<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Johanna_G's clips</title><link>http://clipmarks.com/clipper/Johanna_G/sort/newest-clips/</link><feedUrl>http://rss.clipmarks.com/clipper/Johanna_G/sort/newest-clips/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>2008-09-13: Tag der deutschen Sprache</title><link>http://clipmarks.com/clipmark/2E377571-47CD-4AD0-A549-F327BF3E7283/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vds-ev.de/" title="http://www.vds-ev.de/"&gt;www.vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Wir schätzen unsere deutsche Muttersprache, die „Orgel unter 
        den Sprachen“, wie Jean Paul sie nannte. Um sie als eigenständige 
        Kultur- und Wissenschaftssprache zu erhalten und vor dem Verdrängen 
        durch das Englische zu schützen, gründeten wir im Jahr 1997 
        den &lt;A href="http://www.vds-ev.de/verein/leitlinien.php"&gt;Verein Deutsche Sprache&lt;/A&gt;. Er ist 
        eine bunte, große und schnell wachsende Bürgerinitiative mit 
        mittlerweile über 30.000 Menschen aus nahezu allen Ländern, 
        Kulturen, Parteien, Altersgruppen und Berufen. Allein ein Drittel davon 
        sind Freunde der deutschen Sprache aus Asien oder Afrika.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/texte/sprachloyalitaet.php" title="http://vds-ev.de/anglizismenindex/texte/sprachloyalitaet.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Die in der deutschen Allgemeinsprache von 
				1990 bis 1999 festzustellenden neuen Wörter und Wendungen sind schon zu rund 60 % aus dem Angloamerikanischen entlehnt 
				oder – als Mischbildungen oder Scheinentlehnungen – mit Hilfe angloamerikanischer Wörter oder Wortbausteine gebildet 
				worden.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Die „Amerikanisierung" der deutschen Sprache&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;wurde dann auch noch dadurch wesentlich begünstigt, daß die „zuständigen" Wissenschaftler&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;darin im allgemeinen kein Problem&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sahen&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen.php" title="http://vds-ev.de/anglizismenindex/karikaturen.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9F2C8773-BE99-42B7-AF07-CA9B522EDCDF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/41A247DE-2C08-4762-A0E0-106F84F8DE94.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/C532BFA8-C465-4F05-882A-B00B22642957.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/AD9E85E3-994D-443C-A536-13333952685F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/2008659F-D305-4261-8C11-1AD465BD5BCE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen2.php" title="http://vds-ev.de/anglizismenindex/karikaturen2.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/123AC917-FC39-4721-9537-D64630735053.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/83D6453C-70AB-4DE6-A427-D858C8F77B2E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/4E069D1E-BE07-475E-B37D-499303F48560.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9116D4D1-8495-4EBC-AF15-AACCD3300A5C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/24B4ABE6-C59C-47D9-805E-460453C5513C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen3.php" title="http://vds-ev.de/anglizismenindex/karikaturen3.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/F169E53C-21A8-43DD-9C45-C60EB41FA512.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/20E1F425-C673-4505-951C-7D54AAE19A1B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/86FDE1A8-280F-4697-9664-110CAB7BE387.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/122D24D3-E981-4D67-9061-407C3C721FCA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/deutsch/" rel="tag"&gt;deutsch&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anglizismen/" rel="tag"&gt;anglizismen&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/amerikanisierung/" rel="tag"&gt;amerikanisierung&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sprache/" rel="tag"&gt;sprache&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.vds-ev.de/</clipSource><pubDate>Sat, 13 Sep 2008 17:24:02 GMT</pubDate></item><item><title>A Lexicon of New Orleans Terminology and Speech</title><link>http://clipmarks.com/clipmark/DB246660-00C9-4E5E-B1B7-4237E38B1947/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Yatspeak: how ta tawk rite in Noo Awyuns.&lt;br/&gt;&lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gumbopages.com/yatspeak.html" title="http://www.gumbopages.com/yatspeak.html"&gt;www.gumbopages.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
For those of you unfamiliar with New Orleans culture, a good place to 
start is that there are basically only two kinds of people in New 
Orleans.&lt;/FONT&gt;&lt;P&gt;

&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
The first is those folks that live, as one [of Bunny's] cartoon 
characters puts it, in Gatorland -- "Yeah, you know ... ova dere across 
Magazine where dey all wear dem shoits wid lil' gators on 'em." 
