<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Kore7's clips</title><link>http://clipmarks.com/clipper/Kore7/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/clipper/Kore7/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>QUIZ: What American Accent Do You Have?</title><link>http://clipmarks.com/clipmark/B050C912-2BA8-4900-BDE0-275A0512A08B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If you think you don't have an accent, think again. This &lt;a href="http://www.gotoquiz.com/what_american_accent_do_you_have" rel="nofollow" target="_blank"&gt;short quiz&lt;/a&gt; is a way to find out which dialect of American English you speak.&lt;br/&gt;&lt;br/&gt;Different regional accents become more prevalent in countries at different times throughout the years for various socio-economic and geographical reasons. These accents come to be perceived as "neutral" or "accent-less" by the majority during these times. For a while, the American dialect sometimes called "Standard Midwestern" has dominated but, like accents themselves, this "standard" constantly evolves.&lt;br/&gt;&lt;br/&gt;Recently, the spoken aspects of American English have trended westward along with the population center of America. Many features distinct to Northeastern accents (think NYC, Boston) are being replaced in popularity with those from Western accents (think LA) across America. This shift tends to be more prominent the younger the speaker is. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gotoquiz.com/what_american_accent_do_you_have" title="http://www.gotoquiz.com/what_american_accent_do_you_have"&gt;www.gotoquiz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;What American accent do you have?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="para1"&gt;To most Americans, an accent is something that only other people have, those other people usually being in New York, Boston, and the South.  And of those other people, half of the ones you meet will swear they "don't have an accent."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="para1"&gt;Well, strictly speaking, the only way to not have an accent is to not speak.  If you're from anywhere in the USA you have an accent (which may or may not be the accent of the place you're from).  Go through this short quiz and you'll find out just which accent that is.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/speech/" rel="tag"&gt;speech&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/accent/" rel="tag"&gt;accent&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dialect/" rel="tag"&gt;dialect&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/linguistics/" rel="tag"&gt;linguistics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quiz/" rel="tag"&gt;quiz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/northeast/" rel="tag"&gt;northeast&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/west/" rel="tag"&gt;west&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vowels/" rel="tag"&gt;vowels&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gotoquiz.com/what_american_accent_do_you_have</clipSource><pubDate>Sun, 20 May 2007 17:30:27 GMT</pubDate></item><item><title>The Fallacy Files</title><link>http://clipmarks.com/clipmark/72FDC525-CF86-4C4A-81C4-978CBB44D6F6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I &lt;a href="http://clipmarks.com/clipmark/D63F3420-E939-4C5A-B81C-6D95AF329D66/"&gt;clipped&lt;/a&gt; this before, but pop restrictions burried the clip.&lt;br/&gt;&lt;br/&gt;In a very naive hope to keep discussions fallacy-free, better the debate and stimulate some self-criticism, I'm re-sharing this with you all.&lt;br/&gt;&lt;br/&gt;Anyway, the resource is huge, examples abundant, explications very clear and even etymological grounded. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fallacyfiles.org/contents.html" title="http://www.fallacyfiles.org/contents.html"&gt;www.fallacyfiles.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;&lt;A  href="http://www.fallacyfiles.org/index.html"&gt;Go to Main Menu&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;INDEX&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H6&gt;&lt;A href="%23A"&gt;A&lt;/A&gt;&lt;A href="%23B"&gt;B&lt;/A&gt;&lt;A href="%23C"&gt;C&lt;/A&gt;&lt;A href="%23D"&gt;D&lt;/A&gt;&lt;A href="%23E"&gt;E&lt;/A&gt;&lt;A href="%23F"&gt;F&lt;/A&gt;&lt;A href="%23G"&gt;G&lt;/A&gt;&lt;A href="%23H"&gt;H&lt;/A&gt;&lt;A href="%23I"&gt;I&lt;/A&gt;&lt;A href="%23JKL"&gt;JKL&lt;/A&gt;&lt;A href="%23M"&gt;M&lt;/A&gt;&lt;A href="%23N"&gt;N&lt;/A&gt;&lt;A href="%23O"&gt;O&lt;/A&gt;&lt;A href="%23P"&gt;P&lt;/A&gt;&lt;A href="%23Q"&gt;Q&lt;/A&gt;&lt;A href="%23R"&gt;R&lt;/A&gt;&lt;A href="%23S"&gt;S&lt;/A&gt;&lt;A href="%23T"&gt;T&lt;/A&gt;&lt;A href="%23U"&gt;U&lt;/A&gt;&lt;A href="%23V"&gt;V&lt;/A&gt;&lt;A href="%23W"&gt;W&lt;/A&gt;&lt;A href="%23XYZ"&gt;XYZ&lt;/A&gt;&lt;/H6&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fallacyfiles.org/whatarff.html" title="http://www.fallacyfiles.org/whatarff.html"&gt;www.fallacyfiles.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;What are the Fallacy Files?&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;A collection of named fallacies—such as "&lt;A href="http://www.fallacyfiles.org/adhomine.html"&gt;ad hominem&lt;/A&gt;"—that is, types of bad reasoning which someone has thought distinctive and interesting enough to name and describe.  This collection took the form, primarily, of the study and acquisition of books and articles on the named fallacies, especially textbooks and reference books.  You can find individual files on the named fallacies via the &lt;A href="http://www.fallacyfiles.org/taxonomy.html"&gt;Taxonomy of Logical Fallacies&lt;/A&gt;, or from the alphabetical index in the scroll bar to your left.

