifelines&lt;/A&gt; of HyperHistory except Pasteur and Ford 
who are shown in the &lt;A target="frame_text" href="http://www.hyperhistory.com/online_n2/History_n2/index_n2/../special.html"&gt;Special Lifeline&lt;/A&gt; for 'Science'.
&lt;P&gt; 
Such a list is bound to be controversial because it is impossible to objectively judge what is more 
important: the music of Mozart or the science of Newton ? The final ranking is really less important than 
the stimulation of a lively debate.
&lt;/P&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/people/" rel="tag"&gt;people&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.hyperhistory.com/online_n2/History_n2/index_n2/30_1.html</clipSource><pubDate>Sun, 20 Jan 2008 14:19:04 GMT</pubDate></item><item><title>Bob Dylan history podcast</title><link>http://clipmarks.com/clipmark/D9525814-08F4-41B4-AE1D-3E2E08C20A20/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ghiberti/"&gt;ghiberti&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.legacyrecordings.com/podcast/the-johnny-cash-tv-show-podcast-episode-2/" title="http://blogs.legacyrecordings.com/podcast/the-johnny-cash-tv-show-podcast-episode-2/"&gt;blogs.legacyrecordings.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="content entry post"&gt;

  &lt;H2&gt;&lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=156914147"&gt;&lt;IMG width="122" height="124" border="0" valign="absmiddle" alt="podcasts" src="http://blogs.legacyrecordings.com/images/podcasts.jpg" class="albumcover" /&gt;&lt;/A&gt;Welcome to The Legacy Podcast&lt;/H2&gt;The Legacy Podcast takes you behind the scenes into the history and making of some of music's most memorable recordings.  Listen to rare interviews with artists and experts as they tell the stories from the storied Sony BMG vaults.&lt;BR /&gt;Subscribe to our podcasts via iTunes here:&lt;BR /&gt;&lt;B&gt;&lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=156914147"&gt;The Legacy Podcast&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=265861561"&gt;The Bob Dylan Podcast (Hosted By Patti Smith)&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=261570160"&gt;The Elvis Podcast&lt;/A&gt;&lt;/B&gt;	&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/archive/" rel="tag"&gt;archive&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/podcast/" rel="tag"&gt;podcast&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.legacyrecordings.com/podcast/the-johnny-cash-tv-show-podcast-episode-2/</clipSource><pubDate>Sun, 20 Jan 2008 13:57:56 GMT</pubDate></item></channel></rss>