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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | JohnWaterman's art collection</title><link>http://clipmarks.com/clipper/JohnWaterman/clipcast/art/</link><feedUrl>http://rss.clipmarks.com/clipper/JohnWaterman/clipcast/art/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>"Rubenesque" Proportions</title><link>http://clipmarks.com/clipmark/20C4BA34-B14C-4A3B-91F6-B7585080089C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.all-art.org/history655_changed_world-5a.html" title="http://www.all-art.org/history655_changed_world-5a.html"&gt;www.all-art.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="6"&gt;&lt;BR /&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;&lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;&lt;/P&gt;
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            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;IMG width="270" height="221" border="0" src="http://www.all-art.org/changed%20the%20world/94-3.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;IMG width="270" height="370" border="0" src="http://www.all-art.org/changed%20the%20world/94-5.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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          &lt;IMG width="635" height="480" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/157.jpg" /&gt;&lt;BR /&gt;
      &lt;/FONT&gt;&lt;/B&gt;&lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;IMG width="428" height="621" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-15%20copy.jpg" /&gt;&lt;BR /&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;IMG width="245" height="364" border="0" src="http://www.all-art.org/changed%20the%20world/94-9.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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          &lt;SPAN id="ArtworkAuctionResults1_lblResultList1"&gt;
          &lt;IMG width="317" height="480" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/145.jpg" /&gt;&lt;BR /&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="270" height="413" border="0" src="http://www.all-art.org/changed%20the%20world/94-10.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.all-art.org/history655_changed_world-5a.html</clipSource><pubDate>Mon, 07 Dec 2009 18:53:05 GMT</pubDate></item><item><title>Stephen Hawking portrait unveiled at Royal Society</title><link>http://clipmarks.com/clipmark/EC4418A7-C44E-489A-BCEF-F0A73072A9F0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society" title="http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/FBEA5D35-61F7-44CE-956E-6AAD5F9CE7F7.jpg" alt="Stephen Hawking portrait by Tai-Shan Schierenberg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Cambridge cosmologist &lt;A href="http://www.guardian.co.uk/science/hawking"&gt;Stephen Hawking&lt;/A&gt; arrived in London yesterday for the official unveiling of the portrait by Tai-Shan Schierenberg at the Royal Society, the UK's academy of science.&lt;BR /&gt;&lt;A href="http://www.flowerseast.com/FE/Artists_Originals.asp?Artist=SCHIER"&gt;&lt;BR /&gt;You can see more of the artist's work here.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/FA9AA249-7E05-4653-A194-B44B1E852E7A.jpg" alt="Portrait of Stephen Hawking by Tai-Shan SchierenbergStephen Hawking by Tai-Shan Schierenberg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/science/blog/2009/nov/26/stephen-hawking-portrait-royal-society</clipSource><pubDate>Thu, 26 Nov 2009 18:58:12 GMT</pubDate></item><item><title>On the case with Weegee the Famous</title><link>http://clipmarks.com/clipmark/AD288CED-C8A8-4BA9-92A4-025EFDCBCE6B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EB576BAC-8AC1-4C5B-94A7-21FFC802B761.jpg" alt="Weegee the Famous: Henry Rosen and Harvey Stemmer were arrested for bribing basketball players" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;STRONG&gt;24 November 2009:&lt;/STRONG&gt; Part artist, part detective, Arthur Fellig – better known as Weegee – prowled the seedy underbelly of pre-war New York, looking for crime scenes to photograph. A press photographer whose nickname came from his mysterious, ouija-like ability to sense trouble, he developed his stark and noirish signature style by chasing the city's emergency services.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html" title="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html"&gt;www.rachelhulin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/AC05D9EB-2101-4345-8D8E-E1FF0F34A1CB.jpg" alt="weegee-1d" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E38B8086-5FBF-4453-9CC6-13E5AE9B4D03.jpg" alt="weegee-2-1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/D5A00D24-05CB-4470-99BF-E84091024B59.jpg" alt="weegee-canon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/0C37A595-876B-4A10-A976-F30ADA999541.jpg" alt="weegee-fire" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F2F6D392-2D9E-4B14-B8D3-185F15562825.jpg" alt="weegee-sammys" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/40C24D6F-4706-44B1-AA2C-41E17E3E2DC0.jpg" alt="weegee-umbrella" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/509BBB92-2F07-464C-88AB-45F5A20605B5.jpg" alt="weegee-wagon" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bakedinny.com/2008/07/weegees-city/" title="http://www.bakedinny.com/2008/07/weegees-city/"&gt;www.bakedinny.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B6C3A03D-0B48-403A-B8F8-0A4FB1328161.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D6C4A8F6-81CE-47CD-B479-F6F5FA886A0F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html" title="http://www.rachelhulin.com/blog/2009/09/ten-from-weegee-and-amber-online.html"&gt;www.rachelhulin.