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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | JohnWaterman's clips</title><link>http://clipmarks.com/clipper/JohnWaterman/</link><feedUrl>http://rss.clipmarks.com/clipper/JohnWaterman/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Thanks for the chat</title><link>http://clipmarks.com/clipmark/5980A40A-B693-4ADC-8F90-7DC7FBF4B530/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mitchell And Webb &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=xGSBp_ODzxw&amp;feature=related" title="http://www.youtube.com/watch?v=xGSBp_ODzxw&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=xGSBp_ODzxw&amp;feature=related</clipSource><pubDate>Mon, 26 Oct 2009 15:09:50 GMT</pubDate></item><item><title>18 with a Bullet</title><link>http://clipmarks.com/clipmark/CE0D185E-C632-4BA1-BF88-E1AD9D86B949/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=o0_2Z3pPNM8" title="http://www.youtube.com/watch?v=o0_2Z3pPNM8"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=o0_2Z3pPNM8</clipSource><pubDate>Sun, 25 Oct 2009 21:46:15 GMT</pubDate></item><item><title>The Swine Flu Vaccine</title><link>http://clipmarks.com/clipmark/5DBD5EF0-FA98-4DC2-BD67-954201612D44/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dsc.discovery.com/news/2009/10/23/flu-vaccine-fears.html" title="http://dsc.discovery.com/news/2009/10/23/flu-vaccine-fears.html"&gt;dsc.discovery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;it's clear that &lt;A target="_blank" href="http://dsc.discovery.com/news/swine-flu-outbreak/"&gt;swine flu&lt;/A&gt; is taking the country by storm&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;government is urging just about everyone older than 6 months to get the H1N1 vaccine&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;while some people are waiting for hours in line to get themselves or their children vaccinated, others are avoiding it -- convinced that the H1N1 vaccine is unnecessary or even unsafe. Scientists are fighting hard to tackle those misconceptions&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;urban myths&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Someone says something that spreads virally from person to person and becomes truth in their minds&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; expert answers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Concern #1: &lt;/STRONG&gt;&lt;EM&gt;Swine flu is no big deal. It's just another example of media hype. &lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a larger than normal number of serious complications, including pneumonia and bacterial infections&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; hitting hard unusually early&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Concern #2: &lt;/STRONG&gt;&lt;EM&gt;The vaccine is more dangerous than the virus.&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;stubborn myth drives the experts nuts&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Concern #3: &lt;/STRONG&gt;&lt;EM&gt;The government will force you to get the vaccine, no matter what you think about it.&lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; simply not true&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;Concern #4: &lt;/STRONG&gt;&lt;EM&gt;I don't need the vaccine because I'm young and healthy. &lt;/EM&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;are most at risk&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://dsc.discovery.com/news/2009/10/23/flu-vaccine-fears.html</clipSource><pubDate>Sat, 24 Oct 2009 13:55:15 GMT</pubDate></item><item><title>Epic humpback whale battle filmed</title><link>http://clipmarks.com/clipmark/3C1A0051-BA65-4ED6-BF54-5D7BFBBAA6F8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Nature's biggest battle &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bbc.co.uk/nature/species/Humpback_Whale" title="http://www.bbc.co.uk/nature/species/Humpback_Whale"&gt;www.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/C4EDAC0A-531C-4F71-9D4E-E5E0CD24B393.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="clip-promo nth-child-1 odd selected"&gt;
			&lt;H3&gt;
				&lt;A href="http://www.bbc.co.uk/programmes/p004vb1f" class="p004vb1f"&gt;
					&lt;IMG width="146" height="82" alt="" src="http://open.live.bbc.co.uk/dynamic_images/naturelibrary_146/node3-staging.bbcimg.co.uk/iplayer/images/clip/p004vb1f_640_360.jpg" /&gt;
					Nature's biggest battle				&lt;/A&gt;
			&lt;/H3&gt;
			&lt;H4&gt;&lt;A href="http://www.bbc.co.uk/programmes/b00lbpcy/microsite"&gt;Life&lt;/A&gt;&lt;/H4&gt;
			&lt;P&gt;Hopeful humpbacks come to violent blows over females.&lt;/P&gt;
		&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8318000/8318182.stm" title="http://news.bbc.co.uk/earth/hi/earth_news/newsid_8318000/8318182.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="first"&gt;&lt;B&gt;It is the greatest animal battle on the planet, and it has finally been caught on camera.&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A BBC natural history crew has filmed the "humpback whale heat run", where 15m long, 40 tonne male whales fight it out to mate with even larger females. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;During the first complete sequence of this behaviour ever captured, the male humpbacks swim at high speed behind the female, violently jostling for access. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The collisions between the males can be violent enough to kill. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The footage was recorded for the BBC natural history series 
    
         
        
        
            
            &lt;A href="http://www.bbc.co.uk/programmes/b00lbpcy" class="inlineText"&gt;&lt;B&gt;Life.&lt;/B&gt;&lt;/A&gt;
            
        
        
    
    



