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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | JohnWaterman's history collection</title><link>http://clipmarks.com/clipper/JohnWaterman/clipcast/history/</link><feedUrl>http://rss.clipmarks.com/clipper/JohnWaterman/clipcast/history/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Meet the Fuggers</title><link>http://clipmarks.com/clipmark/5AD86E16-ECEE-4061-AE0F-4B1F05A90B46/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html" title="http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E668122D-74B7-4DB9-B263-0D972043BAD7.jpg" alt="The Fuggers' Secret Book of Honour a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Fugger family dynasty began in the mid-14th century with a modest textile business in the Swabian town of Augsburg. Over the next two hundred years the family amassed one of the greatest fortunes of all time. Through banking and mining interests they acquired the wealth and assets of the Florentine House of Medici and exerted great influence over the Holy Roman Empire and the royal courts of Europe. Like the Medici, the Fuggers were also significant patrons of the arts during the Renaissance.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7E4414D3-B91E-4C49-B52D-92C3BD921282.jpg" alt="The Fuggers' Secret Book of Honour b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1670F4C1-01EB-4115-9966-31BB84AC5136.jpg" alt="The Fuggers' Secret Book of Honour c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8EBD69C2-65A8-4764-A344-ADFC36B18AA1.jpg" alt="The Fuggers' Secret Book of Honour" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/6A3ECDB0-EF1A-4AFD-9F53-252FB30A821A.jpg" alt="Fuggerorum et Fuggerarum .. Imagines d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7510D2EF-B916-4515-BB72-28AC51B884C5.jpg" alt="Fuggerorum et Fuggerarum .. Imagines e" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Fugger family history, going back to the 1300s, was documented pictorially in two manuscripts from different time periods, displaying the crests, family trees and portraits of family members.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1884819F-3E01-4468-BAC5-C8055C87C3E4.jpg" alt="Fuggerorum et Fuggerarum .. Imagines" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/3DA3E542-C519-4723-BAA1-F3C2C5B17062.jpg" alt="Fuggerorum et Fuggerarum .. Imagines a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/38BC75B6-0E8E-4EB8-94BA-BF2AF4A536EA.jpg" alt="Fuggerorum et Fuggerarum .. Imagines b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9165D05D-D2E3-4F12-8EEF-098639DD96F6.jpg" alt="Fuggerorum et Fuggerarum .. Imagines c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/238704A7-C795-4114-BED7-3664AE83D049.jpg" alt="Fuggerorum et Fuggerarum .. Imagines o" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/98597930-592B-445F-830D-64EBAD8EA7D2.jpg" alt="Fuggerorum et Fuggerarum .. Imagines f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/098AFBE4-2650-4569-BE8F-0A717B9BCE73.jpg" alt="Fuggerorum et Fuggerarum .. Imagines k" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/17C42240-82C5-4A13-86E9-63D40962820E.jpg" alt="Fuggerorum et Fuggerarum .. Imagines g" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/3537EFC0-AAB6-4571-909C-E8F02D6C7792.jpg" alt="Fuggerorum et Fuggerarum .. Imagines i" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F6C629FD-FDD4-46AB-B2FE-7B9706E5748D.jpg" alt="Fuggerorum et Fuggerarum .. Imagines h" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FE578BE0-53C8-42E8-A4F8-079FED6F242F.jpg" alt="Fuggerorum et Fuggerarum .. Imagines j" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D7DE9507-8166-41A7-BBB4-E3852BCCB33E.jpg" alt="Fuggerorum et Fuggerarum .. Imagines l" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EF21BB09-1995-4878-8737-B031D0B83329.jpg" alt="Fuggerorum et Fuggerarum .. Imagines m" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/7DCBD2A8-1355-455D-94F2-EBAC828ED4AE.jpg" alt="Fuggerorum et Fuggerarum .. Imagines n" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;SPAN&gt;&lt;A href="http://www.bayerische-landesbibliothek-online.de/fuggeren"&gt;The Fugger family manuscripts are available from Bayerische Landesbibliothek Online in both regular browsing format and 3-D Java (turn-the-page by any other name) displays&lt;/A&gt;&lt;/SPAN&gt;. The landing page is in English. An exhibition of these works will be held at the Bavarian State Library in March to May 2010.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/11/meet-fuggers.html</clipSource><pubDate>Mon, 23 Nov 2009 23:21:40 GMT</pubDate></item><item><title>The Theatre of Cruelty</title><link>http://clipmarks.com/clipmark/6E7D8C64-20BD-4AF8-9DCE-0D8C7B69B106/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html" title="http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D032B706-193A-4F70-8627-C371CE02B804.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata j" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/B1C92AA1-B6E2-4AAF-9E26-6A480CA7F958.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/C1026884-176F-45D7-BD8D-BB49ED8F4C10.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Richard Verstegan &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SMALL&gt;1548-?1636)&lt;/SMALL&gt; was a Catholic Anglo-Dutch antiquarian, goldsmith and book publisher. The first half of his life was spent in England, but his religion prevented him from obtaining a degree from Oxford University,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/64912616-8753-4844-9863-FE7501E47336.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/C91C9281-4628-4748-B18A-4E9474E05E04.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4ACA14BA-4027-4F7F-8669-0B15CB492715.jpg" alt="Beheading execution of Mary Queen of Scots" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Either following from the prejudice he suffered at Oxford or as a response to the incarceration and treatment of Mary Queen of Scots&lt;A href="http://en.wikipedia.org/wiki/Mary_I_of_Scotland"&gt;*&lt;/A&gt; (her 1587 beheading is seen above), Verstegan published the first edition of his &lt;SPAN&gt;martyrologium&lt;/SPAN&gt;, &lt;SPAN&gt;'Theatrum Crudelitatum'&lt;/SPAN&gt;, in 1583. The book may also have been conceived as a Catholic version of the famous Protestant&lt;SPAN&gt; &lt;A href="http://bibliodyssey.blogspot.com/2005/10/foxes-book-of-martyrs.html"&gt;'Book of Martyrs'&lt;/A&gt;&lt;/SPAN&gt; &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D22C2CF5-6BC7-4B36-AC6E-4183B966E52F.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata k" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8782BF50-D684-4DB2-A640-4DC66A0C105A.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata i" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/6888A604-02A7-4503-989E-93ADA82C7925.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/95A0A413-D1FD-4047-B194-A1E917017B5F.jpg" alt="Schismaticorum in Anglia crudelitas b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/437B0C3E-00DF-4B6B-9054-3DF1DFCEBD08.jpg" alt="Schismaticorum in Anglia crudelitas a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A2FD270F-AA1F-4FEA-BB37-9265A091CD1F.jpg" alt="Schismaticorum in Anglia crudelitas" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F1D4D10F-CD18-4304-A65C-009A286E9B23.jpg" alt="Horribilia scelera ab Hugenotis in Gallijs perpetrata f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D830F1DD-17E6-4C93-8B56-FB953AC82468.