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E12B2CDC-CCD8-439A-9C22-9C1134C37F3B.jpg" alt="weegee-kiss" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/15A78B5B-5670-42AF-9D46-1FCED83B7099.jpg" alt="weegee-mending" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/5C7D7C48-35DC-4712-B719-160067F6C1B6.jpg" alt="weegee-beach" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089321"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Weegee later went on to work in film, collaborating with the likes of Stanley Kubrick, but is best remembered for photography that typified New York street life between the wars. A selection of his works – many of which have never previously been seen in the UK – go on display at &lt;A href="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm"&gt;Michael Hoppen Gallery&lt;/A&gt; from 25 November until 10 January 2010&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm" title="http://www.michaelhoppengallery.com/exhibition,upcoming,1,0,0,0,0,0,0,0,upcoming_exhibitions.htmlmm"&gt;www.michaelhoppengallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;IMG border="0" alt="Michael Hoppen Gallery" src="http://www.michaelhoppengallery.com/templates/site/img/michael_hoppen_gallery.gif" /&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E3B87695-CC7C-426F-A66A-6E042DFCB7E4.jpg" alt=""Out of the River", February 24, 1942" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Weegee-It's a crime to take photographs this good...&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089327" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089327"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/5609BA8A-A0B3-4255-982A-6980B1F43995.jpg" alt="Weegee the Famous: After the Opera ... at Sammy's Nightclub on the Bowery (c1944)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089329" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089329"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/ECA3D747-768B-494A-8DD5-7A6E5A25AA6A.jpg" alt="Weegee the Famous: Billie Dauscha (left) and Mabel Sidney, Bowery Entertainers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089331" title="http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089331"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/110FA294-1F6F-491A-9662-6F6363589E8D.jpg" alt="Weegee the Famous: Max is rushing in the mornings (c1940)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/gallery/2009/nov/03/weegee-the-famous-photography?picture=355089325</clipSource><pubDate>Tue, 24 Nov 2009 17:18:53 GMT</pubDate></item><item><title>The art of Bernard Pras</title><link>http://clipmarks.com/clipmark/D8494692-FC38-4B26-B331-6257CCE277A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sweet-station.com/blog/?p=8443" title="http://www.sweet-station.com/blog/?p=8443"&gt;www.sweet-station.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D84F2443-4CB9-4F05-9C77-CD126B24A897.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;‘ Pras was born in 1952 in the south-west of France in a toy shop. After more than 20 years spent as a painter, and also a sculptor of recovered objects, Pras conceived in 1997, an astonishing form of expression, using photography as a basis for the creation of what amounts to a form of installation art. Pras’s work does not illustrate the painter’s art but the way the eye views an object. In fact, brush and paint are replaced by the object itself. By anamorphosis  he creates a picture in relief and gives birth to portraits by randomly accumulating common objects. Pras sets up his camera at a well-defined angle so that the objects themselves merge and a portrait appears from this bric-à-brac - the work of art is accomplished ! The photograph is the only remaining trace of this ephemeral work.’ &lt;A target="new" href="http://www.vvdm-gallery.com/PRAS-BERNARD-BIOGRAPHY-PHOTOS-ORIGINAL-ARTWORKS-PORTRAITS.htm"&gt;Link here.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E8E0FEC7-3359-494C-A7F5-FE8877A4EA70.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/E82BD3E3-0E1A-473B-BDAD-99F274951DB0.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/A6A0EB0B-8BEF-489E-8B6F-37F2EDD58549.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/0CC0F671-6832-4BD5-BDF6-A1B76A037801.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-SCREAM-FAMOUS-ARTWORK-PRAS.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-SCREAM-FAMOUS-ARTWORK-PRAS.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/C88DC755-E670-4CE5-BCDE-D825B0CE965E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-ARCIMBOLDO-PORTRAIT.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-ARCIMBOLDO-PORTRAIT.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/06586148-C81F-458A-B394-4E1A9A261DE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BRUCE-LEE-PORTRAIT-ARTWORK.htm" title="http://www.vvdm-gallery.com/PRAS-BRUCE-LEE-PORTRAIT-ARTWORK.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/9061F6E9-0F26-47E5-80E1-97E2747E5A6B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-CHE-GUEVERA-PORTRAIT-IMAGES.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-CHE-GUEVERA-PORTRAIT-IMAGES.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/DCDAD19D-4AA1-4D87-9009-ABEB9687EA17.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-MICKEY-DISNEY-PHOTO-INSTALLATION.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-MICKEY-DISNEY-PHOTO-INSTALLATION.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/2017BF54-E796-4A10-8150-69F73D546B7E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-EINSTEIN-PHOTO-ASSEMBLAGE-ARTWORK.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-EINSTEIN-PHOTO-ASSEMBLAGE-ARTWORK.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/526A30D8-3E98-48AB-9CAE-E3F558274086.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-GEISHA-PORTRAITS-ART.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-GEISHA-PORTRAITS-ART.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B536E180-3617-4BB1-8E98-476EC2E28D6A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sweet-station.com/blog/?p=8443</clipSource><pubDate>Sat, 24 Oct 2009 08:51:40 GMT</pubDate></item><item><title>Berlin East Side Gallery</title><link>http://clipmarks.com/clipmark/AB8836EC-4A7C-47C4-9F9C-09D6F4B78478/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg" title="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg"&gt;www.traveladventures.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/0CB68BCC-437A-4A60-8AF6-3141FFD6E005.jpg" alt="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vimeo.com/6734709" title="http://vimeo.com/6734709"&gt;vimeo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The East Side Gallery is the longest preserved stretch of the former Berlin Wall.&lt;BR /&gt;&lt;DIV&gt;
It is the largest open-air gallery in the world with 106 original mural paintings on 1.3 km-long created by artists from all over the world after the collapse of East Germany.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Today, it is being renovated for the Commemorations of the 20th anniversary of the "Fall of the Wall"&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm" title="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm"&gt;dailysoft.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://dailysoft.com/berlinwall/photographs/../faq/info.htm" class="text"&gt;&lt;/A&gt;&lt;/DIV&gt;
