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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Johanna_G's clips</title><link>http://clipmarks.com/clipper/Johanna_G/sort/latest-comments/</link><feedUrl>http://rss.clipmarks.com/clipper/Johanna_G/sort/latest-comments/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Online Etymology Dictionary</title><link>http://clipmarks.com/clipmark/17366292-CA3B-4E50-ABC1-4DE0FB9F1F24/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Have fun &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.etymonline.com/index.php?l=e&amp;p=1" title="http://www.etymonline.com/index.php?l=e&amp;p=1"&gt;www.etymonline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="logo"&gt;
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&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT class="highlight"&gt;&lt;A href="http://www.etymonline.com/index.php?term=Ecce+homo"&gt;Ecce homo&lt;/A&gt; &lt;A title="Look up Ecce homo at Dictionary.com" class="dictionary" href="http://dictionary.reference.com/search?q=Ecce+homo"&gt;&lt;IMG width="16" height="16" title="Look up Ecce homo at Dictionary.com" alt="Look up Ecce homo at Dictionary.com" src="http://www.etymonline.com/graphics/dictionary.gif" /&gt;&lt;/A&gt;&lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD class="highlight"&gt;L., lit. "behold the man" (John xix.5).&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A href="http://www.etymonline.com/index.php?term=eccentric"&gt;eccentric&lt;/A&gt; &lt;A title="Look up eccentric at Dictionary.com" class="dictionary" href="http://dictionary.reference.com/search?q=eccentric"&gt;&lt;IMG width="16" height="16" title="Look up eccentric at Dictionary.com" alt="Look up eccentric at Dictionary.com" src="http://www.etymonline.com/graphics/dictionary.gif" /&gt;&lt;/A&gt;&lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD&gt;1398 as a term in Ptolemaic astronomy, from M.L. &lt;SPAN class="foreign"&gt;eccentricus,&lt;/SPAN&gt; from Gk. &lt;SPAN class="foreign"&gt;ekkentros&lt;/SPAN&gt; "out of the center" (as opposed to concentric), from &lt;SPAN class="foreign"&gt;ek&lt;/SPAN&gt; "out" + &lt;SPAN class="foreign"&gt;kentron&lt;/SPAN&gt; "center" (see &lt;A class="crossreference" href="http://www.etymonline.com/index.php?term=center"&gt;center&lt;/A&gt;). Figurative sense of "odd, whimsical" (adj.) first recorded 1685. Noun meaning person with such qualities first attested 1832.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT class="highlight"&gt;&lt;A href="http://www.etymonline.com/index.php?term=Ecclesiastes"&gt;Ecclesiastes&lt;/A&gt; &lt;A title="Look up Ecclesiastes at Dictionary.com" class="dictionary" href="http://dictionary.reference.com/search?q=Ecclesiastes"&gt;&lt;IMG width="16" height="16" title="Look up Ecclesiastes at Dictionary.com" alt="Look up Ecclesiastes at Dictionary.com" src="http://www.etymonline.com/graphics/dictionary.gif" /&gt;&lt;/A&gt;&lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DD class="highlight"&gt;c.1300, name given to one of the O.T. books, traditionally ascribed to Solomon, from Gk. &lt;SPAN class="foreign"&gt;ekklesiastes&lt;/SPAN&gt; (see &lt;A class="crossreference" href="http://www.etymonline.com/index.php?term=ecclesiastic"&gt;ecclesiastic&lt;/A&gt;), to render Heb. &lt;SPAN class="foreign"&gt;qoheleth&lt;/SPAN&gt; "one who addresses an assembly," from &lt;SPAN class="foreign"&gt;qahal&lt;/SPAN&gt; "assembly." The title is technically the designation of the speaker, but that word throughout is usually rendered into Eng. as "The Preacher."&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.etymonline.com/index.php?l=e&amp;p=1</clipSource><pubDate>Wed, 09 Jul 2008 23:07:58 GMT</pubDate></item><item><title>2008-09-13: Tag der deutschen Sprache</title><link>http://clipmarks.com/clipmark/2E377571-47CD-4AD0-A549-F327BF3E7283/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.vds-ev.de/" title="http://www.vds-ev.de/"&gt;www.vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Wir schätzen unsere deutsche Muttersprache, die „Orgel unter 
        den Sprachen“, wie Jean Paul sie nannte. Um sie als eigenständige 
        Kultur- und Wissenschaftssprache zu erhalten und vor dem Verdrängen 
        durch das Englische zu schützen, gründeten wir im Jahr 1997 
