<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Kelika's clips</title><link>http://clipmarks.com/clipper/Kelika/sort/latest-pops/</link><feedUrl>http://rss.clipmarks.com/clipper/Kelika/sort/latest-pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Sharpie Art</title><link>http://clipmarks.com/clipmark/E41D0F10-5EBF-498A-8655-2C67CEAC8A61/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_01.htm" title="http://www.justineashbee.com/Work/work_01.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/1AE33BEE-91B5-41A5-979C-70EDE123FDD5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_02.htm" title="http://www.justineashbee.com/Work/work_02.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/6205FE61-5EBD-4B8E-B14B-8DF91C08B9FD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_03.htm" title="http://www.justineashbee.com/Work/work_03.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D16FD7CE-4D08-40AF-B36C-55F45BBE9CF0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_06.htm" title="http://www.justineashbee.com/Work/work_06.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/E569AE0B-A658-4DA2-BEDB-9C1BCBC9A15A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_11.htm" title="http://www.justineashbee.com/Work/work_11.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/E90FF2BB-7660-41E8-B601-76C22AE0D717.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_19.htm" title="http://www.justineashbee.com/Work/work_19.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/95678FF9-0942-4348-AF85-2AD76B04840A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.justineashbee.com/Work/work_21.htm" title="http://www.justineashbee.com/Work/work_21.htm"&gt;www.justineashbee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/C3E0C0DE-0EEA-42EE-A3B9-A4BA54999197.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.justineashbee.com/Work/work_01.htm</clipSource><pubDate>Fri, 10 Oct 2008 15:51:57 GMT</pubDate></item><item><title>Creepy Old Ads</title><link>http://clipmarks.com/clipmark/F1BAE581-57FC-4E1B-8611-F538773D5880/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weirdynews.blogspot.com/2008/10/10-creepiest-old-ads.html" title="http://weirdynews.blogspot.com/2008/10/10-creepiest-old-ads.html"&gt;weirdynews.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/C32B6D49-EFE8-4AB1-97D0-932F2019FED9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/FE474B2E-B4C4-49E8-B64B-E9630FC0D68B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D9FFD5F9-743B-4EE4-B982-9D92E023FE0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/BF9BF429-43C9-40AF-B2E1-F5260AEF16F2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/F3DE91E4-6BF5-44EC-BA66-4097C148E6F7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/7C11FB72-6345-4AF2-9DBD-7AEBC5F86441.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/2F2B6F8B-AE07-4B1B-ADFA-00679926DB10.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/307827D9-0138-4476-B7AC-067B22AE2661.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/5475AD5F-20F0-4F6C-8988-3EE12AAF5FCE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D7C82F3E-2EFF-497D-B4ED-48E29D294500.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weirdynews.blogspot.com/2008/10/10-creepiest-old-ads.html</clipSource><pubDate>Wed, 08 Oct 2008 15:48:04 GMT</pubDate></item><item><title>Vintage Russian Advertising Posters</title><link>http://clipmarks.com/clipmark/0E175A86-BB3A-4534-9DF6-6BF1C3A5693D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.darkroastedblend.com/2008/07/russian-vintage-advertising-posters.html" title="http://www.darkroastedblend.com/2008/07/russian-vintage-advertising-posters.html"&gt;www.darkroastedblend.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Never mind the quality of goods themselves, or that you could not find them in stores anyway - some advertising posters from Tzarist and Soviet Russia featured outstanding graphic design, quite prized by collectors today. Here is a collection of unique and rarely-seen posters, serving as a commentary on troubled era and a deeply surreal consumer culture in pre-revolutionary and communist Russia.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/4DE3253E-9698-4DBE-B9C8-54619330A732.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/18015747-2845-439D-8CD1-EBB25FE27FD7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/23457DFD-3324-4B3C-A139-42182BA06B20.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Once communists came to power, the designs (and products themselves) became increasingly atrocious and pretty tasteless. But for the brief period in the 1900s, Russian consumer culture approached the sophistication and creativity of that in Europe.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D2748675-DA2F-4E07-9A39-F670EFD89C31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/086CE1E8-DD08-45B4-B5C2-7FD0A35EAB4C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/FE11448B-4484-4D58-8F90-9F91BED5F106.