 &lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm" class="text"&gt;East Side Gallery 1&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_01.htm" class="text"&gt;East Side Gallery 2&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_02.htm" class="text"&gt;East Side Gallery 3&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_03.htm" class="text"&gt;East Side Gallery 4&lt;/A&gt;&lt;BR /&gt;
 
&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=File:East_Side_Gallery_trabi.jpg&amp;oldid=26672311" title="http://commons.wikimedia.org/w/index.php?title=File:East_Side_Gallery_trabi.jpg&amp;oldid=26672311"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/402438BD-9A59-49A4-B621-49FF39F51FD6.jpg" alt="File:East Side Gallery trabi.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg" title="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg"&gt;cache.virtualtourist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/00FB9AF1-79C6-4803-92E3-E0B67EFB9579.jpg" alt="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cambridge2000.com/gallery/html/P31211857e.html" title="http://www.cambridge2000.com/gallery/html/P31211857e.html"&gt;www.cambridge2000.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/7DA5414E-FCA7-4DA0-8B51-A17083C3BB80.jpg" alt="Berlin, Germany: East Side Gallery (Berlin Wall): sea of humanity" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg</clipSource><pubDate>Mon, 19 Oct 2009 21:30:10 GMT</pubDate></item><item><title>Handshakes in Thought:  The Van Gogh Letter Sketches</title><link>http://clipmarks.com/clipmark/70A252B5-70C2-43E2-925F-59B7B3045A65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It's difficult to do justice to this great post in a clip so please visit the site.&lt;br/&gt;&lt;br/&gt;The whole blog is well worth a good browse too &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html" title="http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"&lt;A title="Guardian article dated 18-10-09" href="http://www.guardian.co.uk/artanddesign/2009/oct/18/vincent-van-gogh-the-letters"&gt;This&lt;/A&gt; magnificent new edition of the complete Van Gogh letters is a celebration not only of a great artist but of art itself. Through six large volumes of more than 900 letters, meticulously annotated and accompanied by a wealth of illustrations, we are allowed to follow the painter's progress through a long and at times painful apprenticeship to ultimate artistic triumph.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/BD6B079A-4726-4B19-91C0-072BC2C37FA7.jpg" alt="Café Au charbonnage - November 1878 (148)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Café Au Charbonnage&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;To Theo Van Gogh (Vincent's brother) from Laken (near Brussels)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;November 1878 &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let148/letter.html"&gt;148&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;SPAN class="Apple-style-span"&gt;&lt;I&gt;click on any of the linked numbers with each image to access the letter facsimile, &lt;/I&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;SPAN class="Apple-style-span"&gt;&lt;I&gt;transcriptions/translations and views of completed artworks and useful notations&lt;/I&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4E9BB300-EA86-4D30-8D32-FFC0D3832614.jpg" alt="Road with a man and pollard willows - October 1881 (175)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Road with a man and pollard willows&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;October 1881 &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let175/letter.html"&gt;175&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nature always begins by resisting the draughtsman, but he who truly takes it seriously doesn’t let himself be deterred by that resistance, on the contrary, it’s one more stimulus to go on fighting, and at bottom nature and an honest draughtsman see eye to eye&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4AC11846-5D03-48BE-8CF0-6C20F6DAC897.jpg" alt="Bleaching ground - July 1882 (251)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let251/letter.html"&gt;251&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/13881285-5D76-4BCA-A676-142F9C8E9FD0.jpg" alt="Fishing boats on the beach AND Rooftops - July 1882 (251)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let251/letter.html"&gt;251&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/70A46624-50C7-491F-89E7-7CAE735F0F5A.jpg" alt="Pollard willow - July 1882 (252)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let252/letter.html"&gt;252&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/26D5E838-7F18-4A70-B747-BEA29ACDC2E8.jpg" alt="Four people on a bench - September 1882 (262)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let262/letter.html"&gt;262&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/EC32477F-9DAE-4726-AE05-8768347AF9E1.jpg" alt="Orchard in blossom with two figures, spring - October 1882 (271)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let271/letter.html"&gt;271&lt;/A&gt;]&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/144B3100-4D73-4B28-8A86-C0A5C23E325E.jpg" alt="Miners in the snow winter - October 1882 (271)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let271/letter.html"&gt;271&lt;/A&gt;]&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7118822E-1A4D-4D31-B06D-9790FF03DF64.jpg" alt="Five men and a child in the snow - March 1883 (322)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BB3AC14D-A7CB-4772-97EE-D613C218D1AE.jpg" alt="Snowy yard - March 1883 (329)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4702BC7A-45A6-4923-8C74-D32FBA074964.jpg" alt="Man in a village inn - March 1883 (330)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/446D62DC-4880-4048-91BB-D47218CE8595.jpg" alt="Peat diggers in the dunes - May 1883 (347)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/BC8D37B0-5427-45E6-9622-77682EDE4B82.jpg" alt="Gardener with a wheelbarrow AND Interior with a woman sewing AND Weaver - January 1884 (421)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/17EF1B81-611B-4375-B8A1-802E2BE9402E.jpg" alt="Parsonage garden with trees