        den &lt;A href="http://www.vds-ev.de/verein/leitlinien.php"&gt;Verein Deutsche Sprache&lt;/A&gt;. Er ist 
        eine bunte, große und schnell wachsende Bürgerinitiative mit 
        mittlerweile über 30.000 Menschen aus nahezu allen Ländern, 
        Kulturen, Parteien, Altersgruppen und Berufen. Allein ein Drittel davon 
        sind Freunde der deutschen Sprache aus Asien oder Afrika.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/texte/sprachloyalitaet.php" title="http://vds-ev.de/anglizismenindex/texte/sprachloyalitaet.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Die in der deutschen Allgemeinsprache von 
				1990 bis 1999 festzustellenden neuen Wörter und Wendungen sind schon zu rund 60 % aus dem Angloamerikanischen entlehnt 
				oder – als Mischbildungen oder Scheinentlehnungen – mit Hilfe angloamerikanischer Wörter oder Wortbausteine gebildet 
				worden.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Die „Amerikanisierung" der deutschen Sprache&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;wurde dann auch noch dadurch wesentlich begünstigt, daß die „zuständigen" Wissenschaftler&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;darin im allgemeinen kein Problem&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sahen&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen.php" title="http://vds-ev.de/anglizismenindex/karikaturen.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9F2C8773-BE99-42B7-AF07-CA9B522EDCDF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/41A247DE-2C08-4762-A0E0-106F84F8DE94.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/C532BFA8-C465-4F05-882A-B00B22642957.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/AD9E85E3-994D-443C-A536-13333952685F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/2008659F-D305-4261-8C11-1AD465BD5BCE.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen2.php" title="http://vds-ev.de/anglizismenindex/karikaturen2.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/123AC917-FC39-4721-9537-D64630735053.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/83D6453C-70AB-4DE6-A427-D858C8F77B2E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/4E069D1E-BE07-475E-B37D-499303F48560.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/9116D4D1-8495-4EBC-AF15-AACCD3300A5C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/24B4ABE6-C59C-47D9-805E-460453C5513C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://vds-ev.de/anglizismenindex/karikaturen3.php" title="http://vds-ev.de/anglizismenindex/karikaturen3.php"&gt;vds-ev.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/F169E53C-21A8-43DD-9C45-C60EB41FA512.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/20E1F425-C673-4505-951C-7D54AAE19A1B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/86FDE1A8-280F-4697-9664-110CAB7BE387.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/122D24D3-E981-4D67-9061-407C3C721FCA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/deutsch/" rel="tag"&gt;deutsch&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/anglizismen/" rel="tag"&gt;anglizismen&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/amerikanisierung/" rel="tag"&gt;amerikanisierung&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sprache/" rel="tag"&gt;sprache&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.vds-ev.de/</clipSource><pubDate>Sat, 13 Sep 2008 17:24:02 GMT</pubDate></item><item><title>A Lexicon of New Orleans Terminology and Speech</title><link>http://clipmarks.com/clipmark/DB246660-00C9-4E5E-B1B7-4237E38B1947/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Yatspeak: how ta tawk rite in Noo Awyuns.&lt;br/&gt;&lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.gumbopages.com/yatspeak.html" title="http://www.gumbopages.com/yatspeak.html"&gt;www.gumbopages.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
For those of you unfamiliar with New Orleans culture, a good place to 
start is that there are basically only two kinds of people in New 
Orleans.&lt;/FONT&gt;&lt;P&gt;

&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
The first is those folks that live, as one [of Bunny's] cartoon 
characters puts it, in Gatorland -- "Yeah, you know ... ova dere across 
Magazine where dey all wear dem shoits wid lil' gators on 'em." 