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Russian traditional folk art is amply reflected in commercial posters:&lt;BR /&gt;&lt;DIV&gt;(including some influences from Bilibin's illustrative style)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A4C04DEC-EE9A-4A88-9B66-E8BAFC0547FA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/7FE51754-8977-4FA6-8884-80B2245986E6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.darkroastedblend.com/2008/07/russian-vintage-advertising-posters.html</clipSource><pubDate>Sun, 28 Sep 2008 23:05:47 GMT</pubDate></item><item><title>Macro Photos</title><link>http://clipmarks.com/clipmark/CD322C00-57C5-4EEC-A46C-66BF12B310A2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The  &lt;A href="http://www.wired.com/culture/art/news/2008/04/submissions_macro" linkindex="52"&gt;macro photo contest&lt;/A&gt; was our fiercest competition yet, with almost every entry making our eyes boggle. After two weeks of steady battle, these 10 photos have emerged victorious. Alan M won the contest with his photo "Eye of a Tokay Gecko" at left. Mr. M will be receiving a subscription to &lt;CITE&gt;Wired&lt;/CITE&gt; magazine and a digital picture frame for his desk.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/EF0FE53C-2FEF-49ED-A504-A59778AF66C5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=2&amp;slideView=4" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=2&amp;slideView=4"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A5FA522E-B085-4C02-AD0B-E3AA775D09C0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=3&amp;slideView=5" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=3&amp;slideView=5"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/60AC076C-9CBA-4E33-A500-39E27F949C58.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Close-up of a wet leaf ... taken with a Canon Powershot A610 :)"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=4&amp;slideView=6" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=4&amp;slideView=6"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D3F6F397-2EF1-4B2A-B510-311E3760C7A1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=5&amp;slideView=7" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=5&amp;slideView=7"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/C25AA329-EFAF-4A40-A7F4-0B4E3069F6C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"A close-up of the water emerging from a fountain pipe, which formed this 'head.'"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=6&amp;slideView=8" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=6&amp;slideView=8"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/5A9B2137-B509-4091-B50F-3A6D9A7860F1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"Nikon d50, 50mm f/1.8 with extension tubes. Subject is a representative of the Mantodea group."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=7&amp;slideView=9" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=7&amp;slideView=9"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/73B291A6-0DA7-4FF7-B839-EEED750879A1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"One evening I looked down at the icecubes floating in my coke and noticed the wonderful 3-dimensional structure inside. More pics on my flickr: www.flickr.com/photos/philippeholthuizen"&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=8&amp;slideView=10" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=8&amp;slideView=10"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A9973B5C-43E0-4683-B043-B7C8A3E4AE5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"HDR photograph of a tea-light candle wick just before it burns out."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=9&amp;slideView=1" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=9&amp;slideView=1"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A772CDF4-1DB0-44C0-ABB0-09EF0B7C984C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=10&amp;slideView=2" title="http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=10&amp;slideView=2"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/01D9E96F-0AF1-4E6C-8318-5120B247912A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"An extreme macro photograph of my eye. Photographed with a Canon MP-65e lens and a 1DMkIII camera."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/culture/art/multimedia/2008/04/gallery_top_10_macro_photos?slide=1&amp;slideView=3</clipSource><pubDate>Sun, 28 Sep 2008 17:31:03 GMT</pubDate></item><item><title>Killer Insects</title><link>http://clipmarks.com/clipmark/001CCD63-C503-4CC9-A8B1-516DEF297A27/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://webecoist.com/2008/09/21/killer-insects-6-natural-born-anthropod-assassins/" title="http://webecoist.com/2008/09/21/killer-insects-6-natural-born-anthropod-assassins/"&gt;webecoist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;These deadly insects are naturally designed to kill. The effects of their bites range from painful to deadly for humans, and they inject their prey with lethal salivary secretions that immobilize them and ease ingestion and digestion. These six represent some of the stranger and more interesting assassins of the insect world.