Otherwise knows as Uptown, you can tell folks from Gatorland in the cartoons
because they speak English.  Another clue is that all skinny people are 
from Gatorland, although not all people from Gatorland are skinny.  And 
they often have 59 rows of teeth.&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;

&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
The other kind of New Orleanian is Everyone Else, dose folks dat talk 
normal.&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;NEW ORLEANS&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;there are oodles of ways that the 
locals pronounce the name of their beloved City.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&amp;lt;new or-LEENS&amp;gt; is generally a no-no.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Here are the major standard local pronunciations of the City's name: 
&amp;lt;new OR-l@ns&amp;gt;, &amp;lt;new AW-l@ns&amp;gt;, &amp;lt;new OR-lee-'@ns&amp;gt; &amp;lt;new 
AH-lee-@ns&amp;gt;, &amp;lt;nyoo AH-lee-'@ns&amp;gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/new+orleans/" rel="tag"&gt;new orleans&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gumbopages.com/yatspeak.html</clipSource><pubDate>Wed, 03 Sep 2008 05:40:23 GMT</pubDate></item><item><title>Mark Twain on the First Woman in Nevada</title><link>http://clipmarks.com/clipmark/CE22F2E2-B2CB-4234-9E33-160FEC064B5C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More &lt;a href="http://www.oldfashionedamericanhumor.com/humorous-short-stories-on-line.html" rel="nofollow" target="_blank"&gt;↗Mark Twain Humorous Short Stories On-line&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html" title="http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html"&gt;www.oldfashionedamericanhumor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;in a certain Nevada camp, the news went abroad early in the morning that a woman was come!  The miners had seen a calico dress hanging out of a wagon down at the camping ground---sign of emigrants from over the great plains. Everybody went down there, and a shout went up when an actual bona fide dress was discovered fluttering in the wind! The male emigrant was visible. The miners said:&lt;/P&gt;&lt;P&gt;“Fetch her out!”&lt;/P&gt;&lt;P&gt;He said: “It’s my wife, gentlemen---she is sick---we have been robbed of money, provisions, everything, by the Indians---we want to rest.”&lt;/P&gt;&lt;P&gt;“Fetch her out! We’ve got to see her!”&lt;/P&gt;&lt;P&gt;“But gentlemen, the poor thing, she---“&lt;/P&gt;&lt;P&gt;“FETCH HER OUT!”&lt;/P&gt;&lt;P&gt;He “fetched her out,” and they swung their hats and sent up three rousing cheers, and they crowded around and gazed at her, and touched her dress, and listened to her voice with the look of men who listened to a memory rather than a present reality---and then they collected twenty-five hundreds dollars in gold and gave it to the man,&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;and went home satisfied.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mark+twain/" rel="tag"&gt;mark twain&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html</clipSource><pubDate>Sat, 23 Aug 2008 20:25:19 GMT</pubDate></item><item><title>Traditionelle persische Musikinstrumente</title><link>http://clipmarks.com/clipmark/F593A690-ADDE-454D-87D2-8A178C02CF1E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://clipmarks.com/clipmark/521E2BB0-880C-40D7-8758-1C449A5CDB34/"&gt;↗Persian Music | Clipmarks&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.irania.eu/Kultur/instrumente.html" title="http://www.irania.eu/Kultur/instrumente.html"&gt;www.irania.eu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/B2AD27C9-471D-4598-969A-7A9491E559DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="postbody"&gt;&lt;FONT face="Arial Unicode MS"&gt;&lt;B&gt;
    Santur&lt;/B&gt; is&lt;/FONT&gt;&lt;/SPAN&gt;&lt;FONT face="Arial Unicode MS"&gt;&lt;SPAN class="postbody"&gt;t 
    eine Art Zither mit 72 Saiten. Aus ihr wurden das mittelalterliche 
    Psalterium, das Zymbalum und später das Klavier entwickelt.&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;FONT face="Arial Unicode MS"&gt;&lt;I&gt;&lt;SPAN class="postbody"&gt;
    &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/concertino1963.mp3" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Santur&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt;
    &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9B179AE5-097D-4158-9DCA-801C20A68020.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;
    Tonbak&lt;/B&gt; auch Zarb genannt ist eine Bechertrommel. Der Körper der Tombak 
    wird aus festem
    Maulbeerholz geschnitzt, was ihr ihren besonderen Klang verleiht.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;I&gt;&lt;SPAN class="postbody"&gt;&lt;FONT face="Arial Unicode MS"&gt;
    &lt;A class="postlink" target="_blank" href="http://anbari.persiangig.com/neynava/audio/zarb.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Tonbak&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt;
    &lt;/FONT&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/03C2A3F4-A1AC-4AFD-8A32-5929B1E9DE8E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Daf
    &lt;/B&gt;ist eine Schellentrommel. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;SPAN class="postbody"&gt;&lt;I&gt;
    &lt;FONT face="Arial Unicode MS" color="#0000ff"&gt;
    &lt;A class="postlink" target="_blank" href="http://anbari.persiangig.com/neynava/audio/daf.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Daf&lt;/FONT&gt;&lt;/A&gt; &lt;/FONT&gt;&lt;/I&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/3F1B4769-9CA5-4736-A8DE-3A9E0C947525.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Ney&lt;/B&gt; 
    ist eine offene Langflöte aus Bambus ohne Mundstück. Sie wird, ähnlich einer
    Panflöte, direkt am Ende des offenen Rohrs angeblasen.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left"&gt;&lt;I&gt;&lt;SPAN class="postbody"&gt;&lt;FONT face="Arial Unicode MS"&gt;
    &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/neynava/audio/ney.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Ney&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt; &lt;/FONT&gt;