&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.bbc.co.uk/nature/species/Humpback_Whale</clipSource><pubDate>Sat, 24 Oct 2009 13:53:28 GMT</pubDate></item><item><title>The art of Bernard Pras</title><link>http://clipmarks.com/clipmark/D8494692-FC38-4B26-B331-6257CCE277A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sweet-station.com/blog/?p=8443" title="http://www.sweet-station.com/blog/?p=8443"&gt;www.sweet-station.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/D84F2443-4CB9-4F05-9C77-CD126B24A897.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;‘ Pras was born in 1952 in the south-west of France in a toy shop. After more than 20 years spent as a painter, and also a sculptor of recovered objects, Pras conceived in 1997, an astonishing form of expression, using photography as a basis for the creation of what amounts to a form of installation art. Pras’s work does not illustrate the painter’s art but the way the eye views an object. In fact, brush and paint are replaced by the object itself. By anamorphosis  he creates a picture in relief and gives birth to portraits by randomly accumulating common objects. Pras sets up his camera at a well-defined angle so that the objects themselves merge and a portrait appears from this bric-à-brac - the work of art is accomplished ! The photograph is the only remaining trace of this ephemeral work.’ &lt;A target="new" href="http://www.vvdm-gallery.com/PRAS-BERNARD-BIOGRAPHY-PHOTOS-ORIGINAL-ARTWORKS-PORTRAITS.htm"&gt;Link here.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E8E0FEC7-3359-494C-A7F5-FE8877A4EA70.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/E82BD3E3-0E1A-473B-BDAD-99F274951DB0.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A6A0EB0B-8BEF-489E-8B6F-37F2EDD58549.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/0CC0F671-6832-4BD5-BDF6-A1B76A037801.jpg" alt="p" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-SCREAM-FAMOUS-ARTWORK-PRAS.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-SCREAM-FAMOUS-ARTWORK-PRAS.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/C88DC755-E670-4CE5-BCDE-D825B0CE965E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-ARCIMBOLDO-PORTRAIT.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-ARCIMBOLDO-PORTRAIT.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/06586148-C81F-458A-B394-4E1A9A261DE6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BRUCE-LEE-PORTRAIT-ARTWORK.htm" title="http://www.vvdm-gallery.com/PRAS-BRUCE-LEE-PORTRAIT-ARTWORK.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/9061F6E9-0F26-47E5-80E1-97E2747E5A6B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-CHE-GUEVERA-PORTRAIT-IMAGES.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-PHOTO-CHE-GUEVERA-PORTRAIT-IMAGES.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/DCDAD19D-4AA1-4D87-9009-ABEB9687EA17.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-MICKEY-DISNEY-PHOTO-INSTALLATION.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-MICKEY-DISNEY-PHOTO-INSTALLATION.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/2017BF54-E796-4A10-8150-69F73D546B7E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-EINSTEIN-PHOTO-ASSEMBLAGE-ARTWORK.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-EINSTEIN-PHOTO-ASSEMBLAGE-ARTWORK.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/526A30D8-3E98-48AB-9CAE-E3F558274086.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vvdm-gallery.com/PRAS-BERNARD-GEISHA-PORTRAITS-ART.htm" title="http://www.vvdm-gallery.com/PRAS-BERNARD-GEISHA-PORTRAITS-ART.htm"&gt;www.vvdm-gallery.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B536E180-3617-4BB1-8E98-476EC2E28D6A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sweet-station.com/blog/?p=8443</clipSource><pubDate>Sat, 24 Oct 2009 08:51:40 GMT</pubDate></item><item><title>Diwali 2009</title><link>http://clipmarks.com/clipmark/227EEA94-19A7-4EB2-A9F2-6525B4E9E614/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.boston.com/bigpicture/2009/10/diwali_2009.html" title="http://www.boston.com/bigpicture/2009/10/diwali_2009.html"&gt;www.boston.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/E1F8F88D-C1BC-4702-B4BD-C0FFD539277C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="bpBody"&gt;October 17th marked the celebration of Diwali among Hindus and other groups around the world. Diwali is also known as the "Festival of Lights" (the name translates as "row of lamps" in Sanskrit). The festival marks the homecoming of Hindu God Rama to Ayodhya after a 14-year exile in the forest following his victory over Ravana, and signifies the victory of good over evil, of light over darkness. Celebrants observe Diwali with fireworks, colorful lanterns, lamps, garlands, sweet treats and worship. Collected here are a handful of photographs of Diwali this year. (&lt;A href="http://www.boston.com/bigpicture/2009/10/diwali_2009.html"&gt;33 photos total&lt;/A&gt;)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F2F66AE2-9358-4AB2-A184-33C599C5549E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BC55F386-1C28-43F4-ACA7-363E04DC31B3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F01E1D4E-8BDE-4465-ADD0-FAC0A7AE6A74.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/B2C5B745-8893-4765-B93A-6F1C7E64C8C8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7FDD8FCD-BCF5-4C5B-8048-457B3A9E027B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/EB9CBFDA-1F74-4130-8C4A-4BDA48181F6E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4CF89A31-41F6-4175-A22F-F9245D4B933F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1CA7EA2F-37BB-46F6-B04F-0A40457C170B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F3B0D37E-6F90-4191-9A12-46EA42BBE5D2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AE45BFC4-92F8-492F-91A3-E290A1EB3F86.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/F9142A59-831A-47C7-8B79-AB9CA0E17C94.