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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Djiezes's 'science' clips</title><link>http://clipmarks.com/clipper/Djiezes/tag/science/</link><feedUrl>http://rss.clipmarks.com/clipper/Djiezes/tag/science/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Creator of the Web concerned on Spreading Disinformation on the Web</title><link>http://clipmarks.com/clipmark/DB05082F-15E8-431C-9349-C8C628B84BBF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://news.bbc.co.uk/2/hi/technology/7613201.stm" title="http://news.bbc.co.uk/2/hi/technology/7613201.stm"&gt;news.bbc.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
					Warning sounded on web's future
				&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/D058097F-51F2-429B-8EAB-15FA22BD1B55.jpg" alt="Tim Berners-Lee (AFP/Getty)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The internet needs a way to help people separate rumour from real science, says the creator of the World Wide Web.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;he was increasingly worried about the way the web has been used to spread disinformation.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sir Tim told BBC News that there needed to be new systems that would give websites a label for trustworthiness once they had been proved reliable sources.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I'd be interested in different organisations labelling websites in different ways".
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sir Tim spoke to the BBC to publicise the launch of his World Wide Web Foundation which aims to improve the web's accessibility.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Alongside this role it will aim to make it easier for people to get online.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Web Foundation will also explore ways to make the web more mobile-phone friendly.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;will also look at how the benefits of the web can be taken to those who cannot read or write.
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;will also look at concerns that the web has become less democratic, and its use influenced too much by large corporations and vested interests.
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/tim+berners-lee/" rel="tag"&gt;tim berners-lee&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/internet/" rel="tag"&gt;internet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/www/" rel="tag"&gt;www&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/knowledge/" rel="tag"&gt;knowledge&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://news.bbc.co.uk/2/hi/technology/7613201.stm</clipSource><pubDate>Mon, 15 Sep 2008 09:03:28 GMT</pubDate></item><item><title>The Science of Magic: Turning Tricks into Research</title><link>http://clipmarks.com/clipmark/E7419EAF-BEE5-4F68-9196-044042B5569C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/purepedantry/2008/08/the_science_of_magic.php" title="http://scienceblogs.com/purepedantry/2008/08/the_science_of_magic.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/purepedantry/2008/08/the_science_of_magic.php" id="a085003"&gt;The Science of Magic&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;There is &lt;A href="http://www.nature.com/nrn/journal/vaop/ncurrent/abs/nrn2473.html"&gt;a fascinating review&lt;/A&gt; in Nature Reviews Neuroscience this month about the cognitive science of magic tricks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The article attempts to list and describe in neuroscientific terms the techniques that magicians use to trick their audiences.  The authors break down these into "visual illusions (after-images), optical illusions ('smoke and mirrors'), cognitive illusions (inattentional blindness), special effects (explosions, fake gunshots, et cetera), and secret devices and mechanical artifacts (gimmicks)."  The use of visual illusions to study perception is certainly nothing new, but the emphasis on cognitive illusions -- illusions that trick higher order perceptions like attention and judgment -- is novel.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nature.com/nrn/journal/vaop/ncurrent/full/nrn2473.html" title="http://www.nature.com/nrn/journal/vaop/ncurrent/full/nrn2473.html"&gt;www.nature.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="journalname"&gt;Nature Reviews Neuroscience&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Attention and awareness in stage magic: turning tricks into research&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H5 class="norm"&gt;&lt;A href="http://www.nature.com/nrn/journal/vaop/ncurrent/box/nrn2473_BX1.html"&gt;Box 1 | Pickpockets pick your brain&lt;/A&gt;&lt;/H5&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H5 class="norm"&gt;&lt;A href="http://www.nature.com/nrn/journal/vaop/ncurrent/fig_tab/nrn2473_T1.html"&gt;