    &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9F40FDB2-93FF-4F20-B178-E786EAFA2D46.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Setar&lt;/B&gt; ist (heute) eine viersaitige 
    Langhalslaute.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;I&gt;&lt;FONT face="Arial Unicode MS"&gt;
    &lt;SPAN class="postbody"&gt;
    &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/neynava/audio/setar.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Setar&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt;&lt;U&gt; &lt;/U&gt;
    &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/I&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/865E7F36-7589-4FB4-9384-8214010931F7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Taar&lt;/B&gt; ist eine 6-saitige Langhalslaute&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;SPAN class="postbody"&gt;&lt;BR /&gt;
    &lt;I&gt;&lt;FONT face="Arial Unicode MS"&gt;
    &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/neynava/audio/tar.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Taar&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt;&lt;U&gt; &lt;/U&gt;
    &lt;/FONT&gt;&lt;/FONT&gt;&lt;/I&gt;&lt;BR /&gt;
 &lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/55D4644B-B7F7-47FE-889B-B5F6B144FA2F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Oud&lt;/B&gt; ist eine 
    Knickhalslaute. Sie ist eine im arabischen Kulturraum weiterentwickelte 
    persische Setar.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;FONT face="Arial Unicode MS"&gt;&lt;I&gt;
    &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/oud5.mp3" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Oud&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt; &lt;/FONT&gt;
    &lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/C14DEC9B-336E-4EDB-880D-1AC6C94B21E8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Dohol&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;I&gt;&lt;FONT face="Arial Unicode MS"&gt;
    &lt;A class="postlink" target="_blank" href="http://anbari.persiangig.com/neynava/audio/dohol.wav" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Dohol&lt;/FONT&gt;&lt;/A&gt;&lt;U&gt;&lt;FONT color="#0000ff"&gt;
    &lt;/FONT&gt;&lt;/U&gt;&lt;/FONT&gt;&lt;/I&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/206393D4-B0EC-45CB-B2E5-BFE98B2CB998.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Die &lt;B&gt;
    Kamanche&lt;/B&gt; ist eine viersaitige Knie- oder Spießgeige.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;SPAN class="postbody"&gt;&lt;BR /&gt;
    &lt;FONT face="Arial Unicode MS"&gt;&lt;I&gt;
    &lt;A class="postlink" target="_blank" href="http://anbari.persiangig.com/neynava/audio/kamancheh.mp3" rel="nofollow"&gt;
    &lt;FONT color="#0000ff"&gt;Hörprobe Kamanche (im Hintergrund Tonbak)&lt;/FONT&gt;&lt;/A&gt;&lt;FONT color="#0000ff"&gt;
    &lt;/FONT&gt;&lt;/I&gt;&lt;/FONT&gt;&lt;BR /&gt;
 &lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/66576E50-106A-49D9-93D1-53847B27D53C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Neyanban&lt;/B&gt; 
      ist ein aus Ziegenhaut gefertigtes dem Dudelsack ähnliches Blasinstrument.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" dir="ltr"&gt;&lt;FONT face="Arial Unicode MS"&gt;
      &lt;SPAN class="postbody"&gt;
      &lt;A class="postlink" target="_blank" href="http://www.anbari.persiangig.com/neynava/audio/bandari.ram" rel="nofollow"&gt;
      &lt;FONT color="#0000ff"&gt;Hörprobe Neyanban&lt;/FONT&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/iran/" rel="tag"&gt;iran&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/persia/" rel="tag"&gt;persia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music+instruments/" rel="tag"&gt;music instruments&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/musikinstrumente/" rel="tag"&gt;musikinstrumente&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.irania.eu/Kultur/instrumente.html</clipSource><pubDate>Sat, 23 Aug 2008 09:26:20 GMT</pubDate></item><item><title>Bayerische Staatsbibliothek: Lateinische Handschriften - Collection of Latin Manuscripts</title><link>http://clipmarks.com/clipmark/9498D3F6-8326-468D-868B-8A3D7B8EC0ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Die erste Ablichtung zeigt einen Ausschnitt aus der Briefsammlung des Mönchs Wernher,  Kloster Tegernsee, etwa aus dem Jahre 1170. &lt;br/&gt;The first image shows a part of a Latin love letter (contained in the collection of Wernher the Monk, circa 1170) with the Middle High German verse &lt;blockquote&gt;Dû bist mîn, ih bin dîn:&lt;br/&gt;des solt dû gewis sîn.&lt;br/&gt;dû bist beslozzen&lt;br/&gt;in mînem herzen:&lt;br/&gt;verlorn ist daz slüzzelîn:&lt;br/&gt;dû muost immer drinne sîn. &lt;br/&gt;&lt;br/&gt;[&lt;i&gt;English: &lt;br/&gt;    You are mine, I am yours &lt;br/&gt;    Of that you may be sure &lt;br/&gt;    Deep within my heart &lt;br/&gt;    You're safely locked away &lt;br/&gt;    But I have lost the key &lt;br/&gt;    And there you'll ever stay&lt;/i&gt;]&lt;/blockquote&gt; (Mehr darüber in &lt;a href="http://johammonia2.blogspot.com/2008/08/d-bist-mn-ih-bin-dn-des-solt-d-gewis-sn.html" rel="nofollow" target="_blank"&gt;JoHammonia's Scratchbook&lt;/a&gt;.) &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mdz10.bib-bvb.de/~db/bsb00008249/images/index.html?id=00008249&amp;fip=84.138.69.86&amp;no=&amp;seite=233" title="http://mdz10.bib-bvb.de/~db/bsb00008249/images/index.html?id=00008249&amp;fip=84.138.69.86&amp;no=&amp;seite=233"&gt;mdz10.bib-bvb.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/A409A53E-0A25-4C36-9B32-9D11F790AE1C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?recherche=ja&amp;ordnung=info&amp;projekt=1157467155&amp;l=en" title="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?recherche=ja&amp;ordnung=info&amp;projekt=1157467155&amp;l=en"&gt;mdz10.bib-bvb.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Bayerische Staatsbibliothek preserves an extensive collection of manuscripts, which will be made available step by step to the interested public on the Internet. The offer of works available in digitised form is expanded continuously. The digital copies produced from the originals are full colour copies, those produced from microfilms are available in a bitonal or grey-scale quality. 
