<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Johanna_G's Pops</title><link>http://clipmarks.com/clipper/Johanna_G/pops/</link><feedUrl>http://rss.clipmarks.com/clipper/Johanna_G/pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Sailing to Byzantium</title><link>http://clipmarks.com/clipmark/7B317AFD-6AC6-4921-8825-B65804287D98/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fds.oup.com/www.oup.com/images/onlineproducts/byzantium.jpg" title="http://fds.oup.com/www.oup.com/images/onlineproducts/byzantium.jpg"&gt;fds.oup.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/15FF2A71-AD49-4E0B-89CB-FE8DAE420C57.jpg" alt="http://fds.oup.com/www.oup.com/images/onlineproducts/byzantium.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bp3.blogger.com/_WYeePu9c3mw/RgiOMb_AwNI/AAAAAAAAAAk/BzZGh5ioyiw/s1600-h/sail.jpg" title="http://bp3.blogger.com/_WYeePu9c3mw/RgiOMb_AwNI/AAAAAAAAAAk/BzZGh5ioyiw/s1600-h/sail.jpg"&gt;bp3.blogger.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/34E3703E-C079-46A8-845C-508807B2ACF4.jpg" alt="[sail.jpg]" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://myweb.dal.ca/waue/Trans/Yeats-Byzantium.html" title="http://myweb.dal.ca/waue/Trans/Yeats-Byzantium.html"&gt;myweb.dal.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;B&gt;  An aged man is but a paltry thing, &lt;BR /&gt;   
  A tattered coat upon a stick, unless &lt;BR /&gt; 
  Soul clap its hands and sing, and louder sing &lt;BR /&gt; 
  For every tatter in its mortal dress, &lt;BR /&gt; 
  Nor is there singing school but studying &lt;BR /&gt;
  Monuments of its own magnificence; &lt;BR /&gt; 
  And therefore I have sailed the seas and come &lt;BR /&gt; 
  To the holy city of Byzantium.

&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.yeatsvision.com/Images/Bas2xGyre2.gif" title="http://www.yeatsvision.com/Images/Bas2xGyre2.gif"&gt;www.yeatsvision.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F53841B6-FB18-4A02-B31F-9EBF6224A3E3.gif" alt="The image “http://www.yeatsvision.com/Images/Bas2xGyre2.gif” cannot be displayed, because it contains errors." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://anodyne.wordpress.com/2006/06/" title="http://anodyne.wordpress.com/2006/06/"&gt;anodyne.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0A2B490B-7E86-4E9A-8BDD-96AD7D9730BC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Turning and turning in the widening gyre&lt;BR /&gt;
The falcon cannot hear the falconer;&lt;BR /&gt;
Things fall apart; the centre cannot hold;&lt;BR /&gt;
Mere anarchy is loosed upon the world,&lt;BR /&gt;
The blood-dimmed tide is loosed, and everywhere&lt;BR /&gt;
The ceremony of innocence is drowned;&lt;BR /&gt;
The best lack all conviction, while the worst&lt;BR /&gt;
Are full of passionate intensity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.flickr.com/photos/92019154@N00/155236529/comment72157594182971437/" title="http://www.flickr.com/photos/92019154@N00/155236529/comment72157594182971437/"&gt;www.flickr.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/9184AB38-F3A1-40FD-B239-BB114058FEEA.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://spiral.gallery.sytes.org/?p=MjQyMDc2MjAwNlw2MTUzMzk1NEBOMDBcRGltaXRyeSBCXDRcZTY1ZWUyNWU1ZFwyMDIxXDNcU3BpcmFsIFN0YWlyY2FzZSwgVmF0aWNhbowdXFQ" title="http://spiral.gallery.sytes.org/?p=MjQyMDc2MjAwNlw2MTUzMzk1NEBOMDBcRGltaXRyeSBCXDRcZTY1ZWUyNWU1ZFwyMDIxXDNcU3BpcmFsIFN0YWlyY2FzZSwgVmF0aWNhbowdXFQ"&gt;spiral.gallery.sytes.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/91B6EF70-9D52-45F2-A8F4-63F027F40870.jpg" alt="Spiral Staircase, Vatican" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://poemsandprose.blog.co.uk/2006/04/11/the_images_that_are_byzantium~718624" title="http://poemsandprose.blog.co.uk/2006/04/11/the_images_that_are_byzantium~718624"&gt;poemsandprose.blog.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/0AF6C46D-E9A0-430C-8867-5C685A1F11DC.jpg" alt="byz2_web" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://poemsandprose.blog.co.uk/2006/04/10/an_aged_man_is_but_a_palty_thing_a_tatte~715852" title="http://poemsandprose.blog.co.uk/2006/04/10/an_aged_man_is_but_a_palty_thing_a_tatte~715852"&gt;poemsandprose.blog.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;O sages standing in God's holy fire&lt;BR /&gt;
As in the gold mosaic of a wall&lt;BR /&gt;
Come from the holy fire, perne in a gyre&lt;BR /&gt;
And be the singing-masters of my soul.&lt;BR /&gt;
Consume my heart away; sick with desire&lt;BR /&gt;
And fastened to a dying animal&lt;BR /&gt;
It knows not what it is; and gather me&lt;BR /&gt;