&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;A collection of fallacious, or otherwise bad, arguments, that is, examples of reasoning which may commit one or more of the named fallacies under 1, or are bad in some way yet to be classified.  This collection took the form of clippings from newspapers, magazines, pamphlets, photocopies of pages of books, and—in a few rare cases—entire articles or books which were rich sources of bad reasoning.  I have used selections from my collection as examples in many of the files on named fallacies, and additional examples can be found in the file: &lt;A href="http://www.fallacyfiles.org/examples.html"&gt;Stalking the Wild Fallacy&lt;/A&gt;.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/fallacy/" rel="tag"&gt;fallacy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/logical/" rel="tag"&gt;logical&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discussion/" rel="tag"&gt;discussion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/argument/" rel="tag"&gt;argument&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/logical+fallacy/" rel="tag"&gt;logical fallacy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/logic/" rel="tag"&gt;logic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/appeal/" rel="tag"&gt;appeal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/argumentum/" rel="tag"&gt;argumentum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/debate/" rel="tag"&gt;debate&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/index/" rel="tag"&gt;index&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rhetoric/" rel="tag"&gt;rhetoric&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fallacy+files/" rel="tag"&gt;fallacy files&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.fallacyfiles.org/contents.html</clipSource><pubDate>Tue, 03 Oct 2006 19:50:03 GMT</pubDate></item><item><title>Clipmarks + Frappr = Show us where you are!</title><link>http://clipmarks.com/clipmark/329800E6-6FB2-4A5A-97A8-55C978664E07/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You know it had to happen sooner or later! Visit&lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.frappr.com/clipmarks" rel="nofollow" target="_blank"&gt;http://www.frappr.com/clipmarks&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;and represent your city on the worldwide Clipmarks map. It's fun! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.frappr.com/clipmarks" title="http://www.frappr.com/clipmarks"&gt;www.frappr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://64.34.180.146/pics3/i/20060214/5/b/c/5bc42a3435bbedb26a4f16b59963955d0_mid.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://72.51.33.159/i/frappr.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD align='center'&gt;&lt;font color="#000000" size="5"&gt;&lt;b&gt;ClipMarks&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;b&gt;(link) &lt;/b&gt;&lt;/font&gt;&lt;a href="http://www.frappr.com/clipmarks"&gt;&lt;font color="#006699" size="2"&gt;&lt;b&gt;http://www.frappr.com/clipmarks&lt;/b&gt;&lt;/font&gt;&lt;/a&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV style='overflow: hidden; width: 640px; height: 420px; position: relative; background-color: rgb(229, 227, 223);' id='map'&gt;&lt;div style="position: absolute; top: -48px; left: -45px; z-index: 0; background-color: rgb(229, 227, 223);"&gt;&lt;div style="position: absolute; top: 0px; left: 0px; z-index: 10;"&gt;&lt;/div&gt;&lt;div style="position: absolute; top: 0px; left: 0px; z-index: 20;"&gt;&lt;img class="noprint" style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 37px; height: 34px; position: absolute; left: 268px; top: 194px; -moz-user-select: none; z-index: -3974030;" src="http://www.frappr.com//i/shadow50.png" height="34" width="37"&gt;&lt;/div&gt;&lt;div style="position: absolute; top: 0px; left: 0px; z-index: 30;"&gt;&lt;/div&gt;&lt;div style="position: absolute; top: 0px; left: 0px; z-index: 40;"&gt;&lt;img style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 20px; height: 34px; position: absolute; left: 268px; top: 194px; -moz-user-select: none; cursor: pointer; z-index: -3974030;" src="http://www.frappr.com//i/marker_blue.png" height="34" width="20"&gt;&lt;/div&gt;&lt;div style="position: absolute; 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position: absolute; left: 448px; top: 466px;" height="256" width="256"&gt;&lt;img src="http://mt1.google.com/mt?n=404&amp;amp;v=tap.2&amp;amp;n=404&amp;amp;x=5&amp;amp;y=4&amp;amp;zoom=13" style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 256px; height: 256px; z-index: 0; -moz-user-select: none; position: absolute; left: 704px; top: -302px;" height="256" width="256"&gt;&lt;img src="http://mt2.google.com/mt?n=404&amp;amp;v=tap.2&amp;amp;n=404&amp;amp;x=5&amp;amp;y=5&amp;amp;zoom=13" style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 256px; height: 256px; z-index: 0; -moz-user-select: none; position: absolute; left: 704px; top: -46px;" height="256" width="256"&gt;&lt;img src="http://mt3.google.com/mt?n=404&amp;amp;v=tap.2&amp;amp;n=404&amp;amp;x=5&amp;amp;y=6&amp;amp;zoom=13" style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 256px; height: 256px; z-index: 0; -moz-user-select: none; position: absolute; left: 704px; top: 210px;" height="256" width="256"&gt;&lt;img src="http://mt0.google.com/mt?n=404&amp;amp;v=tap.2&amp;amp;n=404&amp;amp;x=5&amp;amp;y=7&amp;amp;zoom=13" style="border: 0pt none ; 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margin: 0pt; padding: 0pt; width: 4px; height: 19px; z-index: 0; -moz-user-select: none; position: absolute; top: 0px; right: 0px;" src="http://www.google.com/intl/en_us/mapfiles/r1.png" height="19" width="4"&gt;&lt;div style="position: absolute; left: 2px; width: 69px; right: 0px; height: 19px; font-size: 12px; text-align: center; padding-top: 1px; z-index: 1; font-weight: normal;"&gt;Satellite&lt;/div&gt;&lt;/div&gt;&lt;div style="overflow: hidden; height: 19px; width: 75px; position: absolute; top: 0px; left: 154px; cursor: pointer;"&gt;&lt;img style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 2px; height: 19px; position: absolute; left: 0px; top: 0px; z-index: 0; -moz-user-select: none;" src="http://www.google.com/intl/en_us/mapfiles/l1.png" height="19" width="2"&gt;&lt;img style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 69px; height: 19px; position: absolute; left: 2px; top: 0px; z-index: 0; -moz-user-select: none;" src="http://www.google.com/intl/en_us/mapfiles/m1.png" height="19" width="69"&gt;&lt;img style="border: 0pt none ; margin: 0pt; padding: 0pt; width: 4px; height: 19px; z-index: 0; -moz-user-select: none; position: absolute; top: 0px; right: 0px;" src="http://www.google.com/intl/en_us/mapfiles/r1.png" height="19" width="4"&gt;&lt;div style="position: absolute; left: 2px; width: 69px; right: 0px; height: 19px; font-size: 12px; text-align: center; padding-top: 1px; z-index: 1; font-weight: normal;"&gt;Hybrid&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clipper/" rel="tag"&gt;clipper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clippers/" rel="tag"&gt;clippers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/frappr/" rel="tag"&gt;frappr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/map/" rel="tag"&gt;map&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/town/" rel="tag"&gt;town&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/hometown/" rel="tag"&gt;hometown&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/location/" rel="tag"&gt;location&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.frappr.com/clipmarks</clipSource><pubDate>Tue, 21 Feb 2006 04:11:04 GMT</pubDate></item><item><title>How to Write Aphorisms</title><link>http://clipmarks.com/clipmark/7991D17D-CD9F-4D53-BED8-56EDEA4378E6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;&lt;b&gt;Delacroix, Eugene (France, 1798-1863)&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;&lt;i&gt;To be a poet at twenty is to be twenty; to be a poet at forty is to be a poet.