Table 1&lt;SPAN class="divider"&gt; | &lt;/SPAN&gt;Types of conjuring effects&lt;SUP&gt;*&lt;/SUP&gt;&lt;/A&gt;&lt;/H5&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H5 class="norm"&gt;&lt;A href="http://www.nature.com/nrn/journal/vaop/ncurrent/box/nrn2473_BX3.html"&gt;Box 3 | Magic techniques in the choice-blindness paradigm&lt;/A&gt;&lt;/H5&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/magic/" rel="tag"&gt;magic&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cognition/" rel="tag"&gt;cognition&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illusion/" rel="tag"&gt;illusion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/article/" rel="tag"&gt;article&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/visual/" rel="tag"&gt;visual&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/purepedantry/2008/08/the_science_of_magic.php</clipSource><pubDate>Sun, 24 Aug 2008 13:59:42 GMT</pubDate></item><item><title>An Open Universe (by Kevin Kelly, 1994)</title><link>http://clipmarks.com/clipmark/FA636756-2B77-4594-8365-E08E3E6331BE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Full Text @ Source&lt;br/&gt;&lt;br/&gt;This is the 17th chapter of Kelly's Book "Out of Control", which is also freely &amp;amp; fully available online. See the included links. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.kk.org/outofcontrol/ch17-b.html" title="http://www.kk.org/outofcontrol/ch17-b.html"&gt;www.kk.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="title"&gt;&lt;A href="http://www.kk.org/outofcontrol/index.php"&gt;Out of Control&lt;/A&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Chapter 17: AN OPEN UNIVERSE&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/AABE766C-01DF-4E71-ACDE-A1B64595C098.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.kk.org/outofcontrol/contents.php" title="http://www.kk.org/outofcontrol/contents.php"&gt;www.kk.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="title"&gt;&lt;A href="http://www.kk.org/outofcontrol/index.php"&gt;Out of Control&lt;/A&gt;&lt;/SPAN&gt;&lt;BR /&gt;
&lt;SPAN class="subtitle"&gt;Table of Contents&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/6EBE3179-D3D9-4206-9E03-15A208A2F65A.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Kevin_Kelly_%28editor%29&amp;oldid=228758485" title="http://en.wikipedia.org/w/index.php?title=Kevin_Kelly_%28editor%29&amp;oldid=228758485"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Kelly's most notable book-length publication, &lt;I&gt;&lt;A title="Out of Control: The New Biology of Machines, Social Systems, and the Economic World" href="http://en.wikipedia.org/wiki/Out_of_Control:_The_New_Biology_of_Machines%2C_Social_Systems%2C_and_the_Economic_World"&gt;Out of Control: The New Biology of Machines, Social Systems, and the Economic World&lt;/A&gt;&lt;/I&gt; (&lt;A title="1994" href="http://en.wikipedia.org/wiki/1994"&gt;1994&lt;/A&gt;), presents a view on the mechanisms of complex organization. The central theme of the book is that several fields of contemporary science and philosophy point in the same direction: intelligence is not organized in a centralized structure but much more like a bee-hive of small simple components. Kelly applies this view to bureaucratic organisations, intelligent computers, and to the human brain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="mw-headline"&gt;Lectures&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A rel="nofollow" title="http://www.edge.org/3rd_culture/kelly06/kelly06_index.html" class="external text" href="http://www.edge.org/3rd_culture/kelly06/kelly06_index.html"&gt;&lt;I&gt;Speculations On The Future Of Science&lt;/I&gt; by Kevin Kelly&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A rel="nofollow" title="http://video.google.com/videoplay?docid=-6119231548215342323" class="external text" href="http://video.google.com/videoplay?docid=-6119231548215342323"&gt;&lt;I&gt;The Next Fifty Years of Science&lt;/I&gt; by Kevin Kelly&lt;/A&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A rel="nofollow" title="http://ted.com/tedtalks/tedtalksplayer.cfm?key=k_kelly" class="external text" href="http://ted.com/tedtalks/tedtalksplayer.cfm?key=k_kelly"&gt;&lt;I&gt;What Does Technology Want?&lt;/I&gt; by Kevin Kelly&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A rel="nofollow" title="http://www.ted.com/index.php/talks/kevin_kelly_on_the_next_5_000_days_of_the_web.html" class="external text" href="http://www.ted.com/index.php/talks/kevin_kelly_on_the_next_5_000_days_of_the_web.html"&gt;&lt;I&gt;The next 5000 days of the Web&lt;/I&gt; by Kevin Kelly&lt;/A&gt; &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/kelly/" rel="tag"&gt;kelly&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cyberspace/" rel="tag"&gt;cyberspace&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/toread/" rel="tag"&gt;toread&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/artificial+intelligence/" rel="tag"&gt;artificial intelligence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.kk.org/outofcontrol/ch17-b.html</clipSource><pubDate>Sat, 16 Aug 2008 16:00:57 GMT</pubDate></item><item><title>Top 100 Liberal Arts Professors' Blogs</title><link>http://clipmarks.com/clipmark/1991754D-E347-4CB4-942C-B39D6FA401D3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html" title="http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html"&gt;www.universityreviewsonline.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Academics are flocking to the Internet like never before, particularly to start a blog. Faculty members in colleges across the world are connecting with people on a whole new level. Let's face it – academia can actually be very lonely at times. Not only can a blog be cathartic for professors, it can allow for valuable feedback from students and/or colleagues.&lt;/P&gt; 



 


&lt;A id="more"&gt;&lt;/A&gt;