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?recherche=ja&amp;ordnung=info&amp;projekt=1157467155&amp;l=de" title="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?recherche=ja&amp;ordnung=info&amp;projekt=1157467155&amp;l=de"&gt;mdz10.bib-bvb.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Die Bayerische Staatsbibliothek verwahrt einen großen Handschriftenbestand, den sie nach und nach über das Internet einem interessierten Publikum zugänglich machen möchte. Dieses digitale Angebot wird ständig erweitert. Die Digitalisate werden von Originalen in Farbe oder von vorhandenen Mikrofilmen in bitonaler Qualität bzw. in Graustufen hergestellt.
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	des 15. 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Jahrhundert&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?sortjahr=07&amp;recherche=ja&amp;projekt=1157467155"&gt;&lt;IMG border="0" src="http://www.muenchener-digitalisierungszentrum.de/mdz/img/pfeil.gif" /&gt;8. Jahrhundert&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?sortjahr=08&amp;recherche=ja&amp;projekt=1157467155"&gt;&lt;IMG border="0" src="http://www.muenchener-digitalisierungszentrum.de/mdz/img/pfeil.gif" /&gt;9. Jahrhundert&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?sortjahr=09&amp;recherche=ja&amp;projekt=1157467155"&gt;&lt;IMG border="0" src="http://www.muenchener-digitalisierungszentrum.de/mdz/img/pfeil.gif" /&gt;10. Jahrhundert&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://mdz10.bib-bvb.de/~db/ausgaben/uni_ausgabe.html?sortjahr=10&amp;recherche=ja&amp;projekt=1157467155"&gt;&lt;IMG border="0" src="http://www.muenchener-digitalisierungszentrum.de/mdz/img/pfeil.gif" /&gt;11. Jahrhundert&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/latein/" rel="tag"&gt;latein&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/latin/" rel="tag"&gt;latin&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mediaeval+manuscripts/" rel="tag"&gt;mediaeval manuscripts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mittelalterliche+handschriften/" rel="tag"&gt;mittelalterliche handschriften&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://mdz10.bib-bvb.de/~db/bsb00008249/images/index.html?id=00008249&amp;fip=84.138.69.86&amp;no=&amp;seite=233</clipSource><pubDate>Wed, 20 Aug 2008 11:25:37 GMT</pubDate></item><item><title>Pictures for sad children: sociological and politological observations</title><link>http://clipmarks.com/clipmark/A5B8ED7A-B4A1-4A4B-AE55-5C7917A87770/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.picturesforsadchildren.com/index.php?comicID=173" title="http://www.picturesforsadchildren.com/index.php?comicID=173"&gt;www.picturesforsadchildren.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/DECCCFB8-9D45-4006-8BD7-816B81203DA5.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sociology/" rel="tag"&gt;sociology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politology/" rel="tag"&gt;politology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rivalry/" rel="tag"&gt;rivalry&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.picturesforsadchildren.com/index.php?comicID=173</clipSource><pubDate>Sat, 16 Aug 2008 12:19:42 GMT</pubDate></item><item><title>A. W. F. Stiehl und seine Regulative für das preußische Volksschul-, Präparanden- und Seminarwesen</title><link>http://clipmarks.com/clipmark/0BC2DBC0-E2B4-4688-9927-F5787AC3FA47/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;blockquote&gt;"Es giebt Viele, welche meinen, man müsse den Lehrern nur Richtiges, Unbedingtes und Absolutes hingeben, und sie zur unbedingten, wenn auch zum Theil erzwungenen und sklavischen Annahme und Befolgung der aufgestellten Satzungen bestimmen. Zu diesen gehöre ich nicht. Ich kann mir keine wahre, selbsteigene, d.h. zu eigen gewordene Bildung denken, ohne Untersuchung und Prüfung, ohne Selbstdenken und Anstrengung."&lt;br/&gt;&lt;br/&gt;F. Adolph W. Diesterweg (Wegweiser zur Bildung für deutsche Lehrer. (1834) Zitiert nach: Bungardt, Karl: Die Odyssee der Lehrerschaft. Schroedel, Hannover, 1965)&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tiss.zdv.uni-tuebingen.de/webroot/g10/ghnss01_S99_1/geiger2.htm" title="http://tiss.zdv.uni-tuebingen.de/webroot/g10/ghnss01_S99_1/geiger2.htm"&gt;tiss.zdv.uni-tuebingen.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/C6C56749-D008-4C61-9990-9C3AE96DEC36.gif" alt="stiehl..gif (139305 Byte)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Umfangreiches Archivmaterial lässt Stiehl als einen
  hochgebildeten, religiösen und überaus fleißigen Mann erscheinen. An einmal gewonnenen
  Erkenntnissen und Überzeugungen, besonders wenn sie ihm von grundsätzlicher Art
  schienen, hielt er mit erstaunlicher Hartnäckigkeit fest.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bautz.de/bbkl/s/s4/stiehl_f.shtml" title="http://www.bautz.de/bbkl/s/s4/stiehl_f.shtml"&gt;www.bautz.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1854 wurden die von St. ausgearbeiteten, heftig umstrittenen »Regulative für das Volksschul-, Präparanden- und Seminarwesen« erlassen, die einem theologisch konservativen Religionsunterricht und dynastisch-patriotischen Geschichtsunterricht die zentrale Stellung in der Volksschule zuweisen. Die Regulative, die den Elementarschülern ein Übermaß an Memorierstoff aus Bibel und Gesangbuch vorschrieben, die Seminaristen aber von der Lektüre der klassischen Schriftsteller ausschlossen, brachten ihrem Verfasser den Ruf eines finsteren bildungsfeindlichen Reaktionärs ein.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://tiss.zdv.uni-tuebingen.de/webroot/g10/ghnss01_S99_1/geiger2.htm" title="http://tiss.zdv.uni-tuebingen.de/webroot/g10/ghnss01_S99_1/geiger2.htm"&gt;tiss.zdv.uni-tuebingen.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ferdinand Stiehls Antagonist im schulpolitischen Raum war der
