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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Kore7's Literature collection</title><link>http://clipmarks.com/clipper/Kore7/clipcast/Literature/</link><feedUrl>http://rss.clipmarks.com/clipper/Kore7/clipcast/Literature/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Mapping Kerouac: The Grammatical Artwork of Stefanie Posavec</title><link>http://clipmarks.com/clipmark/68200D8D-AF6D-4FA8-BDE4-177502CEBEAF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Posavec dissects every word, phrase, sentence, and subject of Kerouac's &lt;i&gt;On the Road&lt;/i&gt; to invent new ways of looking at the familiar masterpiece. The diagrams make for beautiful art in their own right. (See source for high-res pictures.)&lt;br/&gt;&lt;br/&gt;In her structure analysis, each chapter explodes in a color-coded starburst of topical breakdowns. At a glance, you can see Kerouac's focus wander from the sketches of local life in the beginning, to depictions of work and travel in the middle, with women and the subject of love dominating the latter chapters.&lt;br/&gt;&lt;br/&gt;The comparative sentence diagrams are what really drew me in. It's fascinating to behold an entire literary work all at once on one page. What's more, Kerouac's casual prose style can be differentiated immediately from the stately, grandiose writing of Faulkner, not to mention the terse, claustrophobic style of Orwell's fiction.&lt;br/&gt;&lt;br/&gt;Literary reductionism at its most fun and beautiful. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.notcot.com/archives/2008/04/stefanie_posave.php" title="http://www.notcot.com/archives/2008/04/stefanie_posave.php"&gt;www.notcot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Stefanie’s maps capture something above and beyond that of the others.  Rather than mapping physical geography, her maps capture regularities and patterns within a literary space.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The maps visually represent the rhythm and structure of Kerouac’s literary space, creating works that are not only gorgeous from the point of view of graphic design, but also exhibit scientific rigor and precision in their formulation: meticulous scouring the surface of the text, highlighting and noting sentence length, prosody and themes, Posavec’s approach to the text is not unlike that of a surveyor.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/BB290C61-6FA0-48DA-8D3A-EE698FE0E903.jpg" alt="Literary-Organism-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/9000D9CD-F7C8-4DA4-B354-5D025E30D7C4.jpg" alt="Rhythm-Textures-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A391349A-7273-4C0D-9B04-3DA7964DC95F.jpg" alt="Sentence-Length-poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A064C6A1-9828-4BDC-B364-AA83CF7957C0.jpg" alt="Sentence-Drawings-Poster.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/9EF23BA2-A83C-4A3B-BB53-C666A920365A.jpg" alt="highlighted_book_1.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/EF36F73D-1580-4B9C-BA18-D74500947D41.jpg" alt="highlight_pstr.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/15B2D383-FA77-42E7-99EF-D63700A60B1E.gif" alt="Kerouac.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/1105ABAA-7FAF-4D5B-AECE-826106973C74.gif" alt="Faulkner.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/4F430ACA-8C64-4877-88C9-AE68AC6DE11B.gif" alt="Orwell.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artwork/" rel="tag"&gt;artwork&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/kerouac/" rel="tag"&gt;kerouac&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grammar/" rel="tag"&gt;grammar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/map/" rel="tag"&gt;map&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.notcot.com/archives/2008/04/stefanie_posave.php</clipSource><pubDate>Sun, 13 Apr 2008 01:14:40 GMT</pubDate></item><item><title>Mark Twain's "The War Prayer"</title><link>http://clipmarks.com/clipmark/BF68D67A-0034-41E3-9EC7-AC474BC26AA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  In 1904, disgusted by the aftermath of the Spanish-American War and the subsequent Philippine-American War, Mark Twain wrote a short anti-war prose poem called "The War Prayer." His family begged him not to publish it, his friends advised him to bury it, and his publisher rejected it, thinking it too inflammatory for the times. Twain agreed, but instructed that it be published after his death, saying famously:&lt;br/&gt;&lt;br/&gt;    &lt;i&gt;None but the dead are permitted to tell the truth.&lt;/i&gt;&lt;br/&gt;&lt;br/&gt;"The War Prayer" was eventually published after World War I, when its message was more in tune with the times. Now, Washington Monthly's publisher, Markos Kounalakis, who was affected by Twain's words when he covered the war in Yugoslavia in the early 90s, has made "The War Prayer" into a short video for release this Memorial Day weekend. It features stunning illustrations by Akis Dimitrakopoulos and is narrated by Peter Coyote, Lawrence Ferlinghetti, and Erik Bauersfeld.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://tinyurl.com/38ypgd" rel="nofollow" target="_blank"&gt;*&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://youtube.com/watch?v=jJsZCpp8hR4" title="http://youtube.com/watch?v=jJsZCpp8hR4"&gt;youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="video_title"&gt;The War Prayer Pt. 1&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://youtube.com/watch?v=PsoJ-WJZGXM&amp;mode=related&amp;search=" title="http://youtube.com/watch?v=PsoJ-WJZGXM&amp;mode=related&amp;search="&gt;youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 id="video_title"&gt;The War Prayer Pt. 2&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mark+twain/" rel="tag"&gt;mark twain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anti-war/" rel="tag"&gt;anti-war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/prayer/" rel="tag"&gt;prayer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/god/" rel="tag"&gt;god&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nationalism/" rel="tag"&gt;nationalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/patriotism/" rel="tag"&gt;patriotism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/animation/" rel="tag"&gt;animation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://youtube.com/watch?v=jJsZCpp8hR4</clipSource><pubDate>Mon, 