&lt;P&gt;Liberal arts subjects are wildly varied. From art to science, the major disciplines have long been considered part of the liberal arts. Below are 100 of the most interesting and popular blogs written by liberal arts professors.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Art&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Economics&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Education&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;English&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;History&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Math&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Media / Technology&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Music&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Philosophy&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Psycholog&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Political science&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sociology&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Theology&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/humanities/" rel="tag"&gt;humanities&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.universityreviewsonline.com/2005/10/the-top-100-lib.html</clipSource><pubDate>Sun, 13 Jul 2008 08:36:44 GMT</pubDate></item><item><title>The Limits of fMRI and Science Journalism</title><link>http://clipmarks.com/clipmark/D1259A06-E25E-48D9-8528-DD44785894FD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php" title="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php" id="a080430"&gt;Must Read Paper on fMRI -and- The Worst fMRI Science Journalism Ever&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;There is &lt;A href="http://www.scribd.com/doc/3634300/What-we-can-do-and-what-we-cannot-do-with-fMRI"&gt;a must-read paper in Nature&lt;/A&gt; about the limits of functional MRI as an experimental tool by one of its pioneers, &lt;A href="http://www.kyb.mpg.de/~nikos"&gt;Nikos Logothetis&lt;/A&gt;.  (Also discussed by &lt;A href="http://scienceblogs.com/cortex/2008/06/science_criticism_fmri.php"&gt;Jonah&lt;/A&gt; and &lt;A href="http://www.mindhacks.com/blog/2008/06/the_fmri_smackdown_c.html"&gt;Vaughan&lt;/A&gt;.)  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the difficulty in interpreting fMRI data lies in the fact that you have to make assumptions about network architecture that may or may not be true.  Other experiments are required to confirm the validity of these assumptions.  &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;STRONG&gt;In fact, fMRI is not and will never be a mind reader, as some of the proponents of decoding-based methods suggest, nor is it a worthless and non-informative 'neophrenology' that is condemned to fail, as has been occasionally argued.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As a brief digression,  I can give you a great example of an OMGFMRI.  &lt;A href="http://www.theatlantic.com/doc/200807/mri"&gt;This article by Jeffrey Goldberg in the Atlantic&lt;/A&gt; is some of the &lt;U&gt;worst&lt;/U&gt; science journalism I have ever read.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fmri/" rel="tag"&gt;fmri&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mri/" rel="tag"&gt;mri&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journalism/" rel="tag"&gt;journalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/popularism/" rel="tag"&gt;popularism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php</clipSource><pubDate>Mon, 30 Jun 2008 13:51:07 GMT</pubDate></item><item><title>Special Issue: The Science Fiction of Philip K. Dick (from Science Fiction Studies, 1975)</title><link>http://clipmarks.com/clipmark/5AD79E22-BA18-43B0-A786-52DB2C297FF1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.depauw.edu/SFs/covers/cov5.htm" title="http://www.depauw.edu/SFs/covers/cov5.htm"&gt;www.depauw.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 align="center"&gt;&lt;FONT face="Times New Roman"&gt;Science Fiction Studies&lt;/FONT&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 align="center"&gt;# 5 = Volume 2, Part 1 = March 1975&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT face="CG Times"&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT size="3" face="Times New Roman" color="#008080"&gt;SPECIAL ISSUE: THE
SCIENCE FICTION OF PHILIP K. DICK&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

  &lt;STRONG&gt;&lt;FONT size="3"&gt;
    &lt;FONT color="#800000"&gt;Darko Suvin. &lt;/FONT&gt;&lt;FONT color="#000000"&gt;
    &lt;A href="http://www.depauw.edu/SFs/covers/../documents/introduction5.htm"&gt;Introductory Note&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt; 

    &lt;FONT color="#800000"&gt;Darko
    Suvin.&lt;/FONT&gt;

    

  &lt;FONT color="#000000"&gt; 

  &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/suvin5art.htm"&gt; P.K. Dick's Opus:
    Artifice as Refuge and World View (Introductory Reflections)&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#800000"&gt;
  Philip K. Dick. &lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/dick5art.htm"&gt;Foreword to &lt;I&gt;The
    Preserving Machine&lt;/I&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Carlo Pagetti.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/pagetti5art.htm"&gt;Dick and Meta-SF&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/pagetti5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Fredric
    Jameson.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/jameson5art.htm"&gt;After Armageddon:
    Character Systems in &lt;I&gt;Dr. Bloodmoney&lt;/I&gt; &lt;/A&gt;

    &lt;/FONT&gt;

  &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Brian W. Aldiss.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/aldiss5art.htm"&gt;
    Dick's Maledictory
    Web: About and Around &lt;I&gt;Martian Time-Slip&lt;/I&gt; &lt;/A&gt;