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E15F154B-9FE9-43B3-9D85-986FC457B896.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/55CC9B6B-84B9-47FE-9AE8-A211921A5755.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia e" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/44536F7F-D349-4AD8-99CE-4128476BA963.jpg" alt="Persecutiones adversus Catholicos à Protestantibus Caluinistis excitae in Anglia d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/643EF1C3-5D5C-4DE8-B5A7-6D048E2BE446.jpg" alt="Horrenda inhumanitatis genera à Geusijs Belgicis peracta a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/CC0F0643-EC53-4B67-A90C-553E8A3C14AA.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A6BC87AF-DB22-42F5-8DCB-11D7E2910CCA.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/ECA1E0E5-EC65-44AE-AF6E-8968A5CF0688.jpg" alt="Theatrvm Crudelitatum Hæreticorum Nostri Temporis a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Verstegan's book attempted to record, in gruesome detail, the cruelty, torture and murder of Catholic martyrs in Europe -  including English victims under the reigns of Mary I and Elizabeth I&lt;A href="http://en.wikipedia.org/wiki/Elizabeth_I_of_England"&gt;*&lt;/A&gt; - at the hands of Protestant heretics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Upon publication, the author was arrested&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/11/theatre-of-cruelty.html</clipSource><pubDate>Mon, 23 Nov 2009 23:12:39 GMT</pubDate></item><item><title>The Man Under the Jaguar Mountain</title><link>http://clipmarks.com/clipmark/43E758EE-5BA6-4ADC-B2E5-D049124444BE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Much more information at the source site. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archaeology.org/0909/maya_copan/" title="http://www.archaeology.org/0909/maya_copan/"&gt;www.archaeology.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;A new royal Maya tomb emerges from the tunnels beneath Copán's Acropolis
&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C1E26A8A-C79E-4041-BDE2-37FEBA283A74.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Maya kings of Copán were not interested in moving mountains. They preferred to build their own, like the pyramid now known as Temple 16&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Inside an excavation tunnel deep beneath the pyramid's surface, the face of the sun-king scowls at me from the wall of his temple&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The sun-king's face adorns the first floor of Rosalila, a temple that was once painted a brilliant, bloody shade of red. His image wears a headdress of red, yellow, and green plumage--the feathers of a quetzal and a macaw--and curving lines in his eyes associate him with depictions of the sun god&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Maya words for each of these sculptural elements spells his name, K'inich Yax K'uk' Mo', which translates as "Sun-Eyed Resplendent Quetzal Macaw," the first king of Copán.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Forty-three feet below the floor of the temple, the sun-king's tomb was found inside one of the first buildings to be constructed on the Acropolis. Beginning around A.D. 426&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/DED1858E-7821-44CB-8C36-A057CE7EFCF5.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/864D4E1C-8878-470D-A888-1BCF3118F080.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/53E9E4D3-966C-41E1-BCC4-61454ACEA706.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/92DB4D76-F770-4547-B261-DDFD55388064.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A49D7DF4-FBC7-497B-B184-7D0A904F15BF.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A7754B6D-77D9-46D7-84CE-06D1873A0712.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/21697A56-7F75-413F-8DC8-A3C2FD8F2C89.jpg" alt="[image]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.archaeology.org/0909/maya_copan/</clipSource><pubDate>Wed, 09 Sep 2009 22:03:40 GMT</pubDate></item><item><title>Fossil find in Georgia challenges theories on early humans</title><link>http://clipmarks.com/clipmark/75564C9F-4A3C-4307-AD1D-C3F731540455/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/science/2009/sep/08/fossils-georgia-dmanisi-early-humans" title="http://www.guardian.co.uk/science/2009/sep/08/fossils-georgia-dmanisi-early-humans"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="image"&gt;
							&lt;IMG width="460" height="276" alt="Fossil skull of Homo erectus discovered in Georgia" src="http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2009/9/9/1252494373599/Fossil-skull-of-Homo-erec-001.jpg" /&gt;
									  &lt;P class="caption"&gt;A skull from one of the five early Homo erectus  skeletons unearthed at Dmanisi in Georgia. They are the earliest human remains to be discovered outside Africa. Photograph: Georgian National Museum&lt;/P&gt;
					&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Early humans may have taken a detour into Eurasia before embarking on their epic journey out of Africa, according to new fossil evidence.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Palaeontologists in &lt;A href="http://www.guardian.co.uk/world/georgia"&gt;Georgia&lt;/A&gt; have unearthed remains of five primitive humans that date back to 1.8m years ago, suggesting some of our oldest ancestors lived in the region at the time.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The partial skeletons, which represent the earliest humans discovered outside Africa, challenge the theory that our ancestors evolved entirely on the continent and left the cradle of humanity only 60,000 years ago.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The &lt;A href="http://www.guardian.co.uk/science/fossils"&gt;fossils&lt;/A&gt; are thought to be early &lt;EM&gt;Homo erectus&lt;/EM&gt;, a forerunner of modern humans, which lived in Africa 2m years ago. Lordkipanidze said some &lt;EM&gt;Homo erectus &lt;/EM&gt;may have left Africa for Eurasia before returning much later.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/science/2009/sep/08/fossils-georgia-dmanisi-early-humans</clipSource><pubDate>Wed, 09 Sep 2009 21:32:34 GMT</pubDate></item><item><title>Industrial Anatomy</title><link>http://clipmarks.com/clipmark/9AC20172-0976-4C3D-87E1-6507799B1424/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Click on images for larger, or go to the source for more links, info., etc.. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2006/08/industrial-anatomy.html" title="http://bibliodyssey.blogspot.com/2006/08/industrial-anatomy.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;&lt;A href="http://bibliodyssey.blogspot.com/2006/08/industrial-anatomy.html"&gt;&lt;/A&gt;
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&lt;DIV class="post-header-line-1"&gt;&lt;/DIV&gt;
&lt;DIV class="post-body entry-content"&gt;