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/089A857D-5A33-443F-A434-BF754A92486E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Wheel Bug (Arilus Cristatus)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/143A50B8-777C-49E1-A2E6-AA752527B5C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This is one of the largest terrestrial bugs in North America, growing up to about 2 inches. Noticeable on its back is what looks like a wheel or cog. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Bee Assassin (Apiomerus crassipes)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/46D23A41-9D23-4880-B6E8-F6BA32718CFF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Spined Assassin (Sinea Diadema)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/B2D76285-3972-4935-8FCE-BD0ABB8C42C2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;African Assassin Bug (Platymeris biguttata)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/4D36ACFF-0ABC-4E18-BBDF-99C1E340629A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A voracious hunter this insect reputedly has venom ten times deadlier than a cobra.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Black Corsair (Melanolestes picipes)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/DB9AF1DB-882B-4149-B5E2-32AD9E180087.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They will run down their prey in their hunt for food. They’ve been known to suck the blood of rodents, and even humans. Disturbingly enough, they prefer to go for eyes and lips.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Masked Hunter (Reduvius Personatus)&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/1DF694FB-8C6B-450F-8602-16D96335D037.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/insects/" rel="tag"&gt;insects&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bugs/" rel="tag"&gt;bugs&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://webecoist.com/2008/09/21/killer-insects-6-natural-born-anthropod-assassins/</clipSource><pubDate>Sun, 28 Sep 2008 23:00:56 GMT</pubDate></item><item><title>Shark with webbed feet</title><link>http://clipmarks.com/clipmark/36B5FAE1-6FF5-4B9E-8856-69259B46F70C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Landshark! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://weirdnewsfiles.com/weird-photos/weird-animals/fisherman-hooks-shark-with-webbed-feet/" title="http://weirdnewsfiles.com/weird-photos/weird-animals/fisherman-hooks-shark-with-webbed-feet/"&gt;weirdnewsfiles.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="uppercase"&gt;Penang, Malaysia &lt;/SPAN&gt;–  A woman made an unusual find when she bought a one-metre long shark from a fisherman at the Batu Maung jetty this week.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="article_body"&gt;“When I was about to cut the shark I found two webbed feet sticking out from the lower part of the body.&lt;/P&gt;
&lt;P class="article_body"&gt;
&lt;/P&gt;&lt;P class="article_body"&gt;Looi said she dared not cook the fish after consulting her husband Gooi Man Kaw, 57, who told her that according to Chinese belief, eating fish with unusual features could bring disaster or ill luck.&lt;/P&gt;
&lt;P class="article_body"&gt;“Immediately, I returned the fish to the fisherman that night at about 10pm.&lt;/P&gt;
&lt;P class="article_body"&gt;“He threw it back into the sea,” said Looi.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/7ED6C673-0998-45A5-AB25-38B10FF5D354.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="article_body"&gt;When contacted, Universiti Sains Malaysia (USM) Muka Head marine research station head Prof Dr Zulfigar Yasin said this is the first time he had heard of fish with legs found in the Malaysian waters.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="article_body"&gt;“There is a possibility that the fish could have swum from other waters into Malaysian waters.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/1ED5BA18-EB35-42AD-AAC1-86F56C493DFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/weird/" rel="tag"&gt;weird&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://weirdnewsfiles.com/weird-photos/weird-animals/fisherman-hooks-shark-with-webbed-feet/</clipSource><pubDate>Sun, 28 Sep 2008 23:10:07 GMT</pubDate></item><item><title>4 Unhealthy Snacks</title><link>http://clipmarks.com/clipmark/FFB5DB56-D470-4295-8DA1-212D9A03EBCA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Just kill me now.  I can't go on without french fries. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drweil.com/drw/u/TIP03034/Four-Unhealthy-Snacks.html" title="http://www.drweil.com/drw/u/TIP03034/Four-Unhealthy-Snacks.html"&gt;www.drweil.