28 May 2007 20:47:48 GMT</pubDate></item><item><title>25 Greatest Science Books of All Time</title><link>http://clipmarks.com/clipmark/AC432B63-D3A3-4BBA-B298-981776A00C44/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;&lt;b&gt;&lt;i&gt;The Origin of Species&lt;/i&gt; (1859)&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;Darwin's masterwork is, undeniably, &lt;i&gt;The Origin of Species&lt;/i&gt;, in which he introduced his theory of evolution by natural selection. Prior to its publication, the prevailing view was that each species had existed in its current form since the moment of divine creation and that humans were a privileged form of life, above and apart from nature. Darwin's theory knocked us from that pedestal. Wary of a religious backlash, he kept his ideas secret for almost two decades while bolstering them with additional observations and experiments. The result is an avalanche of detail—there seems to be no species he did not contemplate—thankfully delivered in accessible, conversational prose. A century and a half later, Darwin's paean to evolution still begs to be heard: "There is grandeur in this view of life," he wrote, that "from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;SPAN&gt;
&lt;TABLE width="15" cellspacing="1" cellpadding="1" border="0" align="right"&gt;
&lt;TBODY&gt;
&lt;TR&gt;
&lt;TD&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;
1. &lt;/SPAN&gt;and 2. &lt;I&gt;The Voyage of the Beagle&lt;/I&gt; (1845) and &lt;I&gt;The Origin of Species&lt;/I&gt; (1859) by Charles Darwin [tie]&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/85525F33-DE61-40F1-8B88-3EB395C457F7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;3. &lt;I&gt;Philosophiae Naturalis Principia Mathematica&lt;/I&gt; (&lt;I&gt;Mathematical Principles of Natural Philosophy&lt;/I&gt;) by Isaac Newton (1687)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/6978025C-71AF-45E5-A132-E1FF0562B114.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;4. &lt;I&gt;Dialogue Concerning the Two Chief World Systems&lt;/I&gt; by Galileo Galilei (1632)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/653C096A-0553-467A-B491-CAFEE8E28EE7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;5. &lt;I&gt;De Revolutionibus Orbium Coelestium&lt;/I&gt; (&lt;I&gt;On the Revolutions of Heavenly Spheres&lt;/I&gt;) by Nicolaus Copernicus (1543)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/E7068CC6-12F2-433A-8896-9F8B5AEF355C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;6. &lt;I&gt;Physica&lt;/I&gt; (&lt;I&gt;Physics&lt;/I&gt;) by Aristotle (circa 330 B.C.)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/8F35CA60-CE32-4517-8DCC-DF40E864EB70.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;7. &lt;I&gt;De Humani Corporis Fabrica&lt;/I&gt; (&lt;I&gt;On the Fabric of the Human Body&lt;/I&gt;) by Andreas Vesalius (1543)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/3A460767-6B63-44F1-9CE7-D5525A2DF4D8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;8. &lt;I&gt;Relativity: The Special and General Theory&lt;/I&gt; by Albert Einstein (1916)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/BC6199BA-625D-47D8-AD97-AE8B9315CB0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=2" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=2"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;9. &lt;I&gt;The Selfish Gene&lt;/I&gt; by Richard Dawkins (1976)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;10. &lt;I&gt;One Two Three . . . Infinity&lt;/I&gt; by George Gamow (1947)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/D0D26120-BBC0-4B04-AB86-1133F73EDFB1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;11. &lt;I&gt;The Double Helix&lt;/I&gt; by James D. Watson (1968)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;12. &lt;I&gt;What Is Life?&lt;/I&gt; by Erwin Schrödinger (1944)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;13. &lt;I&gt;The Cosmic Connection&lt;/I&gt; by Carl Sagan (1973)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/DAC849BD-3D5E-4EC6-9568-5231C175C3CD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;14. &lt;I&gt;The Insect Societies&lt;/I&gt; by Edward O. Wilson (1971)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;15. &lt;I&gt;The First Three Minutes&lt;/I&gt; by Steven Weinberg (1977)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;16. &lt;I&gt;Silent Spring&lt;/I&gt; by Rachel Carson (1962)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;17. &lt;I&gt;The Mismeasure of Man&lt;/I&gt; by Stephen Jay Gould (1981)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/671A6EFD-A2A1-4BFE-B27D-D765F44DB914.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;18. &lt;I&gt;The Man Who Mistook His Wife for a Hat and Other Clinical Tales&lt;/I&gt; by Oliver Sacks (1985)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3" title="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3"&gt;discover.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;19. &lt;I&gt;The Journals of Lewis and Clark by Meriwether Lewis and William Clark (1814)&lt;/I&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;20. &lt;I&gt;The Feynman Lectures on Physics&lt;/I&gt; &lt;A href="http://discover.com/issues/dec-06/features/25-greatest-science-books/?page=3%23correction"&gt;by*&lt;/A&gt; Richard P. Feynman, Robert B. Leighton, and Matthew Sands (1963)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A4301C24-5338-468A-95C9-8CF455AEBDDF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;B&gt;21. &lt;I&gt;Sexual Behavior in the Human Male&lt;/I&gt; by Alfred C. Kinsey et al. (1948)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;22. &lt;I&gt;Gorillas in the Mist&lt;/I&gt; by Dian Fossey (1983)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/7213F115-ACD0-40E5-B6CA-C7C355CAC15A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;23. &lt;I&gt;Under a Lucky Star&lt;/I&gt; by Roy Chapman Andrews (1943)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;24. &lt;I&gt;Micrographia&lt;/I&gt; by Robert Hooke (1665)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/FA990043-E3AB-48D5-A7BA-C281FB340DE4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;25. &lt;I&gt;Gaia&lt;/I&gt; by James Lovelock (1979)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="lightOrangeBg"&gt;&lt;B&gt;Honorable Mentions&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/best+of/" rel="tag"&gt;best of&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/discover/" rel="tag"&gt;discover&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/darwin/" rel="tag"&gt;darwin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/newton/" rel="tag"&gt;newton&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/galileo/" rel="tag"&gt;galileo&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://discover.com/issues/dec-06/features/25-greatest-science-books/</clipSource><pubDate>Tue, 21 Nov 2006 02:26:37 GMT</pubDate></item><item><title>What Did Descartes Really Know? (Book Review)</title><link>http://clipmarks.com/clipmark/6A23D67B-FD42-4BAE-8C4A-53D635D815F6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Great review of two new Descartes biographies that set some of the records straight on the great naturalist's works.&lt;blockquote&gt;Despite his current reputation, the man himself seems to have been less interested in metaphysics than in applying algebra to geometry and delving into the innards of cows. He turned to philosophy relatively late in life, and out of fear that the Catholic Church would condemn his science. He would have been surprised at how he is remembered.&lt;br/&gt;&lt;br/&gt;Most of all, he would have been aghast at the way in which “I think, therefore I am” has been ripped from its context, inflated into a one-sentence summary of his ideas, and turned into something absurd. The rot set in at the start of the nineteenth century, when Hegel made heavy weather of “I think, therefore I am” and took it to mean that thought and being are fundamentally the same thing. &lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newyorker.com/critics/books/articles/061120crbo_books" title="http://www.newyorker.com/critics/books/articles/061120crbo_books"&gt;www.newyorker.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="title"&gt;THINK AGAIN&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="summary"&gt;What did Descartes really know?&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="author"&gt;by ANTHONY GOTTLIEB&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="issuepublish"&gt;Issue of 2006-11-20&lt;BR /&gt;&lt;DIV&gt;Posted 2006-11-13&lt;/DIV&gt;
         &lt;BR /&gt;
        &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In “Descartes: A Biography” (Cambridge; $40), Desmond Clarke, a leading Descartes scholar at the National University of Ireland, Cork, argues that Descartes’s philosophy is distorted if it is not seen in the context of his wider scientific enterprise. Descartes certainly played down his own purely philosophical writings. In a letter to his friend Princess Elizabeth of Bohemia, in June, 1643, and again in a conversation with a theology student, Frans Burman, who interviewed him in April, 1648, Descartes warned against paying too much attention to his metaphysics. Read it once, he said, and move on. His “Discourse,” with the famous slogan, was published merely as a preface to a collection of treatises on optics, meteorology, and geometry. Clarke reminds us that Descartes’s philosophical works were intended to establish credentials for his system of nature, and to make it theologically acceptable. The “Meditations” originally bore the subtitle “in which are demonstrated the existence of God and the immortality of the soul.” Indeed, Clarke’s most distinctive claim is that Descartes’s account of the mind as an immaterial substance—his famous “dualism” of the mental and the physical, sometimes known as the doctrine of “the ghost in the machine”—is at best a provisional theory, aimed at providing support for the Catholic doctrine of the immortality of the soul, and sits uneasily with many other things that he wrote.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/descartes/" rel="tag"&gt;descartes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rene+descartes/" rel="tag"&gt;rene descartes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grayling/" rel="tag"&gt;grayling&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/desmond+clarke/" rel="tag"&gt;desmond clarke&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/thinking/" rel="tag"&gt;thinking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/existence/" rel="tag"&gt;existence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/metaphysics/" rel="tag"&gt;metaphysics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nature/" rel="tag"&gt;nature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/math/" rel="tag"&gt;math&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mathematics/" rel="tag"&gt;mathematics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biography/" rel="tag"&gt;biography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dualism/" rel="tag"&gt;dualism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/theology/" rel="tag"&gt;theology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.newyorker.com/critics/books/articles/061120crbo_books</clipSource><pubDate>Sun, 19 Nov 2006 17:03:19 GMT</pubDate></item><item><title>"Politics and the English Language" - George Orwell</title><link>http://clipmarks.com/clipmark/91E3AB91-55AF-415A-8835-AA72828D6ECB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Geroge Orwell on the art of writing clear English and how the language is abused at the hands of politics. One of Orwell's most famous essays and still as relevant as ever.&lt;br/&gt;&lt;br/&gt;Advice from the author:&lt;blockquote&gt;1.  Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.&lt;br/&gt;   2. Never use a long word where a short one will do.&lt;br/&gt;   3. If it is possible to cut a word out, always cut it out.&lt;br/&gt;   4. Never use the passive where you can use the active.&lt;br/&gt;   5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.&lt;br/&gt;   6. Break any of these rules sooner than say anything outright barbarous.