    &lt;/FONT&gt;

  &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Peter Fitting.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/fitting5art.htm"&gt;&lt;I&gt;Ubik: &lt;/I&gt;The
    Deconstruction of Bourgeois SF&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/fitting5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Stanislaw
    Lem.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/lem5art.htm"&gt; Philip K. Dick: A
    Visionary Among the Charlatans&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Ian Watson.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;Le Guin's &lt;I&gt;Lathe of
    Heaven&lt;/I&gt; and the Role of Dick: The False Reality as Mediator&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journal/" rel="tag"&gt;journal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dick/" rel="tag"&gt;dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philip+k+dick/" rel="tag"&gt;philip k dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/essay/" rel="tag"&gt;essay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.depauw.edu/SFs/covers/cov5.htm</clipSource><pubDate>Sat, 28 Jun 2008 16:04:13 GMT</pubDate></item><item><title>A Visionary Among the Charlatans (Stanislaw Lem on Philip K. Dick)</title><link>http://clipmarks.com/clipmark/01B9F33A-0DEC-4E29-8A99-9A5B50A8669E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lem about the state of American science fiction circa 1975 with an extended appreciation of Dick &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.depauw.edu/sfs/backissues/5/lem5art.htm" title="http://www.depauw.edu/sfs/backissues/5/lem5art.htm"&gt;www.depauw.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#000080"&gt;Philip K. Dick: A Visionary Among the Charlatans&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;FONT color="#800000"&gt;Stanislaw Lem&lt;/FONT&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;&lt;DIV align="center"&gt;&lt;CENTER&gt;&lt;H1 align="center"&gt;&lt;FONT face="Times New Roman"&gt;Science Fiction Studies&lt;/FONT&gt;&lt;/H1&gt;
	&lt;/CENTER&gt;&lt;/DIV&gt;

&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0" border="0" dir="ltr"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top"&gt;&lt;FONT face="Times New Roman"&gt;
&lt;H4 align="center"&gt;# 5 = Volume 2, Part 1 = March 1975&lt;/H4&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" color="#000000"&gt;&lt;STRONG&gt;ABSTRACT&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dick has as a rule taken over a rubble of
building materials from the run-of-the-mill American professionals of SF, frequently
adding a true gleam of originality to worn-out concepts, and erecting with such materials
constructions truly his own.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If Dick’s writings are neither of uniform
quality nor fully realized, still it is only by brute force that they can be jammed into
that pulp of materials, destitute of intellectual value and original structure, which
makes up SF.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Yet his bizarre blending of hallucinogenic and palingenetic techniques have
not won him many admirers outside the ghetto walls, since outsiders are repelled by the
shoddiness of the props he has adopted from the inventory of SF.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dick/" rel="tag"&gt;dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lem/" rel="tag"&gt;lem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philip+k+dick/" rel="tag"&gt;philip k dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stanislaw+lem/" rel="tag"&gt;stanislaw lem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sf/" rel="tag"&gt;sf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journal/" rel="tag"&gt;journal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.depauw.edu/sfs/backissues/5/lem5art.htm</clipSource><pubDate>Sat, 28 Jun 2008 16:01:59 GMT</pubDate></item><item><title>Best Older Science Fiction Movies</title><link>http://clipmarks.com/clipmark/76D60868-890C-48D1-8E54-9F4ACEED1C3F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A personal selection. I also added some that I haven't seen yet, but of which I heard good things. &lt;br/&gt;Feel free to add yours in the comments. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a" title="http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a"&gt;www.google.be&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;best Old&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science Fiction&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0066921/" title="http://www.imdb.com/title/tt0066921/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;A Clockwork Orange &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1971"&gt;1971&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1CFD6282-A109-4C59-B776-71712814C049.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0062622/" title="http://www.imdb.com/title/tt0062622/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;2001: A Space Odyssey &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1968"&gt;1968&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/B57507D4-17C7-47A8-9130-DA25E6C6A316.