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/77B8DC11-7011-4512-8D4F-CA3873AD3086.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/D5D1C8C0-BA98-408C-9F89-F8550EDB3103.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/99190413-4D2B-4A58-AAED-3986B033A835.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/22D68A2D-2D1E-48E0-8D26-51880AC33ADE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/7F8F09FF-75C5-4665-BE57-E68D21A56C3D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/31E5C8A5-60C5-4EFE-BA02-C0BBCB13C513.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/788AB046-6B0D-475A-A6C2-057128D05606.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/ABE822EC-C0FD-4471-B432-94507FCC9709.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/2C0EB1DE-9069-48FB-8221-01BCE1950227.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/37175C03-4769-48A5-8E44-D8AB34046726.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/3047B02E-8A56-4C0E-8F24-DFE87619765D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/485F658F-9A35-4C54-BAA0-9BECF14F525F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/108A5C21-90A2-407A-9F6F-CFDB28DE29DB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/5ACAC415-DA41-4470-B94F-A9846A91AE97.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/64129804-5BCD-42CA-AF0B-D43045036CB8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/46596B09-74BA-4DDB-B1D7-75E942480C5D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/361E3861-1DCC-421D-BBFF-E6A7A37BA9E9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/A319F7BF-E9AA-49C1-8B7A-97E2C443EA2F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AA30DFAE-C304-4C3B-8E5D-43B2B06E84AA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/6D2AF3E9-8E00-442E-9335-A5DB66CC00AD.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/5168DB04-E45F-4ED2-A29C-6FE7946EBA84.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.boston.com/bigpicture/2009/10/diwali_2009.html</clipSource><pubDate>Sat, 24 Oct 2009 08:31:21 GMT</pubDate></item><item><title>A People's History of the Internet - 1969 to Today</title><link>http://clipmarks.com/clipmark/414DD642-D512-4B94-B100-C7E7EA09CA84/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/BartendingBear/"&gt;BartendingBear&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Unclippable interactive feature. Includes interview with Bill Duvall of Stanford and Charley Kline (then of UCLA), the first two Internet users. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/technology/interactive/2009/oct/23/internet-arpanet" title="http://www.guardian.co.uk/technology/interactive/2009/oct/23/internet-arpanet"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;A people's history of the internet: from Arpanet in 1969 to today&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="stand-first-alone" id="stand-first"&gt;To mark the 40th anniversary of the first stirrings of the internet we asked you &lt;A href="http://www.guardian.co.uk/technology/2009/aug/11/internet-computing" linkindex="31"&gt;to tell us&lt;/A&gt; your experiences of life online. Hundreds of you responded, and here we present an interactive documentary of your stories and videos, alongside our own research and interviews with key figures (&lt;A href="http://www.guardian.co.uk/technology/blog/2009/oct/23/arpanet-internet" linkindex="32"&gt;About this project&lt;/A&gt;)&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/technology/interactive/2009/oct/23/internet-arpanet</clipSource><pubDate>Fri, 23 Oct 2009 20:14:49 GMT</pubDate></item><item><title> 50 Intelligent Video Sites</title><link>http://clipmarks.com/clipmark/E4C77170-3CEC-43BE-BFDE-FEB2383F4990/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.openculture.com/2009/10/50_intelligent_video_sites.html" title="http://www.openculture.com/2009/10/50_intelligent_video_sites.html"&gt;www.openculture.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Back in June, we first posted a handy list of web sites where you will find free intelligent videos — documentaries, classic films, public television programs, university courses &amp; lectures, interviews with big thinkers, etc. The collection has now grown to 50 sites. Below, you can find the first ten sites on the list, and &lt;A href="http://www.openculture.com/2009/06/intelligent_video_the_top_cultural_and_educational_video_sites.html"&gt;you can check out the complete collection here.&lt;/A&gt; Feel free to share it with friends and, of course, tell us if we’re missing something valuable by using the comments section below.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.openculture.com/2009/10/50_intelligent_video_sites.html</clipSource><pubDate>Thu, 22 Oct 2009 13:40:20 GMT</pubDate></item><item><title>Jane Bown's portraits</title><link>http://clipmarks.com/clipmark/3F80F166-091D-4EC8-9D05-48E22FD56980/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267007" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267007"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/43934AE6-E98E-4D60-A3D7-6F136A5EB0D6.jpg" alt="Jane Bown retrospective: Jane Bown’s portrait of Bertrand Russell" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266989" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266989"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Since her first, brilliant portrait of Bertrand Russell appeared in the Observer 60 years ago, Jane Bown has photographed some of the world's most famous faces. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267007" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267007"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;She has worked for the paper for six decades&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266989" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266989"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D1BFEB8C-B9A6-4FF1-ADDE-311A1C55E01D.jpg" alt="Jane Bown retrospective: Bjork by Jane Bown" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Bjork, 1995&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266991" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266991"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/2B9130B0-46EC-43D1-B085-7FEDE2577E77.jpg" alt="Jane Bown retrospective: Bono, photographed in Dublin docklands" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bono&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1987&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266993" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266993"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/709571B9-2C4F-4811-9D84-49C675E79BE0.jpg" alt="Jane Bown retrospective: Brassaï, 1982" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Brassaï, 1982.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266995" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266995"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/2F41B751-2720-4426-9A7A-BB910E2AE845.jpg" alt="Jane Bown retrospective: Cilla Black by Jane Bown" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Cilla Black&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266997" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266997"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/69E5CD49-297F-4EC5-9010-43686446875A.jpg" alt="Jane Bown retrospective: David Hockney (1966)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;David Hockney, 1966&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266999" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354266999"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/7A4CF53D-D1CB-491D-A371-E092C817213D.jpg" alt="Jane Bown retrospective: Dennis Hopper (1982)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Dennis Hopper, 1982&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267001" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267001"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F91620E1-AE93-4FC7-94C4-8FEDF4C8BC21.jpg" alt="Jane Bown retrospective: Edith Sitwell, photographed in 1959" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Edith Sitwell, photographed in 1959 &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267003" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267003"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E6A12D31-2326-4F16-ABD8-3A695C3F30EA.jpg" alt="Jane Bown retrospective: Groucho Marx, SJ Perelman and Kenneth Tynan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Groucho Marx, SJ Perelman and Kenneth Tynan, 1964&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267005" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267005"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/A0563580-42C4-4754-A4C3-FF94DA11D721.jpg" alt="Jane Bown retrospective: Henri Cartier-Bresson (1957)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Henri Cartier-Bresson, 1957&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267009" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267009"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/672254C1-8839-4789-A024-1E4ED1D8204E.jpg" alt="Jane Bown retrospective: Jayne Mansfield, 1967" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Jayne Mansfield, her Hollywood career over, was appearing in working men’s clubs in the north of England when this photograph was taken in 1967. A week later she was killed in a car accident&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267011" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267011"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/FD50E317-13CC-44DE-A894-28A784E0784A.jpg" alt="Jane Bown retrospective: John Lennon (1967)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;John Lennon, 1967&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267013" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267013"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/9A172108-48E8-4228-86A7-ABD8F0DF7AB9.jpg" alt="Jane Bown retrospective: Liza Minnelli in 1973" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267015" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267015"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B6D65BB0-CFB1-4A81-ADBA-6D9774143791.jpg" alt="Jane Bown retrospective: Margaret Thatcher (1983)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267017" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267017"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4A336CCA-9B5A-481D-929C-2B2444D3F3EB.jpg" alt="Jane Bown retrospective: Michael Caine (1968)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267019" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267019"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EE960720-2452-4148-B392-A5CAAB19C914.jpg" alt="Jane Bown retrospective: Mick Jagger (1977)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267021" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267021"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/0CD3E5E6-339D-4FA0-B0F4-0D186A7A99E6.jpg" alt="Jane Bown retrospective: Moira Shearer (1950)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Ballerina Moira Shearer, 1950&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267023" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267023"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/3647F927-7166-45C6-8CA3-04FF42432B89.jpg" alt="Jane Bown retrospective: Orson Welles (1951)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267025" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267025"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/B3276E30-D894-49B9-9DBB-B75655548ADE.jpg" alt="Jane Bown retrospective: PJ Harvey (1995)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;PJ Harvey, 