&lt;P&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/The%20Miracle%20of%20Life%20edited%20by%20Harold%20Wheeler%201941%20Laputan%20Logic.jpg"&gt;&lt;IMG width="290" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/The%20Miracle%20of%20Life%20edited%20by%20Harold%20Wheeler%201941%20Laputan%20Logic.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;/P&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/The%20Miracle%20of%20Life%20edited%20by%20Harold%20Wheeler%201941%20Laputan%20Logic%20a.jpg"&gt;&lt;IMG width="321" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/The%20Miracle%20of%20Life%20edited%20by%20Harold%20Wheeler%201941%20Laputan%20Logic%20a.jpg" /&gt;&lt;/A&gt;The above 2 images are from 'The Miracle of Life'&lt;BR /&gt;1941, edited by Harold Wheeler -&lt;BR /&gt;&lt;A href="http://www.laputanlogic.com/index.html"&gt;scanned and posted online in June by Laputan Logic&lt;/A&gt;.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Das%20Leben%20Des%20Menschen.jpg"&gt;&lt;IMG width="196" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Das%20Leben%20Des%20Menschen.jpg" /&gt;&lt;/A&gt;This is a variant of the &lt;A href="http://www.nlm.nih.gov/exhibition/dreamanatomy/da_g_IV-A-01.html"&gt;very well known Fritz Kahn image&lt;/A&gt;&lt;BR /&gt;[from '&lt;SPAN&gt;Der Mensch als Industriepalast&lt;/SPAN&gt;' -- 'Man as Industrial Palace' 1926]&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/www.debalie.nlmmbaseimages10145.jpg"&gt;&lt;IMG width="340" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/www.debalie.nlmmbaseimages10145.jpg" /&gt;&lt;/A&gt;This Fritz Kahn image is from '&lt;SPAN&gt;Das Leben des Menschen&lt;/SPAN&gt;' 1929 --&lt;BR /&gt;'The Life of Humans' -- found on this &lt;A href="http://www.uni-konstanz.de/historikertag/programm.php?menu=programm&amp;sektion=ng&amp;veranstaltung=ng19"&gt;University of Konstanz subsite&lt;/A&gt;.&lt;BR /&gt;A much larger version is available at the dutch &lt;A href="http://www.debalie.nl/viewimage.jsp?imageid=10129"&gt;Debalie site&lt;/A&gt;.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Khan%20-%20The%20factory%20of%20the%20lungs.jpg"&gt;&lt;IMG width="274" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Khan%20-%20The%20factory%20of%20the%20lungs.jpg" /&gt;&lt;/A&gt;'&lt;SPAN&gt;The Factory of the Lungs&lt;/SPAN&gt;' (Kahn)&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Khan%20-%20The%20reflex%20mechanism%20of%20salivation.jpg"&gt;&lt;IMG width="317" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Khan%20-%20The%20reflex%20mechanism%20of%20salivation.jpg" /&gt;&lt;/A&gt;'&lt;SPAN&gt;The Reflex Mechanism of Salivation&lt;/SPAN&gt;' (Kahn)&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/1708ToviyahKats.jpg"&gt;&lt;IMG width="303" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/1708ToviyahKats.jpg" /&gt;&lt;/A&gt;I've posted this image from the '&lt;SPAN&gt;Dream Anatomy&lt;/SPAN&gt;' site before but I&lt;BR /&gt;thought it was relevant again here. It may not be quite in the same&lt;BR /&gt;symbolic style as Kahn but this 1708 woodcut juxtaposition of human&lt;BR /&gt;anatomy with a building nonetheless conveys the idea of compartmentalising&lt;BR /&gt;and functional specialising. It is by Dr. Toviyah Kats from a Hebrew encylopedia.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://photos1.blogger.com/blogger/1717/1584/1600/Khan%20-%20The%20workings%20of%20the%20nervous%20system.jpg"&gt;&lt;IMG width="287" height="400" border="0" alt="" src="http://photos1.blogger.com/blogger/1717/1584/400/Khan%20-%20The%20workings%20of%20the%20nervous%20system.jpg" /&gt;&lt;/A&gt;'&lt;SPAN&gt;The Workings of the Nervous System&lt;/SPAN&gt;' (Kahn)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2006/08/industrial-anatomy.html</clipSource><pubDate>Thu, 20 Aug 2009 15:31:09 GMT</pubDate></item><item><title>Ethiopian Manuscripts</title><link>http://clipmarks.com/clipmark/E4ECC413-D02E-4840-AE5B-55B774E8DB6D/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2007/11/ethiopian-manuscripts.html" title="http://bibliodyssey.blogspot.com/2007/11/ethiopian-manuscripts.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;&lt;A href="http://bibliodyssey.blogspot.com/2007/11/ethiopian-manuscripts.html"&gt;&lt;/A&gt;
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&lt;DIV class="post-header-line-1"&gt;&lt;/DIV&gt;
&lt;DIV class="post-body entry-content"&gt;
&lt;P&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/c/c8/Alwan_Codex_2_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="421" height="599" title="Alwan Codex 2" alt="Saint with 2 swords" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Alwan_Codex_2_Ethiopian_Biblical_Manuscript.jpg/421px-Alwan_Codex_2_Ethiopian_Biblical_Manuscript.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/2/2a/Alwan_Codex_2_Ethiopian_Biblical_Manuscript_a.jpg"&gt;&lt;IMG width="418" height="599" title="Alwan Codex 2" alt="Saint on horseback stabbing dragon" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Alwan_Codex_2_Ethiopian_Biblical_Manuscript_a.jpg/418px-Alwan_Codex_2_Ethiopian_Biblical_Manuscript_a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/9/9f/Alwan_Codex_2_Ethiopian_Biblical_Manuscript_b.jpg"&gt;&lt;IMG width="426" height="599" title="Alwan Codex 2" alt="Mary with baby Jesus" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Alwan_Codex_2_Ethiopian_Biblical_Manuscript_b.jpg/426px-Alwan_Codex_2_Ethiopian_Biblical_Manuscript_b.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;/P&gt;&lt;DIV&gt;Alwan Codex 2 - Psalter - early 20th century&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A title="Alwan Codex 2 Ethiopian Biblical Manuscript 20th cent.  + Alwan Codex 28 - 20th cent." href="http://www.flickr.com/photos/85009674@N00/2039629191/"&gt;&lt;IMG width="500" height="354" alt="2 versions of man playing harp" src="http://farm3.static.flickr.com/2313/2039629191_688de6b1f7.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Left: Alwan Codex 2; Right: Alwan Codex 28&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/a/ac/Alwan_Codex_28_Ethiopian_Biblical_Manuscript_%28a%29.jpg"&gt;&lt;IMG width="409" height="599" title="Alwan Codex 28" alt="Christ on the cross" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Alwan_Codex_28_Ethiopian_Biblical_Manuscript_%28a%29.jpg/409px-Alwan_Codex_28_Ethiopian_Biblical_Manuscript_%28a%29.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/5/51/Alwan_Codex_28_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="415" height="599" title="Alwan Codex 28" alt="Saint on horse stabbing dragon" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/51/Alwan_Codex_28_Ethiopian_Biblical_Manuscript.jpg/415px-Alwan_Codex_28_Ethiopian_Biblical_Manuscript.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Alwan Codex 28 - Commentary on the Praises of&lt;BR /&gt;Mary and Gate of Light, Amharic - 20th century.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/a/a2/Alwan_Codex_27_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="419" height="600" title="Alwan Codex 27" alt="man on horseback stabbing dragon" src="http://upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Alwan_Codex_27_Ethiopian_Biblical_Manuscript.jpg/419px-Alwan_Codex_27_Ethiopian_Biblical_Manuscript.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Alwan Codex 27 - Psalter - 19th/20th centuries&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/9/90/Eliza_Codex_17_Ethiopian_Biblical_Manuscript_16th_century.jpg"&gt;&lt;IMG width="500" height="280" title="Eliza Codex 17" alt="seated man with 2 children and page of ge'ez text" src="http://farm3.static.flickr.com/2227/2039550957_94cf994c62.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Eliza Codex 17 - Gospel of John; Horologium of Abba Giyorgis&lt;BR /&gt;for the night hours, incomplete - 16th and 18th centuries (composite)&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/3/3c/Eliza_Codex_23_Ethiopian_Biblical_Manuscript_a.jpg"&gt;&lt;IMG width="500" height="381" title="Eliza Codex 23" alt="Jesus flanked by 2 men and page of ge'ez text" src="http://farm3.static.flickr.com/2246/2040346290_395b77574e.