Into the artifice of eternity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://byzantiumshores.blogspot.com/2005/08/image-of-week_28.html" title="http://byzantiumshores.blogspot.com/2005/08/image-of-week_28.html"&gt;byzantiumshores.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/CFA9F617-E2AF-402F-B8F1-190835643676.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailygalaxy.com/photos/uncategorized/2007/07/18/copernicus.jpg" title="http://www.dailygalaxy.com/photos/uncategorized/2007/07/18/copernicus.jpg"&gt;www.dailygalaxy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/7A029450-BFE1-4664-8569-0F460A441DF8.jpg" alt="http://www.dailygalaxy.com/photos/uncategorized/2007/07/18/copernicus.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.magnetism.com/magblogarchives/2006/03/magnetism_shapes_dna_in_space.html" title="http://www.magnetism.com/magblogarchives/2006/03/magnetism_shapes_dna_in_space.html"&gt;www.magnetism.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5B0A1ABA-2500-4BEA-B729-B9FFA4AB3285.jpg" alt="060315_dna_nebula_02.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencemuseum.org.uk/on-line/lifecycle/135.asp" title="http://www.sciencemuseum.org.uk/on-line/lifecycle/135.asp"&gt;www.sciencemuseum.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/72853935-9B50-4604-8C7A-D37D25CBF98D.jpg" alt="DNA double helix." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://myufo.com/2006/05/tadpoles_tidal_tail.html" title="http://myufo.com/2006/05/tadpoles_tidal_tail.html"&gt;myufo.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F744DDC4-FA96-47F7-8162-A334705A7996.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spermdonorforum.com/posting_advice.html" title="http://www.spermdonorforum.com/posting_advice.html"&gt;www.spermdonorforum.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/FBFB41F4-0FF0-4E6D-A97B-0B41E864F323.jpg" alt="Human Sperm" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.crystalinks.com/galaxies.html" title="http://www.crystalinks.com/galaxies.html"&gt;www.crystalinks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5D3FEEC4-1E7B-42B2-B490-35236E4F4845.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F4DAD7AB-6AD6-4FD8-B4A1-1FE21391CEA0.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C2DC9FD3-7A71-4CF1-9F71-595A704C6560.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.answers.com/topic/ouroboros" title="http://www.answers.com/topic/ouroboros"&gt;www.answers.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/99399F8D-0D1A-47E2-84E1-228B73377B6E.png" alt="1478 drawing by Theodoros Pelecanos, in alchemical tract titled Synosius." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lifehack.org/articles/lifehack/one-firefox-toolbar-to-rule-them-all.html" title="http://www.lifehack.org/articles/lifehack/one-firefox-toolbar-to-rule-them-all.html"&gt;www.lifehack.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/23DEFFF6-EEF5-4F5F-BA69-2E538C4187CB.jpg" alt="firefox logo" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/w.b.yeats/" rel="tag"&gt;w.b.yeats&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fds.oup.com/www.oup.com/images/onlineproducts/byzantium.jpg</clipSource><pubDate>Sat, 09 Aug 2008 08:34:36 GMT</pubDate></item><item><title>Persian Music</title><link>http://clipmarks.com/clipmark/521E2BB0-880C-40D7-8758-1C449A5CDB34/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/arifsali/"&gt;arifsali&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.radiodarvish.com/" title="http://www.radiodarvish.com/"&gt;www.radiodarvish.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This site and webcast is 
  dedicated to the Persian traditional music fans. 
  &lt;br&gt;
  Music crosses language boundaries and brings people closer to one another. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/persian/" rel="tag"&gt;persian&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/iran/" rel="tag"&gt;iran&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.radiodarvish.com/</clipSource><pubDate>Sun, 09 Jul 2006 23:45:24 GMT</pubDate></item><item><title>RADIO DARVISH - Persian Traditional Music</title><link>http://clipmarks.com/clipmark/D5B7235F-694B-4FFA-B4CD-D919207A6172/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/gzyra/"&gt;gzyra&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#003300"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.radiodarvish.com/" title="http://www.radiodarvish.com/"&gt;www.radiodarvish.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#00ff00"&gt;&lt;STRONG&gt;&lt;FONT size="7" color="#ffff00"&gt;R&lt;FONT size="6"&gt;ADIO&lt;/FONT&gt; 
  D&lt;FONT size="6"&gt;ARVISH&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;FONT size="6" color="#ffff00"&gt;&lt;STRONG&gt;P&lt;FONT size="5"&gt;ERSIAN&lt;/FONT&gt; 
  T&lt;FONT size="5"&gt;RADITIONAL&lt;/FONT&gt; M&lt;FONT size="5"&gt;USIC&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT color="#00ff00"&gt;This site and webcast is 
  dedicated to the Persian traditional music fans. 