&lt;/i&gt;&lt;/blockquote&gt; According to James Geary, editor of the compendium &lt;i&gt;Geary's Guide to the World's Great Aphorists&lt;/i&gt;, a truely memorable, quotable aphorism satisfies five laws:&lt;blockquote&gt;It must be brief. It must be definitive. It must be personal — that's the difference between an aphorism and a proverb. It must be philosophical — that's the difference between an aphorism and a platitude, which is not philosophical....&lt;br/&gt;&lt;br/&gt;And the fifth law is it must have a twist. And that can be either a linguistic twist or a psychological twist or even a twist in logic that somehow flips the reader into a totally unexpected place.&lt;/blockquote&gt; Now you know, so get to work! &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt;&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.npr.org/templates/story/story.php?storyId=14899836" title="http://www.npr.org/templates/story/story.php?storyId=14899836"&gt;www.npr.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Hubbard, Frank McKinney (United States, 1868-1930)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;A good listener is usually thinking about something else.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Nobody ever forgets where he buried the hatchet.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Roosevelt, Eleanor (United States, 1884-1962)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;A woman is like a teabag — only in hot water do you realize how strong she is.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Tutu, Desmond (South Africa, 1931- )&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;EM&gt;When the missionaries came to Africa they had the Bible and we had the land. They said, "Let us pray." We closed our eyes. When we opened them we had the Bible and they had the land.&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Bunsch, Karol (Poland, 1898-1987)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Honest conceit is better than false modesty.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Morandotti, Alessandro (Italy, 1909-1979)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;The kiss is an ingenious invention that prevents lovers from uttering too many inanities.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;You recognize a true friend by how he lies to you.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Chekhov, Anton (Russia, 1860-1904)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Any idiot can face a crisis. It is this day-to-day living that wears you out.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Sato, Issai (Japan, 1772-1859)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;There are always people who make big declarations. These are always people of little consequence.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/89408FF1-A0B5-4BE6-91FE-18F733684FE3.jpg" alt="'Geary's Guide to the World's Great Aphorists' Cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/aphorisms/" rel="tag"&gt;aphorisms&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pithy/" rel="tag"&gt;pithy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/how-to/" rel="tag"&gt;how-to&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/be+famous!/" rel="tag"&gt;be famous!&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.npr.org/templates/story/story.php?storyId=14899836</clipSource><pubDate>Sat, 26 Jan 2008 19:43:09 GMT</pubDate></item><item><title>Mapping Kerouac: The Grammatical Artwork of Stefanie Posavec</title><link>http://clipmarks.com/clipmark/68200D8D-AF6D-4FA8-BDE4-177502CEBEAF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Posavec dissects every word, phrase, sentence, and subject of Kerouac's &lt;i&gt;On the Road&lt;/i&gt; to invent new ways of looking at the familiar masterpiece. The diagrams make for beautiful art in their own right. (See source for high-res pictures.)&lt;br/&gt;&lt;br/&gt;In her structure analysis, each chapter explodes in a color-coded starburst of topical breakdowns. At a glance, you can see Kerouac's focus wander from the sketches of local life in the beginning, to depictions of work and travel in the middle, with women and the subject of love dominating the latter chapters.&lt;br/&gt;&lt;br/&gt;The comparative sentence diagrams are what really drew me in. It's fascinating to behold an entire literary work all at once on one page. What's more, Kerouac's casual prose style can be differentiated immediately from the stately, grandiose writing of Faulkner, not to mention the terse, claustrophobic style of Orwell's fiction.&lt;br/&gt;&lt;br/&gt;Literary reductionism at its most fun and beautiful. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.notcot.com/archives/2008/04/stefanie_posave.php" title="http://www.notcot.com/archives/2008/04/stefanie_posave.php"&gt;www.notcot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Stefanie’s maps capture something above and beyond that of the others.  Rather than mapping physical geography, her maps capture regularities and patterns within a literary space.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The maps visually represent the rhythm and structure of Kerouac’s literary space, creating works that are not only gorgeous from the point of view of graphic design, but also exhibit scientific rigor and precision in their formulation: meticulous scouring the surface of the text, highlighting and noting sentence length, prosody and themes, Posavec’s approach to the text is not unlike that of a surveyor.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/BB290C61-6FA0-48DA-8D3A-EE698FE0E903.jpg" alt="Literary-Organism-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/9000D9CD-F7C8-4DA4-B354-5D025E30D7C4.jpg" alt="Rhythm-Textures-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A391349A-7273-4C0D-9B04-3DA7964DC95F.jpg" alt="Sentence-Length-poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A064C6A1-9828-4BDC-B364-AA83CF7957C0.jpg" alt="Sentence-Drawings-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/9EF23BA2-A83C-4A3B-BB53-C666A920365A.jpg" alt="highlighted_book_1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/EF36F73D-1580-4B9C-BA18-D74500947D41.jpg" alt="highlight_pstr.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/15B2D383-FA77-42E7-99EF-D63700A60B1E.gif" alt="Kerouac.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/1105ABAA-7FAF-4D5B-AECE-826106973C74.gif" alt="Faulkner.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/4F430ACA-8C64-4877-88C9-AE68AC6DE11B.gif" alt="Orwell.