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/9/9d/Eliza_Codex_23_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="500" height="374" title="Eliza Codex 23" alt="Mary with child and 2 Saints with swords" src="http://farm3.static.flickr.com/2230/2040346700_06dd13297f.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Eliza Codex 23 - Psalter - early 20th century&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/7/70/Eliza_Codex_24_Ethiopian_Biblical_Manuscript_a.jpg"&gt;&lt;IMG width="461" height="599" title="Eliza Codex 24 " alt="3 kings" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Eliza_Codex_24_Ethiopian_Biblical_Manuscript_a.jpg/461px-Eliza_Codex_24_Ethiopian_Biblical_Manuscript_a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/9/92/Eliza_Codex_24_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="451" height="599" title="Eliza Codex 24" alt="Mary, Joseph, baby Jesus, camels and onlooker" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/92/Eliza_Codex_24_Ethiopian_Biblical_Manuscript.jpg/451px-Eliza_Codex_24_Ethiopian_Biblical_Manuscript.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Eliza Codex 24 - Psalter - 20th century.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/1/1d/Eliza_Codex_26_Ethiopian_Biblical_Manuscript.jpg"&gt;&lt;IMG width="500" height="328" title="Eliza Codex 26" alt="horseman stabbing dragon and Mary with baby Jesus" src="http://farm3.static.flickr.com/2122/2039552137_b3eef03a66.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;Eliza Codex 26 -&lt;BR /&gt;&lt;/DIV&gt;&lt;DIV&gt;Pillars of Mystery; Hymn to Mary, "All hosts of heaven glorify you"; Admonition; Amharic Commentary on Our Father; Amharic Commentary on Hail Mary; Wise saying in Amharic; Hymns to God, "All spiritual hosts of angels" - 19th/20th centuries.&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/c/cf/Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_a.jpg"&gt;&lt;IMG width="455" height="599" title="Ethiopian Biblical Manuscript U.Oregon Museum Shelf Mark 10-844" alt="2 crowned winged swordsmen" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_a.jpg/455px-Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/f/fb/Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_b.jpg"&gt;&lt;IMG width="449" height="599" title="Ethiopian Biblical Manuscript U.Oregon Museum Shelf Mark 10-844" alt="3 men" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/fb/Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_b.jpg/449px-Ethiopian_Biblical_Manuscript_-_U.Oregon_Museum_Shelf_Mark_10-844_b.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/8/81/Ethiopian_Biblical_Manuscript_U.Oregon_Museum_Shelf_Mark_10-844.jpg"&gt;&lt;IMG width="500" height="348" title="Ethiopian Biblical Manuscript U.Oregon Museum Shelf Mark 10-844" alt="page of ge'ez text and 2 identical Saints" src="http://farm3.static.flickr.com/2088/2040412894_7a35509bc9.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/4/44/Baptism_-_Ethiopian_Biblical_Manuscript_U.Oregon_Museum_Shelf_Mark_10-844_b.jpg"&gt;&lt;IMG width="500" height="339" title="Baptism - U.Oregon Museum" alt="baptism and ornamental figure" src="http://farm3.static.flickr.com/2417/2040347364_c20cdaf227.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/7/72/Baptism_-_Ethiopian_Biblical_Manuscript_U.Oregon_Museum_Shelf_Mark_10-844.jpg"&gt;&lt;IMG width="456" height="599" title="Baptism - Ethiopian Biblical Manuscript U.Oregon Museum Shelf Mark 10-844" alt="baptism in sea" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/72/Baptism_-_Ethiopian_Biblical_Manuscript_U.Oregon_Museum_Shelf_Mark_10-844.jpg/456px-Baptism_-_Ethiopian_Biblical_Manuscript_U.Oregon_Museum_Shelf_Mark_10-844.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;University of Oregon Museum of Natural and Cultural&lt;BR /&gt;History, Shelf Mark 10-844 - Psalter - 20th century.&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/2/2a/The_twelve_apostles_-_British_Library_Add._MS_59874_Ethiopian_Bible.jpg"&gt;&lt;IMG width="453" height="500" title="The twelve apostles - British Library Add. MS 59874 Ethiopian Bible" alt="12 apostles in 2 rows" src="http://farm3.static.flickr.com/2047/2039617509_1d43eac5c2.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;SPAN&gt;The twelve apostles and the Synodicon&lt;/SPAN&gt;&lt;BR /&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;"The standing figures of the twelve apostles acts as a frontispiece for a collection of texts called the Synodicon&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;A href="http://upload.wikimedia.org/wikipedia/commons/6/6c/Annunciation_to_Zechariah_British_Library_Add._MS_59874_Ethiopian_Bible.jpg"&gt;&lt;IMG width="469" height="500" title="Annunciation to Zechariah - British Library Add. MS 59874" alt="2 figures in stylised temple topped with birds" src="http://farm3.static.flickr.com/2017/2040345202_7b5325bc4a.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/1C5EADFE-BEA4-469C-B5E5-C3BCEFD61838.jpg" alt="illuminated ge'ez text page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Gospel of Matthew.&lt;BR /&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/6ECF127D-48B6-483E-9C75-3AA3D5932CD7.jpg" alt="Mary, Joseph, Jesus and chicken" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FD264508-1392-42DA-9BE1-46ABC6FAFC0A.jpg" alt="Christ in central location surrounded by animals and saints" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2007/11/ethiopian-manuscripts.html</clipSource><pubDate>Thu, 20 Aug 2009 14:14:09 GMT</pubDate></item><item><title>Runway found for flying reptiles</title><link>http://clipmarks.com/clipmark/0C69BB6E-A790-454A-B8B3-45F2108FE0AB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Fossil tracks show a pterosaur coming in for a landing &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php" title="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Several million years ago, at a time when dinosaurs walked the earth, a flying reptile - a pterosaur - came in for a landing. As it approached, it used its powerful wings to slow itself down and hit the ground feet first. It took a short hopping step before landing a second time. On solid ground, it leant forward, put its arms down and walked away on all fours. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;&lt;IMG width="200" height="152" alt="Quetzalcoatlus.jpg" src="http://scienceblogs.com/notrocketscience/upload/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing/Quetzalcoatlus.jpg" class="inset right" /&gt;The landing made quite an impression on the underlying limestone mud and in the following millennia, the creature's tracks became fossilised. Now, they have been unearthed by &lt;A href="http://fr.wikipedia.org/wiki/Jean-Michel_Mazin"&gt;Jean-Michel Mazin&lt;/A&gt; from the University of Lyon at a site near &lt;A href="http://www.frenchentree.com/france-lot-quercy-tourism-leisure/DisplayArticle.asp?ID=8246"&gt;Crayssac &lt;/A&gt;in southwestern France. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/B130226B-0CE2-44D5-973B-9502F5F66296.jpg" alt="Quetzalcoatlus.