  &lt;BR /&gt;
  Music crosses language boundaries and brings people closer to one another. &lt;STRONG&gt;&lt;BR /&gt;
  &lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P align="center"&gt;&lt;A href="http://www.radiodarvish.com/Darvish_Bio.html"&gt;&lt;IMG width="170" height="190" border="1" src="http://www.radiodarvish.com/images/sml_darvish01.jpg" /&gt;&lt;/A&gt;&lt;/P&gt;
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;
  [ &lt;/STRONG&gt;Listen: &lt;A href="http://207.200.96.228:8078/listen.pls"&gt;(DSL 
  / Cable)&lt;/A&gt; or &lt;A href="http://207.200.96.227:8060/listen.pls"&gt;Modem&lt;/A&gt;&lt;STRONG&gt; 
  | &lt;/STRONG&gt;&lt;A href="http://www.toloee.com/radiodarvish/scxml.php"&gt;Play 
  List&lt;/A&gt;&lt;STRONG&gt; &lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/radio/" rel="tag"&gt;radio&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arabic/" rel="tag"&gt;arabic&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.radiodarvish.com/</clipSource><pubDate>Thu, 31 May 2007 22:29:04 GMT</pubDate></item><item><title>Original Alice</title><link>http://clipmarks.com/clipmark/79FB2271-FE8C-4373-9D5D-39F6048A9C8E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html" title="http://www.bl.uk/onlinegallery/ttp/ttpbooks.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="116"&gt;&lt;P class="subnavHeader"&gt;&lt;A id="lbl17" class="subnavHeader" href="javascript:checkCookie('alice')"&gt; THE ORIGINAL ALICE&lt;/A&gt;&lt;/P&gt;
               &lt;SPAN class="arial11"&gt;Written and illustrated by Lewis Carroll&lt;/SPAN&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/introduction.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Lewis Carroll's Alice's Adventures Under Ground - Introduction&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/intro.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This manuscript - one of the British Library's best - loved treasures - is the 
original version of &lt;EM&gt;Alice's Adventures in Wonderland&lt;/EM&gt;, by Lewis Carroll, 
the pen-name of Charles Dodgson, an Oxford mathematician.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/dedicationlge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77A65BE7-B142-410F-B4D8-13B5C4BC020E.jpg" alt=" Image of Lewis Carroll's Alice's Adventures Under Ground, dedication page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page1.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C3E9D412-72CB-447A-ACC8-5D75ECAE7909.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Page 1" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/sounds/ttp/alice/2.ram"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Chapter one&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Alice was beginning to get very tired of sitting by her sister on the bank, and 
             of having nothing to do: once or twice she had peeped into the book her sister 
             was reading, but it had no pictures or conversations in it, and where is the use 
             of a book, thought Alice, without pictures or conversations? So she was considering 
             in her own mind, (as well as she could, for the hot day made her feel very sleepy 
             and stupid,) whether the pleasure of making a daisy-chain was worth the trouble 
             of getting up and picking the daisies, when a white rabbit with pink eyes ran 
            close by her.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages2and3.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/56222F09-592B-4A10-9A31-D374080684B7.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 2 and 3" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A class="verdana11link" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/mms://audio.bl.uk/media/ttp/alice/3.wma"&gt;Audio&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page6lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77FE2589-85E5-4D51-B0A4-7CCB52B93513.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 6" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages6and7.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/8E704EBE-AFFC-4577-8D6B-50350CD18237.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - 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Pages 58 and 59" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page67lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page67lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/04E62C41-C862-445F-B4EC-1919F4A1C134.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 67" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages68and69.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages68and69.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/E128A200-5C50-4C44-8800-9FB824201324.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 68 and 69" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page71lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page71lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/77562C7A-E537-4BA1-97C2-6DB277B10A7F.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 71" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page75lge.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/page75lge.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A969BD47-A5E1-48CB-98F4-E429AF476EFF.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground, page 75" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages82and83.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages82and83.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2FEDDCF6-ABCC-4CF8-8425-3A4F98F0A906.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 82 and 83" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages86and87.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages86and87.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/34B0E9C3-5AB6-4BDC-919F-2BAAE980A681.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 86 and 87" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages88and89.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages88and89.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/534B9F99-4D3B-4FC1-90E6-3450E9DC361C.