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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | JohnWaterman's clips</title><link>http://clipmarks.com/clipper/JohnWaterman/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/clipper/JohnWaterman/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Shut down Ohio's machinery of death</title><link>http://clipmarks.com/clipmark/3167148A-4EB1-43E2-A832-4E4DD6EA15A2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/commentisfree/cifamerica/2009/dec/08/kenneth-biros-ohio-death" title="http://www.guardian.co.uk/commentisfree/cifamerica/2009/dec/08/kenneth-biros-ohio-death"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;After a botched attempt to execute a prisoner in the US state of &lt;A title="More from guardian.co.uk on Ohio" href="http://www.guardian.co.uk/world/ohio"&gt;Ohio&lt;/A&gt; in September caused international outrage, you might have thought Ohio would hesitate before pressing ahead with another execution. Not a bit of it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The US state that condemned Edinburgh's &lt;A title="" href="http://news.sky.com/skynews/Home/Sky-News-Archive/Article/20080641297724"&gt;Kenny Richey&lt;/A&gt; to die and came desperately close to killing him is unfazed that its prison staff subjected an inmate called &lt;A title="" href="http://www.huffingtonpost.com/2009/09/16/romell-broom-execution-re_n_288256.html"&gt;Romell Broom&lt;/A&gt; to a two-hour ordeal where they repeatedly shoved a lethal injection needle into various parts of his body – thigh, ankle, feet, muscles and bone. They've done it again, only this time &lt;A title="" href="http://www.nytimes.com/2009/12/09/us/09ohio.html"&gt;piloting a new lethal injection on a death row inmate called Kenneth Biros&lt;/A&gt;, someone I've written to for many years.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ohio's killing machinery is not fit even for its already macabre purpose. Year after year Ohio botches executions&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It's time for Ohio to shut down the machinery of death. And it's time the US came into the modern world and ended the grisly, inhuman business of warehousing people for death&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/commentisfree/cifamerica/2009/dec/08/kenneth-biros-ohio-death</clipSource><pubDate>Wed, 09 Dec 2009 19:28:43 GMT</pubDate></item><item><title>Hubble Advent Calendar</title><link>http://clipmarks.com/clipmark/9D73B0C3-B459-45EF-B011-169F6A359C04/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boston.com/bigpicture/2009/12/hubble_space_telescope_advent_1.html" title="http://www.boston.com/bigpicture/2009/12/hubble_space_telescope_advent_1.html"&gt;www.boston.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="bpBody"&gt;Once more, we enter the month of December and the traditional western Holiday Season, and once again, I'd like to present a Hubble Space Telescope imagery Advent Calendar for 2009. Keep checking this page, because every day, for the next 25 days, a new photo will be revealed here from the Hubble Space Telescope, some old and some new. I have felt extremely fortunate to have been able to share photographs and stories with you all this year, and I wish for a Happy Holiday to all those who will celebrate, and for Peace on Earth to everyone. - Alan (&lt;A href="http://www.boston.com/bigpicture/2009/12/hubble_space_telescope_advent_1.html"&gt;25 photos total - eventually&lt;/A&gt;) &lt;B&gt;[&lt;I&gt;previously: the &lt;A href="http://www.boston.com/bigpicture/2008/12/hubble_space_telescope_advent.html"&gt;2008 calendar&lt;/A&gt;&lt;/I&gt;]&lt;/B&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4E1167B8-6694-4A31-BC2C-FBE05C311420.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/364CD7CB-74CA-4A81-A8D0-A1611068CF8A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/27C65621-E016-464B-89AA-5E4911174E1F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/532F3DB2-4CC2-4D51-B74E-D3F3804391CA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4E3A7A0B-F07C-499D-896E-1F4FA451F826.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B63D5711-6F9D-4CE3-9EDD-C9ABE1CA3DF2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/6FC7613F-DA57-430A-8C53-1D825C931EB8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/59FE18FE-F9B5-4720-A756-FC968A5D034C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/34C81912-2E2B-4FB8-8B0D-24A330E00444.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BD64E82A-14C7-4A35-AFBE-1FF12881028F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/3FA89470-9FEE-4019-866B-F6956A9837C4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.boston.com/bigpicture/2009/12/hubble_space_telescope_advent_1.html</clipSource><pubDate>Wed, 09 Dec 2009 18:38:09 GMT</pubDate></item><item><title>"Rubenesque" Proportions</title><link>http://clipmarks.com/clipmark/20C4BA34-B14C-4A3B-91F6-B7585080089C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.all-art.org/history655_changed_world-5a.html" title="http://www.all-art.org/history655_changed_world-5a.html"&gt;www.all-art.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="6"&gt;&lt;BR /&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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          &lt;IMG width="600" height="453" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/Untitled-14.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana"&gt;
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                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
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                        &lt;SPAN&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;IMG width="341" height="418" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-11%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
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                        &lt;SPAN&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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	&lt;BLOCKQUOTE&gt;