1995&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267027" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267027"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/DE408E88-1B63-4382-B603-1FBD9655019C.jpg" alt="Jane Bown retrospective: Paul McCartney (1963)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267029" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267029"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8FB5D084-D3ED-4F03-A0F5-99FDC0F59AD1.jpg" alt="Jane Bown retrospective: Philip Larkin outside Hull University library" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Philip Larkin&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267031" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267031"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/AB44D2A8-94FD-4BB3-9C04-8ED7FD72FBCB.jpg" alt="Jane Bown retrospective: Quentin Crisp by Jane Bown" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Quentin Crisp at home in Chelsea in 1978&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267033" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267033"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/A312C271-5259-4B38-8B09-559ADE154C55.jpg" alt="Jane Bown retrospective: Richard Harris in 1977" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Richard Harris in 1977&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267035" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267035"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/8A78A9E2-1DE1-4354-AC1D-E2B5D97A2655.jpg" alt="Jane Bown retrospective: Richard Nixon (1978)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267037" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267037"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8F106A63-3D1B-49DE-A73E-7A0DC1EBAD0C.jpg" alt="Jane Bown retrospective: Samuel Beckett by Jane Bown" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Samuel Beckett.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267039" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267039"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sinead O'Connor, 1992&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267041" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267041"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/B639C0AB-2A2D-4CC4-845F-77B2B67E8023.jpg" alt="Jane Bown retrospective: Spike Lee" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="number"&gt;&lt;/P&gt;
				&lt;P&gt;Spike Lee&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267043" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267043"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/307CC28E-F4A1-40BF-BADC-F7E9E4667A0B.jpg" alt="Jane Bown retrospective: Sylvester Stallone (1979)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267045" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267045"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/72C6E651-6B69-4358-B6BD-4F6F428119DC.jpg" alt="Jane Bown retrospective: The Queen, celebrating her 80th birthday in 2006" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267047" title="http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267047"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/FC61468A-42AA-4B01-94A8-A8268F308E81.jpg" alt="Jane Bown retrospective: Woody Allen (1994)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/artanddesign/gallery/2009/oct/18/jane-bown-60-years-portraits?picture=354267007</clipSource><pubDate>Mon, 19 Oct 2009 21:46:33 GMT</pubDate></item><item><title>Berlin East Side Gallery</title><link>http://clipmarks.com/clipmark/AB8836EC-4A7C-47C4-9F9C-09D6F4B78478/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg" title="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg"&gt;www.traveladventures.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/0CB68BCC-437A-4A60-8AF6-3141FFD6E005.jpg" alt="http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vimeo.com/6734709" title="http://vimeo.com/6734709"&gt;vimeo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The East Side Gallery is the longest preserved stretch of the former Berlin Wall.&lt;BR /&gt;&lt;DIV&gt;
It is the largest open-air gallery in the world with 106 original mural paintings on 1.3 km-long created by artists from all over the world after the collapse of East Germany.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Today, it is being renovated for the Commemorations of the 20th anniversary of the "Fall of the Wall"&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm" title="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm"&gt;dailysoft.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;A href="http://dailysoft.com/berlinwall/photographs/../faq/info.htm" class="text"&gt;&lt;/A&gt;&lt;/DIV&gt;
 &lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery.htm" class="text"&gt;East Side Gallery 1&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_01.htm" class="text"&gt;East Side Gallery 2&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_02.htm" class="text"&gt;East Side Gallery 3&lt;/A&gt;&lt;BR /&gt;
&lt;A href="http://dailysoft.com/berlinwall/photographs/eastsidegallery/eastsidegallery_03.htm" class="text"&gt;East Side Gallery 4&lt;/A&gt;&lt;BR /&gt;
 