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 88 and 89" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages90and91.html" title="http://www.bl.uk/onlinegallery/ttp/alice/accessible/pages90and91.html"&gt;www.bl.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/EE717F5E-DCC1-4564-8C20-F5FFE55E0369.jpg" alt="Image of Lewis Carroll's Alice's Adventures Under Ground - Pages 90 and 91" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alice/" rel="tag"&gt;alice&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lewis+carroll/" rel="tag"&gt;lewis carroll&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wonderland/" rel="tag"&gt;wonderland&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/alice's+adventures+underground/" rel="tag"&gt;alice's adventures underground&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.bl.uk/onlinegallery/ttp/ttpbooks.html</clipSource><pubDate>Mon, 04 Aug 2008 21:29:25 GMT</pubDate></item><item><title>Parenthood is not a synonym to blood connection!</title><link>http://clipmarks.com/clipmark/C304826C-E96A-4519-ACC3-EDFE4F1F2C90/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I think it is an important research, genetic similarity does not yield a priori an advantage in the quality of parenthood and education. It is rather the human involved. i think it holds to mothers as well. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sciencedaily.com/releases/2008/07/080731140123.htm" title="http://www.sciencedaily.com/releases/2008/07/080731140123.htm"&gt;www.sciencedaily.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Biological Fathers Not Necessarily The Best, Social Dads Parent Well Too&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A large number of U.S. children live or will live with a “social father,” a man 
who is married to or cohabiting with the child’s mother, but is not the 
biological father.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Researchers found that married social fathers exhibited equivalent or higher 
quality parenting behaviors than married and cohabiting biological fathers.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Married social fathers were more engaged with children, took on more shared 
responsibility in parenting, and were more trusted by mothers to take care of 
children.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/balthazarus/512/AA8DB2F3-8B47-4140-A90B-D511246F9986.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Analyses and regression results from interviews with mothers revealed that they perceived married social fathers to be engaged in relatively high quality parenting practices with the five-year-old children. Most notably, social fathers exhibited significantly higher levels of cooperation in parenting than biological fathers.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/sociology/" rel="tag"&gt;sociology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/family/" rel="tag"&gt;family&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.sciencedaily.com/releases/2008/07/080731140123.htm</clipSource><pubDate>Sun, 03 Aug 2008 10:46:28 GMT</pubDate></item><item><title>Would you like to know your gender?</title><link>http://clipmarks.com/clipmark/25E97E15-ED0F-4679-B225-541E674F99E8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/balthazarus/"&gt;balthazarus&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  i like it, mainly because i believe that through observations of patterns one may discover many things...&lt;br/&gt;BTW i am 84% male and 16% female (or was it the other way around ?-)-- try it. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mikeonads.com/2008/07/13/using-your-browser-url-history-estimate-gender/" title="http://www.mikeonads.com/2008/07/13/using-your-browser-url-history-estimate-gender/"&gt;www.mikeonads.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
&lt;H2&gt;&lt;A 
title="Permanent Link to Using your browser URL history to estimate gender" 
href="http://www.mikeonads.com/2008/07/13/using-your-browser-url-history-estimate-gender/" 
rel=bookmark&gt;Using your browser URL history to estimate gender&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;One of the things that I always wanted to do but never got around to was to analyze a user’s browsing history to estimate age and gender. Of course the idea is definitely not new, in fact Xerox (of all companies??) &lt;A href="http://appft1.uspto.gov/netacgi/nph-Parser?Sect1=PTO1&amp;Sect2=HITOFF&amp;d=PG01&amp;p=1&amp;u=%2Fnetahtml%2FPTO%2Fsrchnum.html&amp;r=1&amp;f=G&amp;l=50&amp;s1=%2220070073681%22.PGNR.&amp;OS=DN/20070073681&amp;RS=DN/20070073681"&gt;has a patent&lt;/A&gt; on the whole process and I’m certain plenty of networks already do something of the sort… but what the heck, let’s have some fun!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
&lt;P&gt;So what I did is I modified the SocialHistory JS so that it polled the 
browser to find out which of the &lt;A 
href="http://www.quantcast.com/top-sites-1"&gt;Quantcast top 10k&lt;/A&gt; sites were 
visited. I then apply the ratio of male to female users for each site and with 
some basic math determine a guestimate of your gender. The math is really quite 
simple, I just take:&lt;BR&gt;
&lt;CENTER&gt;1 / (1 + r_1 * r_2 * … * r_n)&lt;/CENTER&gt;&lt;BR&gt;where p_i is the ratio of 
men-to-women for the specific site. For example, if you had been to two sites 
that had a 2-1 ratio of men to women, the probability of you being female would 
be:&lt;BR&gt;