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      &lt;IMG width="571" height="415" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-14%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
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                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;IMG width="428" height="621" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-15%20copy.jpg" /&gt;&lt;BR /&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
          &lt;IMG width="368" height="480" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/168.jpg" /&gt;&lt;BR /&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2"&gt;
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            &lt;P&gt;
            &lt;IMG width="270" height="413" border="0" src="http://www.all-art.org/changed%20the%20world/94-10.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.all-art.org/history655_changed_world-5a.html</clipSource><pubDate>Mon, 07 Dec 2009 18:53:05 GMT</pubDate></item><item><title>Native American Prints from the Pennington Photo Studio</title><link>http://clipmarks.com/clipmark/715A1F4E-3EB2-4D19-8208-79A90324E899/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.denverpost.com/captured/2009/11/20/native-american-prints-by-pennington-photo-studio/" title="http://blogs.denverpost.com/captured/2009/11/20/native-american-prints-by-pennington-photo-studio/"&gt;blogs.denverpost.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/737F6166-5FF1-4D2D-83B0-5D27632D9E62.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In the early 1900s, William Pennington and Lisle Updike spent most days traveling the four corners area of Colorado, Utah, New Mexico and Arizona in a wagon photographing the people and landscapes&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These prints were recently uncovered by Denver Post librarians, tucked away in a folder in a file cabinet. The captions were hand written on the back of each print&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="479.67" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe006.sJPG_920_590_0_95_1_50_50.sJPG?1258775430" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Navajo woman&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="473.18" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe010.sJPG_920_590_0_95_1_50_50.sJPG?1258775466" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;The Scout, Ute Indian&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="504.45" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe007.sJPG_920_590_0_95_1_50_50.sJPG?1258815233" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Navajo Indian woman posing with child&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="473.77" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe014.sJPG_920_590_0_95_1_50_50.sJPG?1258815241" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Ute Indian, This is the man that made his X, signing away a part of the Ute reserve which is now Mesa Verde Park&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="473.18" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe008.sJPG_920_590_0_95_1_50_50.sJPG?1258775444" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Ute Indian Girl&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="472" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/native021.sJPG_920_590_0_95_1_50_50.sJPG?1258814683" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Ute Indian in plain clothes&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="472" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe009.sJPG_920_590_0_95_1_50_50.sJPG?1258815256" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Old Navajo Warrior holding his weapon&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;
					&lt;IMG height="590" width="472" alt="" src="http://denverpost.slideshowpro.com/albums/001/496/album-79159/cache/BioServe011.sJPG_920_590_0_95_1_50_50.sJPG?1258815263" /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Navajo Brother and Sister&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/1BAF1A4D-F37A-4BF0-8C9C-D8F6B0DFA97D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E4AA4EC1-1713-441C-9D69-FC996615473D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/68F72C93-51ED-4372-A9FD-EE008926DBB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/51B5D015-6657-4B54-BE16-43F9AA73E2EA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/CD4637CC-D1A0-47B2-8A94-137BB8269DB5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D6A3AC7F-06E8-49A7-B1D8-3EB77907E29B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4CC6AD0B-900C-4FCA-AF01-13214C0D947D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://blogs.denverpost.com/captured/2009/11/20/native-american-prints-by-pennington-photo-studio/</clipSource><pubDate>Mon, 23 Nov 2009 23:34:59 GMT</pubDate></item><item><title>Five-Story Steel Ball Makes Novel Hospital (Jan, 1929) </title><link>http://clipmarks.com/clipmark/247BFDA6-C8E2-461A-801E-99881B3E0FA1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blog.modernmechanix.com/2009/12/07/five-story-steel-ball-makes-novel-hospital/" title="http://blog.modernmechanix.com/2009/12/07/five-story-steel-ball-makes-novel-hospital/"&gt;blog.modernmechanix.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E1328A0F-1CFF-4F22-9EB2-E63DC1C7B212.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lakesidepress.com/pulmonary/hyperbaric/steelball.htm" title="http://www.lakesidepress.com/pulmonary/hyperbaric/steelball.htm"&gt;www.lakesidepress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/EAB64911-ADEB-43EC-B3BB-278429CD3E6A.jpg" alt="Steel Ball" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;&lt;A _moz-rs-heading="" name="top"&gt;One of the strangest experiments in medical science's long and constant fight against disease, an
experiment to which H.H. Timken, Canton, Ohio, manufacturer, has given $1,000,000, has been
undertaken in Cleveland, Ohio.  It is the Timken Tank, a huge airtight, steel ball fitted out as a
hospital, in which patients suffering from diabetes and other maladies will live under 30 pounds
air pressure, which is forced into the steel ball by powerful compressors.