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dsc.discovery.com/news/2009/08/19/pterodactyl-landing.html" title="http://dsc.discovery.com/news/2009/08/19/pterodactyl-landing.html"&gt;dsc.discovery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/129FF64D-4090-4F62-BAF3-4C6F87230796.jpg" alt="Pterodactyl" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php" title="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FC2E0B3F-516E-48B3-A14A-E7C81F1767C4.jpg" alt="Pterosaur-tracks.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dsc.discovery.com/news/2009/08/19/pterodactyl-landing.html" title="http://dsc.discovery.com/news/2009/08/19/pterodactyl-landing.html"&gt;dsc.discovery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"The initial claw impressions coming out of the first parallel set of prints show that the &lt;A target="_blank" href="http://dsc.discovery.com/news/2008/11/11/hair-claw-protein.html"&gt;claws&lt;/A&gt; were dragged a bit along the ground as the animal came forward out of this first set," co-author Kevin Padian told Discovery News. "The fact that they're parallel shows that they're being impressed together."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php" title="http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;pterosaurs can land in the style of most modern birds&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/62F9CAB9-2758-432E-97EF-CF39379BEFC3.jpg" alt="Pterosaurwalking.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/notrocketscience/2009/08/fossil_tracks_show_a_pterosaur_coming_in_for_a_landing.php</clipSource><pubDate>Wed, 19 Aug 2009 21:18:58 GMT</pubDate></item><item><title>Hiroshima: 64 years ago today.</title><link>http://clipmarks.com/clipmark/B088B699-6DAA-4B66-93FE-C332349205DD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You'll need to visit the site to view the panorama mentioned in the clip and for information on each photo. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boston.com/bigpicture/2009/08/hiroshima_64_years_ago.html" title="http://www.boston.com/bigpicture/2009/08/hiroshima_64_years_ago.html"&gt;www.boston.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/EDAC89F1-5AAF-4AEE-885F-329CD88DDD54.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;August 6th, marks 64 years since the atomic bombing of Hiroshima, Japan by the United States at the end of World War II. Targeted for military reasons and for its terrain (flat for easier assessment of the aftermath), Hiroshima was home to approximately 250,000 people at the time of the bombing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nearly 70,000 people are believed to have been killed immediately, with possibly another 70,000 survivors dying of injuries and radiation exposure by 1950&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/39D539A6-F81B-4987-803D-BE54C4A4262B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A Japanese soldier walks through a leveled area in Hiroshima&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/D710A7DB-BE77-4052-A327-C4B85C66A4A2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;shortly before the bomb was dropped&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/571C25B1-7E09-405D-9E3A-C1D98D48FA24.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C0304E5C-2AD5-4AB0-8945-C788B44A2F34.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/5944D908-B412-43CA-8B4F-9F00DEFBE379.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the bomb codenamed "Little Boy"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9B7CEFD9-4608-48B1-9509-C860A1FB197D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/6EC99DAA-AE12-42DD-8546-5F4269369EDC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Shortly after 8:15 am, August 5, 1945&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/DC56A775-29D3-4366-B280-901F4AC9EF94.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/F01592A4-21D4-4F57-B1D6-07AB043668A3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Click, drag and zoom above to better view this panoramic view of a destroyed Hiroshima&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/0616A059-D700-4218-9384-2B295F32B423.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/67ED08ED-7A7C-4282-A595-665F729E589B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1E3CE058-FC61-45B7-BA64-F2E3889AFEE5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/1096396D-EB4F-4A0D-8D3F-CA0A4CBAB183.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/5FB3806A-7C26-464D-AB93-9D58FAD8AC48.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/38C90F38-916C-4FC5-958A-DA975CC6E50C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; weeks after the bombing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/D5CB8B63-B17E-443C-BEAD-CD1B2015B141.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/3A05C673-323F-454F-AD9E-3AE6EC51354D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E50AA27E-97E3-4567-933F-7FD046A9CD02.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B63210F5-EDA1-4F75-BD34-45410CFC9765.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9188E29B-FD67-41A6-81A7-505C99FA5C46.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A "shadow" of a hand valve wheel on the painted wall of a gas storage tank&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F45F0DCD-2068-4453-9DA6-F42D97240FD0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;makeshift hospital&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/73DD0113-8A95-4427-A955-2F86856D03C9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;skin is burned in a pattern corresponding to the dark portions of a kimono&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E2DAECE2-E5E0-44E1-AEC4-2A420A7B3E27.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/122D07E3-4D9B-45F4-9D5E-9E2A3820C650.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B368B869-CA2F-4F08-83B9-646D51F59FA0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/2E0C52D9-7808-4C3C-9FC4-FCF167EE7618.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/9580F307-7FB1-43F6-91C7-1718F18C5BFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B6CB9AEA-605D-486C-8BDA-4D3A0C50CF67.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/600C6A30-6168-4FAD-85EB-D0171A3514EB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C10BFAE8-0A3C-46AF-9723-1AA2277CC91F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;museum at the Hiroshima Peace Memorial Park&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4D2ADF34-1559-4EEB-A2BA-83267927754F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B1B3DA4B-F8B6-4CB9-A423-AA1F928E1789.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Hiroshima today&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.boston.com/bigpicture/2009/08/hiroshima_64_years_ago.html</clipSource><pubDate>Thu, 06 Aug 2009 18:06:36 GMT</pubDate></item><item><title>Medieval battle records go online</title><link>http://clipmarks.com/clipmark/59913E7B-487C-4101-A1BD-BB37E79DCACE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  9 entries for "John Waterman" in the muster database, including an archer serving at Agincourt (1415) for Henry V under the the captaincy of the Earl of Oxford. &lt;br/&gt;A fascinating new resource. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/1/hi/uk/8160081.stm" title="http://news.bbc.co.uk/1/hi/uk/8160081.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The detailed service records of 250,000 medieval soldiers - including archers who served with Henry V at the Battle of Agincourt - have gone online.