&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://commons.wikimedia.org/w/index.php?title=File:East_Side_Gallery_trabi.jpg&amp;oldid=26672311" title="http://commons.wikimedia.org/w/index.php?title=File:East_Side_Gallery_trabi.jpg&amp;oldid=26672311"&gt;commons.wikimedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/402438BD-9A59-49A4-B621-49FF39F51FD6.jpg" alt="File:East Side Gallery trabi.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg" title="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg"&gt;cache.virtualtourist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/00FB9AF1-79C6-4803-92E3-E0B67EFB9579.jpg" alt="http://cache.virtualtourist.com/2968972-East_Side_Gallery-Berlin.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cambridge2000.com/gallery/html/P31211857e.html" title="http://www.cambridge2000.com/gallery/html/P31211857e.html"&gt;www.cambridge2000.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/7DA5414E-FCA7-4DA0-8B51-A17083C3BB80.jpg" alt="Berlin, Germany: East Side Gallery (Berlin Wall): sea of humanity" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.traveladventures.org/continents/europe/images/eastsidegallery01.jpg</clipSource><pubDate>Mon, 19 Oct 2009 21:30:10 GMT</pubDate></item><item><title>Handshakes in Thought:  The Van Gogh Letter Sketches</title><link>http://clipmarks.com/clipmark/70A252B5-70C2-43E2-925F-59B7B3045A65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  It's difficult to do justice to this great post in a clip so please visit the site.&lt;br/&gt;&lt;br/&gt;The whole blog is well worth a good browse too &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html" title="http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html"&gt;bibliodyssey.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"&lt;A title="Guardian article dated 18-10-09" href="http://www.guardian.co.uk/artanddesign/2009/oct/18/vincent-van-gogh-the-letters"&gt;This&lt;/A&gt; magnificent new edition of the complete Van Gogh letters is a celebration not only of a great artist but of art itself. Through six large volumes of more than 900 letters, meticulously annotated and accompanied by a wealth of illustrations, we are allowed to follow the painter's progress through a long and at times painful apprenticeship to ultimate artistic triumph.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BD6B079A-4726-4B19-91C0-072BC2C37FA7.jpg" alt="Café Au charbonnage - November 1878 (148)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Café Au Charbonnage&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;To Theo Van Gogh (Vincent's brother) from Laken (near Brussels)&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;November 1878 &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let148/letter.html"&gt;148&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;SPAN class="Apple-style-span"&gt;&lt;I&gt;click on any of the linked numbers with each image to access the letter facsimile, &lt;/I&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;DIV&gt;&lt;DIV&gt;&lt;SPAN class="Apple-style-span"&gt;&lt;I&gt;transcriptions/translations and views of completed artworks and useful notations&lt;/I&gt;&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/4E9BB300-EA86-4D30-8D32-FFC0D3832614.jpg" alt="Road with a man and pollard willows - October 1881 (175)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Road with a man and pollard willows&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;October 1881 &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let175/letter.html"&gt;175&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nature always begins by resisting the draughtsman, but he who truly takes it seriously doesn’t let himself be deterred by that resistance, on the contrary, it’s one more stimulus to go on fighting, and at bottom nature and an honest draughtsman see eye to eye&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4AC11846-5D03-48BE-8CF0-6C20F6DAC897.jpg" alt="Bleaching ground - July 1882 (251)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let251/letter.html"&gt;251&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/13881285-5D76-4BCA-A676-142F9C8E9FD0.jpg" alt="Fishing boats on the beach AND Rooftops - July 1882 (251)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let251/letter.html"&gt;251&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/70A46624-50C7-491F-89E7-7CAE735F0F5A.jpg" alt="Pollard willow - July 1882 (252)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let252/letter.html"&gt;252&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/26D5E838-7F18-4A70-B747-BEA29ACDC2E8.jpg" alt="Four people on a bench - September 1882 (262)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let262/letter.html"&gt;262&lt;/A&gt;]&lt;/SMALL&gt;&lt;/DIV&gt;&lt;BR /&gt;&lt;DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/EC32477F-9DAE-4726-AE05-8768347AF9E1.jpg" alt="Orchard in blossom with two figures, spring - October 1882 (271)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let271/letter.html"&gt;271&lt;/A&gt;]&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/144B3100-4D73-4B28-8A86-C0A5C23E325E.jpg" alt="Miners in the snow winter - October 1882 (271)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;SMALL&gt;[&lt;A href="http://www.vangoghletters.org/vg/letters/let271/letter.html"&gt;271&lt;/A&gt;]&lt;/SMALL&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/7118822E-1A4D-4D31-B06D-9790FF03DF64.jpg" alt="Five men and a child in the snow - March 1883 (322)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/BB3AC14D-A7CB-4772-97EE-D613C218D1AE.jpg" alt="Snowy yard - March 1883 (329)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/4702BC7A-45A6-4923-8C74-D32FBA074964.jpg" alt="Man in a village inn - March 1883 (330)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/446D62DC-4880-4048-91BB-D47218CE8595.jpg" alt="Peat diggers in the dunes - May 1883 (347)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/BC8D37B0-5427-45E6-9622-77682EDE4B82.jpg" alt="Gardener with a wheelbarrow AND Interior with a woman sewing AND Weaver - January 1884 (421)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/17EF1B81-611B-4375-B8A1-802E2BE9402E.jpg" alt="Parsonage garden with trees in blossom - April 1884 (444)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F5CE0205-B181-4C9B-B8EA-7BC7E0747483.jpg" alt="Orchard bordered by cypresses - April 1888 (596)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/479AFA0A-EECA-45C9-8A5B-87D3FF1A3E98.jpg" alt="Still life with coffee pot - May 1888 (611)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/F9A28C8B-3EC9-4A38-A27B-2D7BA13A8BEE.jpg" alt="The