&lt;/A&gt;&lt;P&gt;&lt;A _moz-rs-heading="" name="top"&gt;[Original Photo and Legend, from 1928.  Courtesy of 


&lt;/A&gt;&lt;A href="http://www.case.edu/artsci/dittrick/site2"&gt;Dittrick Medical History Center&lt;/A&gt;, 
Case Western Reserve University, Cleveland]&lt;BR /&gt;
&lt;/P&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;
&lt;A name="Q&amp;A"&gt;&lt;FONT color="red"&gt;
&lt;/FONT&gt;&lt;/A&gt;&lt;P&gt;&lt;/P&gt;&lt;H1&gt;&lt;A _moz-rs-heading="" name="Q&amp;A"&gt;&lt;FONT color="red" _moz-rs-heading=""&gt;Questions and Answers about the Monster Steel Ball&lt;/FONT&gt;&lt;/A&gt;&lt;/H1&gt;&lt;A name="Q&amp;A"&gt;&lt;FONT color="red"&gt;&lt;/FONT&gt;
&lt;/A&gt;&lt;A name="mail"&gt;&lt;/A&gt;&lt;A href="http://www.lakesidepress.com/pulmonary/hyperbaric/mailto:larry.martin@roadrunner.com"&gt;
&lt;STRONG&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;ADDRESS&gt;&lt;A href="http://www.lakesidepress.com/pulmonary/hyperbaric/mailto:larry.martin@roadrunner.com"&gt;&lt;STRONG&gt;Lawrence Martin, M.D.&lt;/STRONG&gt;&lt;/A&gt;&lt;/ADDRESS&gt;&lt;STRONG&gt;&lt;/STRONG&gt;

&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Steel Ball "was sold 
a few times in the mid-1930s and the ground was bought by the Cleveland Catholic Diocese 
in 1941&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The steel ball was dismantled and 
sold for scrap metal during World War II."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4F505288-C5AA-4CEA-983E-9278F458396C.jpg" alt="Close up of Steel Ball" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://blog.modernmechanix.com/2009/12/07/five-story-steel-ball-makes-novel-hospital/</clipSource><pubDate>Mon, 07 Dec 2009 18:36:46 GMT</pubDate></item><item><title>Boom-boom-krak-oo</title><link>http://clipmarks.com/clipmark/98AB36D4-A981-4C64-938D-7A1D6AEA6E22/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Campbell's monkeys combine just six 'words' into rich vocabulary.&lt;br/&gt;&lt;br/&gt;Difficult to do this justice in a clip so please follow the link to the whole article. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/notrocketscience/2009/12/campbells_monkeys_have_a_rich_vocabulary_based_on_combinatio.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2FRuxi+%28Not+Exactly+Rocket+Science%29&amp;utm_content=Google+Reader" title="http://scienceblogs.com/notrocketscience/2009/12/campbells_monkeys_have_a_rich_vocabulary_based_on_combinatio.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2FRuxi+%28Not+Exactly+Rocket+Science%29&amp;utm_content=Google+Reader"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Campbell's monkeys have just six basic types of calls but they have combined them into one of the richest and most sophisticated of animal vocabularies&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FEBAC272-B033-4BB9-BAC4-671C220D25A9.jpg" alt="Campbell's-monkey.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;By chaining calls together in ways that drastically alter their meaning, they can communicate to each other about other falling trees, rival groups, harmless animals and potential threats. They can signal the presence of an unspecified threat, a leopard or an eagle, and even how imminent the danger is&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;six different types of call&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;described as boom (B), krak (K), krak-oo (K+), hok (H), hok-oo (H+) and wak-oo (W+)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;With no danger in sight&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a pair of booms - is made when the monkey is far away from the group and can't see them&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a summons&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Adding a krak-oo to the end of the boom pair changes its meaning&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the signal now means "Watch out for that branch"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Interspersing the booms and krak-oos with some hok-oos changes the meaning yet again&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; "Prepare for battle"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;hok-oo is essentially meaningless&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;they only use it to change the meaning of another call&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/465BB51D-2ADD-43A7-87FB-A81B8AD582C1.jpg" alt="Campbells_monkey_calls.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/notrocketscience/2009/12/campbells_monkeys_have_a_rich_vocabulary_based_on_combinatio.