in blossom - April 1884 (444)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F5CE0205-B181-4C9B-B8EA-7BC7E0747483.jpg" alt="Orchard bordered by cypresses - April 1888 (596)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/479AFA0A-EECA-45C9-8A5B-87D3FF1A3E98.jpg" alt="Still life with coffee pot - May 1888 (611)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F9A28C8B-3EC9-4A38-A27B-2D7BA13A8BEE.jpg" alt="The public garden (‘The poet's garden’) - September 1888 (689)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/1FA37593-708A-425F-8B36-336781AA0DDA.jpg" alt="The Yellow House (‘The street’) -  September 1888 (691)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/1E23466E-2B29-43DC-ACB3-7A21879BCCDD.jpg" alt="Starry night over the Rhône - September 1888 (691)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1F53CCC6-45C6-4A7C-8CD1-7F484A9670B7.jpg" alt="Starry night over the Rhône - October 1888 (693)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/04A67B31-C17A-4EC9-B4ED-7840A23D8850.jpg" alt="The bedroom - October 1888 (705)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/85E2DCF9-6BD8-4639-8AF5-6C58B84E9F18.jpg" alt="The bedroom - October 1888 (706)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/DD4D7EDE-4047-4A4F-811B-E36B6FFEDC05.jpg" alt="Daubigny’s garden - July 1890 (902)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/87C57F85-9FAA-40C6-A976-9B9487C2D177.jpg" alt="Thatched cottages and figures - July 1890 (902)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html</clipSource><pubDate>Mon, 19 Oct 2009 21:11:53 GMT</pubDate></item><item><title>Black Hole at Tate Modern</title><link>http://clipmarks.com/clipmark/BF476284-07BB-4571-A0E2-CDA7D9EBC12F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  How It Is by Miroslaw Balka &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;DIV&gt;&lt;STRONG&gt;12 October 2009:&lt;/STRONG&gt; The installation of a giant shipping container, resembling a cavernous black hole, marks Tate Modern's 10th annual commission for the building's Turbine Hall. The work, by &lt;A href="http://www.guardian.co.uk/artanddesign/2009/sep/15/miroslaw-balka-interview-tate-modern"&gt;Polish artist Miroslaw Balka&lt;/A&gt;, measures up to 30 metres long and 13 metres high. The Guardian's art critic, Adrian Searle, described the artwork as occupying 'a space that asks for silence'.&lt;/DIV&gt;&lt;BR /&gt;How It Is will be open to the public at Tate Modern from tomorrow until 5 April 2010&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/CEDF077D-F5CA-414D-B5AD-C36D4E4D1623.jpg" alt="Tate Turbine Hall: The Unliever Series: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/video/2009/oct/12/miroslaw-balka-tate-modern" title="http://www.guardian.co.uk/artanddesign/video/2009/oct/12/miroslaw-balka-tate-modern"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/2009/oct/12/miroslaw-balka-turbine-hall" title="http://www.guardian.co.uk/artanddesign/2009/oct/12/miroslaw-balka-turbine-hall"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Even perspective seems distorted; there's no discernible vanishing point. If the walls close in, so the dark seems to open out, both unfolding and enveloping. You wrestle for a sense of volume, and end up feeling the walls for guidance. They are lined, unexpectedly, with felt.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140630" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140630"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A3E856E6-38C8-4EDA-AA3F-15F89207E513.jpg" alt="Tate Turbine Hall: The Unliever Series: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/2009/oct/12/miroslaw-balka-turbine-hall" title="http://www.guardian.co.uk/artanddesign/2009/oct/12/miroslaw-balka-turbine-hall"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Balka has also covered some of the Turbine Hall's skylights, reducing the overall light level, and the looming darkness inside the steel structure feels both palpable and impenetrable&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140633" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140633"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/1BAFBF7B-C285-4045-8291-06095302F70D.jpg" alt="Tate Turbine Hall: The Unliever Series: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140628" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354140628"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/55B831A4-85E3-4A7F-96D2-BD4CBF18273A.jpg" alt="Tate Turbine Hall: The Unliever Series: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148470" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148470"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/EC0D8A4A-DFB8-4683-AF32-D0A105727175.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148472" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148472"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4F2DA12D-674C-42DD-B6FE-241024EF7064.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148474" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148474"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/740CFE00-750A-47A6-91A9-FF1372214E92.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148476" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148476"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F052C6E3-89B0-4114-86AA-AA998CAC18EA.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148763" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148763"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/2FF890D4-F88D-4FCC-938E-BFA172C8BCA4.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148765" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka?picture=354148765"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/2B0A030B-A190-4AD7-8783-95ED76DCFF0E.jpg" alt="tate modern turbine hall: Miroslaw Balka 'How It Is' Turbine Hall, Tate Modern" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/gallery/2009/oct/12/turbine-hall-tate-modern-miroslaw-balka</clipSource><pubDate>Mon, 12 Oct 2009 23:24:47 GMT</pubDate></item><item><title>Beefactory</title><link>http://clipmarks.com/clipmark/4ED19724-61FD-403A-A901-9E16D9DFF858/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.beefactory.be/" title="http://www.beefactory.be/"&gt;www.beefactory.be&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="60"&gt;&lt;IMG src="http://www.beefactory.be/images/logo.gif" alt="image" /&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="82" valign="bottom"&gt;&lt;A href="http://www.beefactory.be"&gt;Our work&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="105" valign="bottom"&gt;&lt;A href="http://www.beefactory.be/mood.html"&gt;Our moodbook&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="bottom"&gt;&lt;A href="http://www.beefactory.be/love.html"&gt;We love photography&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sweet-station.com/blog/?p=8047" title="http://www.sweet-station.com/blog/?p=8047"&gt;www.sweet-station.