&lt;br/&gt;&lt;br/&gt;These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.orwell.ru/library/essays/politics/english/e_polit" title="http://www.orwell.ru/library/essays/politics/english/e_polit"&gt;www.orwell.ru&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="author"&gt;George Orwell&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="title"&gt;Politics and the English Language&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="ie_f-letter"&gt;Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it. Our civilization is decadent and our language — so the argument runs — must inevitably share in the general collapse. It follows that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes. Underneath this lies the half-conscious belief that language is a natural growth and not an instrument which we shape for our own purposes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/orwell/" rel="tag"&gt;orwell&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/george+orwell/" rel="tag"&gt;george orwell&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/english/" rel="tag"&gt;english&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/essay/" rel="tag"&gt;essay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/article/" rel="tag"&gt;article&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/propaganda/" rel="tag"&gt;propaganda&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/advice/" rel="tag"&gt;advice&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.orwell.ru/library/essays/politics/english/e_polit</clipSource><pubDate>Sat, 11 Nov 2006 18:02:01 GMT</pubDate></item><item><title>C.S. Lewis on Theocracy</title><link>http://clipmarks.com/clipmark/237C2CE7-ED44-4FE7-BC89-DA7E4170B28B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Famous Christian author, C.S. Lewis, from "A Reply to Professor Haldane," (1966). &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://time.blogs.com/daily_dish/2006/11/a_christian_aga.html" title="http://time.blogs.com/daily_dish/2006/11/a_christian_aga.html"&gt;time.blogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;"Theocracy is the worst of all governments. If we must have a tyrant, a robber baron is far better than an inquisitor. The baron's cruelty may sometimes sleep, his cupidity at some point be sated; and since he dimly knows he is doing wrong he may possibly repent. But the inquisitor who mistakes his own cruelty and lust of power and fear for the voice of Heaven will torment us infinitely because he torments us with the approval of his own conscience and his better impulses appear to him as temptations...&lt;/P&gt;

&lt;P&gt;The nearer any government approaches to Theocracy the worse it will be. A metaphysic, held by the rulers with the force of a religion, is a bad sign. It forbids them, like the inquisitor, to admit any grain of truth or good in their opponents, it abrogates the ordinary rules of morality, and it gives a seemingly high, super-personal sanction to all the very ordinary human passions by which, like other men, the rulers will frequently be actuated. In a word, it forbids wholesome doubt. A political programme can never in reality be more than probably right."&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/theocracy/" rel="tag"&gt;theocracy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fundamentalism/" rel="tag"&gt;fundamentalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/doubt/" rel="tag"&gt;doubt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/government/" rel="tag"&gt;government&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cs+lewis/" rel="tag"&gt;cs lewis&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/christian/" rel="tag"&gt;christian&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://time.blogs.com/daily_dish/2006/11/a_christian_aga.html</clipSource><pubDate>Wed, 01 Nov 2006 17:32:23 GMT</pubDate></item><item><title>Top 10 most viewed books on Google Book Search</title><link>http://clipmarks.com/clipmark/D8CFF10D-2C60-44DB-9730-DD25515738A4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  English-language books, to be exact. From the official Google Book Search blog. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://booksearch.blogspot.com/2006/10/top-ten-books-google-book-search.html" title="http://booksearch.blogspot.com/2006/10/top-ten-books-google-book-search.html"&gt;booksearch.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/21BA8E6A-80AD-4748-9887-41243FBCFD3A.gif" alt="Google Book Search" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="date-header"&gt;Friday, October 06, 2006&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;For me, the most notable characteristic of our top 10 is that, aside from one title, the list bears little resemblance to bestseller lists. Rather, it includes both current and backlist titles, reflecting the rich diversity of readers’ interests.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;&lt;SPAN&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0521565103"&gt;Diversity and Evolutionary Biology of Tropical Flowers&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0877793417"&gt;Merriam Webster's Dictionary of Synonyms&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0471268062"&gt;Measuring and Controlling Interest Rate and Credit Risk&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0861711955"&gt;Ultimate Healing: The Power of Compassion&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN1853267821"&gt;The Holy Qur’an&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0768918944"&gt;Peterson’s Study Abroad 2006&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0805074007"&gt;Hegemony Or Survival: America's Quest for Global Dominance&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN0877791325"&gt;Merriam-Webster's Dictionary of English Usage&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN141300654X"&gt;Perrine's Literature: Structure, Sound, and Sense&lt;/A&gt;&lt;/LI&gt;&lt;BR /&gt;&lt;LI&gt;&lt;A href="http://books.google.com/books?vid=ISBN007143741X"&gt;Build Your Own All-Terrain Robot&lt;/A&gt;&lt;/LI&gt;&lt;/SPAN&gt;&lt;BR /&gt;&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/top/" rel="tag"&gt;top&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/read/" rel="tag"&gt;read&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/google/" rel="tag"&gt;google&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/search/" rel="tag"&gt;search&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/free/" rel="tag"&gt;free&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://booksearch.blogspot.com/2006/10/top-ten-books-google-book-search.html</clipSource><pubDate>Sun, 08 Oct 2006 17:02:43 GMT</pubDate></item><item><title>A Portrait of Bush as a Victim of His Own Certitude (Book Review)</title><link>http://clipmarks.com/clipmark/F85D4E31-8BD9-408B-889B-0F1BFFA80B83/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The New York Times with what promises to be only the first in many reviews of Bob Woodward's highly anticiapted new book, &lt;i&gt;State of Denial&lt;/i&gt;.