Otherwise knows as Uptown, you can tell folks from Gatorland in the cartoons
because they speak English.  Another clue is that all skinny people are 
from Gatorland, although not all people from Gatorland are skinny.  And 
they often have 59 rows of teeth.&lt;/FONT&gt;&lt;/P&gt;&lt;P&gt;

&lt;FONT size="2" face="verdana,arial,helvetica"&gt;
The other kind of New Orleanian is Everyone Else, dose folks dat talk 
normal.&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;NEW ORLEANS&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;there are oodles of ways that the 
locals pronounce the name of their beloved City.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&amp;lt;new or-LEENS&amp;gt; is generally a no-no.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;

Here are the major standard local pronunciations of the City's name: 
&amp;lt;new OR-l@ns&amp;gt;, &amp;lt;new AW-l@ns&amp;gt;, &amp;lt;new OR-lee-'@ns&amp;gt; &amp;lt;new 
AH-lee-@ns&amp;gt;, &amp;lt;nyoo AH-lee-'@ns&amp;gt;.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/new+orleans/" rel="tag"&gt;new orleans&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.gumbopages.com/yatspeak.html</clipSource><pubDate>Wed, 03 Sep 2008 05:40:23 GMT</pubDate></item><item><title>Pink Floyd---Animals</title><link>http://clipmarks.com/clipmark/92576297-C536-43DA-9758-3FA205A26E51/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/katsteevns/"&gt;katsteevns&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Relevant lyrics for today....and good music ,too!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088" title="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TH class="summary" scope="col" colspan="3"&gt;&lt;I&gt;Animals&lt;/I&gt;&lt;/TH&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/katsteevns/512/BF97D3F4-E187-4535-A37C-3FF5C0B01E68.jpg" alt="Animals cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;&lt;B&gt;Animals&lt;/B&gt;&lt;/I&gt; is a &lt;A title="Concept album" href="http://en.wikipedia.org/wiki/Concept_album"&gt;concept album&lt;/A&gt; by &lt;A title="England" href="http://en.wikipedia.org/wiki/England"&gt;English&lt;/A&gt; progressive rock band &lt;A title="Pink Floyd" href="http://en.wikipedia.org/wiki/Pink_Floyd"&gt;Pink Floyd&lt;/A&gt;, released on &lt;A title="January 23" href="http://en.wikipedia.org/wiki/January_23"&gt;23 January&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="UK" class="mw-redirect" href="http://en.wikipedia.org/wiki/UK"&gt;UK&lt;/A&gt; and on &lt;A title="February 2" href="http://en.wikipedia.org/wiki/February_2"&gt;2 February&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The album proved a success in the &lt;A title="United Kingdom" href="http://en.wikipedia.org/wiki/United_Kingdom"&gt;United Kingdom&lt;/A&gt;, where it reached #2 in the era of &lt;A title="Punk music" class="mw-redirect" href="http://en.wikipedia.org/wiki/Punk_music"&gt;punk music&lt;/A&gt;. It was also a success in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;, reaching #3 on the &lt;A title="Billboard 200" href="http://en.wikipedia.org/wiki/Billboard_200"&gt;Billboard album charts&lt;/A&gt; (#1 and #2 were &lt;I&gt;&lt;A title="Hotel California" href="http://en.wikipedia.org/wiki/Hotel_California"&gt;Hotel California&lt;/A&gt;&lt;/I&gt; by &lt;A title="The Eagles" class="mw-redirect" href="http://en.wikipedia.org/wiki/The_Eagles"&gt;The Eagles&lt;/A&gt;, and the &lt;A title="Soundtrack" href="http://en.wikipedia.org/wiki/Soundtrack"&gt;soundtrack&lt;/A&gt; to the &lt;A title="Barbara Streisand" class="mw-redirect" href="http://en.wikipedia.org/wiki/Barbara_Streisand"&gt;Barbara Streisand&lt;/A&gt; film &lt;I&gt;&lt;A title="A Star Is Born (1976 film)" href="http://en.wikipedia.org/wiki/A_Star_Is_Born_%281976_film%29"&gt;A Star Is Born&lt;/A&gt;&lt;/I&gt;). However, it was on the American charts for only six months even though it has continued to sell solidly, to the extent of its having gone quadruple platinum, according to the &lt;A title="RIAA certification" href="http://en.wikipedia.org/wiki/RIAA_certification"&gt;RIAA&lt;/A&gt;.&lt;/P&gt;
&lt;P&gt;In the UK, the &lt;A title="British Phonographic Industry" href="http://en.wikipedia.org/wiki/British_Phonographic_Industry"&gt;British Phonographic Industry&lt;/A&gt; awarded the album Gold (100,000 units) in 1977. It has yet to achieve Platinum.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088</clipSource><pubDate>Sat, 02 Aug 2008 17:11:51 GMT</pubDate></item><item><title>Mark Twain on the First Woman in Nevada</title><link>http://clipmarks.com/clipmark/CE22F2E2-B2CB-4234-9E33-160FEC064B5C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More &lt;a href="http://www.oldfashionedamericanhumor.com/humorous-short-stories-on-line.html" rel="nofollow" target="_blank"&gt;↗Mark Twain Humorous Short Stories On-line&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html" title="http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html"&gt;www.oldfashionedamericanhumor.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;in a certain Nevada camp, the news went abroad early in the morning that a woman was come!  The miners had seen a calico dress hanging out of a wagon down at the camping ground---sign of emigrants from over the great plains. Everybody went down there, and a shout went up when an actual bona fide dress was discovered fluttering in the wind! The male emigrant was visible. The miners said:&lt;/P&gt;&lt;P&gt;“Fetch her out!”