public garden (‘The poet's garden’) - September 1888 (689)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/1FA37593-708A-425F-8B36-336781AA0DDA.jpg" alt="The Yellow House (‘The street’) -  September 1888 (691)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/1E23466E-2B29-43DC-ACB3-7A21879BCCDD.jpg" alt="Starry night over the Rhône - September 1888 (691)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/1F53CCC6-45C6-4A7C-8CD1-7F484A9670B7.jpg" alt="Starry night over the Rhône - October 1888 (693)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/04A67B31-C17A-4EC9-B4ED-7840A23D8850.jpg" alt="The bedroom - October 1888 (705)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/85E2DCF9-6BD8-4639-8AF5-6C58B84E9F18.jpg" alt="The bedroom - October 1888 (706)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/DD4D7EDE-4047-4A4F-811B-E36B6FFEDC05.jpg" alt="Daubigny’s garden - July 1890 (902)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/87C57F85-9FAA-40C6-A976-9B9487C2D177.jpg" alt="Thatched cottages and figures - July 1890 (902)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://bibliodyssey.blogspot.com/2009/10/handshakes-in-thought.html</clipSource><pubDate>Mon, 19 Oct 2009 21:11:53 GMT</pubDate></item><item><title>R. Crumb draws The Book of Genesis</title><link>http://clipmarks.com/clipmark/1DFD7671-DB55-464B-9156-228AEB75CDA1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_index.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_index.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/85766704-0142-4848-9D84-B589ECF03386.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2009/10/18/arts/design/18salk.html?_r=1#" title="http://www.nytimes.com/2009/10/18/arts/design/18salk.html?_r=1#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;CONSIDERING that barely a word has been changed from the original, the warning on the cover of a new, illustrated version of the Book of Genesis — “Adult Supervision Recommended for Minors” — might seem surprising. Until, that is, one reads the name of the illustrator: &lt;A title="More articles about Robert Crumb." href="http://topics.nytimes.com/top/reference/timestopics/people/c/robert_crumb/index.html?inline=nyt-per"&gt;R. Crumb&lt;/A&gt;. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_index.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_index.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/400CB1F3-C557-4599-A759-7A48DE42102B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;ABRAHAM AND ISAAC&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_2.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_2.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F6434FBA-EA67-4829-BD71-B692D22887E5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;NOAH&lt;/STRONG&gt; &lt;STRONG&gt;NOAH&lt;/STRONG&gt; &lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_3.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_3.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/F8227085-DC18-436B-B1EB-0C2F3BC382B6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;GATES OF SODOM&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_4.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_4.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/4C7BDBF7-A6C4-46B6-8DB3-024DCE7EEDF8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;ABRAM&lt;/STRONG&gt; (later renamed Abraham by God) It was my crude attempt to capture his vision of all this future suffering that is supposed to take place with all his people. In the background are all the suffering faces of his people. I made them dark and murky because it's a vision of the future. It's not a clear photograph of the future&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_5.html#" title="http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_5.html#"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/E335FB8D-B6DC-456F-AF69-E04B9690CA65.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;JACOB AND RACHEL&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/slideshow/2009/10/18/arts/20091018-SALK_index.html#</clipSource><pubDate>Sun, 18 Oct 2009 21:10:25 GMT</pubDate></item><item><title>The year's best pictures from the world of medicine</title><link>http://clipmarks.com/clipmark/43B616CA-D9DC-4D6C-8CDA-DAF46BCAE1ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards" title="http://www.newscientist.com/gallery/wellcome-image-awards"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/2590A3A2-3D52-4AE7-8BB5-52B40C21DB19.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Wellcome Images is part of the Wellcome Trust, a charity that funds health research. For ten years it has &lt;A target="ns" href="http://www.wellcomeimageawards.org/default.aspx"&gt;awarded prizes&lt;/A&gt; for pictures that creatively explore the fields of medicine, social history, healthcare and biology. These are the 19 winners for 2009. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/2" title="http://www.newscientist.com/gallery/wellcome-image-awards/2"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/8ECCF911-C529-4A28-8985-6DBCDB13358D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Copolymers can be used in microparticle or "particle-in-particle" drug delivery. Polymers that do not dissolve in acidic solutions can be used to coat a drug to prevent it being released in the stomach; or slowly dissolving polymers can slowly release a drug, reducing the number of times a day a person has to take medication. 
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
The inner particle, shown here in orange, is loaded with the drug &lt;A target="ns" href="http://www.dundee.ac.uk/medther/tayendoweb/images/prednisolone.htm"&gt;prednisolone&lt;/A&gt;, used to treat inflammatory bowel disease. The outer particle, in blue, is the copolymer that encapsulates it. 