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E378DB63-859A-4C80-9A9A-8D7C7A8AFEAA.jpg" alt="Re-enactment of medieval soldiers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The database of those who fought in the Hundred Years War reveals salaries, sickness records and who was knighted. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The full profiles of soldiers from 1369 to 1453 will allow researchers to piece together details of their lives. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Thomas, Lord Despenser is the youngest soldier on the database, whose career began when he was aged just 12 in 1385. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Elsewhere, the career of Thomas Gloucestre, who fought at Agincourt, can be traced over 43 years and includes campaigns in Prussia and Jerusalem. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"The service records survive because the English exchequer had a very modern obsession with wanting to be sure that the government's money was being spent as intended&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The free-to-use website, funded by the Arts and Humanities Research Council, also shows which soldiers rode the furthest.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.icmacentre.ac.uk/soldier/database/" title="http://www.icmacentre.ac.uk/soldier/database/"&gt;www.icmacentre.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A pilot  project database is now available for &lt;A href="http://www.icmacentre.ac.uk/soldier/database/search.php"&gt;searching&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.icmacentre.ac.uk/soldier/database/search.php" title="http://www.icmacentre.ac.uk/soldier/database/search.php"&gt;www.icmacentre.ac.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4&gt;Muster roll database&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/1/hi/uk/8160081.stm</clipSource><pubDate>Tue, 21 Jul 2009 16:30:29 GMT</pubDate></item><item><title>The Anatomy of a Pygmie</title><link>http://clipmarks.com/clipmark/EB610AA6-F0BE-4E30-855C-1BAAB33449B3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2006/07/anatomy-of-pygmie.html" title="http://bibliodyssey.blogspot.com/2006/07/anatomy-of-pygmie.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/3D695BC3-3F05-4E31-80FE-29BED4DED4CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;In the late 1690s a chimpanzee had only been seen illustrated in Europe once previously and the larger apes such as the orangutan and gorilla were not discovered or described until the 18th and 19th centuries respectively. It was not surprising therefore that Tyson was given the opportunity to dissect a chimpanzee that had been brought over from Africa in 1698.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4570FB16-82CB-4C5B-8FD9-BEF82395DFB7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“one would be apt to think, that since there is so great a disparity&lt;BR /&gt;between the Soul of a Man, and a Brute, the Organ likewise in&lt;BR /&gt;which ’tis placed should be very different too.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/8DFFFDDE-BF50-4277-B07D-350C704FCCFD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E6954CA8-B8BA-484E-906F-6212E9390944.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/28E5EE4C-7D35-485A-9FA6-D09D85488534.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/38A630B7-C349-4CF3-8BD6-917F2F25A246.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/013B30E6-CACA-487D-80DB-0D737396780F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The chimpanzee was a juvenile&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;and was injured on board its transport ship. The injury later became infected and caused the chimp's death. This injury is either directly or inadvertently represented in the engraving above (all the drawings were done by the anatomist William Cowper) in which the bipedal chimp is seen using a walking stick. Tyson described the animal as quadru-manous to distinguish it from the quadrupeds.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2006/07/anatomy-of-pygmie.html</clipSource><pubDate>Tue, 21 Jul 2009 11:34:15 GMT</pubDate></item><item><title>Apollo 11 Anniversary Link-O-Rama</title><link>http://clipmarks.com/clipmark/D7E034F2-46D9-4D8A-9784-CD57E1DC6638/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.universetoday.com/2009/07/16/apollo-11-anniversary-link-o-rama/" title="http://www.universetoday.com/2009/07/16/apollo-11-anniversary-link-o-rama/"&gt;www.universetoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/81BE1DED-C74B-469E-A445-1F87EC1C7746.jpg" alt="Apollo 11 landing site on Tranquility Base. Credit: NASA" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Apollo 11 40th anniversary is coming at us fast and furious!  With restored images and video, mission audio, interviews, and special features, who can keep track of it all?  Well, we're going to try.  We'll post here all the links we can find that has anything to do with the anniversary.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Audio, Video, etc: &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Listen to Apollo 11 mission audio "live" to the minute as it happened 40 years ago (July 16-24) or listen later at any time:  &lt;A href="http://wechoosethemoon.org/"&gt;We Choose the Moon&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.nasa.gov/multimedia/hd/apollo11.html"&gt;High-Definition Restored Apollo 11 Video from NASA&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.nasa.gov/mission_pages/apollo/40th/a11_audio_highlights.html"&gt;Listen to audio recorded from inside the Apollo 11 spacecraft which have never been heard before by the public&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Cool websites: &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.nasa.gov/externalflash/apollo40/"&gt;NASA's Apollo Missions website&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.nasa.gov/externalflash/apollo11_landing/index.html"&gt;NASA's Interactive Tranquility Base&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://history.nasa.gov/SP-4029/Apollo_11i_Timeline.htm"&gt;Apollo 11 Timeline&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.nasm.si.edu/collections/imagery/Apollo/AS11/a11.htm"&gt;The Smithsonian National Air and Space Museum's Apollo 11 site&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://www.boston.com/bigpicture/2009/07/remembering_apollo_11.html"&gt;&lt;BR /&gt;