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0057012/" title="http://www.imdb.com/title/tt0057012/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1964"&gt;1964&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A6E94723-F7FB-4441-AFB4-6C09C1B9AE54.jpg" alt="Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0069293/" title="http://www.imdb.com/title/tt0069293/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Solyaris &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1972"&gt;1972&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A61F43C9-0E05-4807-AF25-321F1367B0C4.jpg" alt="Solyaris" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0079944/" title="http://www.imdb.com/title/tt0079944/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Stalker &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1979"&gt;1979&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/E34F06CE-02C8-423F-A4F8-E40BCFC962DA.jpg" alt="Stalker" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0060390/" title="http://www.imdb.com/title/tt0060390/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Fahrenheit 451 &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1966"&gt;1966&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/40CF9817-1ADE-4AF7-B459-9D47DA6764D2.jpg" alt="Fahrenheit 451" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070723/" title="http://www.imdb.com/title/tt0070723/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Soylent Green &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/B547F15E-191D-4832-B169-84143A56305D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0087803/" title="http://www.imdb.com/title/tt0087803/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Nineteen Eighty-Four &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1984"&gt;1984&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/BFA81317-61F7-472F-9A7E-CA41140440FF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0066434/" title="http://www.imdb.com/title/tt0066434/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;THX 1138 &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1971"&gt;1971&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/75578729-E071-4B96-AACC-F8B66A480997.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0086541/" title="http://www.imdb.com/title/tt0086541/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Videodrome &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1983"&gt;1983&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/46A05D80-A44E-4CE0-866F-68E70FC0E2BB.jpg" alt="Videodrome" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070909/" title="http://www.imdb.com/title/tt0070909/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Westworld &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="photo"&gt;
&lt;A title="Westworld" href="http://www.imdb.com/media/rm2930220288/tt0070909" name="poster"&gt;&lt;IMG border="0" src="http://ia.media-imdb.com/images/M/MV5BMTAyNzg4NDY3NjFeQTJeQWpwZ15BbWU3MDY4ODE2MjE@._V1._SX100_SY137_.jpg" title="Westworld" alt="Westworld" /&gt;&lt;/A&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0088846/" title="http://www.imdb.com/title/tt0088846/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Brazil &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1985"&gt;1985&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A5DA444A-2EBE-44A4-A35E-F651114B6905.jpg" alt="Brazil" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0017136/" title="http://www.imdb.com/title/tt0017136/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="inner"&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7A8D90EB-03FE-43F9-A584-32B56F7635DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0062711/" title="http://www.imdb.com/title/tt0062711/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Barbarella &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1968"&gt;1968&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/08795690-02DB-4E6E-986D-22EBA87D83E5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0049223/" title="http://www.imdb.com/title/tt0049223/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Forbidden Planet &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1956"&gt;1956&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7EB91ACD-72CD-4C52-847B-FC5AC3F15CC3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0074812/" title="http://www.imdb.com/title/tt0074812/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Logan's Run &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1976"&gt;1976&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/C95D91B1-0CC7-42E6-BC0F-C0F48B9163D5.jpg" alt="Logan's Run" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0069280/" title="http://www.imdb.com/title/tt0069280/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Slaughterhouse-Five &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1972"&gt;1972&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/13A9C85B-666C-411D-A769-4FFDDD0962F4.jpg" alt="Slaughterhouse-Five" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070707/" title="http://www.imdb.com/title/tt0070707/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Sleeper &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/95AEBFD5-B44A-458D-9DBD-820171960784.jpg" alt="Sleeper" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0084827/" title="http://www.imdb.com/title/tt0084827/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;TRON &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1982"&gt;1982&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/DB6BAE23-CBA3-4B53-B8D9-A4B2A1A4C05A.jpg" alt="TRON" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0043456/" title="http://www.imdb.com/title/tt0043456/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Day the Earth Stood Still &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1951"&gt;1951&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/F1689DF3-6649-41BE-95B5-831610FA84B9.jpg" alt="The Day the Earth Stood Still" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0044207/" title="http://www.imdb.com/title/tt0044207/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;When Worlds Collide &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1951"&gt;1951&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1189343A-C151-496E-B56A-DCD8E45535E7.jpg" alt="When Worlds Collide" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0046534/" title="http://www.imdb.com/title/tt0046534/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The War of the Worlds &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1953"&gt;1953&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/70C5BC04-3EA9-4152-8CAF-424F0ED5E246.jpg" alt="The War of the Worlds" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/find?q=star+wars&amp;sourceid=mozilla-search" title="http://www.imdb.com/find?q=star+wars&amp;sourceid=mozilla-search"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD valign="top" align="right"&gt;&lt;/TD&gt;&lt;TD valign="top"&gt;&lt;IMG width="1" height="6" src="http://www.imdb.com/images/b.gif" /&gt;&lt;BR /&gt;&lt;A href="http://www.imdb.com/title/tt0076759/"&gt;Star Wars&lt;/A&gt; &lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0083658/" title="http://www.imdb.com/title/tt0083658/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Blade Runner &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1982"&gt;1982&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a</clipSource><pubDate>Sat, 28 Jun 2008 15:02:54 GMT</pubDate></item><item><title>The Inexact Science Behind DMCA Takedown Notices</title><link>http://clipmarks.com/clipmark/E835FBEA-28E6-4246-B96B-CE46A93006FB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://bits.blogs.nytimes.com/2008/06/05/the-inexact-science-behind-dmca-takedown-notices/" title="http://bits.blogs.nytimes.com/2008/06/05/the-inexact-science-behind-dmca-takedown-notices/"&gt;bits.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;The Inexact Science Behind DMCA Takedown Notices&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A &lt;A href="http://dmca.cs.washington.edu"&gt;new study from the University of Washington&lt;/A&gt; suggests that media industry trade groups are using flawed tactics in their investigations of users who violate copyrights on peer-to-peer file sharing networks.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/288FB3F4-BDDD-4486-89C3-95C0333D8621.jpg" alt="Takedown notice" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The paper finds that there is a serious flaw in how these trade groups finger alleged file-sharers. It also suggests that some people might be getting improperly accused of sharing copyrighted content, and could even be purposely framed by other users.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The researchers introduced software agents into these networks to monitor their traffic. Even though those software agents did not download any files, the researchers say they received over 400 take-down requests accusing them of participating in the downloads.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;enforcement agencies are looking only at I.P. addresses of participants on these peer-to-peer networks, and not what files are actually downloaded or uploaded&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;An inanimate object could also get the blame. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/dmca/" rel="tag"&gt;dmca&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/riaa/" rel="tag"&gt;riaa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mpaa/" rel="tag"&gt;mpaa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/esa/" rel="tag"&gt;esa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/legal/" rel="tag"&gt;legal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illegal/" rel="tag"&gt;illegal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/p2p/" rel="tag"&gt;p2p&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/torrent/" rel="tag"&gt;torrent&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/copyright/" rel="tag"&gt;copyright&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://bits.blogs.nytimes.com/2008/06/05/the-inexact-science-behind-dmca-takedown-notices/</clipSource><pubDate>Thu, 05 Jun 2008 18:18:39 GMT</pubDate></item><item><title>Post Mortal syndrome</title><link>http://clipmarks.com/clipmark/FD8876BD-CB94-4B9D-BF4E-67A29EF88C9F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Interesting. Read slowly, by the time you finish it might become a reality &lt;img src="http://clipmarks.com/images/icons/smilies/happy.gif?r=2" style="margin-bottom: -4px;" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.cosmosmagazine.com/fiction/online/serials/post_mortal_syndrome/cover" title="http://www.cosmosmagazine.com/fiction/online/serials/post_mortal_syndrome/cover"&gt;www.cosmosmagazine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/BBC4CE09-835E-48B8-9577-057DD9A696D7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="caps"&gt;Can science find a way to defeat death?&lt;/SPAN&gt; Will it offer humans the gift of potentially endless, healthy life - and if so, at what cost? Will people spared the curse of ageing, and even of mortality itself, become inhuman - or more human than ever?  And who or what will control this perilous boon? Government or corporations? 'Faith-based' caregivers? Organised crime? Or individual choice?