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/3" title="http://www.newscientist.com/gallery/wellcome-image-awards/3"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/264BC904-5965-4C14-86D2-D58071E4343E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; the moment of human conception&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/4" title="http://www.newscientist.com/gallery/wellcome-image-awards/4"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/6B941C86-EE1A-452B-9010-BF00D66CDA43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;blood capillaries in the ciliary body of an ox's eye&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/5" title="http://www.newscientist.com/gallery/wellcome-image-awards/5"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/C91D9E79-680C-49B4-8363-2A07A782CB14.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sensory nerve endings at the end of a hair follicle&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/6" title="http://www.newscientist.com/gallery/wellcome-image-awards/6"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/DA47B992-8ED3-4586-9DC8-708A82DED4CF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/7" title="http://www.newscientist.com/gallery/wellcome-image-awards/7"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/D5539C34-65DC-4D3E-B5D3-C7B5BB376F38.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/8" title="http://www.newscientist.com/gallery/wellcome-image-awards/8"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/ECAE9291-83B6-41DE-AFDD-F0800D0C8A8A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;burn-damaged skin cells&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/9" title="http://www.newscientist.com/gallery/wellcome-image-awards/9"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/15AA902C-8E0D-44C0-8EE3-EE4DDEAA04D8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;lung cancer cell&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/10" title="http://www.newscientist.com/gallery/wellcome-image-awards/10"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/E5A397BC-5466-4113-A112-B35D1F7A76E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sickle-cell anaemia&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/11" title="http://www.newscientist.com/gallery/wellcome-image-awards/11"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/FEEF0119-3502-4040-AA5E-120D4BE57968.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/12" title="http://www.newscientist.com/gallery/wellcome-image-awards/12"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/78A2040A-434D-49E0-8753-52EA9AB9D356.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;developing mouse head&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/13" title="http://www.newscientist.com/gallery/wellcome-image-awards/13"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/F1BA8525-CF05-424C-B833-B47EEBFA72F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/14" title="http://www.newscientist.com/gallery/wellcome-image-awards/14"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/90ABEA6B-E0F5-47CB-9CEA-02F96DF95D0B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/15" title="http://www.newscientist.com/gallery/wellcome-image-awards/15"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/72E09372-4AB6-44BF-B04D-2F6FCA00641A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/16" title="http://www.newscientist.com/gallery/wellcome-image-awards/16"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/JohnWaterman/512/6D92C7D5-BFAA-4769-ACED-291C72D488B4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/17" title="http://www.newscientist.com/gallery/wellcome-image-awards/17"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/JohnWaterman/512/11C9255C-F380-4F20-A8A6-6DB024061C58.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/18" title="http://www.newscientist.com/gallery/wellcome-image-awards/18"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/JohnWaterman/512/4536A7A6-EB47-4A40-8446-3EA7FAA6D939.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.newscientist.com/gallery/wellcome-image-awards/19" title="http://www.newscientist.com/gallery/wellcome-image-awards/19"&gt;www.newscientist.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/JohnWaterman/512/3B35598B-01C4-4742-838C-F68D570DC120.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.newscientist.com/gallery/wellcome-image-awards</clipSource><pubDate>Sun, 18 Oct 2009 20:41:43 GMT</pubDate></item><item><title>Best god In Show - NOFX</title><link>http://clipmarks.com/clipmark/B32DCBC9-C356-4B3D-9E01-771ABCBF8046/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Great song &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=HRJAQUqbeXc&amp;feature=player_embedded" title="http://www.youtube.com/watch?v=HRJAQUqbeXc&amp;feature=player_embedded"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/pharyngula/2009/10/now_for_a_brief_musical_interl.php" title="http://scienceblogs.com/pharyngula/2009/10/now_for_a_brief_musical_interl.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="lead"&gt;I think I like this band, NOFX.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/atheism/" rel="tag"&gt;atheism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=HRJAQUqbeXc&amp;feature=player_embedded</clipSource><pubDate>Thu, 15 Oct 2009 21:54:33 GMT</pubDate></item><item><title>Saving Hubble</title><link>http://clipmarks.com/clipmark/674B5C5E-441E-48FF-A7A7-9A0D0B9014F1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.universetoday.com/2009/10/12/hubbles-amazing-rescue-on-nova/" title="http://www.universetoday.com/2009/10/12/hubbles-amazing-rescue-on-nova/"&gt;www.universetoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In a world where you have just one chance to save a dying explorer, the only hope is a &lt;A rel="external" title="" class="alinks_links" href="http://www.universetoday.com/guide-to-space/space/"&gt;space&lt;/A&gt; shuttle mission …(said in my deepest, most dramatic voice….)  Enjoy this movie-like trailer for the upcoming NOVA special on PBS stations in the US, "Hubble's Amazing Rescue."  It looks like a great show, providing the chance to re-live the exciting 12-day Hubble Servicing Mission 4 and its five pressure-filled spacewalks.  Hubble's Amazing Rescue premieres Tuesday, October 16th at 8PM ET/PT on PBS.  Find out more about the show and check local listings for your area &lt;A href="http://www.pbs.org/wgbh/nova/hubble/"&gt;here. &lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.universetoday.com/2009/10/12/hubbles-amazing-rescue-on-nova/</clipSource><pubDate>Thu, 15 Oct 2009 21:46:14 GMT</pubDate></item></channel></rss>