&lt;blockquote&gt;The writer said that when Bush invited key Republicans to the White House to discuss Iraq, the president told them, 'I will not withdraw even if Laura and Barney are the only ones supporting me,"' referring to his wife and Scottish terrier.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2006/09/30/books/30book.html?pagewanted=all" title="http://www.nytimes.com/2006/09/30/books/30book.html?pagewanted=all"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/566B6B58-1C41-4013-954E-F5DA2577A3B1.gif" alt="New York Times" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="byline"&gt;By &lt;A title="More%20Articles%20by%20Michiko%20Kakutani" href="http://topics.nytimes.com/top/reference/timestopics/people/k/michiko_kakutani/index.html?inline=nyt-per"&gt;MICHIKO KAKUTANI&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="timestamp"&gt;Published: September 30, 2006&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Mr. Woodward reports that when he told Mr. Rumsfeld that the number of insurgent attacks was going up, the defense secretary replied that they’re now “categorizing more things as attacks.” Mr. Woodward quotes Mr. Rumsfeld as saying, “A random round can be an attack and all the way up to killing 50 people someplace. So you’ve got a whole fruit bowl of different things — a banana and an apple and an orange.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Mr. Woodward adds: “I was speechless. Even with the loosest and most careless use of language and analogy, I did not understand how the secretary of defense would compare insurgent attacks to a ‘fruit bowl,’ a metaphor that stripped them of all urgency and emotion. The official categories in the classified reports that Rumsfeld regularly received were the lethal I.E.D.’s, standoff attacks with mortars and close engagements such as ambushes.”  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Many of the people in this book seem not only dismayed but also flummoxed by some of President Bush’s decisions. Mr. Woodward quotes Laura Bush as telling   &lt;A title="More%20articles%20about%20Andrew%20H.%20Card%20Jr." href="http://topics.nytimes.com/top/reference/timestopics/people/c/andrew_h_jr_card/index.html?inline=nyt-per"&gt;Andrew Card&lt;/A&gt; that she doesn’t understand why her husband isn’t upset about Mr. Rumsfeld and the uproar over his handling of the war . And he quotes Mr. Armitage as telling former Secretary of State &lt;A title="More%20articles%20about%20Colin%20L.%20Powell." href="http://topics.nytimes.com/top/reference/timestopics/people/p/colin_l_powell/index.html?inline=nyt-per"&gt;Colin L. Powell&lt;/A&gt; that he’s baffled by President Bush’s reluctance to make adjustments in his conduct of the war. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;“Has he thought this through?” Mr. Armitage asks. “What the president says in effect is, We’ve got to press on in honor of the memory of those who have fallen. Another way to say that is we’ve got to have more men fall to honor the memories of those who have already fallen.” &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/woodward/" rel="tag"&gt;woodward&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bob+woodward/" rel="tag"&gt;bob woodward&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/state+of+denial/" rel="tag"&gt;state of denial&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bush+administration/" rel="tag"&gt;bush administration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bush/" rel="tag"&gt;bush&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rumsfeld/" rel="tag"&gt;rumsfeld&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cheney/" rel="tag"&gt;cheney&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/certitude/" rel="tag"&gt;certitude&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/iraq/" rel="tag"&gt;iraq&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fruit+bowl/" rel="tag"&gt;fruit bowl&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/laura+bush/" rel="tag"&gt;laura bush&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/barney/" rel="tag"&gt;barney&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2006/09/30/books/30book.html?pagewanted=all</clipSource><pubDate>Sun, 01 Oct 2006 00:26:38 GMT</pubDate></item><item><title>White House Web Site Promotes Woodward's Book on Bush Administration...</title><link>http://clipmarks.com/clipmark/67A2EB9B-50C9-4786-8941-219930B52724/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  ...in 2004, that is. That book was &lt;i&gt;Plan of Attack&lt;/i&gt; and the White House liked Pulitzer-Prize-winning author, Woodward, so much that they put a link to buy it on their '04 campaign website. Not just anywhere but at the very top of the "Suggested Reading List." George Bush supports Woodward and wants you to support him too!&lt;br/&gt;&lt;br/&gt;(The White House has since removed this info so I clipped the archived version for posterity, as well as a short Newsmax press release.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://web.archive.org/web/20040609192614/http://www.georgewbush.com/KerryMediaCenter/" title="http://web.archive.org/web/20040609192614/http://www.georgewbush.com/KerryMediaCenter/"&gt;web.archive.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/A3DAA3B7-8CE1-4DF1-96B7-125978B74396.jpg" alt="GeorgeWBush.com Home" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="content"&gt;&lt;SPAN class="content"&gt;&lt;IMG src="http://web.archive.org/web/20040609192614/http://www.georgewbush.com/images/bc04/BC04_KMC_reading.gif" /&gt;&lt;BR /&gt;