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/5981C03B-3D0B-4C72-9847-309F264097CA.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4B30E6C6-06FE-4A08-912C-6EA85646E14C.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/AF406C9B-5FBD-405D-A2C0-2AED65CACB66.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Belgian creative studio &lt;A target="new" href="http://www.beefactory.be/"&gt;Beefactory&lt;/A&gt; has a large collection of fantastic retouched photos. Have a look and enjoy!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/804FE061-C0E4-4ADC-AAFC-82D599F0425E.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/EDB575B4-528E-43ED-89C9-3FF08DE79235.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.beefactory.be/" title="http://www.beefactory.be/"&gt;www.beefactory.be&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="photographers"&gt;
    &lt;IMG width="122" height="19" src="http://www.beefactory.be/images/byphotographer.gif" alt="image" /&gt;
    &lt;UL&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=23"&gt;&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=17"&gt;Achim Lippoth&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=32"&gt;Allan Grainger&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=12"&gt;Bernard Bertrand&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=25"&gt;Delphine Gilson&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=29"&gt;François Chevalier&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=15"&gt;Frank Uyttenhove&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=18"&gt;Frieke Janssens&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=35"&gt;Geert De Taeye&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=19"&gt;Gregor Collienne&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=9"&gt;Jean-Michel Byl&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=27"&gt;Jeffrey Vanhoutte&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=33"&gt;Jurgen Rogiers&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=38"&gt;Klaarke Meert&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=24"&gt;Kris Van Beek&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=34"&gt;Kurt Stallaert&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=30"&gt;Laurent Diat&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=7"&gt;Marc Paeps&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=36"&gt;Pierre Pironet&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=10"&gt;Sébastien Mauroy&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=37"&gt;Sofie Silbermann&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=22"&gt;Stockshot(s)&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=26"&gt;Thomas François&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=39"&gt;Thomas Vanhaute&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=8"&gt;Tom Joye&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=14"&gt;Unnamed&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=28"&gt;Vincent Fournier&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=16"&gt;Wim van de Genachte&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?photographer_id=11"&gt;Xavier Harcq&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;
  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="dates"&gt;
    &lt;IMG width="60" height="19" src="http://www.beefactory.be/images/bydates.gif" alt="image" /&gt;
    &lt;UL&gt;
  &lt;LI&gt;&lt;BR /&gt;2009&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|09"&gt;September&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|08"&gt;August&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|06"&gt;June&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|05"&gt;May&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|04"&gt;April&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|03"&gt;March&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|02"&gt;February&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2009|01"&gt;January&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;BR /&gt;2008&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|12"&gt;December&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|11"&gt;November&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|10"&gt;October&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|09"&gt;September&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|08"&gt;August&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|07"&gt;July&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|06"&gt;June&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|05"&gt;May&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|04"&gt;April&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|03"&gt;March&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|02"&gt;February&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2008|01"&gt;January&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;BR /&gt;&lt;A href="http://www.beefactory.be/index.php?period=2007"&gt;2007&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2006"&gt;2006&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2005"&gt;2005&lt;/A&gt;&lt;/LI&gt;
  &lt;LI&gt;&lt;A href="http://www.beefactory.be/index.php?period=2004"&gt;2004&lt;/A&gt;&lt;/LI&gt;
&lt;/UL&gt;