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2FRuxi+%28Not+Exactly+Rocket+Science%29&amp;utm_content=Google+Reader</clipSource><pubDate>Tue, 08 Dec 2009 17:54:09 GMT</pubDate></item><item><title>Isaac Asimov and the fuzzy nature of knowledge</title><link>http://clipmarks.com/clipmark/0ED83C7E-FAE0-4A5B-BDF9-AAA98A8FDB31/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/pharyngula/2009/12/isaac_asimov_and_the_fuzzy_nat.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader" title="http://scienceblogs.com/pharyngula/2009/12/isaac_asimov_and_the_fuzzy_nat.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;when people list great science popularizers of the past&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sagan and Feynman always pop up&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;people seem to have forgotten Isaac Asimov&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;one example, in which he &lt;A href="http://chem.tufts.edu/AnswersInScience/RelativityofWrong.htm"&gt;addresses a claim we hear all the time&lt;/A&gt;, that the errors of the past mean our knowledge now is on very shaky ground. He's answering a complaint from an English Lit student who chastised Asimov for thinking he knew anything at all&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
My answer to him was, "John, when people thought the earth was flat, they were wrong. When people thought the earth was spherical, they were wrong. But if you think that thinking the earth is spherical is just as wrong as thinking the earth is flat, then your view is wronger than both of them put together."
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
The basic trouble, you see, is that people think that "right" and "wrong" are absolute; that everything that isn't perfectly and completely right is totally and equally wrong.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It seems to me that right and wrong are fuzzy concepts&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Go &lt;A href="http://chem.tufts.edu/AnswersInScience/RelativityofWrong.htm"&gt;read the rest&lt;/A&gt;, it's worth the time.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/pharyngula/2009/12/isaac_asimov_and_the_fuzzy_nat.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader</clipSource><pubDate>Mon, 07 Dec 2009 18:24:44 GMT</pubDate></item><item><title>Waves of Colour 2</title><link>http://clipmarks.com/clipmark/D422555C-DCF6-48BE-A1F5-D5E94ECD3D9C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2009/11/25/the-colors-of-shorebreak-by-clark-little/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Colourlovers+%28COLOURlovers+%3A%3A+Color+Trends+%26+Inspiration%29&amp;utm_content=Google+Reader" title="http://www.colourlovers.com/blog/2009/11/25/the-colors-of-shorebreak-by-clark-little/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Colourlovers+%28COLOURlovers+%3A%3A+Color+Trends+%26+Inspiration%29&amp;utm_content=Google+Reader"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4AC990C3-D348-4F2A-B9AA-AF797C21C13A.jpg" alt="red_dirt-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BED6C445-6E0C-46D6-85A3-7975C343866E.png" alt="Little:_Red_Dirt" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I know we had a colorful look at waves not too long ago (&lt;A  href="http://www.colourlovers.com/blog/2009/08/10/color-in-nature-waves"&gt;see it here&lt;/A&gt;), but when I came across the shorebreak photography of &lt;A target="_blank" href="http://www.clarklittlephotography.com"&gt;Clark Little&lt;/A&gt; I couldn't resist sharing the incredible palettes created by a mix of sand, shore and water.  All of these photos can be seen on his site, and are part of his latest book, &lt;A target="_blank" href="http://www.clarklittlephotography.com/book.php"&gt;The Shorebreak Art of Clark Little&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/00F1E405-3D94-46D7-9015-F2B88729FCDB.jpg" alt="mohawk-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/AF89BCB9-2DB6-4D9B-A1AA-52C31A6C9FDC.png" alt="mohawk-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E605B313-FD2F-4DAD-84E3-FAAA75AE1C70.jpg" alt="Hawaiian_Ice-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B1D37A77-5C24-4F0C-9CE8-89C38AE8702A.png" alt="Little:_Hawaiian_Ice" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F4C1BAEC-3D3D-4FD2-9284-98441C59E47D.jpg" alt="blue_night-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/A6A5C7DF-4976-4743-AF7B-4A0BF0D6E01D.png" alt="Little:_Blue_Night" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8761E2BA-E45D-48DA-BB05-CC086C65E646.jpg" alt="shiner-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4B8E189C-2706-4A89-A6F6-CAE6254E018C.jpg" alt="ouch-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FB06405B-47A0-4DC6-B4CD-608461E2100B.jpg" alt="Looking_Glass-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1719CF60-2CC0-4A88-9505-88D001A1C8EC.jpg" alt="Kaleidoscope" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/79252F71-F0FB-4170-ADD3-23AA187F1371.jpg" alt="endless" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AE7FE6F7-C740-435E-B267-4E006FFF4D76.jpg" alt="behind_the_barrel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/15154AB3-720B-4C3D-807C-3E79FF8ED94D.jpg" alt="Barrel_on_the_Beach-copy" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FF8A5E9F-B04E-4DF8-89D6-9D20AF2E1ACA.jpg" alt="Amber_Cave" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.colourlovers.com/blog/2009/11/25/the-colors-of-shorebreak-by-clark-little/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Colourlovers+%28COLOURlovers+%3A%3A+Color+Trends+%26+Inspiration%29&amp;utm_content=Google+Reader</clipSource><pubDate>Fri, 27 Nov 2009 16:11:29 GMT</pubDate></item><item><title>Renounce your pomp!</title><link>http://clipmarks.com/clipmark/9FA522B4-6D49-4176-9F94-3BF474F34E22/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/pharyngula/2009/11/renounce_your_pomp.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader" title="http://scienceblogs.com/pharyngula/2009/11/renounce_your_pomp.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="lead"&gt;I think I like this woman. Nell McCafferty rips into representatives of the Catholic church, asking, "What's holy about the Vatican?" and insisting that they ought to set aside the titles of "Father" and "Grace" and so forth, because they've betrayed them. I love the Irish when they get that fire in their eye!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/pharyngula/2009/11/renounce_your_pomp.php?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+scienceblogs%2Fpharyngula+%28Pharyngula%29&amp;utm_content=Google+Reader</clipSource><pubDate>Sat, 28 Nov 2009 12:03:33 GMT</pubDate></item><item><title>Stephen Hawking portrait unveiled at Royal Society</title><link>http://clipmarks.com/clipmark/EC4418A7-C44E-489A-BCEF-F0A73072A9F0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society" title="http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/FBEA5D35-61F7-44CE-956E-6AAD5F9CE7F7.jpg" alt="Stephen Hawking portrait by Tai-Shan Schierenberg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Cambridge cosmologist &lt;A href="http://www.guardian.co.uk/science/hawking"&gt;Stephen Hawking&lt;/A&gt; arrived in London yesterday for the official unveiling of the portrait by Tai-Shan Schierenberg at the Royal Society, the UK's academy of science.&lt;BR /&gt;&lt;A href="http://www.flowerseast.com/FE/Artists_Originals.asp?Artist=SCHIER"&gt;&lt;BR /&gt;You can see more of the artist's work here.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/FA9AA249-7E05-4653-A194-B44B1E852E7A.jpg" alt="Portrait of Stephen Hawking by Tai-Shan SchierenbergStephen Hawking by Tai-Shan Schierenberg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society</clipSource><pubDate>Thu, 26 Nov 2009 18:58:12 GMT</pubDate></item><item><title>On the case with Weegee the Famous</title><link>http://clipmarks.com/clipmark/AD288CED-C8A8-4BA9-92A4-025EFDCBCE6B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/EB576BAC-8AC1-4C5B-94A7-21FFC802B761.jpg" alt="Weegee the Famous: Henry Rosen and Harvey Stemmer were arrested for bribing basketball players" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;24 November 2009:&lt;/STRONG&gt; Part artist, part detective, Arthur Fellig – better known as Weegee – prowled the seedy underbelly of pre-war New York, looking for crime scenes to photograph. A press photographer whose nickname came from his mysterious, ouija-like ability to sense trouble, he developed his stark and noirish signature style by chasing the city's emergency services.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html" title="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html"&gt;www.rachelhulin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/AC05D9EB-2101-4345-8D8E-E1FF0F34A1CB.jpg" alt="weegee-1d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E38B8086-5FBF-4453-9CC6-13E5AE9B4D03.jpg" alt="weegee-2-1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D5A00D24-05CB-4470-99BF-E84091024B59.jpg" alt="weegee-canon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/0C37A595-876B-4A10-A976-F30ADA999541.jpg" alt="weegee-fire" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F2F6D392-2D9E-4B14-B8D3-185F15562825.jpg" alt="weegee-sammys" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/40C24D6F-4706-44B1-AA2C-41E17E3E2DC0.jpg" alt="weegee-umbrella" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/509BBB92-2F07-464C-88AB-45F5A20605B5.jpg" alt="weegee-wagon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bakedinny.com/2008/07/weegees-city/" title="http://www.bakedinny.com/2008/07/weegees-city/"&gt;www.bakedinny.