&lt;CENTER&gt;1 / (1 + 2 * 2) = 1/5 = 20%&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;BR /&gt;&lt;INPUT readOnly="false" type="submit" height="0" hspace="0" maxLength="2147483647" width="0" CHECKED="false" indeterminate="false" vspace="0" size="20" value="Start Analyzing My Browsing History" /&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.mikeonads.com/2008/07/13/using-your-browser-url-history-estimate-gender/</clipSource><pubDate>Sun, 03 Aug 2008 12:17:02 GMT</pubDate></item><item><title>Important World Event! Please Consider Watching, Thanks.</title><link>http://clipmarks.com/clipmark/A1BBB308-274C-47BF-B194-C2AEF208C449/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sahara/"&gt;sahara&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Argentina's Economic Collapse&lt;br/&gt;Documentary on the events that led to the economic collapse of Argentina in 2001 which wiped out the middle class and raised the level of poverty to 57.5%. Central to the collapse was the implementation of neo-liberal policies which enabled the swindle of billions of dollars by foreign banks and corporations. Many of Argentina's assets and resources were shamefully plundered. Its financial system was even used for money laundering by Citibank, Credit Suisse, and JP Morgan. The net result was massive wealth transfers and the impoverishment of society which culminated in many deaths due to oppression and malnutrition.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/" title="http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related" title="http://www.youtube.com/watch?v=whVSw5X2pVU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 2 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related" title="http://www.youtube.com/watch?v=JPddW3da2aA&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 3 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related" title="http://www.youtube.com/watch?v=4dbb4U8v3YQ&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 4 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related" title="http://www.youtube.com/watch?v=VPZcxQhUc9E&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 5 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related" title="http://www.youtube.com/watch?v=lMiedzHeUzg&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 6 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related" title="http://www.youtube.com/watch?v=gPST2cqgVQs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 7 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related" title="http://www.youtube.com/watch?v=CBSNTxPM3mU&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 8 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related" title="http://www.youtube.com/watch?v=nnig3LwEs3Y&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related" title="http://www.youtube.com/watch?v=UsirWiQ5kv0&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 10 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related" title="http://www.youtube.com/watch?v=qAtVUx8_Rps&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 11 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related" title="http://www.youtube.com/watch?v=lvEPPsC3Xfs&amp;feature=related"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Argentina's Economic Collapse - Part 12 of 12&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/world/" rel="tag"&gt;world&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/finance/" rel="tag"&gt;finance&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=rH6_i8zuffs&amp;eurl=http://infospill.com/</clipSource><pubDate>Mon, 04 Aug 2008 03:10:49 GMT</pubDate></item><item><title>Pink Floyd---Animals</title><link>http://clipmarks.com/clipmark/92576297-C536-43DA-9758-3FA205A26E51/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/katsteevns/"&gt;katsteevns&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Relevant lyrics for today....and good music ,too!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088" title="http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TH class="summary" scope="col" colspan="3"&gt;&lt;I&gt;Animals&lt;/I&gt;&lt;/TH&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/katsteevns/512/BF97D3F4-E187-4535-A37C-3FF5C0B01E68.jpg" alt="Animals cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;&lt;B&gt;Animals&lt;/B&gt;&lt;/I&gt; is a &lt;A title="Concept album" href="http://en.wikipedia.org/wiki/Concept_album"&gt;concept album&lt;/A&gt; by &lt;A title="England" href="http://en.wikipedia.org/wiki/England"&gt;English&lt;/A&gt; progressive rock band &lt;A title="Pink Floyd" href="http://en.wikipedia.org/wiki/Pink_Floyd"&gt;Pink Floyd&lt;/A&gt;, released on &lt;A title="January 23" href="http://en.wikipedia.org/wiki/January_23"&gt;23 January&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="UK" class="mw-redirect" href="http://en.wikipedia.org/wiki/UK"&gt;UK&lt;/A&gt; and on &lt;A title="February 2" href="http://en.wikipedia.org/wiki/February_2"&gt;2 February&lt;/A&gt; &lt;A title="1977" href="http://en.wikipedia.org/wiki/1977"&gt;1977&lt;/A&gt; in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The album proved a success in the &lt;A title="United Kingdom" href="http://en.wikipedia.org/wiki/United_Kingdom"&gt;United Kingdom&lt;/A&gt;, where it reached #2 in the era of &lt;A title="Punk music" class="mw-redirect" href="http://en.wikipedia.org/wiki/Punk_music"&gt;punk music&lt;/A&gt;. It was also a success in the &lt;A title="United States" href="http://en.wikipedia.org/wiki/United_States"&gt;U.S.&lt;/A&gt;, reaching #3 on the &lt;A title="Billboard 200" href="http://en.wikipedia.org/wiki/Billboard_200"&gt;Billboard album charts&lt;/A&gt; (#1 and #2 were &lt;I&gt;&lt;A title="Hotel California" href="http://en.wikipedia.org/wiki/Hotel_California"&gt;Hotel California&lt;/A&gt;&lt;/I&gt; by &lt;A title="The Eagles" class="mw-redirect" href="http://en.wikipedia.org/wiki/The_Eagles"&gt;The Eagles&lt;/A&gt;, and the &lt;A title="Soundtrack" href="http://en.wikipedia.org/wiki/Soundtrack"&gt;soundtrack&lt;/A&gt; to the &lt;A title="Barbara Streisand" class="mw-redirect" href="http://en.wikipedia.org/wiki/Barbara_Streisand"&gt;Barbara Streisand&lt;/A&gt; film &lt;I&gt;&lt;A title="A Star Is Born (1976 film)" href="http://en.wikipedia.org/wiki/A_Star_Is_Born_%281976_film%29"&gt;A Star Is Born&lt;/A&gt;&lt;/I&gt;). However, it was on the American charts for only six months even though it has continued to sell solidly, to the extent of its having gone quadruple platinum, according to the &lt;A title="RIAA certification" href="http://en.wikipedia.org/wiki/RIAA_certification"&gt;RIAA&lt;/A&gt;.&lt;/P&gt;