The Boston Globe's Big Picture does Apollo 11&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://dsc.discovery.com/news/slideshows/apollo-11-anniversary.html"&gt;Discovery News Apollo 11 Slideshow&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Miscellaneous:&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.universetoday.com/2009/07/16/apollo-11-anniversary-link-o-rama/</clipSource><pubDate>Fri, 17 Jul 2009 05:24:12 GMT</pubDate></item><item><title>Long Hidden Egyptian Treasures on Show In An English Castle</title><link>http://clipmarks.com/clipmark/BD541105-10FE-49FB-8A2E-241466F87B0C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dsc.discovery.com/news/2009/07/16/carnavon-king-tut.html" title="http://dsc.discovery.com/news/2009/07/16/carnavon-king-tut.html"&gt;dsc.discovery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;July 16, 2009&lt;/STRONG&gt; -- Lord Carnarvon, the man who funded the discovery of the tomb of Tutankhamun and &lt;A target="_blank" href="http://history.howstuffworks.com/ancient-egypt/king-tut-tomb.htm/printable"&gt;died five months later in mysterious circumstances&lt;/A&gt; before he could actually see the mummy's face, was a superstitious man who wore the same lucky bow tie all his life.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Such anecdotes are part of a unique exhibition at &lt;A target="_blank" href="http://www.highclerecastle.co.uk"&gt;Highclere Castle&lt;/A&gt;, home of the Carnarvon family since the architect of London's Houses of Parliament built it in the 1840&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he castle kept many secrets on its own. For more than 60 years, its walls concealed an important chapter of the &lt;A target="_blank" href="http://dsc.discovery.com/news/2008/12/17/king-tut-father.html"&gt;King Tut&lt;/A&gt; search: a cache of Egyptian antiquities, excavated by George Herbert, 5th Earl of Carnarvon and his colleague and employee, Howard Carter in the years leading up to the discovery of the treasure-filled tomb&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="widgets-in-top-right" class="clear clearfix floatRight"&gt;
&lt;DIV id="twoColumnWidget"&gt;
&lt;DIV&gt;&lt;A target="_blank" href="http://dsc.discovery.com/videos/news-carnarvon-castle-reveals-treasures.html"&gt;&lt;IMG width="326" height="182" border="0" src="http://dsc.discovery.com/news/gallery/videos/carnarvon-treasures.jpg" alt="tiger sharks" /&gt;&lt;/A&gt;&lt;/DIV&gt;
&lt;DIV class="standardWidgetPadding"&gt;&lt;A target="_blank" href="http://dsc.discovery.com/videos/news-carnarvon-castle-reveals-treasures.html"&gt;&lt;STRONG&gt;WATCH VIDEO: Explore the long-hidden treasures of Lord Carnavon's Castle. &lt;/STRONG&gt; &lt;/A&gt;&lt;/DIV&gt;
&lt;/DIV&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The long-hidden collection is now presented in its full glory in the cellars of the castle&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="clear clearfix floatRight" id="widgets-in-top-right"&gt;



	
	
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://dsc.discovery.com/news/2009/07/16/carnavon-king-tut.html</clipSource><pubDate>Thu, 16 Jul 2009 18:51:55 GMT</pubDate></item><item><title>Ancient Alexandria under water</title><link>http://clipmarks.com/clipmark/44327D2F-44A5-46FB-8E41-9B47E5F2A38A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG108.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG108.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8C72C3F5-F73A-4BBD-AC27-45D089D9E015.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0001.xml" title="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0001.xml"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Project Timeline&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Underwater archaeologist Franck Goddio first began to study ancient Alexandria back in the eighties, using historical documents as his guide. Before embarking on his missions in Egypt, he gathered valuable marine archaeology experiences excavating shipwrecks in Asia.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0005.xml" title="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0005.xml"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
        Layout of the sunken royal quarters of Alexandria in the ancient Portus Magnus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/30DEC6A6-4D28-4535-A0C8-BA3556D0FF5C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0006.xml" title="http://www.franckgoddio.org/Sitemap/Project/ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0006.xml"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
        Artist's view of the ancient Portus Magnus of Alexandria
      &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/D5E51427-B42A-4AF5-A01F-18C5EFD14582.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX_98-IC-23.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX_98-IC-23.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D30E40AD-7094-46A8-A584-A9C83BD69080.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX_98-IC-09.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX_98-IC-09.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E9F97782-7749-418F-AF09-F91AF8653127.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Once cleared from sediments, these limestone pavements reveal an esplanade big enough to support great buildings.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG114.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG114.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EA00398A-9294-47AD-91B7-D2AF6F99C8B1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG130.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG130.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/7390093C-C5BF-4526-9C80-781D2774AC85.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX-CLEO-PAL-JD-089.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX-CLEO-PAL-JD-089.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/9F732840-1EBA-43F0-A436-9341BD59AF89.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Sphinx found on the Antirhodos Island near to the priest carrying Osiris-Canopis.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;History&lt;BR /&gt;
            &lt;P&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0001.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink3"&gt;Project Timeline&lt;/A&gt;
            &lt;/P&gt;
            &lt;BR /&gt;
            Mission Reports&lt;BR /&gt;
            &lt;P&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0004.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink4"&gt;Mission 1996-1997&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0003.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink2"&gt;Mission 1998&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0002.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink1"&gt;Mission 1999&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0009.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink15"&gt;Mission 2000-2003&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0010.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink10"&gt;Mission 2004-2005&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0012.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink12"&gt;Mission 2006&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0013.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink9"&gt;Mission 2007&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=B&amp;XmlDocument=0014.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink11"&gt;Mission 2008&lt;/A&gt;
            &lt;/P&gt;
            &lt;BR /&gt;
            Maps and Illustrations&lt;BR /&gt;
            &lt;P&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0005.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink5"&gt;Layout sunken Alex...(Map)&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=D&amp;XmlDocument=0006.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink6"&gt;Artist's view&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/../ProjectArticel.aspx?ProjectName=Alexandria&amp;Layout=C&amp;XmlDocument=0007.xml" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink8"&gt;Timonium (Map)&lt;/A&gt;
                &lt;BR /&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/VideoMeetTheSphinxes.aspx" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_HyperLink7"&gt;Meet the Sphinxes (Video)&lt;/A&gt;
                
            &lt;/P&gt;
            &lt;BR /&gt;