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B6C3A03D-0B48-403A-B8F8-0A4FB1328161.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D6C4A8F6-81CE-47CD-B479-F6F5FA886A0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html" title="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html"&gt;www.rachelhulin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E12B2CDC-CCD8-439A-9C22-9C1134C37F3B.jpg" alt="weegee-kiss" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/15A78B5B-5670-42AF-9D46-1FCED83B7099.jpg" alt="weegee-mending" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/5C7D7C48-35DC-4712-B719-160067F6C1B6.jpg" alt="weegee-beach" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Weegee later went on to work in film, collaborating with the likes of Stanley Kubrick, but is best remembered for photography that typified New York street life between the wars. A selection of his works – many of which have never previously been seen in the UK – go on display at &lt;A href="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm"&gt;Michael Hoppen Gallery&lt;/A&gt; from 25 November until 10 January 2010&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm" title="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm"&gt;www.michaelhoppengallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;IMG border="0" alt="Michael Hoppen Gallery" src="http://www.michaelhoppengallery.com/templates/site/img/michael_hoppen_gallery.gif" /&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E3B87695-CC7C-426F-A66A-6E042DFCB7E4.jpg" alt=""Out of the River", February 24, 1942" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Weegee-It's a crime to take photographs this good...&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089327" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089327"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/5609BA8A-A0B3-4255-982A-6980B1F43995.jpg" alt="Weegee the Famous: After the Opera ... at Sammy's Nightclub on the Bowery (c1944)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089329" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089329"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/ECA3D747-768B-494A-8DD5-7A6E5A25AA6A.jpg" alt="Weegee the Famous: Billie Dauscha (left) and Mabel Sidney, Bowery Entertainers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089331" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089331"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/110FA294-1F6F-491A-9662-6F6363589E8D.jpg" alt="Weegee the Famous: Max is rushing in the mornings (c1940)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325</clipSource><pubDate>Tue, 24 Nov 2009 17:18:53 GMT</pubDate></item><item><title>2010: A Who Odyssey</title><link>http://clipmarks.com/clipmark/A7BB4D85-0374-4E80-BAE0-435EDEB52D37/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Warning: for major Doctor Who nerds only. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.discovermagazine.com/badastronomy/2009/11/24/hallons-y/" title="http://blogs.discovermagazine.com/badastronomy/2009/11/24/hallons-y/"&gt;blogs.discovermagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I typically don’t like most mashups, but &lt;A target="_blank" href="http://www.youtube.com/watch?v=zXnV1UNbTuM"&gt;this one was pretty good&lt;/A&gt;… especially the last two minutes, which are brilliant! Warning: for major Doctor Who nerds only.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://blogs.discovermagazine.com/badastronomy/2009/11/24/hallons-y/</clipSource><pubDate>Tue, 24 Nov 2009 17:36:36 GMT</pubDate></item><item><title>Meet the Fuggers</title><link>http://clipmarks.com/clipmark/5AD86E16-ECEE-4061-AE0F-4B1F05A90B46/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html" title="http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E668122D-74B7-4DB9-B263-0D972043BAD7.jpg" alt="The Fuggers' Secret Book of Honour a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Fugger family dynasty began in the mid-14th century with a modest textile business in the Swabian town of Augsburg. Over the next two hundred years the family amassed one of the greatest fortunes of all time. Through banking and mining interests they acquired the wealth and assets of the Florentine House of Medici and exerted great influence over the Holy Roman Empire and the royal courts of Europe. Like the Medici, the Fuggers were also significant patrons of the arts during the Renaissance.