&lt;P&gt;In the UK, the &lt;A title="British Phonographic Industry" href="http://en.wikipedia.org/wiki/British_Phonographic_Industry"&gt;British Phonographic Industry&lt;/A&gt; awarded the album Gold (100,000 units) in 1977. It has yet to achieve Platinum.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://en.wikipedia.org/w/index.php?title=Animals_%28album%29&amp;oldid=226916088</clipSource><pubDate>Sat, 02 Aug 2008 17:11:51 GMT</pubDate></item><item><title>The Whole History of Dmegivern's Clipmarks Comments</title><link>http://clipmarks.com/clipmark/C4DF614A-0840-4C3E-9D30-C03507994E58/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/dmegivern/"&gt;dmegivern&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thewisdomgoldenmean.blogspot.com/2008/08/all-my-clipmarks-comments.html" title="http://thewisdomgoldenmean.blogspot.com/2008/08/all-my-clipmarks-comments.html"&gt;thewisdomgoldenmean.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="post-title entry-title"&gt;
&lt;A href="http://thewisdomgoldenmean.blogspot.com/2008/08/all-my-clipmarks-comments.html"&gt;All my Clipmarks Comments&lt;/A&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;what I am trying to stress is that even if I eventually made it to the indebted middle class, I am not okay from the journey. I am traumatized. Poverty harmed me deeply. It broke up my family. It put me into foster care, and led to dozens of stressful moves. It provided me with a first-hand seat to the ridicule of the poor; I carry in diaries... in memories... a lifelong record of anti-poor and anti-welfare comments hurled at me.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;"I disagree. I grew up in the household of mentally ill people who went untreated. It led to us going to foster care, long-term poverty, neglect, and sometimes mistreatment. I take my meds religiously because I never want to endanger my family in the same way. They may not work for everyone, but they have been wonderful for me. My brother who committed suicide in 1996 at the age of 23 never wanted to take meds either. I think people are too cavalier about dismissing their importance for real mental illness."&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/comments/" rel="tag"&gt;comments&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poverty/" rel="tag"&gt;poverty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mental+illness/" rel="tag"&gt;mental illness&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://thewisdomgoldenmean.blogspot.com/2008/08/all-my-clipmarks-comments.html</clipSource><pubDate>Sat, 02 Aug 2008 08:02:50 GMT</pubDate></item><item><title>Afghanistan in pictures</title><link>http://clipmarks.com/clipmark/E33ECB8A-5C1A-4E15-84D4-AD0C611813C2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/A9C750CB-066B-418B-A3C3-60F32D5759A9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131191"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/569E7330-1666-4B8C-A969-063816E7D214.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This girl looks happy here, but expectations are that as she grows, her burn scars won't, which could prove fatal. There is no hospital in Uruzgan, one of the poorest provinces in Afghanistan &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131161"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/88DD2716-9AC9-4AB4-9F58-6338A4D04C17.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the royal palace of Dar-ul-Aman&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131164"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/566BBBBC-47EA-4D43-AA8B-B2A7F6F0C69A.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the faces of the future law enforcers of Afghanistan, members of the Afghan National Auxiliary Police&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131167"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/C55A6C9C-C40E-44F5-80BB-26099A7A4B80.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131173"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/1A3B8B9F-9155-4F89-8430-AAB3AB300554.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;a bike is a luxury item&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131176"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/48EA2381-743F-4DF7-8515-14031FBC6015.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131179"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/CAD6ABA7-A01D-48C7-A3C8-3C73C005C2F3.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Afghanistan is a country of children and young people: 44% of the population is under 14. They now have better prospects because they can go to school again&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131185"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/5B1DF870-D543-4E0C-91BC-22F1EE1DD2B0.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A girls' school in Uruzgan. Under the Taliban regime girls were banned from attending school. That has changed although some are still not used to the idea&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131188"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/2C15FA8D-64F5-45E7-ABEE-FEDFD8763AC9.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Security is also important for schools&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131200"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4A1E51A1-19EA-4977-8834-A84389C995FE.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he swimming pool&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; never contained water&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the Taliban pushed blindfolded criminals and homosexuals from the top diving board&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194" title="http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131194"&gt;www.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/B27F8818-AECC-452A-ABD0-1BAC20178D92.jpg" alt="Hans Stakelbeek Afghanistan" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;40% of the population is unemployed&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.guardian.co.uk/world/gallery/2008/aug/01/afghanistan.photography?picture=336131203</clipSource><pubDate>Sat, 02 Aug 2008 08:35:47 GMT</pubDate></item><item><title>7 Myths of Crowd Psychology</title><link>http://clipmarks.com/clipmark/A7F9B71B-9CB5-4E5A-8041-BA1470F46CE6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php" title="http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php"&gt;www.spring.