&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/074325547X/"&gt;Plan of Attack&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Bob Woodward&lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/0670033057/"&gt;Ten Minutes from Normal&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Karen Hughes&lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/0743256085/"&gt;Letters to My Daughters&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Mary Matalin&lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/0689851928/"&gt;America: A Patriotic Primer&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Lynne Cheney&lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/ASIN/0312324723/"&gt;Bush Country &lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by John Podhoretz &lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/0812966953/"&gt;The Right Man &lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by David Frum &lt;/DIV&gt;&lt;BR /&gt;

&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/0060582510/"&gt;Deliver Us from Evil &lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Sean Hannity &lt;/DIV&gt;&lt;BR /&gt;


&lt;B&gt;&lt;A href="http://web.archive.org/web/20040609192614/http://www.amazon.com/exec/obidos/tg/detail/-/1595230009/"&gt;A Matter of Character: Inside the White House of George W. Bush&lt;/A&gt;&lt;/B&gt;&lt;BR /&gt;&lt;DIV&gt;
by Ronald Kessler &lt;/DIV&gt;&lt;BR /&gt;
&lt;/SPAN&gt;

&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newsmax.com/archives/ic/2004/4/19/234302.shtml" title="http://www.newsmax.com/archives/ic/2004/4/19/234302.shtml"&gt;www.newsmax.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Monday, April 19, 2004   11:41 p.m. EDT&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT face="Courier%2C%20Times%20New%20Roman"&gt;&lt;B&gt;&lt;FONT size="5"&gt;White House Web Site to Promote Woodward Book&lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="5"&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P dragover="true"&gt;
&lt;FONT face="Courier%2C%20Times%20New%20Roman"&gt;&lt;FONT size="4" dragover="true"&gt;
The official White House Web site will feature a link to Bob Woodward's new book, "Plan of Attack," even though its release has spurred a firestorm of criticism of President Bush and prompted two senior White House officials to issue strong denials of some of the book's key allegations.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT face="Courier%2C%20Times%20New%20Roman"&gt;&lt;FONT size="4"&gt;"I'm told by the White House they're putting this book on - linking it to their Web site," senior Bush-Cheney adviser Mary Matalin told Fox News Channel's Greta Van Susteren on Monday.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT face="Courier%2C%20Times%20New%20Roman"&gt;&lt;FONT size="4"&gt;Matalin, who looked somewhat chagrined as she announced the development, explained that the White House thinks the Woodward book "shows the president going through this very complicated decision-making process and puts the effort in Iraq into the bigger picture of the war on terror."&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT face="Courier%2C%20Times%20New%20Roman"&gt;&lt;FONT size="4"&gt;Earlier in the day, White House Communications Director Dan Bartlett delivered an enthusiastic plug for the Woodward book, telling reporters: "We encourage people to read it.  We think it gives a fuller picture if people do read the book, as opposed to watching programs that may depict aspects of it."&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/woodward/" rel="tag"&gt;woodward&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bob+woodward/" rel="tag"&gt;bob woodward&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/plan+of+attack/" rel="tag"&gt;plan of attack&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bush/" rel="tag"&gt;bush&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cheney/" rel="tag"&gt;cheney&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/white+house/" rel="tag"&gt;white house&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/campaign/" rel="tag"&gt;campaign&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/04/" rel="tag"&gt;04&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2004/" rel="tag"&gt;2004&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/reading/" rel="tag"&gt;reading&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://web.archive.org/web/20040609192614/http://www.georgewbush.com/KerryMediaCenter/</clipSource><pubDate>Sat, 30 Sep 2006 04:06:03 GMT</pubDate></item><item><title>Émilie Du Châtelet: The Scientist Whom History Forgot</title><link>http://clipmarks.com/clipmark/0D559545-0D74-4982-9091-6E4141B9B3E4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  After a life of intellectual prosperity against all the prevailing norms of her time, her life was tragically cut short after finishing her greatest work, the only complete French translation and annotation of Newton's &lt;i&gt;Principia Mathematica&lt;/i&gt; to this day.&lt;blockquote&gt;[T]o her dismay, Du Châtelet discovered that she was pregnant. Then aged 43, she was an elderly women by contemporary standards. Although Voltaire was not the father, he helped Du Châtelet deceive her husband into thinking that the baby was legitimate. Plagued by gloomy premonitions, Du Châtelet intensified her work schedule, working 18 hours a day to finish in time. Although she did succeed, she died soon after the baby was born. On her last day she recorded the date on her Newton commentary. Her &lt;i&gt;Principia&lt;/i&gt; was published 10 years later, in 1759, to coincide with the return of a comet vindicating Newton's physics.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://physicsweb.org/articles/world/17/6/2/1" title="http://physicsweb.org/articles/world/17/6/2/1"&gt;physicsweb.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;According to Francois-Marie Voltaire - Enlightenment France's great writer and philosopher - Emilie du Châtelet "was a great man whose only fault was being a woman". Du Châtelet has paid the penalty for being a woman twice over. In her own lifetime she fought for the education and the publishing opportunities that she craved. Since her death, she has been cast in the shadow of two men - Voltaire, with whom she lived and studied, and Isaac Newton, whose work she criticized and interpreted. Her translation from Latin of Newton's &lt;I&gt;Principia&lt;/I&gt;, his great work on gravity, remains the only complete version in French.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