&lt;/P&gt;&lt;P&gt;He said: “It’s my wife, gentlemen---she is sick---we have been robbed of money, provisions, everything, by the Indians---we want to rest.”&lt;/P&gt;&lt;P&gt;“Fetch her out! We’ve got to see her!”&lt;/P&gt;&lt;P&gt;“But gentlemen, the poor thing, she---“&lt;/P&gt;&lt;P&gt;“FETCH HER OUT!”&lt;/P&gt;&lt;P&gt;He “fetched her out,” and they swung their hats and sent up three rousing cheers, and they crowded around and gazed at her, and touched her dress, and listened to her voice with the look of men who listened to a memory rather than a present reality---and then they collected twenty-five hundreds dollars in gold and gave it to the man,&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;and went home satisfied.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/mark+twain/" rel="tag"&gt;mark twain&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.oldfashionedamericanhumor.com/mark-twain-on-the-first-woman-in-nevada.html</clipSource><pubDate>Sat, 23 Aug 2008 20:25:19 GMT</pubDate></item><item><title>Rubaiyat (quatrains) of Omar Khayyam, the astronomer-poet of Persia (1048-1122)</title><link>http://clipmarks.com/clipmark/99C8EDC6-9C2E-48B0-A33A-8EA014332BAD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.fordham.edu/halsall/basis/omarkhayyam-rub2.html" rel="nofollow" target="_blank"&gt;Medieval Sourcebook: Omar Khayyam: The Rubaiyat, c. 1120, trans.  E. H. Whinfield&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.irania.eu/Gedichte/khayyamrobaiyat.html" rel="nofollow" target="_blank"&gt;Irania.eu Omar Khayyam Robaiyat&lt;/a&gt;&lt;br/&gt;&lt;a href="http://etext.lib.virginia.edu/etcbin/browse-mixed-new?id=Fit1Rub&amp;amp;tag=public&amp;amp;images=images/modeng&amp;amp;data=/texts/english/modeng/parsed" rel="nofollow" target="_blank"&gt;Rubaiyat of Omar Khayyam, The Astronomer-Poet of Persia (First edition)&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/bioef.htm" rel="nofollow" target="_blank"&gt;Biography&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/philosophy.htm" rel="nofollow" target="_blank"&gt;Philosophy of Omar Khayyam&lt;/a&gt;&lt;br/&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=Omar_Khayy%C3%A1m&amp;amp;printable=yes" rel="nofollow" target="_blank"&gt;Omar Khayyám - Wikipedia EN&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html" title="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html"&gt;johammonia2.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/68509010-3F28-434B-9BB9-B50952C739F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Some look for truth in creeds, and forms, and rules;&lt;BR /&gt;
Some grope for doubts or dogmas in the schools;&lt;BR /&gt;
But from behind the veil a voice proclaims,&lt;BR /&gt;
"Your road lies neither here nor there, O fools."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/AEB5D4E1-44E0-4E52-9EB4-5BBDBA66E4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Young wooer, charm all hearts with lover's art,&lt;BR /&gt;
Glad winner, lead thy paragon apart!&lt;BR /&gt;
A hundred Kaabas equal not one heart,&lt;BR /&gt;
Seek not the Kaaba, rather seek a heart!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/EC2699AE-7EC0-440E-B962-086901805B27.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Better to make one soul rejoice with glee,&lt;BR /&gt;
Than plant a desert with a colony;&lt;BR /&gt;
Rather one freeman bind with chains of love,&lt;BR /&gt;
Than set a thousand prisoned captives free!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/B6D79248-001E-4156-A446-F44F78013B31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They who by genius, and by power of brain,&lt;BR /&gt;
The rank of man's enlighteners attain,&lt;BR /&gt;
Not even they emerge from this dark night,&lt;BR /&gt;
But tell their dreams, and fall asleep again.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/FF9008BB-8158-4130-9B86-939A685D6B79.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Although the creeds number some seventy-three,&lt;BR /&gt;
I hold with none but that of loving Thee;&lt;BR /&gt;
What matter faith, unfaith, obedience, sin?&lt;BR /&gt;
Thou'rt all we need, the rest is vanity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/A321E0EA-CBB0-4098-908E-78767799C054.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/omar+khayyam/" rel="tag"&gt;omar khayyam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rubaiyat/" rel="tag"&gt;rubaiyat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quatrains/" rel="tag"&gt;quatrains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poems/" rel="tag"&gt;poems&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/persia/" rel="tag"&gt;persia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/middle+ages/" rel="tag"&gt;middle ages&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html</clipSource><pubDate>Sun, 10 Aug 2008 21:09:17 GMT</pubDate></item><item><title>Original Alice</title><link>http://clipmarks.com/clipmark/79FB2271-FE8C-4373-9D5D-39F6048A9C8E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html" title="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="116"&gt;&lt;P class="subnavHeader"&gt;&lt;A id="lbl17" class="subnavHeader" href="javascript:checkCookie('alice')"&gt; THE ORIGINAL ALICE&lt;/A&gt;&lt;/P&gt;
               &lt;SPAN class="arial11"&gt;Written and illustrated by Lewis Carroll&lt;/SPAN&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Lewis Carroll's Alice's Adventures Under Ground - Introduction&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/intro.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This manuscript - one of the British Library's best - loved treasures - is the 