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artwork/" rel="tag"&gt;artwork&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kerouac/" rel="tag"&gt;kerouac&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grammar/" rel="tag"&gt;grammar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/map/" rel="tag"&gt;map&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.notcot.com/archives/2008/04/stefanie_posave.php</clipSource><pubDate>Sun, 13 Apr 2008 01:14:40 GMT</pubDate></item><item><title>Ten Ways to Make Sure That Peace Stays Dead</title><link>http://clipmarks.com/clipmark/8D1A63CC-D0BA-4A76-9D21-732807E39E40/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;Too many people on each side see the other as wholly culpable. Too many people on each side see themselves as wholly innocent, wholly victimized, ill-served by the well-meaning, abandoned by former allies, betrayed by the media, misunderstood by people who should know better, forgotten by the world.&lt;br/&gt;&lt;br/&gt;Too many people on each side see only the suffering that has been caused them. Too many people have learned to wall themselves off from the suffering that they have caused.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.haaretz.com/hasen/spages/790722.html" title="http://www.haaretz.com/hasen/spages/790722.html"&gt;www.haaretz.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/5E97652D-CDB7-4E27-8792-50D531CF7048.gif" alt="Haaretz israel news English" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="t18B" colspan="2"&gt;Ten ways to make sure that peace stays dead&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" class="t11B" colspan="2"&gt;By &lt;A class="tUbl2" href="http://www.haaretz.com/hasen/spages/mailto:bburston@haaretz.co.il"&gt;Bradley Burston&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;1. There is only one side to any story. My side. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;2. The people on the other side, children included, are undeserving of sympathy. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;3. Even the maimed and the dead on the other side are undeserving of sympathy.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;4. The term massacre may only be used to describe casualties on my side. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;5. The automatic fire, bombing, shelling or other lethal action taken by my side are acts of self-defense. If there are fatalities as a result of fire by my side, whether intentional or incidental, they deserved to die.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;6. The concept of drawing comparisons of moral equivalency or mutual responsibility for violence is, in all cases, obscene, disgraceful, artificial, mendacious. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;All political, military, social and religious modalities can be reduced to pure victims and pure villains, which is to say, Us and Them, which is to say, Us and animals/murderers/mass-murderers/racist genocidalists/Nazis/Hitler.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Option 7A: The goal of the left, the center, this newspaper, its writers, even some of its readers, is the destruction of the State of Israel.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Option 7B: The destruction of Israel is a worthwhile goal.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;8. If I am a pro-Israel extremist, responding to a pro-Israel moderate, I should attack and dismiss the writer as a whiner, a crybaby, a defeatist, a moron, a wimp, an imbecile, a self-hater, an extreme leftist, naïve, brainwashed, a pipe-dreamer, duped by the pro-Arab bias of the mass media, a traitor.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;9. If I am a pro-Palestinian extremist, responding to a pro-Palestinian moderate, I should immediately dismiss the writer as a sell-out, a fool, misguided, an Uncle Tom, unaware of the real facts, duped by a the pro-Israel bias of the mass media, a traitor.  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;10. The depth of my conviction, that is, the degree of my extremism, is directly proportional to the distance from my home to the Holy Land. The farther away, the more foaming-at-the-mouth my fanaticism.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/israel/" rel="tag"&gt;israel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/palestine/" rel="tag"&gt;palestine&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/palestinians/" rel="tag"&gt;palestinians&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/israelis/" rel="tag"&gt;israelis&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/middle+east/" rel="tag"&gt;middle east&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/terrorism/" rel="tag"&gt;terrorism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/peace/" rel="tag"&gt;peace&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/suffering/" rel="tag"&gt;suffering&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/victimization/" rel="tag"&gt;victimization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vengeance/" rel="tag"&gt;vengeance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/revenge/" rel="tag"&gt;revenge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/compromise/" rel="tag"&gt;compromise&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/enemy/" rel="tag"&gt;enemy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sympathy/" rel="tag"&gt;sympathy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fanatacism/" rel="tag"&gt;fanatacism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/extremism/" rel="tag"&gt;extremism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dead/" rel="tag"&gt;dead&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.haaretz.com/hasen/spages/790722.html</clipSource><pubDate>Tue, 28 Nov 2006 11:41:24 GMT</pubDate></item><item><title>Maligned T. rex eyesight the best in animal history?</title><link>http://clipmarks.com/clipmark/71CB1DF5-AF82-483F-9224-D9E0CBCFF1DA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;T. rex had a binocular range of 55°, which is wider than that of modern hawks....Moreover, over the millennia, T. rex evolved features that improved its vision: Its snout grew lower and narrower, cheek grooves cleared its sight lines, and its eyeballs enlarged.&lt;/blockquote&gt; Evidence the mighty &lt;i&gt;T. rex&lt;/i&gt; was more of a predator? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencenews.org/articles/20060701/fob2.asp" title="http://www.sciencenews.org/articles/20060701/fob2.asp"&gt;www.sciencenews.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/6C8CFAAA-D2F2-4893-865F-B6D598B14B1A.jpg" alt="a7437_185.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="caption"&gt;INSIGHT. &lt;SPAN&gt;Tyrannosaurus rex's&lt;/SPAN&gt; cheek grooves (below the eye sockets) and narrow snout cleared its sight lines, giving it impressive vision, according to a new study.&lt;BR /&gt;&lt;SPAN&gt;Stevens&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In the 1993 movie &lt;I&gt;Jurassic Park&lt;/I&gt;, one human character tells another that a &lt;I&gt;Tyrannosaurus rex&lt;/I&gt; can't see them if they don't move, even though the beast is right in front of them. Now, a scientist reports that &lt;I&gt;T. rex&lt;/I&gt; had some of the best vision in animal history. This sensory prowess strengthens arguments for &lt;I&gt;T. rex&lt;/I&gt;'s role as predator instead of scavenger.