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7E4414D3-B91E-4C49-B52D-92C3BD921282.jpg" alt="The Fuggers' Secret Book of Honour b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1670F4C1-01EB-4115-9966-31BB84AC5136.jpg" alt="The Fuggers' Secret Book of Honour c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8EBD69C2-65A8-4764-A344-ADFC36B18AA1.jpg" alt="The Fuggers' Secret Book of Honour" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/6A3ECDB0-EF1A-4AFD-9F53-252FB30A821A.jpg" alt="Fuggerorum et Fuggerarum .. Imagines d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7510D2EF-B916-4515-BB72-28AC51B884C5.jpg" alt="Fuggerorum et Fuggerarum .. Imagines e" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Fugger family history, going back to the 1300s, was documented pictorially in two manuscripts from different time periods, displaying the crests, family trees and portraits of family members.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1884819F-3E01-4468-BAC5-C8055C87C3E4.jpg" alt="Fuggerorum et Fuggerarum .. Imagines" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/3DA3E542-C519-4723-BAA1-F3C2C5B17062.jpg" alt="Fuggerorum et Fuggerarum .. Imagines a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/38BC75B6-0E8E-4EB8-94BA-BF2AF4A536EA.jpg" alt="Fuggerorum et Fuggerarum .. Imagines b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9165D05D-D2E3-4F12-8EEF-098639DD96F6.jpg" alt="Fuggerorum et Fuggerarum .. Imagines c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/238704A7-C795-4114-BED7-3664AE83D049.jpg" alt="Fuggerorum et Fuggerarum .. Imagines o" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/98597930-592B-445F-830D-64EBAD8EA7D2.jpg" alt="Fuggerorum et Fuggerarum .. Imagines f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/098AFBE4-2650-4569-BE8F-0A717B9BCE73.jpg" alt="Fuggerorum et Fuggerarum .. Imagines k" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/17C42240-82C5-4A13-86E9-63D40962820E.jpg" alt="Fuggerorum et Fuggerarum .. Imagines g" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/3537EFC0-AAB6-4571-909C-E8F02D6C7792.jpg" alt="Fuggerorum et Fuggerarum .. Imagines i" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F6C629FD-FDD4-46AB-B2FE-7B9706E5748D.jpg" alt="Fuggerorum et Fuggerarum .. Imagines h" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FE578BE0-53C8-42E8-A4F8-079FED6F242F.jpg" alt="Fuggerorum et Fuggerarum .. Imagines j" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D7DE9507-8166-41A7-BBB4-E3852BCCB33E.jpg" alt="Fuggerorum et Fuggerarum .. Imagines l" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EF21BB09-1995-4878-8737-B031D0B83329.jpg" alt="Fuggerorum et Fuggerarum .. Imagines m" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/7DCBD2A8-1355-455D-94F2-EBAC828ED4AE.jpg" alt="Fuggerorum et Fuggerarum .. Imagines n" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;SPAN&gt;&lt;A href="http://www.bayerische-landesbibliothek-online.de/fuggeren"&gt;The Fugger family manuscripts are available from Bayerische Landesbibliothek Online in both regular browsing format and 3-D Java (turn-the-page by any other name) displays&lt;/A&gt;&lt;/SPAN&gt;. The landing page is in English. An exhibition of these works will be held at the Bavarian State Library in March to May 2010.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html</clipSource><pubDate>Mon, 23 Nov 2009 23:21:40 GMT</pubDate></item><item><title>The Theatre of Cruelty</title><link>http://clipmarks.com/clipmark/6E7D8C64-20BD-4AF8-9DCE-0D8C7B69B106/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html" title="http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D032B706-193A-4F70-8627-C371CE02B804.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata j" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/B1C92AA1-B6E2-4AAF-9E26-6A480CA7F958.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/C1026884-176F-45D7-BD8D-BB49ED8F4C10.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Richard Verstegan &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SMALL&gt;1548-?1636)&lt;/SMALL&gt; was a Catholic Anglo-Dutch antiquarian, goldsmith and book publisher. The first half of his life was spent in England, but his religion prevented him from obtaining a degree from Oxford University,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/64912616-8753-4844-9863-FE7501E47336.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/C91C9281-4628-4748-B18A-4E9474E05E04.