original version of &lt;EM&gt;Alice's Adventures in Wonderland&lt;/EM&gt;, by Lewis Carroll, 
the pen-name of Charles Dodgson, an Oxford mathematician.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77A65BE7-B142-410F-B4D8-13B5C4BC020E.jpg" alt=" Image of Lewis Carroll's Alice's Adventures Under Ground, dedication page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C3E9D412-72CB-447A-ACC8-5D75ECAE7909.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Page 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/sounds/ttp/alice/2.ram"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Chapter one&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Alice was beginning to get very tired of sitting by her sister on the bank, and 
             of having nothing to do: once or twice she had peeped into the book her sister 
             was reading, but it had no pictures or conversations in it, and where is the use 
             of a book, thought Alice, without pictures or conversations? So she was considering 
             in her own mind, (as well as she could, for the hot day made her feel very sleepy 
             and stupid,) whether the pleasure of making a daisy-chain was worth the trouble 
             of getting up and picking the daisies, when a white rabbit with pink eyes ran 
            close by her.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/56222F09-592B-4A10-9A31-D374080684B7.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 2 and 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/3.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77FE2589-85E5-4D51-B0A4-7CCB52B93513.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 6" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8E704EBE-AFFC-4577-8D6B-50350CD18237.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 6 and 7" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page9lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page9lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/27202651-6135-4B5B-B5BA-22A08D3DC032.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 9" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages8and9.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages8and9.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/03A6DDE5-2B23-4BE1-B987-8F45AA0C73C0.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - 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Pages 68 and 69" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page71lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page71lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77562C7A-E537-4BA1-97C2-6DB277B10A7F.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 71" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page75lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page75lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A969BD47-A5E1-48CB-98F4-E429AF476EFF.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 75" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages82and83.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages82and83.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2FEDDCF6-ABCC-4CF8-8425-3A4F98F0A906.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 82 and 83" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages86and87.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages86and87.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/34B0E9C3-5AB6-4BDC-919F-2BAAE980A681.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 86 and 87" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages88and89.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages88and89.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/534B9F99-4D3B-4FC1-90E6-3450E9DC361C.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 88 and 89" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages90and91.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages90and91.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EE717F5E-DCC1-4564-8C20-F5FFE55E0369.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 90 and 91" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alice/" rel="tag"&gt;alice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lewis+carroll/" rel="tag"&gt;lewis carroll&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wonderland/" rel="tag"&gt;wonderland&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alice's+adventures+underground/" rel="tag"&gt;alice's adventures underground&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bl.uk/onlinegallery/ttp/ttpbooks.html</clipSource><pubDate>Mon, 04 Aug 2008 21:29:25 GMT</pubDate></item><item><title>7 Myths of Crowd Psychology</title><link>http://clipmarks.com/clipmark/A7F9B71B-9CB5-4E5A-8041-BA1470F46CE6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php" title="http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php"&gt;www.spring.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/E2277D19-BD4A-4FB8-8E5B-25B29C6EAAF3.jpg" alt="Crowd" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;"The mass, whether it be a crowd or an army, is vile"&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;~Benito Mussolini&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Here are the seven myths about crowds that &lt;A href="http://www.ingentaconnect.com/content/asoca/ts/2005/00000033/00000002/art00002" linkindex="99"&gt;Schweingruber and Wohlstein&lt;/A&gt; identify, in order of how frequently they appear in introductory sociology textbooks.