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Scientists had some evidence from measurements of &lt;I&gt;T. rex&lt;/I&gt; skulls that the animal could see well. Recently, Kent A. Stevens of the University of Oregon in Eugene went further. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;He used facial models of seven types of dinosaurs to reconstruct their binocular range, the area viewed simultaneously by both eyes. The wider an animal's binocular range, the better its depth perception and capacity to distinguish objects—even those that are motionless or camouflaged.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;T. rex&lt;/I&gt; had a binocular range of 55°, which is wider than that of modern hawks, Stevens reports in the summer &lt;I&gt;Journal of Vertebrate Paleontology&lt;/I&gt;. Moreover, over the millennia, &lt;I&gt;T. rex&lt;/I&gt; evolved features that improved its vision: Its snout grew lower and narrower, cheek grooves cleared its sight lines, and its eyeballs enlarged.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"It was a selective advantage for this animal to see three-dimensionally ahead of it," Stevens says.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;He found that &lt;I&gt;T. rex&lt;/I&gt; might have had visual acuity as much as 13 times that of people. By comparison, an eagle's acuity is 3.6 times that of a person. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In modern animals, predators have better binocular vision than scavengers do, agrees Thomas R. Holtz Jr. of the University of Maryland at College Park. Binocular vision "almost certainly was a predatory adaptation," he says.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tyrannosaurus+rex/" rel="tag"&gt;tyrannosaurus rex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/t+rex/" rel="tag"&gt;t rex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dinosaur/" rel="tag"&gt;dinosaur&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dinosaurs/" rel="tag"&gt;dinosaurs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/vision/" rel="tag"&gt;vision&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eyesight/" rel="tag"&gt;eyesight&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/eyes/" rel="tag"&gt;eyes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paleontology/" rel="tag"&gt;paleontology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/predators/" rel="tag"&gt;predators&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencenews.org/articles/20060701/fob2.asp</clipSource><pubDate>Sat, 01 Jul 2006 21:58:35 GMT</pubDate></item><item><title>James Brown Soul Center of the Universe to be wiped off the map?</title><link>http://clipmarks.com/clipmark/1655CD76-0D9D-4E7E-904C-5D9911E6ECAE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Yes, the James Brown Soul Center of the Universe is located in the remote mountains of Colorado. What, you didn't know? Now some extremely un-funky old residents are threatening to rename this important cultural treasure. Is nothing sacred these days...? &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.denverpost.com/news/ci_3550560" title="http://www.denverpost.com/news/ci_3550560"&gt;www.denverpost.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/413207F2-5F6E-42B4-AC08-07C76AF78FCF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class='articleTitle'&gt;Some want a brand-new tag for James Brown bridge&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The "hardest-working man in show business" may be getting the hook in Steamboat Springs, where some locals have started a campaign to rename a rural highway bridge currently christened the "James Brown Soul Center of the Universe." 
 
 &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In 1993, residents of the ski town narrowly voted - twice - to name the nondescript span after Brown, despite accusations of ballot-stuffing by some of the old guard who preferred to call it the stock bridge, after the viaduct to the stockyards that it replaced. 
 
 &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Now, many of the same players have decided that the joke is over and Steamboat should instead pay tribute to its ranching legacy. 
 
 &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"It's not part of our culture. They did it for a lark," said Bill Montag, manager of the Soda Creek Mercantile, a Western tack store where he circulated a petition last month to rename the bridge, garnering a couple hundred signatures. 
 
 &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/james+brown/" rel="tag"&gt;james brown&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bridge/" rel="tag"&gt;bridge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/steamboat+springs/" rel="tag"&gt;steamboat springs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/colorado/" rel="tag"&gt;colorado&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funk/" rel="tag"&gt;funk&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.denverpost.com/news/ci_3550560</clipSource><pubDate>Mon, 27 Feb 2006 21:14:49 GMT</pubDate></item><item><title>FastR -- A FlickR Game</title><link>http://clipmarks.com/clipmark/6414EB1F-470B-450F-8DC5-A2031A114E91/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  To whoever first posted this, I'm afraid I couldn't find the original clip...sorry for the duplicate. But thank you, it's addictive. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://randomchaos.com/games/fastr/" title="http://randomchaos.com/games/fastr/"&gt;randomchaos.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id='container'&gt;
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				&lt;h1&gt;&lt;span class="noe"&gt;fast&lt;/span&gt;&lt;span class="r"&gt;r&lt;/span&gt; — a &lt;span class="noe"&gt;flick&lt;/span&gt;&lt;span class="r"&gt;r&lt;/span&gt; game&lt;/h1&gt;
				
				
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&lt;ol&gt;
	&lt;li&gt;&lt;em&gt;pumpkin&lt;/em&gt; : &lt;span&gt;24&lt;/span&gt;&lt;/li&gt;
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					&lt;div class="paypal"&gt;Like the game? &lt;a href="https://www.paypal.com/cgi-bin/webscr?cmd=_xclick&amp;amp;business=scott%40randomchaos%2ecom&amp;amp;item_name=fastr&amp;amp;item_number=fastr&amp;amp;no_shipping=0&amp;amp;no_note=1&amp;amp;tax=0&amp;amp;currency_code=USD&amp;amp;lc=US&amp;amp;bn=PP%2dDonationsBF&amp;amp;charset=UTF%2d8"&gt;Consider a donation&lt;/a&gt;&lt;/div&gt;
					
					
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		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/game/" rel="tag"&gt;game&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video+game/" rel="tag"&gt;video game&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/online/" rel="tag"&gt;online&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/flickr/" rel="tag"&gt;flickr&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guess/" rel="tag"&gt;guess&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://randomchaos.com/games/fastr/</clipSource><pubDate>Sun, 19 Feb 2006 02:00:27 GMT</pubDate></item><item><title>What is "Bubblegum" Flavor?</title><link>http://clipmarks.com/clipmark/4FE4D431-55C5-491F-898E-4C36DA7FED9D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Strange to think that such a common flavor was a lab-created concoction from the start... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://answers.google.com/answers/threadview?id=525269" title="http://answers.google.com/answers/threadview?id=525269"&gt;answers.google.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;PRE&gt;What is bubblegum flavor?