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/E2277D19-BD4A-4FB8-8E5B-25B29C6EAAF3.jpg" alt="Crowd" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;"The mass, whether it be a crowd or an army, is vile"&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;~Benito Mussolini&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Here are the seven myths about crowds that &lt;A href="http://www.ingentaconnect.com/content/asoca/ts/2005/00000033/00000002/art00002" linkindex="99"&gt;Schweingruber and Wohlstein&lt;/A&gt; identify, in order of how frequently they appear in introductory sociology textbooks.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;1. Crowds are spontaneous&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The most common myth about crowds is that they are spontaneous, or worse, that they are hotbeds of violence, with complete chaos only a few ill-judged jostles away. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Research into crowd violence does not support this.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;2. Crowds are suggestible&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The idea that people in crowds have heightened suggestibility is also a relatively common myth. People are said to copy each other, looking for a leader, being open to others' suggestion about how they should behave, perhaps resulting from a lack of social structure. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;3. Crowds are irrational&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;4. Crowds increase anonymity&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;5. Crowds are emotional&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;6. Crowds are unanimous&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;7. Crowds are destructive&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mass/" rel="tag"&gt;mass&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/crowd/" rel="tag"&gt;crowd&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/behavior/" rel="tag"&gt;behavior&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.spring.org.uk/2008/08/7-myths-of-crowd-psychology.php</clipSource><pubDate>Fri, 01 Aug 2008 17:07:08 GMT</pubDate></item><item><title>The Landscape Vortex: Spectacular Earth and Culture Dialogs</title><link>http://clipmarks.com/clipmark/D4741E62-B037-4C8C-8269-15D2E7324EC8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/lekahe/"&gt;lekahe&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cultcase.com/2008/06/landscape-vortex-spectacular-earth-and.html" title="http://www.cultcase.com/2008/06/landscape-vortex-spectacular-earth-and.html"&gt;www.cultcase.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;
&lt;A href="http://www.cultcase.com/2008/06/landscape-vortex-spectacular-earth-and.html"&gt;The Landscape Vortex: Spectacular Earth and Culture Dialogs&lt;/A&gt;
&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/2C164089-0B71-4242-94E6-D33B71AF77AB.jpg" alt="Robert Smithson: Spiral Jetty" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Robert Smithson: from Spiral Jetty to Amarillo Ramp &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/C9A8FD52-39EC-42E8-8A4D-5E9283C90B5F.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/3B1BE180-7883-4FA5-9B2E-D3F3DDB79941.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;D.A.ST: 100,000 Square Meters of Desert Breath &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/D4AC2BA3-6739-477C-837B-6F36C5A48382.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;Crop Circles: From Bower and Chorley to The Circlemakers&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/100A5F4F-2F37-4ED0-8012-735D0336B828.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/environment/" rel="tag"&gt;environment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/masterpieces/" rel="tag"&gt;masterpieces&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cultcase.com/2008/06/landscape-vortex-spectacular-earth-and.html</clipSource><pubDate>Fri, 01 Aug 2008 06:45:20 GMT</pubDate></item><item><title>The Finger: An Imaginary Landscape of Hebrew Letters</title><link>http://clipmarks.com/clipmark/A3CF5032-BBBC-473E-BC28-7882BCF8669B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/lekahe/"&gt;lekahe&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cultcase.com/2008/06/finger-imaginary-landscape-of-hebrew.html" title="http://www.cultcase.com/2008/06/finger-imaginary-landscape-of-hebrew.html"&gt;www.cultcase.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;
&lt;A href="http://www.cultcase.com/2008/06/finger-imaginary-landscape-of-hebrew.html"&gt;The Finger: An Imaginary Landscape of Hebrew Letters&lt;/A&gt;
&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/B87E0A03-CCEF-485E-BF87-2F11F13C4A24.jpg" alt="The Finger poster" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Despite being &lt;SPAN&gt;The Finger&lt;/SPAN&gt; a creation of &lt;A href="http://www.odedezer.com/"&gt;an Israeli typographic artist, logo and type designer&lt;/A&gt;, despite the fact it clearly corresponds with ancient Jewish culture - &lt;SPAN&gt;Rang magazine&lt;/SPAN&gt;, an &lt;SPAN&gt;Iranian&lt;/SPAN&gt; ezine for graphic designers, could not have avoid it and &lt;A href="http://www.rangmagazine.com/?type=dynamic&amp;lang=1&amp;id=1352"&gt;recently published&lt;/A&gt; a follow up story about it (screenshot below). Well, yes, art is meant to be borderless but not always is.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/lekahe/512/4948C73C-8D91-4821-B8CC-40AD9FFD0562.png" alt="The Finger on Rang magazine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/israel/" rel="tag"&gt;israel&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photography/" rel="tag"&gt;photography&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cultcase.com/2008/06/finger-imaginary-landscape-of-hebrew.html</clipSource><pubDate>Fri, 01 Aug 2008 06:42:34 GMT</pubDate></item><item><title>The Role of Meaning in Human Thinking</title><link>http://clipmarks.com/clipmark/099C75D2-F98D-4601-B350-D4B1F8F891BF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://jetpress.org/v17/marsen.htm" title="http://jetpress.org/v17/marsen.htm"&gt;jetpress.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN lang="EN-GB"&gt;The creation of meaning to interpret and
communicate perceived phenomena is a fundamental trait of human intelligence.