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;1. Crowds are spontaneous&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The most common myth about crowds is that they are spontaneous, or worse, that they are hotbeds of violence, with complete chaos only a few ill-judged jostles away. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Research into crowd violence does not support this.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;2. Crowds are suggestible&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The idea that people in crowds have heightened suggestibility is also a relatively common myth. People are said to copy each other, looking for a leader, being open to others' suggestion about how they should behave, perhaps resulting from a lack of social structure. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;3. Crowds are irrational&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;4. Crowds increase anonymity&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;5. Crowds are emotional&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;6. Crowds are unanimous&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;7. Crowds are destructive&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mass/" rel="tag"&gt;mass&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/crowd/" rel="tag"&gt;crowd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/behavior/" rel="tag"&gt;behavior&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php</clipSource><pubDate>Fri, 01 Aug 2008 17:07:08 GMT</pubDate></item><item><title>Important World Event! Please Consider Watching, Thanks.</title><link>http://clipmarks.com/clipmark/A1BBB308-274C-47BF-B194-C2AEF208C449/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sahara/"&gt;sahara&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Argentina's Economic Collapse&lt;br/&gt;Documentary on the events that led to the economic collapse of Argentina in 2001 which wiped out the middle class and raised the level of poverty to 57.5%. Central to the collapse was the implementation of neo-liberal policies which enabled the swindle of billions of dollars by foreign banks and corporations. Many of Argentina's assets and resources were shamefully plundered. Its financial system was even used for money laundering by Citibank, Credit Suisse, and JP Morgan. The net result was massive wealth transfers and the impoverishment of society which culminated in many deaths due to oppression and malnutrition.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/" title="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related" title="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 2 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related" title="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 3 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related" title="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 4 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related" title="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 5 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related" title="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 6 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related" title="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 7 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related" title="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 8 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related" title="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related" title="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 10 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related" title="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 11 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related" title="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 12 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/finance/" rel="tag"&gt;finance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/</clipSource><pubDate>Mon, 04 Aug 2008 03:10:49 GMT</pubDate></item><item><title>Pink Floyd - Reunification 2015</title><link>http://clipmarks.com/clipmark/00275664-AF61-4955-9C9F-C12CB872B1ED/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;   &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt;  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm" title="http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm"&gt;www.bruder-franziskus.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/22B6FAD1-4A5D-4FA8-AE3B-CC35B537398F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bruder-franziskus.de/pinkfloyd/topten_auftritt.htm" title="http://www.bruder-franziskus.de/pinkfloyd/topten_auftritt.htm"&gt;www.bruder-franziskus.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
              Beim Opener "ShineOn" treten Dave und Roger zum Mikro, um den 
              Gesangspart zu übernehmen. Ehe sich einer behaupten kann, kommt es 
              zu einer wüsten Schlägerei. Rick greift ein, ihm wird die Brille 
              heruntergeschlagen. Nick stiehlt sich davon, Roger nutzt die kurze 
              Bewusstlosigkeit von Dave, um "SeTeidIsTörning" anzustimmen. Das 
              Auditorium fordert "RanLeikHäll!", Dave rappelt sich auf und boxt 
              Roger eins aufn Mund. Roger fällt auf Rick, Dave kippt hinterher. 