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;Doughnuts&lt;/STRONG&gt;. High in sugar, trans-fats, calories and refined flour, doughnuts are not only bad for your waist line, but bad for your energy levels, as well. The high sugar content is likely to end in a mid day energy crash. If you crave a doughnut, try a piece of whole-grain bread with some jam and peanut butter instead.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;Soft Drinks&lt;/STRONG&gt;. There just isn’t anything nutritious about soda, whether it’s diet or regular. Instead of a soda, try some sparkling water with a bit of fruit juice – you’ll get the carbonation without all the sugar.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;STRONG&gt;French Fries&lt;/STRONG&gt;. Actually anything fried - from chicken to potatoes to onions to cheese – should be avoided. Deep-fried foods contain altered fats that are detrimental to the body. If you want finger foods, opt for carrot and celery sticks.&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Instant Soup&lt;/STRONG&gt;. Very high in sodium, instant soup generally offers little health benefit in proportion to its sodium count. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.drweil.com/drw/u/TIP03034/Four-Unhealthy-Snacks.html</clipSource><pubDate>Mon, 29 Sep 2008 15:45:09 GMT</pubDate></item><item><title>Beauty in Decay</title><link>http://clipmarks.com/clipmark/6C8F169E-C369-4CBF-8F91-7FEF21CCA3F2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.darkroastedblend.com/2008/10/forgotten-beauty-fine-art-photography.html" title="http://www.darkroastedblend.com/2008/10/forgotten-beauty-fine-art-photography.html"&gt;www.darkroastedblend.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/ABE23075-D1B6-4CCC-BE05-CB7AB95C5E92.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Desolate places with a soul&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/9974F128-7D40-493F-B941-513C030ACBE3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/F9E9FD92-BD08-4C13-B201-5ABCCF58C529.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/AB6BF60C-D706-44A4-BB43-4C391BA0B424.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/CBE409D7-3D01-4D55-B96A-AA5E3EF029DC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/BE1BFE9B-9994-4291-BD5E-F1CD09C7CFA9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/0D907918-EE8F-47C3-A4BC-BE95C8972D56.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Mystery Cage at an abandoned Asylum. "I don't know what was the cage was originally for, but a tree has grown up through the middle of it, and ivy surrounds it." -&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/91E4AC56-251D-475A-B74E-2838E3715643.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A6161303-53D1-47F3-BC6F-9EC27D43A414.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.darkroastedblend.com/2008/10/forgotten-beauty-fine-art-photography.html</clipSource><pubDate>Sun, 05 Oct 2008 18:33:46 GMT</pubDate></item><item><title>Impact Of Geology On The U.S. Civil War: War From The Ground Up</title><link>http://clipmarks.com/clipmark/5AC804D8-CAB4-42E8-9FA0-A8307BE920CF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Whisonant and Ehlen also studied the terrain at Antietam, the site of the bloodiest battle in the Civil War, where on 17 September 1862 up to 23,100 soldiers were killed, wounded, or declared missing. "What's so striking at Antietam," says Whisonant, is that "two geologic units underlie [that area]. One is a very, very pure limestone that as it erodes it literally melts. Mostly what you get with that is a very even, level, open surface -- there just aren't a lot of deep holes and high hills that give soldiers a place to hide." On one area of this flat surface, known as Miller's Cornfield, "armies just shot each other to pieces until absolute exhaustion set in." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/10/081001145032.htm" title="http://www.sciencedaily.com/releases/2008/10/081001145032.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Whisonant and Ehlen examined the geomorphology of several battlefields and compared the terrain to known casualties for each day of fighting. The question, says Whisonant, is whether a correlation exists between the geology of the battlefield and casualties taken there. For some battles in the Civil War, the story told by the shape of the land is clear: soldiers were at greater risk in some areas because the underlying geology created a more dangerous terrain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/994CE43C-7223-41D7-95C0-E06D15650D6F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"Gettysburg is a good example where the Union had the high ground, but one disadvantage was the hard rock that forms that high ground is so close to the surface that the soldiers couldn’t dig trenches." They were open targets for artillery assault by the Confederates. But the disadvantage didn’t just go one way: "Those Confederate soldiers had to go up an open slope formed on more erodible rock with nothing to get behind when they finally had to attack."