  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.beefactory.be/</clipSource><pubDate>Fri, 09 Oct 2009 17:06:57 GMT</pubDate></item><item><title>Claire Morgan's art</title><link>http://clipmarks.com/clipmark/ADC2762A-2BCC-427E-A016-FC93656176DB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  much more at her site &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sweet-station.com/blog/?p=7726#comment-3214" title="http://www.sweet-station.com/blog/?p=7726#comment-3214"&gt;www.sweet-station.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;‘Fluid’ by &lt;A target="new" href="http://www.claire-morgan.co.uk/index.htm"&gt;Claire Morgan&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/8CDAE0FD-FCD2-4557-BFC5-74E3DBA9F509.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;made of strawberries, taxidermied crow, fishing hooks, nylon&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/66FAA3E1-F488-41EB-892B-F2D4A8E26807.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/FCA4441E-827D-4B06-9151-C380D679ADD9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/55D0AFBB-F035-42FF-9E5A-1EE0A4FAA693.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1D3B2BE5-B778-4D98-8601-77D4CC38AD28.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sweet-station.com/blog/?p=1515" title="http://www.sweet-station.com/blog/?p=1515"&gt;www.sweet-station.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This installation is&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Its made with nylon threads, lead, tawny owl, white mice (all taxidermied) and torn polythene shopping bags&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/3416AFA0-5B1E-4707-A549-7589FFC1D236.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/11E6AA1A-3A52-45C0-81DC-FD6878BB52C6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9F040C44-CD10-4D5E-8005-1702A32507C2.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.claire-morgan.co.uk/index.htm" title="http://www.claire-morgan.co.uk/index.htm"&gt;www.claire-morgan.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="mainHeader1"&gt;
				
				
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.claire-morgan.co.uk/page70.htm" title="http://www.claire-morgan.co.uk/page70.htm"&gt;www.claire-morgan.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="side-hover"&gt;&lt;A href="http://www.claire-morgan.co.uk/page70.htm"  class="indent"&gt;&lt;SPAN&gt;   Canopy&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FBAB59DE-13EF-4BAF-8044-26440B82CA1F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C776AD4A-0159-44FE-95F0-A69B4A0C8FEE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/FF54254A-2995-46F2-93F8-684196343EEE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/44D72AB8-7AFD-488D-B2D8-5245E8BD61EA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E53E796B-0F71-41C2-B7C1-E45131CDF912.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/684F72F7-5F48-4060-BF1A-BE453D25E749.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.claire-morgan.co.uk/page52.htm" title="http://www.claire-morgan.co.uk/page52.htm"&gt;www.claire-morgan.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class="side-hover"&gt;&lt;A href="http://www.claire-morgan.co.uk/page52.htm"  class="indent"&gt;&lt;SPAN&gt;   Fantastic Mr Fox&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A8A1BA21-EC17-43D8-94D2-0CE7DC94BDC5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Torn black polythene, a taxidermied fox, rotted rabbit meat, fishing hooks, nylon, lead, acrylic&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/609AB133-D768-4358-B38D-49268125818C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/291478DE-92B2-45B7-BD45-FCF1849451F6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4A436BD3-318D-4E18-AEAD-EA6671B8D28E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E924DADA-03FF-45B3-B2C2-9783CD800626.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.claire-morgan.co.uk/index.htm" title="http://www.claire-morgan.co.uk/index.htm"&gt;www.claire-morgan.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/index.htm" &gt;&lt;SPAN&gt;Home&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page2.htm" &gt;&lt;SPAN&gt;2009&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page3.htm" &gt;&lt;SPAN&gt;2008&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page4.htm" &gt;&lt;SPAN&gt;2007&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page5.htm" &gt;&lt;SPAN&gt;2006&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page33.htm" &gt;&lt;SPAN&gt;2005&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page34.htm" &gt;&lt;SPAN&gt;2004&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page35.htm" &gt;&lt;SPAN&gt;2002-2003&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page36.htm" &gt;&lt;SPAN&gt;News&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page37.htm" &gt;&lt;SPAN&gt;Works on Paper&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;LI class=""&gt;&lt;A href="http://www.claire-morgan.co.uk/page38.htm" &gt;&lt;SPAN&gt;Ideas&lt;/SPAN&gt;&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sweet-station.com/blog/?p=7726#comment-3214</clipSource><pubDate>Mon, 28 Sep 2009 19:22:44 GMT</pubDate></item><item><title>Three-headed bronze elephant stands on museum's stained glass dome.</title><link>http://clipmarks.com/clipmark/9D7EAE87-9408-45BA-AB8D-56D49DD724A3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Erawan Museum, Thailand &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/geek1/3465642644/sizes/o/in/set-72157617183105858/" title="http://www.flickr.com/photos/geek1/3465642644/sizes/o/in/set-72157617183105858/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B678F52D-C012-4554-A02C-E4259519569A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.krepcio.com/vitreosity/archives/001888.html" title="http://www.krepcio.com/vitreosity/archives/001888.html"&gt;www.krepcio.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The &lt;A target="_blank" href="http://www.erawan-museum.com/eng/main.html"&gt;Erawan Museum&lt;/A&gt;, near Bangkok, Thailand, is a truly unique contemporary building, and stained glass does figure in as a prominent feature.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E9CE7884-EE6B-418E-8546-92C43B5EAB32.jpg" alt="fullpanoramaERAWANSG-600.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Go look at the full and amazing hiresolution shots by flickrite &lt;A target="_blank" href="http://www.flickr.com/photos/ampamuka/3644835321/in/photostream/"&gt;AmpamukA&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/ampamuka/3644835321/sizes/l/in/photostream/" title="http://www.flickr.com/photos/ampamuka/3644835321/sizes/l/in/photostream/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt; &lt;A href="http://farm4.static.flickr.com/3605/3644835321_0aed2e9fdf_b_d.jpg"&gt;Download the Large
 size&lt;/A&gt;&lt;/B&gt;
		    
		                
		    &lt;SPAN&gt;	
					        		            - All sizes of this photo are available for download under &lt;A href="#cc_license"&gt;a Creative Commons license&lt;/A&gt;.