              Ein Haufen Legenden.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pink+floyd/" rel="tag"&gt;pink floyd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/david+gilmour/" rel="tag"&gt;david gilmour&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/roger+waters/" rel="tag"&gt;roger waters&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rick+wright/" rel="tag"&gt;rick wright&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/nick+mason/" rel="tag"&gt;nick mason&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bruder-franziskus.de/pinkfloyd/humor_future.htm</clipSource><pubDate>Mon, 04 Aug 2008 07:42:31 GMT</pubDate></item><item><title>A Baby's Smile Is A Natural High</title><link>http://clipmarks.com/clipmark/9C6A8A8D-7D07-42D2-93B9-DED28E1B61A0/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/07/080707081852.htm" title="http://www.sciencedaily.com/releases/2008/07/080707081852.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; The baby's smile that gladdens a mother's heart also lights up the reward centers of her brain, said Baylor College of Medicine researchers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The finding could help scientists figure out the special mother-infant bond and how it sometimes go wrong,&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"The relationship between mothers and infants is critical for child development," said Strathearn. "For whatever reason, in some cases, that relationship doesn't develop normally. Neglect and abuse can result, with devastating effects on a child's development."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They found that when the mothers saw their own infants' faces, key areas of the brain associated with reward lit up during the scans.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The areas stimulated by the sight of their own babies were those associated with the neurotransmitter dopamine.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"These are areas that have been activated in other experiments associated with drug addiction," said Strathearn. "It may be that seeing your own baby's smiling face is like a 'natural high' ".&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/baby/" rel="tag"&gt;baby&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motherhood/" rel="tag"&gt;motherhood&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/07/080707081852.htm</clipSource><pubDate>Mon, 07 Jul 2008 16:36:00 GMT</pubDate></item><item><title>Afghanistan in pictures</title><link>http://clipmarks.com/clipmark/E33ECB8A-5C1A-4E15-84D4-AD0C611813C2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A9C750CB-066B-418B-A3C3-60F32D5759A9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/569E7330-1666-4B8C-A969-063816E7D214.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This girl looks happy here, but expectations are that as she grows, her burn scars won't, which could prove fatal. There is no hospital in Uruzgan, one of the poorest provinces in Afghanistan &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/88DD2716-9AC9-4AB4-9F58-6338A4D04C17.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the royal palace of Dar-ul-Aman&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/566BBBBC-47EA-4D43-AA8B-B2A7F6F0C69A.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the faces of the future law enforcers of Afghanistan, members of the Afghan National Auxiliary Police&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C55A6C9C-C40E-44F5-80BB-26099A7A4B80.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1A3B8B9F-9155-4F89-8430-AAB3AB300554.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a bike is a luxury item&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/48EA2381-743F-4DF7-8515-14031FBC6015.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CAD6ABA7-A01D-48C7-A3C8-3C73C005C2F3.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Afghanistan is a country of children and young people: 44% of the population is under 14. They now have better prospects because they can go to school again&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5B1DF870-D543-4E0C-91BC-22F1EE1DD2B0.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A girls' school in Uruzgan. Under the Taliban regime girls were banned from attending school. That has changed although some are still not used to the idea&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2C15FA8D-64F5-45E7-ABEE-FEDFD8763AC9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Security is also important for schools&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4A1E51A1-19EA-4977-8834-A84389C995FE.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he swimming pool&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; never contained water&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Taliban pushed blindfolded criminals and homosexuals from the top diving board&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/B27F8818-AECC-452A-ABD0-1BAC20178D92.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;40% of the population is unemployed&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203</clipSource><pubDate>Sat, 02 Aug 2008 08:35:47 GMT</pubDate></item><item><title>Iran's stunning wooden village</title><link>http://clipmarks.com/clipmark/7F6E07CB-44D6-4B4C-9D56-59FBF401B6A1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://deputy-dog.com/2008/07/22/irans-stunning-wooden-village/" title="http://deputy-dog.com/2008/07/22/irans-stunning-wooden-village/"&gt;deputy-dog.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/89C5BC9B-33D8-4A2B-B162-D8648E88CFE3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/8A52BB9A-5F4E-4AEB-B3AA-FA12BC4D0C5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/6425E0EC-34CC-49CC-AD9D-906AC2FE90D1.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/784C032F-D49D-47C3-9231-BA74C4DBA1D9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/297A8C07-EA45-4754-8BB8-6C6853A563A8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/91BF6DCA-38F0-4850-AA37-2DD463800C90.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/E392EB63-0A1E-4EEF-8EF5-026DB100D919.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/arifsali/512/1A99573D-1FB7-4DE7-B8C8-D2602A987ACA.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/iran/" rel="tag"&gt;iran&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://deputy-dog.com/2008/07/22/irans-stunning-wooden-village/</clipSource><pubDate>Wed, 23 Jul 2008 02:02:56 GMT</pubDate></item><item><title>The Role of Meaning in Human Thinking</title><link>http://clipmarks.com/clipmark/099C75D2-F98D-4601-B350-D4B1F8F891BF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://jetpress.org/v17/marsen.htm" title="http://jetpress.org/v17/marsen.htm"&gt;jetpress.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN lang="EN-GB"&gt;The creation of meaning to interpret and
communicate perceived phenomena is a fundamental trait of human intelligence.