&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/civil+war/" rel="tag"&gt;civil war&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/geology/" rel="tag"&gt;geology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/10/081001145032.htm</clipSource><pubDate>Tue, 07 Oct 2008 15:18:43 GMT</pubDate></item><item><title>Now this is a Rose Garden!</title><link>http://clipmarks.com/clipmark/229DA941-242B-439C-BD16-3CA8300F4320/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=2" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=2"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="gallery_title"&gt;A tour of florist Jacob Maarse's 3-acre rose garden&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="pg_caption"&gt;Now he has between 3,000 and 3,500 bushes and significantly less lawn.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/83893E2C-6DBE-4574-8B92-E88442618B42.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=3" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=3"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/B01FEC61-05C9-4A64-81DA-685F4BA32C9D.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=5" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=5"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/5E63B52D-6023-420C-ABEC-252B990554E7.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=4" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=4"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/77A3DB50-8BA1-4F29-80FE-7F24FD5070F0.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=6" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=6"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/3BC304F6-1E4A-4D8B-AA5C-83F370993FBF.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=7" title="http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=7"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/B56616F7-C08D-4527-A0DE-4F6669D85042.jpg" alt="Maarse" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/flowers/" rel="tag"&gt;flowers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gardens/" rel="tag"&gt;gardens&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.latimes.com/features/home/la-hm-maarse28-2009sept28-pg,0,7700035.photogallery?index=2</clipSource><pubDate>Sun, 05 Oct 2008 03:00:50 GMT</pubDate></item><item><title>TED Prize for Documenting Images of War, Disease and Political Unrest</title><link>http://clipmarks.com/clipmark/E18EDE3A-7381-49D9-A61A-B223574B129B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "Nachtwey: One of the purposes of journalism is to create awareness. If we're not aware of something, we can't deal with it. Tuberculosis has a cure. If you take action on TB, you will get results." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=1&amp;slideView=5" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=1&amp;slideView=5"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Last year, acclaimed war photographer James Nachtwey was honored with the 2007 Technology, Entertainment, Design (TED) Prize for his work documenting images of war, disease and political unrest across the globe for over 25 years.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;James' wish was to share an underreported worldwide story, prove the power of news photography in the digital age and raise awareness about a global health issue that has the potential to become a worldwide pandemic — Extensively Drug-Resistant Tuberculosis (XDR TB). &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/6A26A6E0-BC6F-48C7-830E-30116B377FE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=2&amp;slideView=6" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=2&amp;slideView=6"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/B3071DEA-60A2-40E1-9F39-984E3E9F13E5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=3&amp;slideView=7" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=3&amp;slideView=7"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/3588F36E-88F2-475D-9C28-13D4B67B65C5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The conditions of poverty are a breeding ground for TB. If your immune system becomes lowered, TB is like a predator. It remains latent until the immune system is depressed. And it attacks the weak. Even if the medication exists in certain places, people have to get to the medication, or the medication has to get to them.