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		&lt;/P&gt;		
		
		&lt;P&gt;&lt;IMG src="http://farm4.static.flickr.com/3605/3644835321_0aed2e9fdf_b.jpg" /&gt;&lt;BR /&gt;&lt;/P&gt;
		
		

	
		&lt;P id="cc_license"&gt;
				&lt;A title="Click this link to find out details of the Creative Commons license associated with this image." href="http://creativecommons.org/licenses/by-nd/2.0/"&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.krepcio.com/vitreosity/archives/001888.html" title="http://www.krepcio.com/vitreosity/archives/001888.html"&gt;www.krepcio.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A shot seeing more of the interior with the glass&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6B6591D4-3AFF-485D-9761-EC89375A8E81.jpg" alt="weevirapornERAWANSG2-INT366.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;via flickrite &lt;A target="_blank" href="http://www.flickr.com/photos/geek1/3464814437/in/set-72157617183105858/"&gt;weeviraporn&lt;/A&gt;, who also has a nice &lt;A target="_blank" href="http://www.flickr.com/photos/geek1/sets/72157617183105858/"&gt;flickr set on the Erawan Museum&lt;/A&gt;.&lt;/P&gt;

&lt;P&gt;A detail showing the figural style of the stained glass. The details throughout the building look incredible. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/DD18F3AB-6421-483E-9643-56C6CC820993.jpg" alt="ampamukaERAWANSG_DET_600.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Now, the big question, if you haven't already gone to look - what kind of building is this contained in?&lt;/P&gt;

&lt;P&gt;A giant three-headed elephant building, of course. I don't quite know how it's done, but the big bronze elephant is basically standing on the stained glass dome. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/44A7E135-B37C-4FFA-9215-4C439F0EC5FF.jpg" alt="EXT-binderdonedat-400.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The official &lt;A target="_blank" href="http://www.erawan-museum.com/eng/main.html"&gt;Erawan Museum website&lt;/A&gt; gives a good amount of the back story. There is also an article in ThaiAsiaToday called &lt;A target="_blank" href="http://www.thaiasiatoday.com/index.php?option=com_content&amp;task=view&amp;id=384&amp;Itemid=35"&gt;Heavan's Above!&lt;/A&gt; that's gives further detail. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.flickr.com/photos/geek1/3465642644/sizes/o/in/set-72157617183105858/</clipSource><pubDate>Wed, 16 Sep 2009 21:22:20 GMT</pubDate></item><item><title>Karim Rashid: King of Colour</title><link>http://clipmarks.com/clipmark/B3A1C611-B949-435D-8F8C-32716543D792/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.colourlovers.com/blog/2009/09/11/the-colors-of-karim-rashid/" title="http://www.colourlovers.com/blog/2009/09/11/the-colors-of-karim-rashid/"&gt;www.colourlovers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/2B1E74A3-3DEB-4073-8BE1-B761EAB2867D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The so-called "king of color" - as told by the press release for &lt;A target="_blank" href="http://www.gorenje.com/"&gt;Gorenje's&lt;/A&gt; new line of color changing LED appliances designed by "the king," &lt;A target="_blank" href="http://www.karimrashid.com/"&gt;Karim Rashid&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; has his court split between lovers and haters, but his use of bold, bright colors is enthralling and his influence on our current industrial &amp; interior design environment is undeniable&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/67F67109-E139-40AE-B366-A7405EBCB4B7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/05FE6F86-4368-49FF-ABE0-19BEB24D397F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/142833AB-8410-44E9-A14E-F844F630D0D2.png" alt="karim_rashid_dubai" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/96D55684-66F0-43E0-9166-E61569AD4BE3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6876EEF2-6A2F-40B8-AE15-EFE214ADDB79.png" alt="karim_rashid_steps" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E5487F01-40E8-4020-8FA4-4F581239F66B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/AF507685-C605-4151-86AD-12C95A507FD7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/26E7440E-5540-48E7-939F-EC6369663C07.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/0FF08C87-DCE3-4965-B814-2D4F2B90CFBC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4DC96043-48EE-480C-ACAF-0554A48BCC95.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B305D97D-C5B3-43F7-AD9D-85B4E1C4160D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FD17034F-10A5-47BB-91E7-F2B891F364BD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/098EFCCE-683C-42FF-9666-37DBF5170CFE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BBFEE6F8-6A57-41DB-B960-0F29D63B656B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/393034FE-7F66-4E27-B0BC-1EAFB4EF9CBC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.colourlovers.com/blog/2009/09/11/the-colors-of-karim-rashid/</clipSource><pubDate>Fri, 11 Sep 2009 20:49:00 GMT</pubDate></item><item><title>Damien Hirst needs identical twins</title><link>http://clipmarks.com/clipmark/8D65FFCF-C4CC-4967-91BA-9F7438C98BAF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/video/2009/sep/11/damien-hirst-identical-twins-tate-modern" title="http://www.guardian.co.uk/artanddesign/video/2009/sep/11/damien-hirst-identical-twins-tate-modern"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/video/2009/sep/11/damien-hirst-identical-twins-tate-modern</clipSource><pubDate>Fri, 11 Sep 2009 20:48:52 GMT</pubDate></item><item><title>Bloody art!</title><link>http://clipmarks.com/clipmark/1D3D610A-76E4-4C86-BA24-F2BD62EAA37E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/2009/sep/10/marc-quinn-frozen-blood-sculpture" title="http://www.guardian.co.uk/artanddesign/2009/sep/10/marc-quinn-frozen-blood-sculpture"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Anyone of a squeamish disposition may want to avoid a certain room at the National Portrait Gallery, which today displayed its latest, £300,000, acquisition: 10 pints of the artist Marc Quinn's frozen blood in a self-portrait cast of his head, sitting zen-like on a concealed refrigeration unit.