  Repräsentant liberaler Ansichten, Friedrich Adolph Wilhelm Diesterweg (1790-1866).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bildungspolitik/" rel="tag"&gt;bildungspolitik&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/preu%c3%9fen/" rel="tag"&gt;preußen&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stiehlsche+regulative/" rel="tag"&gt;stiehlsche regulative&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bildungswesen/" rel="tag"&gt;bildungswesen&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://tiss.zdv.uni-tuebingen.de/webroot/g10/ghnss01_S99_1/geiger2.htm</clipSource><pubDate>Wed, 13 Aug 2008 20:08:22 GMT</pubDate></item><item><title>Rubaiyat (quatrains) of Omar Khayyam, the astronomer-poet of Persia (1048-1122)</title><link>http://clipmarks.com/clipmark/99C8EDC6-9C2E-48B0-A33A-8EA014332BAD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.fordham.edu/halsall/basis/omarkhayyam-rub2.html" rel="nofollow" target="_blank"&gt;Medieval Sourcebook: Omar Khayyam: The Rubaiyat, c. 1120, trans.  E. H. Whinfield&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.irania.eu/Gedichte/khayyamrobaiyat.html" rel="nofollow" target="_blank"&gt;Irania.eu Omar Khayyam Robaiyat&lt;/a&gt;&lt;br/&gt;&lt;a href="http://etext.lib.virginia.edu/etcbin/browse-mixed-new?id=Fit1Rub&amp;amp;tag=public&amp;amp;images=images/modeng&amp;amp;data=/texts/english/modeng/parsed" rel="nofollow" target="_blank"&gt;Rubaiyat of Omar Khayyam, The Astronomer-Poet of Persia (First edition)&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/bioef.htm" rel="nofollow" target="_blank"&gt;Biography&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/philosophy.htm" rel="nofollow" target="_blank"&gt;Philosophy of Omar Khayyam&lt;/a&gt;&lt;br/&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=Omar_Khayy%C3%A1m&amp;amp;printable=yes" rel="nofollow" target="_blank"&gt;Omar Khayyám - Wikipedia EN&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html" title="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html"&gt;johammonia2.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/68509010-3F28-434B-9BB9-B50952C739F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Some look for truth in creeds, and forms, and rules;&lt;BR /&gt;
Some grope for doubts or dogmas in the schools;&lt;BR /&gt;
But from behind the veil a voice proclaims,&lt;BR /&gt;
"Your road lies neither here nor there, O fools."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/AEB5D4E1-44E0-4E52-9EB4-5BBDBA66E4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Young wooer, charm all hearts with lover's art,&lt;BR /&gt;
Glad winner, lead thy paragon apart!&lt;BR /&gt;
A hundred Kaabas equal not one heart,&lt;BR /&gt;
Seek not the Kaaba, rather seek a heart!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/EC2699AE-7EC0-440E-B962-086901805B27.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Better to make one soul rejoice with glee,&lt;BR /&gt;
Than plant a desert with a colony;&lt;BR /&gt;
Rather one freeman bind with chains of love,&lt;BR /&gt;
Than set a thousand prisoned captives free!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/B6D79248-001E-4156-A446-F44F78013B31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They who by genius, and by power of brain,&lt;BR /&gt;
The rank of man's enlighteners attain,&lt;BR /&gt;
Not even they emerge from this dark night,&lt;BR /&gt;
But tell their dreams, and fall asleep again.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/FF9008BB-8158-4130-9B86-939A685D6B79.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Although the creeds number some seventy-three,&lt;BR /&gt;
I hold with none but that of loving Thee;&lt;BR /&gt;
What matter faith, unfaith, obedience, sin?&lt;BR /&gt;
Thou'rt all we need, the rest is vanity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/A321E0EA-CBB0-4098-908E-78767799C054.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/omar+khayyam/" rel="tag"&gt;omar khayyam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rubaiyat/" rel="tag"&gt;rubaiyat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quatrains/" rel="tag"&gt;quatrains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poems/" rel="tag"&gt;poems&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/persia/" rel="tag"&gt;persia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/middle+ages/" rel="tag"&gt;middle ages&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html</clipSource><pubDate>Sun, 10 Aug 2008 21:09:17 GMT</pubDate></item><item><title>Otto Waalkes: English for runaways</title><link>http://clipmarks.com/clipmark/AF891573-17B8-4EF8-A945-7C669EBDE7BC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://de.youtube.com/watch?v=K9FAMe4UUw0&amp;feature=related" title="http://de.youtube.com/watch?v=K9FAMe4UUw0&amp;feature=related"&gt;de.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://de.youtube.com/watch?v=R_n9YwaL7QY&amp;NR=1" title="http://de.youtube.com/watch?v=R_n9YwaL7QY&amp;NR=1"&gt;de.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://de.youtube.com/watch?v=OUL5ZOX98JU&amp;feature=related" title="http://de.youtube.com/watch?v=OUL5ZOX98JU&amp;feature=related"&gt;de.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/english/" rel="tag"&gt;english&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/german/" rel="tag"&gt;german&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gebl%c3%b6del/" rel="tag"&gt;geblödel&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://de.youtube.com/watch?v=K9FAMe4UUw0&amp;feature=related</clipSource><pubDate>Sun, 10 Aug 2008 10:05:16 GMT</pubDate></item><item><title>Omar Chajjam: Rubaijat (Sinnsprüche)</title><link>http://clipmarks.com/clipmark/29084C9C-3A1E-4D80-969C-17CA7579EBA9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Omar Chajjam, geboren (1048) und gestorben (1131)  in Nischapur (Persien); Gelehrter, Mathematiker, Astronom, Physiker und Philosoph. &lt;br/&gt;Seinen eigentlichen Ruhm erlangte er als Verfasser der Rubaijat, einer Sammlung von Sinnsprüchen, die er meisterhaft beherrschte. Er war ein ungewöhnlich origineller Dichter, der seine skeptisch-mystische Lebensphilosophie mit einfachen Epigrammen zu vermitteln wusste. &lt;br/&gt;&lt;br/&gt;Das Ruba'i, pl. Rubaijat besteht nur aus vier Zeilen. Jedes Rubai ist ein eigenes, selbständiges Gedicht. Sein Charakteristikum ist das Reimspiel: Die erste, zweite und vierte Zeile enden im selben Reimklang, während die dritte reimlos bleibt. &lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.projektmaxstirner.de/omar.htm" rel="nofollow" target="_blank"&gt;Quelle&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#003366"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic2.htm" title="http://www.okonlife.com/pics/pic2.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9375C4FC-96C8-4205-82F2-D33C263F4502.jpg" alt="(66,231bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;O