In 1738 Voltaire published their extraordinarily successful &lt;I&gt;Elements of Newton's Philosophy&lt;/I&gt;. Well illustrated, it clearly explained the basic principles of Newton's discoveries in mathematical astronomy and optics, so that for the first time the new physics became accessible to a wide range of French people. Voltaire hero-worshipped Newton but recognized that he himself could not match Du Châtelet intellectually. "I used to teach myself with you," he wrote 10 years later, "but now you have flown up where I can no longer follow."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/emilie+du+chatelet/" rel="tag"&gt;emilie du chatelet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ch%c3%a2telet/" rel="tag"&gt;châtelet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/chatelet/" rel="tag"&gt;chatelet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scientist/" rel="tag"&gt;scientist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mathematics/" rel="tag"&gt;mathematics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/physics/" rel="tag"&gt;physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/newton/" rel="tag"&gt;newton&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/principia/" rel="tag"&gt;principia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/principia+mathematica/" rel="tag"&gt;principia mathematica&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/france/" rel="tag"&gt;france&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/french/" rel="tag"&gt;french&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/voltaire/" rel="tag"&gt;voltaire&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://physicsweb.org/articles/world/17/6/2/1</clipSource><pubDate>Sat, 23 Sep 2006 23:54:25 GMT</pubDate></item><item><title>Southern Discomfort: Getting Through the Civil Rights Era</title><link>http://clipmarks.com/clipmark/0ABCEA60-8CEF-4958-A154-2FB295D6B122/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Book review of &lt;a href="http://www.amazon.com/exec/obidos/ASIN/0307263568/americanherit-20" rel="nofollow" target="_blank"&gt;There Goes My Everything: White Southerners in the Age of Civil Rights, 1945-1975&lt;/a&gt;, by Jason Sokol. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.americanheritage.com/events/articles/web/20060909-1970s-desegregation-jim-crow-george-allen-south-confederate-flag.shtml" title="http://www.americanheritage.com/events/articles/web/20060909-1970s-desegregation-jim-crow-george-allen-south-confederate-flag.shtml"&gt;www.americanheritage.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="mediumBodyBlack"&gt;Sokol’s book spans the period between World War II, when many white servicemen first came into real contact with black men, albeit in a Jim Crow army, and 1975, when court-mandated busing was rapidly forcing Southern schools to desegregate, and when a combination of court and executive-branch pressure was forcing the last holdout restaurants, bowling alleys, and movie theaters to open their doors to black Americans. Readers will be surprised to know that as late as the 1980s the Terrell County Medical Clinic in Georgia had separate waiting rooms for black and white patients, or that as late as 1985 Terrell County’s courthouse still had Jim Crow bathrooms, or that doctors’ offices and bowling alleys in Walterboro, South Carolina, were still thoroughly segregated in 1974. “These stories do not stand as freakish anomalies that prove the rule of progress.” writes Sokol. “Rather, they question those very claims to progress, and expose the underside of its most glorious triumphs.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="mediumBodyBlack"&gt;Jimmy Breslin, the New York City newspaperman, saw exactly what was happening. Observing the scene outside Montgomery’s Jefferson Davis Hotel in 1965, Breslin wrote: “You have not lived in this time when everything is changing, until you see an old black woman with mud on her shoes stand on the street of a Southern city and sing ‘. . . we are not afraid . . .’ and then turn and look at the face of the cop near her and see the puzzlement, and the terrible fear in his eyes. Because he knows, and everybody who has ever seen it knows, that it is over. The South as it stood since 1865 is gone.”&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/civil+rights/" rel="tag"&gt;civil rights&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/south/" rel="tag"&gt;south&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/america/" rel="tag"&gt;america&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jason+sokol/" rel="tag"&gt;jason sokol&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/slavery/" rel="tag"&gt;slavery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/jim+crow/" rel="tag"&gt;jim crow&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/desegregation/" rel="tag"&gt;desegregation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/race/" rel="tag"&gt;race&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.americanheritage.com/events/articles/web/20060909-1970s-desegregation-jim-crow-george-allen-south-confederate-flag.shtml</clipSource><pubDate>Sun, 17 Sep 2006 20:15:45 GMT</pubDate></item><item><title>Nobel Prize Winning Author Naguib Mahfouz Dies</title><link>http://clipmarks.com/clipmark/BEB100D7-6A91-461F-8F5A-CCC717D2765B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;&lt;b&gt;Mahfouz said:&lt;/b&gt;&lt;br/&gt;&lt;br/&gt;They are trying to extinguish the light of reason and thought. Beware.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/reuters/world/international-egypt-mahfouz.html?_r=1&amp;oref=slogin" title="http://www.nytimes.com/reuters/world/international-egypt-mahfouz.html?_r=1&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;CAIRO (Reuters) - Egyptian novelist Naguib Mahfouz, the 
only writer in Arabic to win the Nobel Prize for literature, 