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/17ED5140-21C2-4596-A9DC-445B1DAD56E7.jpg" alt="Artist Marc Quinn and a model of his own head in frozen blood" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Self (2006) is one of Quinn's "blood heads", among Brit Art's most striking images. Quinn said: "For me, it was always about making the ultimate portrait that had the form of me but that was also made of me. It is sculpture pushed to the absurd, logical extreme."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This is the fourth blood head, made using blood removed by Quinn's doctor a pint at a time, every six weeks. The artist intends to make a head every five years to document his ageing. Not that it is entirely accurate. "Life casting does make you look older," said a far fresher-faced Quinn.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/2009/sep/10/marc-quinn-frozen-blood-sculpture</clipSource><pubDate>Fri, 11 Sep 2009 20:48:45 GMT</pubDate></item><item><title>The Bible in Stained Glass</title><link>http://clipmarks.com/clipmark/1E26BE5B-61C1-4044-B841-CD7F37FB6FE4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/nativite.htm" title="http://vitrail.dophan.com/vitraux/htm/nativite.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La Nativité&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/CF364EFA-EFE2-4BBC-8392-FC938DD90C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/8E43A7F0-13DE-4DEB-B1E2-ED5D901B4A5E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9ED5A460-6AF6-4737-876A-118F6A6B6491.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/BAF80C6A-40AD-4DCB-A92B-E0E3F16AF4AB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/6D34B486-BFAB-4140-A776-F6C602406835.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/" title="http://vitrail.dophan.com/"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; Thèmes bibliques :
&lt;UL&gt;
&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//1_Ancien.html" target="_blank"&gt;Ancien Testament&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//2_Nouveau.html" target="_blank"&gt;Nouveau Testament et Apocryphes&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//3_Bible.html" target="_blank"&gt;Autres thèmes de la Bible&lt;/A&gt; ,
&lt;/LI&gt;&lt;LI&gt; &lt;A href="http://vitrail.dophan.com//4_Saints.html" target="_blank"&gt;Saints&lt;/A&gt; ,
 &lt;A href="http://vitrail.dophan.com//5_Legendes.html" target="_blank"&gt;Histoires et Légendes&lt;/A&gt; , 
&lt;/LI&gt;&lt;/UL&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/benissant.htm" title="http://vitrail.dophan.com/vitraux/htm/benissant.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Jésus bénissant les enfants&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D542C0E2-B55D-449A-A080-36D6F5A73E48.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/DFF06AB6-F64E-4C5A-B341-614A61824DA6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B5BA7893-B098-46F2-B8EB-EC72E7FEF211.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/ECAC7E28-5E02-40E6-9ED4-58A19172651D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B0243EF8-9727-4D8B-987E-11A9C24C712F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9616CF55-5BEF-4412-B513-4135BFFA7D04.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1D910D06-9552-43FC-AD43-4304B269D0DA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vitrail.dophan.com/vitraux/htm/tentation.htm" title="http://vitrail.dophan.com/vitraux/htm/tentation.htm"&gt;vitrail.dophan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;La tentation de Jésus&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/61A37ACA-25CF-4044-8567-E0441F605C9A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EF3F8B68-0EA4-479C-AF9A-98AB1F58DEE9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/300B236D-7379-446B-9532-F77D39C53FB6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://vitrail.dophan.com/vitraux/htm/nativite.htm</clipSource><pubDate>Fri, 04 Sep 2009 22:19:30 GMT</pubDate></item><item><title>The cheekygirl10 Guide to Len Lye</title><link>http://clipmarks.com/clipmark/36417328-8A9C-4A8F-8B27-0DF1BEAA3D29/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br/&gt;And some of his early animations &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.krepcio.com/vitreosity/archives/001872.html" title="http://www.krepcio.com/vitreosity/archives/001872.html"&gt;www.krepcio.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For all his fame as a pioneer animator, Len Lye is probably best known in his native New Zealand for his kinetic sculptures.  There are a few YouTube videos that demonstrate the kinetic sculptures, including some like this, &lt;I&gt;&lt;A target="_blank" href="http://www.youtube.com/watch?v=J-EttQDeVBc"&gt;Kinetic Sculptures&lt;/A&gt;&lt;/I&gt;, with Lye himself talking about the work.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;I like this one best though - &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As a film animator, Len Lye drew, painted, scratched, and printed directly onto the motion picture film itself. This film is called &lt;I&gt;Trade Tattoo&lt;/I&gt;, made in 1937, and it represents his most complex mix of style, image, music and message. It's my favorite of Lye's films. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Len Lye purists don't tend to mention &lt;I&gt;Trade Tattoo&lt;/I&gt;, as the commercial 'message' is more fully integrated into the film. They prefer to show the ones that either just show the message as a throwaway at the end or the later films that are purely abstract. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Colour Box is probably his most famous film, and is always included in screenings of Lye's works. Made in 1935&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Swinging the Lambeth Walk, 1940 - &lt;BR /&gt;
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Free Radicals&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;too dour&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.krepcio.com/vitreosity/archives/001872.html</clipSource><pubDate>Tue, 25 Aug 2009 19:37:58 GMT</pubDate></item></channel></rss>