You see a lot of products that are labeled "bubblegum flavor" (i.e.,
cotton candy, mouthwash, toothpaste, etc.) and its flavor is
distinctive, but what exactly is it?  A good answer would be the
components that make up the flavor of bubble gum.&lt;/PRE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;PRE&gt;A bubblegum flavor is a "fantasy flavor". It is not grown from a tree
or bush just like cotton candy and berry-blue. However, blueberry is a
flavor because it can be grown. Overtime, a Bubblegum flavor is just
as recognizable as true flavors like strawberry, vanilla, and banana.
When I create a bubblegum flavor. I use several artificial and/or
natural chemicals along with essential oils. A basic bubblegum flavor
is made of ester(ethyl butyrate, ethyl acetate, etc), oils(orange
oils, wintergreen, etc) and sweet-ripe-juicy chemicals(ethyl maltol,
vanillin, maltol, etc). There are also many other ways to create a
bubblegum flavor with out these chemicals. It depends on the
creativity of the flavor chemist. There is not one chemical that
represents a bubblegum flavor unlike cherry(benzaldehyde),
vanilla(vanillin), and blueberry(linalool) because it is a fantasy
flavor.&lt;/PRE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bubblegum/" rel="tag"&gt;bubblegum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/flavor/" rel="tag"&gt;flavor&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/taste/" rel="tag"&gt;taste&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://answers.google.com/answers/threadview?id=525269</clipSource><pubDate>Mon, 13 Mar 2006 06:48:52 GMT</pubDate></item><item><title>Dynamic Favicons</title><link>http://clipmarks.com/clipmark/44C53EC5-E3C0-4034-9998-C2903B8A40C8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  What a cool idea. I could imagine having the Clipmark icon turn red whenever one of your clips was commented on, for instance. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://softwareas.com/index.php?name=dynamic-favicons" title="http://softwareas.com/index.php?name=dynamic-favicons"&gt;softwareas.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/1CEAE01C-3786-4C1B-AE1F-041C6441BF61.png" alt="Ajaxify favicon demo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;b&gt;&lt;a href="http://en.wikipedia.org/wiki/Favicon"&gt;Favicons&lt;/a&gt;  should ideally be easy to manipulate, as easy as manipulating the web page's UI.&lt;/b&gt; (Favicons are the little website icons you see in the address bar, browser tabs, etc.) &lt;b&gt;For example, a chat app like Meebo could signal that your buddy's trying to contact you, a mail app like GMail could indicate You Have Mail!&lt;/b&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;b&gt;So I've created a library, &lt;a href="http://ajaxify.com/run/favicon/favicon.js"&gt;favicon.js&lt;/a&gt;, that lets you manipulate favicons with a single call - &lt;tt&gt;changeFavicon("theIconUrl.ico");&lt;/tt&gt;. You can also set the document title, &lt;tt&gt;changeFavicon("theIconUrl.ico", "Hi Everybody!")&lt;/tt&gt;, which just sets &lt;tt&gt;document.title&lt;/tt&gt;. There are a couple of demos and a brief FAQ&lt;/b&gt;:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;li&gt;&lt;a href="http://ajaxify.com/run/favicon"&gt;Type a letter, see the icon change.&lt;/a&gt;
&lt;/li&gt;&lt;li&gt;&lt;a href="http://ajaxify.com/run/favicon/cycle"&gt;The icons cycle automatically, using a timer.&lt;/a&gt; So you can stick it in a background tab and see how it looks.&lt;/li&gt;
&lt;li&gt;&lt;a href="http://ajaxify.com/run/favicon/#faq"&gt;FAQ&lt;/a&gt;
&lt;/li&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/favicon/" rel="tag"&gt;favicon&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/favicons/" rel="tag"&gt;favicons&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dynamic/" rel="tag"&gt;dynamic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ajax/" rel="tag"&gt;ajax&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/javascript/" rel="tag"&gt;javascript&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ui/" rel="tag"&gt;ui&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://softwareas.com/index.php?name=dynamic-favicons</clipSource><pubDate>Fri, 17 Mar 2006 21:49:19 GMT</pubDate></item><item><title>How To Tell If You're Being Followed</title><link>http://clipmarks.com/clipmark/BBFEC8D0-3A4A-455A-8DA3-9962BF74DEEC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Are you being tailed? How do you know what to look out for? Use this handy guide to see if they're really watching you or if it's all in your head.&lt;blockquote&gt;If you want to identify a tail, look at their shoes: they are hard to change. Move frequently between crowded and empty places: this forces them to keep closing for fear of losing you, drawing back, then closing again. This makes them conspicuous. But don't jump on or off trains just before the doors close--that's for the movies; and anyway, a good surveillance team will already have someone on the train, as well as on the platform.&lt;/blockquote&gt; &lt;i&gt;(Via Jason Kottke.)&lt;/i&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.moreintelligentlife.com/node/897" title="http://www.moreintelligentlife.com/node/897"&gt;www.moreintelligentlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/FF1B4FD9-95A8-4D93-9CE6-632C08DEE694.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
So, you think you're being followed.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Two questions: first, who do you think you are? Are you really so secret and important that someone is prepared to spend time and money watching where you're going?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Second, is there someone out there who very badly wants to know what you're doing, who believes that surveillance is the only way to find out, and who is able to follow you themselves or pay someone else to? Unless such a person or organisation exists, forget it.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