&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=4&amp;slideView=8" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=4&amp;slideView=8"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/EAFCF5C0-26EE-4FB1-A0E4-7C1CA7ED9BB4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=5&amp;slideView=9" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=5&amp;slideView=9"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/D874E8C4-CCB7-4CA8-A833-1E4B5A8329F1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=6&amp;slideView=10" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=6&amp;slideView=10"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/00355E76-74B3-4BDB-B8BD-1AABEB24A12C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=7&amp;slideView=1" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=7&amp;slideView=1"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/A41533C1-35AB-418C-A497-E0CEA76ECBE9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=8&amp;slideView=2" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=8&amp;slideView=2"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/86050316-F57B-42A3-8602-20C9D7C91957.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=9&amp;slideView=3" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=9&amp;slideView=3"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/9E30C676-7559-4A68-88DD-215D61F32720.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=10&amp;slideView=4" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=10&amp;slideView=4"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/EE885D7A-3DE1-4384-B6D4-E4E94C031881.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=11&amp;slideView=5" title="http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=11&amp;slideView=5"&gt;www.wired.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/845A2AB8-C540-4E9E-B4CF-FD91F8EF7FEB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tb/" rel="tag"&gt;tb&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poverty/" rel="tag"&gt;poverty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/disease/" rel="tag"&gt;disease&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wired.com/culture/art/multimedia/2008/10/gallery_nachtwey?slide=1&amp;slideView=5</clipSource><pubDate>Sun, 05 Oct 2008 22:00:18 GMT</pubDate></item><item><title>Sled Dogs - How do they keep running?</title><link>http://clipmarks.com/clipmark/E06CD6E6-2031-4ADA-AA05-C74F0EC768FE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Magnificent animals! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/09/080925072436.htm" title="http://www.sciencedaily.com/releases/2008/09/080925072436.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/86499F54-16C8-4B5D-B041-10AEB98DC307.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Lead dogs heading out of Willow at the start of Iditarod 2007. It is unclear how these racing dogs can keep running, despite heavy blizzards, temperatures as low as –40°F, and winds up to 60 mph. No other animal has been found to come close to the physiological attributes these dogs display. (Credit: iStockphoto/Matt Cooper)&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Rapid Adaptation to  	Exercise and Endurance&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Enormous Aerobic  	Capacity&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Using A High-Fat Diet  	to Fuel Exercise&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The mechanisms that make these four-legged athletes  	premiere in performance is still unknown. Dr. Davis theorizes that it may  	involve the regulation of extremely thin membranes in the muscle fibers and  	changes in the cells that are responsible for the body’s energy production.  	“These are one-of-a-kind athletes. What we learn from them will undoubtedly  	tell us a lot about human performance as well.” &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/dogs/" rel="tag"&gt;dogs&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/09/080925072436.htm</clipSource><pubDate>Mon, 06 Oct 2008 00:25:10 GMT</pubDate></item><item><title>Antisocial Behavior May Be Caused By Low Stress Hormone Levels</title><link>http://clipmarks.com/clipmark/69355728-0F96-4CA7-B7EB-94408AC7DEEC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "The differences between participants with severe antisocial behaviour and those without were most marked under stressful conditions. While the average adolescents showed large increases in the amount of cortisol during the frustrating situation, cortisol levels actually went down in those with severe antisocial behaviour.&lt;br/&gt;&lt;br/&gt;These results suggest that antisocial behaviour may be more biologically-based than previously considered, just as some individuals are more vulnerable to depression or anxiety due to their biological make-up." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/10/081001093506.htm" title="http://www.sciencedaily.com/releases/2008/10/081001093506.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Levels of cortisol in the body usually increase when people undergo a stressful experience, such as public speaking, sitting an exam, or having surgery.  It enhances memory formation and is thought to make people behave more cautiously and to help them regulate their emotions, particularly their temper and violent impulses.