This article explains some major ways in which this is achieved, focusing on
language and the perception of embodiment. It examines the representational
aspects of natural language, which account for the ambiguity of linguistic
signs, and describes how these manifest in metaphor, connotation and emotive
expression. The article argues that the human propensity to create meaning lies
largely in this representational ambiguity, which underlies all forms of
symbolism. However, the ambiguity of natural language has a paradoxical side,
since it is also at fault in many shortcomings of human communication, such as
misunderstanding and prejudicial stereotyping. This article argues that any
attempt to emulate human ways of thinking, for example in Artificial
Intelligence research, should take this paradoxical factor into account.&lt;O:P&gt;&lt;/O:P&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ambiguity/" rel="tag"&gt;ambiguity&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://jetpress.org/v17/marsen.htm</clipSource><pubDate>Fri, 01 Aug 2008 12:50:56 GMT</pubDate></item><item><title>Life in Yellow</title><link>http://clipmarks.com/clipmark/BD5542E6-EF77-4749-A189-8D8A6110B48A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-facepaint-cobb.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-facepaint-cobb.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/04F313BB-3F22-4593-91DB-3F9C07660607.jpg" alt="Photo: Tribesman with face painted yellow" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-caterpillar-murawski.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-caterpillar-murawski.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/4BF89BD2-2C97-4630-941D-B8CDA36D8306.gif" alt="Photo: Yellow caterpillar " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-sunflower-white-petteway.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-sunflower-white-petteway.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/087DE7B9-967D-4B72-AAB7-EAA7CEC4A574.jpg" alt="Photo: Close-up of a sunflower" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-bird-quinton.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-bird-quinton.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/842009C1-9F17-49C7-B34C-BDF950DADE70.jpg" alt="Photo: Close-up of a yellow bird near tree" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span 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title="http://photography.nationalgeographic.com/photography/enlarge/yellow-chairs-mccurry.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/61F00C08-FACE-4E43-9CD1-E50E7B4C0126.jpg" alt="Photo: Row of yellow recliners" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-car-richardson.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-car-richardson.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/BA1DD13D-C996-4D0E-8850-14DF99CBFFA6.jpg" alt="Photo: Vintage yellow car in Hawaii" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-snake-grall.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-snake-grall.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/19E65060-E239-48B2-B4B0-467C5068A5F0.jpg" alt="Photo: Yellow snake" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-caterpillars-grall.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-caterpillars-grall.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/89B91882-FC77-4F3F-BC8B-B6350B75797C.jpg" alt="Photo: A ball of yellow caterpillars" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-wildflowers-edwards.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-wildflowers-edwards.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/FF322EB4-1A35-45C6-944B-F6740342DEA9.jpg" alt="Photo: Yellow desert wildflowers" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-leaves-gold.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-leaves-gold.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/7608BD6F-CC68-458D-A38C-7A99C2E4F7BC.jpg" alt="Photo: Golden maple leaves on ground" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span 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title="http://photography.nationalgeographic.com/photography/enlarge/yellow-train-touzon.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/26FC6347-28E5-452A-8983-CE786FBAA2B0.jpg" alt="Photo: Yellow train engine" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-reflection-gehman.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-reflection-gehman.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/27725319-4FDC-4360-8283-F9CB091A23F7.jpg" alt="Photo: Night view of a paper mill" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-staircase-evans.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-staircase-evans.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/43148A8F-1CC1-42DA-8C09-0F28A86CE30D.jpg" alt="Photo: Yellow stained glass" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-boat-melford.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-boat-melford.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/29C3B5CA-78B6-447C-A75B-A1DC6CBC7D80.jpg" alt="Photo: Yellow boat hull " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://photography.nationalgeographic.com/photography/enlarge/yellow-fabric-lewis.html" title="http://photography.nationalgeographic.com/photography/enlarge/yellow-fabric-lewis.html"&gt;photography.nationalgeographic.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/JohnWaterman/512/FBA1ECDD-A980-4F3D-8884-628EA9799D26.jpg" alt="Photo: Woman with yellow scarf" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://photography.nationalgeographic.com/photography/enlarge/yellow-facepaint-cobb.html</clipSource><pubDate>Mon, 28 Jul 2008 22:29:34 GMT</pubDate></item></channel></rss>