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Post Mortal Syndrome&lt;/I&gt; is an exciting blend of thriller and science fiction, with a poignant love story at its heart.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Post Mortal Syndrome&lt;/I&gt; began publication on 16 April 2007, and was published every weekday, five days a week, in tasty, bite-sized chunks that could be enjoyed in a few minutes. The serialisation ended on 2 July 2007, but you can &lt;B&gt;still enjoy  Australia's first online serialisation of a novel&lt;/B&gt; by reading each stimulating chapter at your own pace here.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/immortality/" rel="tag"&gt;immortality&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.cosmosmagazine.com/fiction/online/serials/post_mortal_syndrome/cover</clipSource><pubDate>Wed, 28 May 2008 22:04:05 GMT</pubDate></item><item><title>David Deutsch interviews Aubrey De Grey on SENS (on Curing Aging)</title><link>http://clipmarks.com/clipmark/195FBBEE-3C30-4A38-9A19-74AEEFBF2E91/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.acceleratingfuture.com/michael/blog/?p=771" title="http://www.acceleratingfuture.com/michael/blog/?p=771"&gt;www.acceleratingfuture.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;&lt;A title="Permanent Link: David Deutsch Speaks with Aubrey De Grey About SENS" rel="bookmark" href="http://www.acceleratingfuture.com/michael/blog/?p=771"&gt;David Deutsch Speaks with Aubrey De Grey About SENS&lt;/A&gt;&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Renowned Quantum Physicist, and father of the Quantum Computer, David Deutsch (&lt;A href="http://www.acceleratingfuture.com/michael/blog/www.qubit.org"&gt;www.qubit.org&lt;/A&gt;) speaks with Aubrey de Grey about the scientific details and feasibility of life extension approach SENS (&lt;A href="http://www.acceleratingfuture.com/michael/blog/www.methuselahfoundation.org"&gt;www.methuselahfoundation.org&lt;/A&gt;).&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.methuselahfoundation.org/sens" title="http://www.methuselahfoundation.org/sens"&gt;www.methuselahfoundation.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="sens_home_graphic1"&gt;

                     &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biology/" rel="tag"&gt;biology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/deutsch/" rel="tag"&gt;deutsch&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/de+grey/" rel="tag"&gt;de grey&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/aging/" rel="tag"&gt;aging&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/immortality/" rel="tag"&gt;immortality&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quantum+physics/" rel="tag"&gt;quantum physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/interview/" rel="tag"&gt;interview&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/life+extension/" rel="tag"&gt;life extension&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.acceleratingfuture.com/michael/blog/?p=771</clipSource><pubDate>Sat, 24 May 2008 11:16:04 GMT</pubDate></item><item><title>Phun: How Physics Should Be Taught </title><link>http://clipmarks.com/clipmark/C2BB4BED-DB61-44B4-944E-2E2E73E31DDF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://lifehacker.com/389190/phun-teaches-physics-lessons-the-best-way-possible" title="http://lifehacker.com/389190/phun-teaches-physics-lessons-the-best-way-possible"&gt;lifehacker.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="related"&gt;&lt;A href="http://phun.cs.umu.se/wiki/News"&gt;Phun&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Phun, a free open-source, cross-platform 2D physics simulator, makes you want to pick up blocks, or maybe crayons, and learn more about the way things fall and move under pressure. Written by a Swedish graduate student, the program teaches concepts of restitution and friction, so it's great to load up with the kids, but you'll probably find yourself sneaking a few turns by yourself at creating, and knocking over, shapes and lines.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="related"&gt;&lt;A href="http://phun.cs.umu.se/wiki/News"&gt;Phun&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/physics/" rel="tag"&gt;physics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/software/" rel="tag"&gt;software&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/free/" rel="tag"&gt;free&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fun/" rel="tag"&gt;fun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/phun/" rel="tag"&gt;phun&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/simulation/" rel="tag"&gt;simulation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://lifehacker.com/389190/phun-teaches-physics-lessons-the-best-way-possible</clipSource><pubDate>Sun, 18 May 2008 19:50:24 GMT</pubDate></item><item><title>Why men think with their ...</title><link>http://clipmarks.com/clipmark/A0DBF7BF-6141-4938-B3FD-332F67343347/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/evolgen/2008/04/evidence_that_men_think_with_t.php" title="http://scienceblogs.com/evolgen/2008/04/evidence_that_men_think_with_t.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/evolgen/2008/04/evidence_that_men_think_with_t.php" id="a073475"&gt;Evidence that Men Think With Their Junk&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Us dudes are always accused of thinking with our dicks. Perhaps it's because &lt;A href="http://dx.doi.org/10.1159/000076290"&gt;the genes expressed in our brains are similar to those expressed in our 'nads&lt;/A&gt;:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;Among the 17 tissues, the highest similarity in gene expression patterns was between human brain and testis, based on DDD and clustering analysis. Genes contributing to the similarity include ribosomal protein (RP) genes as well as genes involved in transcription, translation and cell division.