died on Wednesday in Cairo aged 94, doctors said.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;``He came to this world only to write,'' Egyptian writer 
Youssef al-Quaid told Egyptian television.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;``He was the most famous writer in Egypt ... He had an 
incredible ability to create and create all his life.''&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Mahfouz, a prolific writer best known for his Cairo 
Trilogy, became a literary force when he moved beyond 
traditional novels to realistic descriptions of Egypt's 20th 
century experience of colonialism and autocracy.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;He was awarded the Nobel Prize in 1988 for works which 
''formed an Arabian narrative art that applies to all mankind.''&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Declared an infidel by Muslim militants because of his 
portrayal of God, Mahfouz survived a knife attack in 1994 that 
damaged a nerve and seriously impaired his ability to use his 
writing hand.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;``They are trying to extinguish the light of reason and 
thought. Beware,'' Mahfouz said after the attack.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/naguib+mahfouz/" rel="tag"&gt;naguib mahfouz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mahfouz/" rel="tag"&gt;mahfouz&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/egypt/" rel="tag"&gt;egypt&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/egyptian/" rel="tag"&gt;egyptian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/author/" rel="tag"&gt;author&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novelist/" rel="tag"&gt;novelist&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/novel/" rel="tag"&gt;novel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nobel/" rel="tag"&gt;nobel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nobel+prize/" rel="tag"&gt;nobel prize&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arabic/" rel="tag"&gt;arabic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fatwa/" rel="tag"&gt;fatwa&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/reuters/world/international-egypt-mahfouz.html?_r=1&amp;oref=slogin</clipSource><pubDate>Wed, 30 Aug 2006 14:46:05 GMT</pubDate></item><item><title>Nobel-Winning German Author Reveals Secret Nazi Past</title><link>http://clipmarks.com/clipmark/42A3C314-53EA-4053-8FA1-BC0ACDABBB72/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kore7/"&gt;Kore7&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lauded German author and Nobel laureate, Guenter Grass, who made it his life's goal to confront and expose Germany's past war-time moral failures, revealed for the first time that he served voluntarily as a youth in the infamous Waffen-SS, the unit most responsible for Nazi atrocities during the Holocaust. The response across Europe and especially within Germany has been thunderous, with a few defenders but many detractors condemning his long-held secret. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.forbes.com/entrepreneurs/feeds/ap/2006/08/14/ap2948580.html" title="http://www.forbes.com/entrepreneurs/feeds/ap/2006/08/14/ap2948580.html"&gt;www.forbes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mainarttxt"&gt;Nobel laureate Guenter Grass' surprise admission that he served in the Waffen-SS as a teenager met with sympathy from some fellow German writers, but also drew harsh criticism from literary and political figures, including Poland's Lech Walesa, who asked why he waited so long.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mainarttxt"&gt;Grass, author of the classic "The Tin Drum" and many other writings, has for decades stood as his country's literary conscience, urging Germany to face up to its Nazi past and warning against any resurgence of imperial ambition. Critics say the 78-year-old's moral authority has been undermined by his silence about his months in the military arm of Adolf Hitler's notorious SS.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mainarttxt"&gt;It was previously known that Grass did military service and was wounded, ending up as a prisoner of American forces, but he never mentioned the Waffen-SS.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;

&lt;SPAN class="mainarttxt"&gt;Joachim Fest, a biographer of Hitler and one of the country's most prominent chroniclers of the Nazi period, said Grass' silence was "totally inexplicable."&lt;/SPAN&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mainarttxt"&gt;"I do not understand how someone can elevate himself constantly for 60 years to the nation's bad conscience, precisely in Nazi questions, and only then admit that he himself was deeply involved. I don't know how he could play this double role for so long," Fest was quoted as saying by the Bild newspaper in Monday's edition.&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.time.com/time/arts/article/0,8599,1226380,00.html" title="http://www.time.com/time/arts/article/0,8599,1226380,00.html"&gt;www.time.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kore7/512/1A188245-750C-438D-AEA2-23D2A9068EDA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/guenter+grass/" rel="tag"&gt;guenter grass&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/grass/" rel="tag"&gt;grass&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nobel/" rel="tag"&gt;nobel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/author/" rel="tag"&gt;author&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/holocaust/" rel="tag"&gt;holocaust&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nazi/" rel="tag"&gt;nazi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/germany/" rel="tag"&gt;germany&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/war/" rel="tag"&gt;war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/atrocities/" rel="tag"&gt;atrocities&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/secret/" rel="tag"&gt;secret&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poland/" rel="tag"&gt;poland&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.forbes.com/entrepreneurs/feeds/ap/2006/08/14/ap2948580.html</clipSource><pubDate>Tue, 15 Aug 2006 03:23:02 GMT</pubDate></item></channel></rss>