  komm, Geliebte, komm, es sinkt die Nacht,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;Verscheuche
  mir durch deiner Schönheit Pracht&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;Des
  Zweifels Dunkel! Nimm den Krug und trink,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;Eh
  man aus unserm Staube Krüge macht.&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic1.htm" title="http://www.okonlife.com/pics/pic1.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/C1ED18C9-E982-45CA-AB0E-FDDA367D92AF.jpg" alt="(100,201 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Um Dogmen
und Satzungen streiten die einen,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;die anderen
um Glauben oder Verneinen.&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Wer sind
nun die, denen die Wahrheit sich zeigt?&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Die Antwort
ertönt: sie zeigt sich keinem.&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic5.htm" title="http://www.okonlife.com/pics/pic5.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/0BA3389D-A070-4B31-BFD8-F72EE2E0B486.jpg" alt="(78,913 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;Gestern zerschlug ich
meinen Krug mit Wein&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="4" face="System" color="#ffffcc"&gt;In meiner Trunkenheit an
einem Stein.&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="4" face="System" color="#ffffcc"&gt;Da sprach des Kruges
Scherbe: "Wie du bist,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;&lt;FONT size="4" face="System" color="#ffffcc"&gt;War
  ich, und wie ich bin, wirst du einst sein."&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic4.htm" title="http://www.okonlife.com/pics/pic4.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/17388BF9-BBF0-44D9-9C2E-5D79C8874352.jpg" alt="(82628 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="+1" face="System" color="#ffffcc"&gt;O starrer
Rechtsgelehrter, unsere Arbeit ist besser als deine,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;trotz unserer
Trunkenheit sind wir nüchterner als du:&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Du trinkst
Menschenblut, wir das des Weins,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;gib's zu
- wer von uns ist blutdürstiger?&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic7.htm" title="http://www.okonlife.com/pics/pic7.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/1CA3DC5D-610F-4708-9BEC-1202B913BBA0.jpg" alt="writer.jpg (160603 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Die ihre
Lust nur stets gesucht im Wein&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Und die
gegrübelt nur nach Schein und Sein,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Sie alle
fanden der Wahrheit Faden nicht,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Redeten
wirr und schliefen schließlich ein.&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/pics/pic3.htm" title="http://www.okonlife.com/pics/pic3.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/54BD569D-D208-41B7-A87D-DF3A101A833D.jpg" alt="(83,938 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.projektmaxstirner.de/rubajat.htm" title="http://www.projektmaxstirner.de/rubajat.htm"&gt;www.projektmaxstirner.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV align="left"&gt;&lt;DT&gt;&lt;FONT size="+1" face="System" color="#ffffcc"&gt;Ich fragte
die Braut des Schicksals, was ihre Mitgift sei,&lt;/FONT&gt;&lt;/DT&gt;
  &lt;/DIV&gt;
  &lt;DIV align="left"&gt;
    &lt;DT&gt;
&lt;FONT size="+1" face="System" color="#ffffcc"&gt;'Dein frohes Herz', antwortete sie.&lt;/FONT&gt;&lt;/DT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.okonlife.com/life/index.htm" title="http://www.okonlife.com/life/index.htm"&gt;www.okonlife.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/52AC1E04-7E3D-48AC-8AB4-0DDAAA3689C2.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/omar+chajjam/" rel="tag"&gt;omar chajjam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rubaijat/" rel="tag"&gt;rubaijat&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.okonlife.com/pics/pic2.htm</clipSource><pubDate>Sat, 09 Aug 2008 18:56:18 GMT</pubDate></item><item><title>Original Alice</title><link>http://clipmarks.com/clipmark/79FB2271-FE8C-4373-9D5D-39F6048A9C8E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html" title="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="116"&gt;&lt;P class="subnavHeader"&gt;&lt;A id="lbl17" class="subnavHeader" href="javascript:checkCookie('alice')"&gt; THE ORIGINAL ALICE&lt;/A&gt;&lt;/P&gt;
               &lt;SPAN class="arial11"&gt;Written and illustrated by Lewis Carroll&lt;/SPAN&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Lewis Carroll's Alice's Adventures Under Ground - Introduction&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/intro.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This manuscript - one of the British Library's best - loved treasures - is the 
original version of &lt;EM&gt;Alice's Adventures in Wonderland&lt;/EM&gt;, by Lewis Carroll, 
the pen-name of Charles Dodgson, an Oxford mathematician.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77A65BE7-B142-410F-B4D8-13B5C4BC020E.jpg" alt=" Image of Lewis Carroll's Alice's Adventures Under Ground, dedication page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C3E9D412-72CB-447A-ACC8-5D75ECAE7909.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Page 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/sounds/ttp/alice/2.ram"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Chapter one&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Alice was beginning to get very tired of sitting by her sister on the bank, and 
             of having nothing to do: once or twice she had peeped into the book her sister 
             was reading, but it had no pictures or conversations in it, and where is the use 