            Explore More&lt;BR /&gt;
            &lt;P&gt;
                &lt;SPAN class="NavTopicLink"&gt;Gallery: &lt;/SPAN&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX_98-IC-23.jpg" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_LinkButton1"&gt;1&lt;/A&gt;
                &lt;A href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX98-CG-72.jpg" class="NavTopicLink" id="ctl00_ContentLeft_GalleryNavigation2_LinkButton11"&gt;2&lt;/A&gt;
                &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX-CLEO-PAL-JD-036.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX-CLEO-PAL-JD-036.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/AE64B5C1-9E27-4C6D-ACAA-8ED9F08E9352.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX_98_CG_25.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX_98_CG_25.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/6741338F-22FC-401D-9DD8-B92EAE7AA8A6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX98-IC-68.jpg" title="http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria2&amp;SelectedImage=ALEX98-IC-68.jpg"&gt;www.franckgoddio.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/66C8C439-4D7F-4D7C-B248-84E78DDFEDA4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.franckgoddio.org/Sitemap/Project/Alexandria/Gallery.aspx?GalleryGroupKey=Alexandria1&amp;SelectedImage=ALEX98-CG108.jpg</clipSource><pubDate>Tue, 14 Jul 2009 10:58:44 GMT</pubDate></item><item><title>Codex Fejervary Mayer - Sacred Aztec Calendar</title><link>http://clipmarks.com/clipmark/72162192-6CC5-4F08-A43F-F9043278D71A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/07/codex-fejervary-mayer.html" title="http://bibliodyssey.blogspot.com/2009/07/codex-fejervary-mayer.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/527784FF-A0AF-4BA2-B41F-6B3B9AD2A419.jpg" alt="Codex Fejervary Mayer (famsi) cosmos" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Codex Fejérváry-Mayer is a 15th or early 16th Aztec (or Mixtec) manuscript on deer skin from Veracruz in central Mexico. Named for a Hungarian collector and British patron, this pre-Columbian accordion-style document outlines the cosmological and calendrical orientations of the Mayan people. As a typical calendar codex &lt;SPAN&gt;tonalamatl&lt;/SPAN&gt; dealing with the sacred Aztec calendar -- the &lt;SPAN&gt;tonalpohualli&lt;/SPAN&gt; -- &lt;A href="http://en.wikipedia.org/wiki/Codex_Fej%C3%A9rv%C3%A1ry-Mayer"&gt;it&lt;/A&gt; is grouped in the &lt;A href="http://en.wikipedia.org/wiki/Category:Borgia_Group"&gt;Codex Borgia group&lt;/A&gt;.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The painted manuscript divides the world into five parts. T-shaped trees delineate compass points: east at the top, west on the bottom, north on the left, and south on the right. The four directions are distributed around a sacred center, shown here as Xiuhtecuhlti, the god of fire&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/5BFF8EEE-CA45-4F52-A333-6AC22FFD346B.png" alt="Mesoamerican cosmology map legend" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/C2D6D55A-6E33-4420-A4F7-CB5B87465CA3.jpg" alt="Codex Fejervary Mayer (famsi) e" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/70262BC1-97D3-4EF4-AAB4-FD9D192A4621.jpg" alt="Codex Fejervary Mayer (famsi)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/8F404784-EF66-4A69-93A3-312A9524392F.jpg" alt="Codex Fejervary Mayer (famsi) a" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/109BC27D-37DB-42A7-8AED-CD1E14DC3898.jpg" alt="Codex Fejervary Mayer (famsi) b" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/6108CCE9-0B60-4487-A84D-090A84ADBC18.jpg" alt="Codex Fejervary Mayer (famsi) c" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/265901EE-A061-4F5B-AF19-47494A0DDDCE.jpg" alt="Codex Fejervary Mayer (famsi) d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1A8DC116-0692-4134-90D9-9F0ED20551A2.jpg" alt="Codex Fejervary Mayer (famsi) f" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/BD233ACB-F1FD-433F-BD74-D2454CC85E85.jpg" alt="Codex Fejervary Mayer (famsi) h" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/33DDBF61-7E96-442A-B572-6DE5627B1FBB.jpg" alt="Codex Fejervary Mayer (famsi) j" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Tezcatlipoca tempted Cipactli the Earth Monster to the surface of the great waters by using his foot as bait. In swallowing his foot (s)he lost her lower jaw. Hideously crippled (s)he was unable to sink and thus the earth was created from her body." &lt;SMALL&gt;&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/3DC7D6C2-2D7F-4E9B-A0E8-7627FD5EC939.jpg" alt="Codex Fejervary Mayer (famsi) k" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/21402B4A-8946-4746-879B-BECB55782570.jpg" alt="Codex Fejervary Mayer (famsi) i" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C40C8558-13D8-4EB4-A9B2-999ABAC66F7F.jpg" alt="Codex Fejervary Mayer (famsi) l" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/F3A7EC37-813B-412C-8714-A03F77B0D484.jpg" alt="Codex Fejervary Mayer (famsi) m" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/07/codex-fejervary-mayer.html</clipSource><pubDate>Mon, 06 Jul 2009 06:35:04 GMT</pubDate></item><item><title>35,000 year old flutes could have aided Neanderthals' decline</title><link>http://clipmarks.com/clipmark/D580AC76-B637-420B-B3FE-BB4FF82B7CED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/notrocketscience/2009/06/35000-year-old_german_flutes_display_excellent_kraftwerk.php" title="http://scienceblogs.com/notrocketscience/2009/06/35000-year-old_german_flutes_display_excellent_kraftwerk.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/95642A16-5869-49F6-8929-85DC84AE2EE2.jpg" alt="Flute_vulture_bone.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Thirty-five thousands years before the likes of Kraftwerk, Nena and Rammstein, the lands of Germany were resounding to a very different sort of musical sound - tunes emanating from flutes made of bird bones and ivory. These thin tubes have recently been uncovered by &lt;A href="http://www.urgeschichte.uni-tuebingen.de/index.php?id=25"&gt;Nicholas Conard&lt;/A&gt; from the University of Tubingen and they're some of the oldest musical instruments ever discovered.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/93CF5AE5-AFDD-4DE8-88B8-D8AB2CB22478.jpg" alt="Fluteinground.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The ancient flutes hail from the Hohle Fels Cave in Germany's Ach Valley, a veritable treasure trove of prehistoric finds that have also yielded &lt;A href="http://scienceblogs.com/notrocketscience/2009/05/prehistoric_pin-up_is_oldest_known_figurative_art.php"&gt;the oldest known figurative art&lt;/A&gt;. The flutes were found less than a metre away. Together, these finds show that Europeans had a rich artistic and musical culture as far back as the Upper Palaeolithic period, some 35,000 years ago.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Cultural traditions such as music could have played a small part in cementing large social networks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;even contributed to our ancestors expanding their range at the cost of the more culturally conservative Neanderthals, who lived in the same area&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/notrocketscience/2009/06/35000-year-old_german_flutes_display_excellent_kraftwerk.php</clipSource><pubDate>Wed, 24 Jun 2009 20:37:51 GMT</pubDate></item></channel></rss>