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The new research, funded by the Wellcome Trust, shows that adolescents with severe antisocial behaviour do not exhibit the same increase in cortisol levels when under stress as those without antisocial behaviour. These findings suggest that antisocial behaviour, at least in some cases, may be seen as a form of mental illness that is linked to physiological symptoms (involving a chemical imbalance of cortisol in the brain and body).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Kelika/512/4D2C3D31-5434-40A3-972F-5E68A528FF97.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="caption"&gt;&lt;EM&gt;Reduced levels of the 'stress hormone' cortisol has been linked to antisocial behaviour in male adolescents. (Credit: iStockphoto)&lt;/EM&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/stress/" rel="tag"&gt;stress&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mental+health/" rel="tag"&gt;mental health&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/10/081001093506.htm</clipSource><pubDate>Mon, 06 Oct 2008 00:27:58 GMT</pubDate></item><item><title>British commander says war in Afghanistan cannot be won</title><link>http://clipmarks.com/clipmark/EF11C976-77B3-42ED-9EC4-1F00F8D38CD4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newsdaily.com/stories/tre4940o0-us-afghan-taliban-britain/" title="http://www.newsdaily.com/stories/tre4940o0-us-afghan-taliban-britain/"&gt;www.newsdaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN&gt;LONDON, Oct. 5, 2008 (Reuters) — &lt;/SPAN&gt;&lt;A href="http://www.newsdaily.com/news/united_kingdom/" title="United Kingdom" linkindex="1"&gt;Britain&lt;/A&gt;'s commander in &lt;A href="http://www.newsdaily.com/news/afghanistan/" title="Afghanistan" linkindex="2"&gt;Afghanistan&lt;/A&gt; has said the war against the &lt;A href="http://www.newsdaily.com/news/the_taliban/" title="The Taliban" linkindex="3"&gt;Taliban&lt;/A&gt; cannot be won, the Sunday Times reported.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"We're not going to win this war. It's about reducing it to a manageable level of insurgency that's not a strategic threat and can be managed by the Afghan army," he said.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;But Afghanistan's Defense Minister expressed his disappointment on Sunday at the commander's statements, maintaining the insurgency had to be defeated.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Wardak said success also depended on how British forces were approaching the problems they faced in Helmand but did not say whether their current strategy was the right one.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Violence in Afghanistan has increased to its worst level since 2001, when U.S.-led and Afghan forces overthrew the ruling Taliban following the September 11 attacks on the &lt;A href="http://www.newsdaily.com/news/united_states/" title="United States" linkindex="15"&gt;United States&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.newsdaily.com/stories/tre4940o0-us-afghan-taliban-britain/</clipSource><pubDate>Mon, 06 Oct 2008 00:22:34 GMT</pubDate></item><item><title>Breast Cancer Cells Recycle To Escape Death By Hormonal Therapy</title><link>http://clipmarks.com/clipmark/2E73C1B7-D777-46B3-8352-B580F8ACAB14/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "She'll now look for ways to block macroautophagy in an animal model, including using chloroquine, a drug used to treat malaria. "We know patients can take it with few side effects," she says. If it works in animals, the drug, in combination with an antiestrogen, could move relatively quickly into human testing." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/10/081002103657.htm" title="http://www.sciencedaily.com/releases/2008/10/081002103657.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;About 70 percent of breast cancer cells have receptors for the hormone estrogen, which acts as a nutrient and stimulates their growth.  Patients typically get an antiestrogen such as tamoxifen for five years to try to starve them to death&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"About 50 to 60 percent of these women really benefit from hormonal therapy," says Dr. Schoenlein. Why others don't has been asked for at least two decades.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One reason may be breast cancer cells switch into a survival mode that normal cells also use when faced with starvation, &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It's called macroautophagy – autophagy means "self eating" – and within a week, breast cancer cells can reorganize component parts, degrade non-essentials and live in this state until antiestrogen therapy is stopped or the cells mutate and resume proliferation in the presence of tamoxifen.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cancer/" rel="tag"&gt;cancer&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/10/081002103657.htm</clipSource><pubDate>Mon, 06 Oct 2008 00:20:27 GMT</pubDate></item></channel></rss>