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4ACA14BA-4027-4F7F-8669-0B15CB492715.jpg" alt="Beheading execution of Mary Queen of Scots" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Either following from the prejudice he suffered at Oxford or as a response to the incarceration and treatment of Mary Queen of Scots&lt;A href="http://en.wikipedia.org/wiki/Mary_I_of_Scotland"&gt;*&lt;/A&gt; (her 1587 beheading is seen above), Verstegan published the first edition of his &lt;SPAN&gt;martyrologium&lt;/SPAN&gt;, &lt;SPAN&gt;'Theatrum Crudelitatum'&lt;/SPAN&gt;, in 1583. The book may also have been conceived as a Catholic version of the famous Protestant&lt;SPAN&gt; &lt;A href="http://bibliodyssey.blogspot.com/2005/10/foxes-book-of-martyrs.html"&gt;'Book of Martyrs'&lt;/A&gt;&lt;/SPAN&gt; &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D22C2CF5-6BC7-4B36-AC6E-4183B966E52F.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata k" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8782BF50-D684-4DB2-A640-4DC66A0C105A.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata i" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/6888A604-02A7-4503-989E-93ADA82C7925.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/95A0A413-D1FD-4047-B194-A1E917017B5F.jpg" alt="Schismaticorum in Anglia crudelitas b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/437B0C3E-00DF-4B6B-9054-3DF1DFCEBD08.jpg" alt="Schismaticorum in Anglia crudelitas a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A2FD270F-AA1F-4FEA-BB37-9265A091CD1F.jpg" alt="Schismaticorum in Anglia crudelitas" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F1D4D10F-CD18-4304-A65C-009A286E9B23.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D830F1DD-17E6-4C93-8B56-FB953AC82468.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E15F154B-9FE9-43B3-9D85-986FC457B896.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/55CC9B6B-84B9-47FE-9AE8-A211921A5755.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia e" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/44536F7F-D349-4AD8-99CE-4128476BA963.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/643EF1C3-5D5C-4DE8-B5A7-6D048E2BE446.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/CC0F0643-EC53-4B67-A90C-553E8A3C14AA.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A6BC87AF-DB22-42F5-8DCB-11D7E2910CCA.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/ECA1E0E5-EC65-44AE-AF6E-8968A5CF0688.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Verstegan's book attempted to record, in gruesome detail, the cruelty, torture and murder of Catholic martyrs in Europe -  including English victims under the reigns of Mary I and Elizabeth I&lt;A href="http://en.wikipedia.org/wiki/Elizabeth_I_of_England"&gt;*&lt;/A&gt; - at the hands of Protestant heretics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Upon publication, the author was arrested&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html</clipSource><pubDate>Mon, 23 Nov 2009 23:12:39 GMT</pubDate></item><item><title>2+2=4 - What is wrong with you people?</title><link>http://clipmarks.com/clipmark/32373447-8FFD-4798-A8A3-2C31C82A32B8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://aguyinthepew.blogspot.com/2007/07/faith-reason-and-science-part-x-some.html" title="http://aguyinthepew.blogspot.com/2007/07/faith-reason-and-science-part-x-some.html"&gt;aguyinthepew.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Eric Michael Johnson is a primatologist and endocrinologist completing a PhD at Duke University, and he blogs at the &lt;A href="http://primatediaries.blogspot.com/"&gt;Primate Diaries&lt;/A&gt;. He has two recent posts that are worth reading. First, some provocative humor:&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Fundamentalists: believe 2+2 =5 because It Is Written. Somewhere. They have a lot of trouble on their tax returns.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"Moderate" believers: live their lives on the basis that 2+2=4. but go regularly to church to be told that 2+2 once made 5, or will one day make 5, or in a very real and spiritual sense should make 5.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"Moderate" atheists: know that 2+2 =4 but think it impolite to say so too loudly as people who think 2+2=5 might be offended.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"Militant" atheists: "Oh for pity's sake. HERE. Two pebbles. Two more pebbles. FOUR pebbles. What is WRONG with you people?"&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/atheism/" rel="tag"&gt;atheism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humour/" rel="tag"&gt;humour&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://aguyinthepew.blogspot.com/2007/07/faith-reason-and-science-part-x-some.html</clipSource><pubDate>Mon, 06 Aug 2007 23:28:52 GMT</pubDate></item></channel></rss>