But if all that does apply to you, how might you tell you're being followed? Don't bother looking for men with turned-up collars, who peer round corners or keep tying their shoelaces. Real surveillants will never be seen doing anything odd; they are chameleons who strive to look ordinary, matching whatever environment they're in.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;f you must check for surveillance, don't keep glancing over your shoulder. Appearing to suspect you're being followed suggests you're doing something to merit it.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.moreintelligentlife.com/node/897</clipSource><pubDate>Sat, 15 Mar 2008 17:24:33 GMT</pubDate></item><item><title>Political Junkies: Why it Feels Good to Be an Extremist</title><link>http://clipmarks.com/clipmark/5F32948B-3000-43C9-ADF0-904311AEC7EC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In &lt;i&gt;&lt;a href="http://www.amazon.com/Political-Brain-Emotion-Deciding-Nation/dp/1586484257" rel="nofollow" target="_blank"&gt;The Political Brain&lt;/a&gt;&lt;/i&gt;, psychologist Drew Western summarizes fMRI experiments exploring the neuro-psychology of systematic bias and rationalization in the brains of political extremists. Finding ways to dismiss contradictory evidence triggers pleasant emotional releases in partisans' brains, eventually becoming a pleasurable, learned behavior.&lt;blockquote&gt;Once partisans had found a way to reason to false conclusions, not only did neural circuits involved in negative emotions turn off, but circuits involved in positive emotions turned on.&lt;br/&gt;&lt;br/&gt;The partisan brain didn't seem satisfied in just feeling better. It worked overtime to feel good, activating reward circuits that give partisans a jolt of positive reinforcement for their biased "reasoning."&lt;br/&gt;&lt;br/&gt;These reward circuits overlap substantially with those activated when drug addicts get their "fix," giving new meaning to the term political junkie. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://daily.sightline.org/daily_score/archive/2008/03/14/political-junkie-redefined" title="http://daily.sightline.org/daily_score/archive/2008/03/14/political-junkie-redefined"&gt;daily.sightline.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;How is it that even smart people can ignore a pile of evidence that contradicts their deeply-held beliefs. Why is it I get a rush when I'm making fun of a politician I don't agree with -- even if it's his flubs or quirks I'm mocking, not necessarily his ideas?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;According to the research of &lt;SPAN class="link-external"&gt;&lt;A href="http://www.thepoliticalbrain.com/videos.php" class="external-link"&gt;Drew Western&lt;/A&gt;&lt;/SPAN&gt;, political partisans -- and especially the smart, well-informed ones -- not only feel better when their brains downplay contradictory political information, they actually get a little emotional "high" when the brain (unconsciously) rejects evidence that contradicts their deeply held political beliefs.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In a series of brain scans of political partisans asked to consider contradictory statements by the politicians they supported, Western found that the brain reverted to the comfort zone of its long-held biases -- and doing so actually made people feel &lt;EM&gt;good.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reason/" rel="tag"&gt;reason&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/extremism/" rel="tag"&gt;extremism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bias/" rel="tag"&gt;bias&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/beliefs/" rel="tag"&gt;beliefs&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://daily.sightline.org/daily_score/archive/2008/03/14/political-junkie-redefined</clipSource><pubDate>Sun, 30 Mar 2008 02:28:12 GMT</pubDate></item><item><title>How To Think</title><link>http://clipmarks.com/clipmark/9F641014-96CE-4738-8E00-A79647F0F667/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  With the internet saturating ever deeper into our busy lives, humans are navigating uncharted informational and attentional waters these days. MIT neuroengineer, Ed Boyden, put together these rules of thumb to managing brain resources in an age of complexity.&lt;blockquote&gt;7. &lt;b&gt;Make your mistakes quickly.&lt;/b&gt; You may mess things up on the first try, but do it fast, and then move on. Document what led to the error so that you learn what to recognize, and then move on. Get the mistakes out of the way. As Shakespeare put it, "Our doubts are traitors, and make us lose the good we oft might win, by fearing to attempt."&lt;/blockquote&gt; &lt;i&gt;(Via Kottke.)&lt;/i&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.technologyreview.com/blog/boyden/21925/" title="http://www.technologyreview.com/blog/boyden/21925/"&gt;www.technologyreview.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1. &lt;STRONG&gt;Synthesize new ideas constantly&lt;/STRONG&gt;. Never read passively. Annotate, model, think, and synthesize while you read&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;2. &lt;STRONG&gt;Learn how to learn (rapidly)&lt;/STRONG&gt;. One of the most important talents for the 21st century is the ability to learn almost anything instantly, so cultivate this talent.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;3. &lt;STRONG&gt;Work backward&lt;/STRONG&gt; &lt;STRONG&gt;from your goal&lt;/STRONG&gt;. Or else you may never get there. If you work forward, you may invent something profound--or you might not.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;4. &lt;STRONG&gt;Always have a long-term plan&lt;/STRONG&gt;. Even if you change it every day. The act of making the plan alone is worth it.