This article explains some major ways in which this is achieved, focusing on
language and the perception of embodiment. It examines the representational
aspects of natural language, which account for the ambiguity of linguistic
signs, and describes how these manifest in metaphor, connotation and emotive
expression. The article argues that the human propensity to create meaning lies
largely in this representational ambiguity, which underlies all forms of
symbolism. However, the ambiguity of natural language has a paradoxical side,
since it is also at fault in many shortcomings of human communication, such as
misunderstanding and prejudicial stereotyping. This article argues that any
attempt to emulate human ways of thinking, for example in Artificial
Intelligence research, should take this paradoxical factor into account.&lt;O:P&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ambiguity/" rel="tag"&gt;ambiguity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://jetpress.org/v17/marsen.htm</clipSource><pubDate>Fri, 01 Aug 2008 12:50:56 GMT</pubDate></item><item><title>Life in Purple</title><link>http://clipmarks.com/clipmark/F05944B7-9197-49AA-B8B1-F289FD33B7BC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-bridge-abell.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-bridge-abell.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/10FC91F8-8A1A-4365-A42E-B3EFB2704AB0.jpg" alt="Photo: Sunset and bridge" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-clouds-richardson.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-clouds-richardson.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/AB7E187F-F868-44B1-8688-E09C4034A3BD.jpg" alt="Photo: Clouds over Isle of Skye" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-play-nicklen.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-play-nicklen.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5307DDFD-A1E8-4BCE-98C5-FCC7AECB6996.jpg" alt="Photo: Polar bears at sunset" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-twilight-joubert.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-twilight-joubert.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D9E2FA26-1F15-42FE-8227-F4BAFFF00897.jpg" alt="Photo: Antelope at nightfall" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-festival-cobb.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-festival-cobb.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/75174912-0E94-4912-AF04-464E5280F0F9.jpg" alt="Photo: Dragon dancers and purple smoke" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-violet-gold.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-violet-gold.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/3229CECF-A384-4281-8826-F6F3E534AD30.jpg" alt="Photo: Purple violets and pollen" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-sea-star-henry.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-sea-star-henry.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C6328E1F-26A5-46DC-BE26-DE26E39C85CC.jpg" alt="Photo: Purple sea star" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span 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src="http://clipmarks.com/image_cache/JohnWaterman/512/9F8BD4F7-ED58-474E-BAF5-E4EE3062162A.jpg" alt="Photo: Dancer's silhouette " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-building-johns.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-building-johns.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C7108615-ADCD-4523-AB2C-899B4120AB51.jpg" alt="Photo: Purple building in South Africa" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span 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Wildflowers in bloom" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-festival-richardson.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-festival-richardson.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1017B26C-FD9F-4978-9A0E-BBE1366D2050.jpg" alt="Photo: Giant purple egg at Edinburgh festival" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-tree-laman.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-tree-laman.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/D2280EDD-0E8E-4558-8120-FB3B4CFDF818.jpg" alt="Photo: Joshua tree under purple sky" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/purple-fields-ludwig.html" title="http://photography.nationalgeographic.com/photography/enlarge/purple-fields-ludwig.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/446631C1-B98F-44CD-8890-4CD12A1479C6.jpg" alt="Photo: Sunset over lavender fields" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://photography.nationalgeographic.com/photography/enlarge/purple-bridge-abell.html</clipSource><pubDate>Mon, 28 Jul 2008 22:29:53 GMT</pubDate></item></channel></rss>