             of a book, thought Alice, without pictures or conversations? So she was considering 
             in her own mind, (as well as she could, for the hot day made her feel very sleepy 
             and stupid,) whether the pleasure of making a daisy-chain was worth the trouble 
             of getting up and picking the daisies, when a white rabbit with pink eyes ran 
            close by her.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/56222F09-592B-4A10-9A31-D374080684B7.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 2 and 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/3.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77FE2589-85E5-4D51-B0A4-7CCB52B93513.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 6" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8E704EBE-AFFC-4577-8D6B-50350CD18237.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 6 and 7" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page9lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page9lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/27202651-6135-4B5B-B5BA-22A08D3DC032.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 9" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages8and9.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages8and9.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/03A6DDE5-2B23-4BE1-B987-8F45AA0C73C0.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 8 and 9" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/6.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page11lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page11lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C9053F12-5DBB-4318-8D34-36B377765817.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 11" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages12and13.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages12and13.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/BF1E18E9-CD07-4682-B33F-2BD3A7087C06.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - 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Reunification 2015</title><link>http://clipmarks.com/clipmark/00275664-AF61-4955-9C9F-C12CB872B1ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;   &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt;  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm" title="http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm"&gt;www.bruder-franziskus.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/22B6FAD1-4A5D-4FA8-AE3B-CC35B537398F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bruder-franziskus.de/pinkfloyd/topten_auftritt.htm" title="http://www.bruder-franziskus.de/pinkfloyd/topten_auftritt.htm"&gt;www.bruder-franziskus.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
              Beim Opener "ShineOn" treten Dave und Roger zum Mikro, um den 
              Gesangspart zu übernehmen. Ehe sich einer behaupten kann, kommt es 
              zu einer wüsten Schlägerei. Rick greift ein, ihm wird die Brille 
              heruntergeschlagen. Nick stiehlt sich davon, Roger nutzt die kurze 
              Bewusstlosigkeit von Dave, um "SeTeidIsTörning" anzustimmen. Das 
              Auditorium fordert "RanLeikHäll!", Dave rappelt sich auf und boxt 
              Roger eins aufn Mund. Roger fällt auf Rick, Dave kippt hinterher. 
              Ein Haufen Legenden.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pink+floyd/" rel="tag"&gt;pink floyd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/david+gilmour/" rel="tag"&gt;david gilmour&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/roger+waters/" rel="tag"&gt;roger waters&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rick+wright/" rel="tag"&gt;rick wright&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nick+mason/" rel="tag"&gt;nick mason&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm</clipSource><pubDate>Mon, 04 Aug 2008 07:42:31 GMT</pubDate></item><item><title>Important World Event! Please Consider Watching, Thanks.</title><link>http://clipmarks.com/clipmark/A1BBB308-274C-47BF-B194-C2AEF208C449/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sahara/"&gt;sahara&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Argentina's Economic Collapse&lt;br/&gt;Documentary on the events that led to the economic collapse of Argentina in 2001 which wiped out the middle class and raised the level of poverty to 57.5%. Central to the collapse was the implementation of neo-liberal policies which enabled the swindle of billions of dollars by foreign banks and corporations. Many of Argentina's assets and resources were shamefully plundered. Its financial system was even used for money laundering by Citibank, Credit Suisse, and JP Morgan. The net result was massive wealth transfers and the impoverishment of society which culminated in many deaths due to oppression and malnutrition.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/" title="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related" title="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 2 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related" title="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 3 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related" title="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 4 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related" title="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 5 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related" title="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 6 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related" title="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 7 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related" title="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 8 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related" title="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related" title="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 10 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related" title="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 11 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related" title="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 12 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/finance/" rel="tag"&gt;finance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/</clipSource><pubDate>Mon, 04 Aug 2008 03:10:49 GMT</pubDate></item><item><title>Pink Floyd---Animals</title><link>http://clipmarks.com/clipmark/92576297-C536-43DA-9758-3FA205A26E51/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/katsteevns/"&gt;katsteevns&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Relevant lyrics for today....and good music ,too!