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;6. &lt;STRONG&gt;Collaborate&lt;/STRONG&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;8. As you develop skills, &lt;STRONG&gt;write up best-practices protocols&lt;/STRONG&gt;. That way, when you return to something you've done, you can make it routine. Instinctualize conscious control.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;9. &lt;STRONG&gt;Document everything obsessively&lt;/STRONG&gt;. If you don't record it, it may never have an impact on the world.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;10. &lt;STRONG&gt;Keep it&lt;/STRONG&gt; &lt;STRONG&gt;simple&lt;/STRONG&gt;. If it looks like something hard to engineer, it probably is. If you can spend two days thinking of ways to make it 10 times simpler, do it.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/howto/" rel="tag"&gt;howto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guide/" rel="tag"&gt;guide&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/advice/" rel="tag"&gt;advice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/think/" rel="tag"&gt;think&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mind/" rel="tag"&gt;mind&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/goals/" rel="tag"&gt;goals&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life/" rel="tag"&gt;life&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.technologyreview.com/blog/boyden/21925/</clipSource><pubDate>Sat, 22 Mar 2008 17:52:35 GMT</pubDate></item><item><title>Happy Anniversary, bignosemousie!</title><link>http://clipmarks.com/clipmark/8DD6507C-40F9-4DB2-BAED-225E617AB6B5/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I think I can speak for the entire clipmunity that it has been an absolute pleasure to clip with you for the past year. Your fun, thoughtful, compassionate contributions are part of what makes Clipmarks so great. So here's looking forward to many more mousie-full years of your presence! &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.clipmarks.com/clipper/bignosemousie/" title="http://www.clipmarks.com/clipper/bignosemousie/"&gt;www.clipmarks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/516CB897-D602-4893-B669-23B6A824724B.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="ProfileWrap"&gt;&lt;DIV class="ProfileCardTop"&gt;&lt;DIV class="ProfileCardHeader"&gt;&lt;TABLE width="98%" cellpadding="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD width="36" align="center"&gt;&lt;IMG class="ProfilePic" alt="" src="http://www.clipmarks.com/profile/small/86E60A27-DE01-471A-80EF-EEDD1BFB9D8A.png" /&gt;&lt;/TD&gt;&lt;TD class="ProfileCardHeaderUser"&gt;&lt;H1&gt;bignosemousie&lt;/H1&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/DIV&gt;&lt;DIV class="ProfileCardMember"&gt;&lt;B&gt;Location:&lt;/B&gt; Houston, TX&lt;BR /&gt;&lt;DIV class="ProfileFollowersWrap"&gt;&lt;IMG border="0" src="http://www.clipmarks.com/images/icons/followers.gif" /&gt;&lt;A class="CLB" title="# people who are following bignosemousie. Click to see who." href="javascript:OpenFollowers('bignosemousie')"&gt;&lt;SPAN id="spnTotalFollowers"&gt;&lt;B&gt;47&lt;/B&gt; followers&lt;/SPAN&gt;&lt;/A&gt;&lt;/DIV&gt;&lt;B&gt;Member since:&lt;/B&gt; &lt;SPAN&gt;3-16-2006&lt;/SPAN&gt;&lt;BR /&gt;&lt;/DIV&gt;&lt;DIV class="ProfileCardStats"&gt;&lt;B&gt;407&lt;/B&gt; clips created&lt;BR /&gt;&lt;B&gt;298&lt;/B&gt; popped (73.22%)&lt;BR /&gt;&lt;B&gt;1089&lt;/B&gt; total pops (2.68 per clip)&lt;BR /&gt;&lt;/DIV&gt;&lt;DIV class="ProfileCardOptions"&gt;&lt;TABLE cellspacing="0" cellpadding="4" align="center"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;&lt;A href="javascript:ShowDialog('&lt;br/&gt;&lt;b&gt;bignosemousie&lt;/b&gt; is already in your My Clippers list.');"&gt;&lt;IMG width="165" height="29" border="0" id="imgFollowRight" alt="add clipper" src="http://www.clipmarks.com/images/in-clippers-big.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;TD&gt;&lt;A href="javascript:OpenBlockUser('bignosemousie', '86E60A27-DE01-471A-80EF-EEDD1BFB9D8A')"&gt;&lt;IMG width="70" height="24" border="0" alt="ignore" src="http://www.clipmarks.com/images/ignore-clipper.gif" /&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;DIV id="dvExpandProfile"&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD colspan="2"&gt;&lt;DIV class="ProfileHeader"&gt;About me&lt;/DIV&gt;&lt;DIV class="ProfileValue"&gt; I was named Time Magazine's Person of the Year for 2006, but I'm just like you and that girl next to you (but nothing like the girl next to her). &lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD colspan="2"&gt;&lt;DIV class="ProfileHeader"&gt;Why I use Clipmarks&lt;/DIV&gt;&lt;DIV class="ProfileValue"&gt; Clipmarks makes getting information easier.  I trust my fellow Clippers to gather both sides of the story and feed them to me in manageable bites.  I'm lazy but also a glutton for news and information.  Since Clipmarks, I'm never at a loss for conversation starters.  My popularity at parties has soared. &lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;TR&gt;&lt;TD colspan="2"&gt;&lt;DIV class="ProfileHeader"&gt;Where to find me on the web&lt;/DIV&gt;&lt;DIV class="ProfileValue"&gt;&lt;B&gt;Email:&lt;/B&gt; &lt;A href="http://www.clipmarks.com/clipper/bignosemousie/mailto:bignosemousie@gmail.com" class="CLB"&gt;bignosemousie@gmail.com&lt;/A&gt;&lt;BR /&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bignosemousie/" rel="tag"&gt;bignosemousie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clipmarks/" rel="tag"&gt;clipmarks&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/clipper/" rel="tag"&gt;clipper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anniversary/" rel="tag"&gt;anniversary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/celebration/" rel="tag"&gt;celebration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/community/" rel="tag"&gt;community&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.clipmarks.com/clipper/bignosemousie/</clipSource><pubDate>Fri, 16 Mar 2007 18:58:05 GMT</pubDate></item></channel></rss>