&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paper/" rel="tag"&gt;paper&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brains/" rel="tag"&gt;brains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/genes/" rel="tag"&gt;genes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/evolgen/2008/04/evidence_that_men_think_with_t.php</clipSource><pubDate>Sat, 03 May 2008 12:21:49 GMT</pubDate></item><item><title>The Paranoid Style in American Science</title><link>http://clipmarks.com/clipmark/87A956E5-2ACA-4C99-9769-4E411903DCDD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.slate.com/id/2189178/entry/2189179" title="http://www.slate.com/id/2189178/entry/2189179"&gt;www.slate.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Paranoid Style in American Science&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;This is the first installment of a three-part series on radical skepticism and the rise of conspiratorial thinking about science.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="multipart_links"&gt;&lt;DIV class="multipart_link_header"&gt;&lt;SPAN class="multipart_dept"&gt;Science&lt;/SPAN&gt;&lt;BR /&gt;entries&lt;/DIV&gt;&lt;A href="http://www.slate.com/id/2189178/entry/2189179/" class="multipart_current"&gt;1&lt;/A&gt;&lt;A href="http://www.slate.com/id/2189178/entry/2189206/"&gt;2&lt;/A&gt;&lt;A href="http://www.slate.com/id/2189178/entry/2189361/"&gt;3&lt;/A&gt;&lt;DIV class="clearing"&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Like the recent crop of global-warming skeptics, AIDS denialists, and biotech activists, Berlinski uses doubt as a weapon against the academy—he's more concerned with what we don't know than what we do. He uses &lt;EM&gt;uncertainty&lt;/EM&gt; to challenge the scientific consensus; he points to the evidence &lt;EM&gt;that&lt;/EM&gt; &lt;EM&gt;isn't there&lt;/EM&gt; and seeks out the things that &lt;EM&gt;can't be proved&lt;/EM&gt;. In its extreme and ideological form, this contrarian approach to science can turn into a form of paranoia—a state of permanent suspicion and outrage.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/denialism/" rel="tag"&gt;denialism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/us/" rel="tag"&gt;us&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/skepticism/" rel="tag"&gt;skepticism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/uncertainty/" rel="tag"&gt;uncertainty&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/ideology/" rel="tag"&gt;ideology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.slate.com/id/2189178/entry/2189179</clipSource><pubDate>Sat, 03 May 2008 11:37:47 GMT</pubDate></item><item><title>Science Policy and the Candidates</title><link>http://clipmarks.com/clipmark/6D914B26-D22D-4A55-B011-58D693B950FA/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  See also &lt;a href="http://www.sciencedebate2008.com" rel="nofollow" target="_blank"&gt;http://www.sciencedebate2008.com&lt;/a&gt;/ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/intersection/2008/02/science_policy_and_the_candida.php" title="http://scienceblogs.com/intersection/2008/02/science_policy_and_the_candida.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/intersection/2008/02/science_policy_and_the_candida.php" id="a067252"&gt;Science Policy and the Candidates: How Do We Know What We Know (And Why Doesn't Anybody Else Know It)?&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/5F7FFCFA-A9D9-43B4-9BC6-89AB6591FE69.jpg" alt="science_tv.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Recently, my inbox has been filling up with emails about new online resources that bring you up to speed on the science policy positions of the candidates. The AAAS has a &lt;A href="http://election2008.aaas.org/"&gt;website&lt;/A&gt;, as does &lt;A href="http://www.popularmechanics.com/geekthevote08"&gt;&lt;I&gt;Popular Mechanics&lt;/I&gt;&lt;/A&gt;, &lt;A href="http://blogs.physicstoday.org/politics08/"&gt;&lt;I&gt;Physics Today&lt;/I&gt;&lt;/A&gt;, and Scientists and Engineers for America (the &lt;A href="http://sharp.sefora.org/"&gt;SHARP Network&lt;/A&gt;, which also looks at congressional candidate science policies).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In my &lt;A href="http://www.scienceprogress.org/2008/02/science-on-the-campaign-trail/"&gt;latest Science Progress column&lt;/A&gt;, though, I canvass these sites and find, understandably, that most are based on information from campaign websites, candidate speeches, press releases, or in some cases secondary sources. And while I really appreciate the labor that has gone into these resources, at the same time, I'm convinced that they're not enough:&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/debate/" rel="tag"&gt;debate&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/campaign/" rel="tag"&gt;campaign&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/media/" rel="tag"&gt;media&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/press/" rel="tag"&gt;press&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/intersection/2008/02/science_policy_and_the_candida.php</clipSource><pubDate>Wed, 06 Feb 2008 20:47:56 GMT</pubDate></item></channel></rss>