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088" title="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TH class="summary" scope="col" colspan="3"&gt;&lt;I&gt;Animals&lt;/I&gt;&lt;/TH&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/katsteevns/512/BF97D3F4-E187-4535-A37C-3FF5C0B01E68.jpg" alt="Animals cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;&lt;B&gt;Animals&lt;/B&gt;&lt;/I&gt; is a &lt;A title="Concept album" href="http://en.wikipedia.org/wiki/Concept_album"&gt;concept album&lt;/A&gt; by &lt;A title="England" href="http://en.wikipedia.org/wiki/England"&gt;English&lt;/A&gt; progressive rock band &lt;A title="Pink Floyd" href="http://en.wikipedia.org/wiki/Pink_Floyd"&gt;Pink Floyd&lt;/A&gt;, released on &lt;A title="January 23" href="http://en.wikipedia.org/wiki/January_23"&gt;23 January&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="UK" class="mw-redirect" href="http://en.wikipedia.org/wiki/UK"&gt;UK&lt;/A&gt; and on &lt;A title="February 2" href="http://en.wikipedia.org/wiki/February_2"&gt;2 February&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The album proved a success in the &lt;A title="United Kingdom" href="http://en.wikipedia.org/wiki/United_Kingdom"&gt;United Kingdom&lt;/A&gt;, where it reached #2 in the era of &lt;A title="Punk music" class="mw-redirect" href="http://en.wikipedia.org/wiki/Punk_music"&gt;punk music&lt;/A&gt;. It was also a success in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;, reaching #3 on the &lt;A title="Billboard 200" href="http://en.wikipedia.org/wiki/Billboard_200"&gt;Billboard album charts&lt;/A&gt; (#1 and #2 were &lt;I&gt;&lt;A title="Hotel California" href="http://en.wikipedia.org/wiki/Hotel_California"&gt;Hotel California&lt;/A&gt;&lt;/I&gt; by &lt;A title="The Eagles" class="mw-redirect" href="http://en.wikipedia.org/wiki/The_Eagles"&gt;The Eagles&lt;/A&gt;, and the &lt;A title="Soundtrack" href="http://en.wikipedia.org/wiki/Soundtrack"&gt;soundtrack&lt;/A&gt; to the &lt;A title="Barbara Streisand" class="mw-redirect" href="http://en.wikipedia.org/wiki/Barbara_Streisand"&gt;Barbara Streisand&lt;/A&gt; film &lt;I&gt;&lt;A title="A Star Is Born (1976 film)" href="http://en.wikipedia.org/wiki/A_Star_Is_Born_%281976_film%29"&gt;A Star Is Born&lt;/A&gt;&lt;/I&gt;). However, it was on the American charts for only six months even though it has continued to sell solidly, to the extent of its having gone quadruple platinum, according to the &lt;A title="RIAA certification" href="http://en.wikipedia.org/wiki/RIAA_certification"&gt;RIAA&lt;/A&gt;.&lt;/P&gt;
&lt;P&gt;In the UK, the &lt;A title="British Phonographic Industry" href="http://en.wikipedia.org/wiki/British_Phonographic_Industry"&gt;British Phonographic Industry&lt;/A&gt; awarded the album Gold (100,000 units) in 1977. It has yet to achieve Platinum.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088</clipSource><pubDate>Sat, 02 Aug 2008 17:11:51 GMT</pubDate></item><item><title>Afghanistan in pictures</title><link>http://clipmarks.com/clipmark/E33ECB8A-5C1A-4E15-84D4-AD0C611813C2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A9C750CB-066B-418B-A3C3-60F32D5759A9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/569E7330-1666-4B8C-A969-063816E7D214.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This girl looks happy here, but expectations are that as she grows, her burn scars won't, which could prove fatal. There is no hospital in Uruzgan, one of the poorest provinces in Afghanistan &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/88DD2716-9AC9-4AB4-9F58-6338A4D04C17.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the royal palace of Dar-ul-Aman&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/566BBBBC-47EA-4D43-AA8B-B2A7F6F0C69A.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the faces of the future law enforcers of Afghanistan, members of the Afghan National Auxiliary Police&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C55A6C9C-C40E-44F5-80BB-26099A7A4B80.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1A3B8B9F-9155-4F89-8430-AAB3AB300554.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a bike is a luxury item&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/48EA2381-743F-4DF7-8515-14031FBC6015.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CAD6ABA7-A01D-48C7-A3C8-3C73C005C2F3.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Afghanistan is a country of children and young people: 44% of the population is under 14. They now have better prospects because they can go to school again&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5B1DF870-D543-4E0C-91BC-22F1EE1DD2B0.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A girls' school in Uruzgan. Under the Taliban regime girls were banned from attending school. That has changed although some are still not used to the idea&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2C15FA8D-64F5-45E7-ABEE-FEDFD8763AC9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Security is also important for schools&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4A1E51A1-19EA-4977-8834-A84389C995FE.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he swimming pool&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; never contained water&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Taliban pushed blindfolded criminals and homosexuals from the top diving board&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/B27F8818-AECC-452A-ABD0-1BAC20178D92.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;40% of the population is unemployed&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203</clipSource><pubDate>Sat, 02 Aug 2008 08:35:47 GMT</pubDate></item></channel></rss>