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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Djiezes's clips</title><link>http://clipmarks.com/clipper/Djiezes/</link><feedUrl>http://rss.clipmarks.com/clipper/Djiezes/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Open Source Data Recovery Tools</title><link>http://clipmarks.com/clipmark/5AC93F1B-3CDB-4B31-A23A-0DFF21A37452/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  An overview of some software &amp;amp; live discs . See source for a decent overview and review.&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;I'm going to explore various ways you can use open source solutions to recover data, bring dead systems back to life, and save your bacon in general. Many of the solutions described here run cross-platform (Lin/Win/Mac), but some of them are *NIX-only and will be described as such.&lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.informationweek.com/shared/printableArticleSrc.jhtml?articleID=208403254" title="http://www.informationweek.com/shared/printableArticleSrc.jhtml?articleID=208403254"&gt;www.informationweek.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT size="5"&gt;Open Source Data Recovery Tools To The Rescue&lt;/FONT&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
&lt;FONT size="4"&gt;Disasters happen to the best of computers. Luckily, open source apps like SystemRescueCD, dd, Partedmagic, BackTrack, Security Tools Distribution, Helix, and TestDisk can help recover important data and bring dead systems back to life.&lt;/FONT&gt;&lt;BR /&gt;
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" align="center"&gt; &lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;&lt;IMG width="175" vspace="0" hspace="0" border="0" src="http://i.cmpnet.com/infoweek/galleries/automated/189/1backtrack_full.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="175" align="center" class="artCaption"&gt; &lt;IMG width="175" vspace="0" hspace="0" height="4" border="0" src="http://i.cmpnet.com/infoweek/spacer.gif" /&gt;&lt;BR /&gt;&lt;B&gt;The BackTrack live CD distribution is packed with recovery tools, including the powerful Autopsy toolset.&lt;/B&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR bgcolor="#ffffff"&gt;&lt;TD width="185" align="center" class="artCaption"&gt;&lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;(click for image gallery)&lt;/A&gt; &lt;/TD&gt; &lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" align="center"&gt; &lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;&lt;IMG width="175" vspace="0" hspace="0" border="0" src="http://i.cmpnet.com/infoweek/galleries/automated/189/3Helix_full.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="175" align="center" class="artCaption"&gt; &lt;IMG width="175" vspace="0" hspace="0" height="4" border="0" src="http://i.cmpnet.com/infoweek/spacer.gif" /&gt;&lt;BR /&gt;&lt;B&gt;Helix offers a markedly different interface than BackTrack or STD.&lt;/B&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR bgcolor="#ffffff"&gt;&lt;TD width="185" align="center" class="artCaption"&gt;&lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;(click for image gallery)&lt;/A&gt; &lt;/TD&gt; &lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" align="center"&gt; &lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;&lt;IMG width="175" vspace="0" hspace="0" border="0" src="http://i.cmpnet.com/infoweek/galleries/automated/189/4testdisc_full.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="175" align="center" class="artCaption"&gt; &lt;IMG width="175" vspace="0" hspace="0" height="4" border="0" src="http://i.cmpnet.com/infoweek/spacer.gif" /&gt;&lt;BR /&gt;&lt;B&gt;You can use TestDisk to spelunk a damaged disk and find now-missing partitions.&lt;/B&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR bgcolor="#ffffff"&gt;&lt;TD width="185" align="center" class="artCaption"&gt;&lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;(click for image gallery)&lt;/A&gt; &lt;/TD&gt; &lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" align="center"&gt; &lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;&lt;IMG width="175" vspace="0" hspace="0" border="0" src="http://i.cmpnet.com/infoweek/galleries/automated/189/6recovered_full.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="175" align="center" class="artCaption"&gt; &lt;IMG width="175" vspace="0" hspace="0" height="4" border="0" src="http://i.cmpnet.com/infoweek/spacer.gif" /&gt;&lt;BR /&gt;&lt;B&gt;These files recovered with PhotoRec have new names, but the metadata tells you they are audio files.&lt;/B&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR bgcolor="#ffffff"&gt;&lt;TD width="185" align="center" class="artCaption"&gt;&lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;(click for image gallery)&lt;/A&gt; &lt;/TD&gt; &lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="middle" align="center"&gt; &lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;&lt;IMG width="175" vspace="0" hspace="0" border="0" src="http://i.cmpnet.com/infoweek/galleries/automated/189/8fsstat_full.jpg" /&gt;&lt;/A&gt;&lt;BR /&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD width="175" align="center" class="artCaption"&gt; &lt;IMG width="175" vspace="0" hspace="0" height="4" border="0" src="http://i.cmpnet.com/infoweek/spacer.gif" /&gt;&lt;BR /&gt;&lt;B&gt;Output from The Sleuth Kit's fsstat tool details information about a file system image dumped from a damaged drive.&lt;/B&gt; &lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;TR bgcolor="#ffffff"&gt;&lt;TD width="185" align="center" class="artCaption"&gt;&lt;A target="_blank" href="http://www.informationweek.com/galleries/showImage.jhtml?galleryID=189&amp;articleID=208403254"&gt;(click for image gallery)&lt;/A&gt; &lt;/TD&gt; &lt;/TR&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/linux/" rel="tag"&gt;linux&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/data+recovery/" rel="tag"&gt;data recovery&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/forensics/" rel="tag"&gt;forensics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/testdisk/" rel="tag"&gt;testdisk&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photorec/" rel="tag"&gt;photorec&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/autopsy/" rel="tag"&gt;autopsy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/distro/" rel="tag"&gt;distro&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/software/" rel="tag"&gt;software&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.informationweek.com/shared/printableArticleSrc.jhtml?articleID=208403254</clipSource><pubDate>Fri, 04 Jul 2008 09:29:53 GMT</pubDate></item><item><title>80 How-To Sites Worth Bookmarking</title><link>http://clipmarks.com/clipmark/3F3775EF-CF3D-4271-A68D-CAD89909A11C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lifehack.org/articles/featured/80-how-to-sites-worth-bookmarking.html" title="http://www.lifehack.org/articles/featured/80-how-to-sites-worth-bookmarking.html"&gt;www.lifehack.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link: 80 How-To Sites Worth Bookmarking" rel="bookmark" href="http://www.lifehack.org/articles/featured/80-how-to-sites-worth-bookmarking.html"&gt;80 How-To Sites Worth Bookmarking&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Every How-To They Can Get Their Hands On&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://blog.makezine.com/"&gt;Make Magazine’s Blog&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt; &lt;A href="http://www.instructables.com/"&gt;Instructables&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.howstuffworks.com/"&gt; How Stuff Works&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.evilmadscientist.com/"&gt; Evil Mad Scientist Laboratories&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.wikihow.com"&gt; wikiHow&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.flickr.com/"&gt; flickr&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://lifehacker.com/"&gt; Lifehacker&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.lifehack.org/articles/featured/www.popularmechanics.com/"&gt; Popular Mechanics&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.diyhappy.com/"&gt; DIY Happy&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.expertvillage.com/"&gt; Expert Village&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Become a Technophile in Ten Easy Steps&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.hackaday.com/"&gt; Hack A Day&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.hackthissite.org/"&gt; Hack This Site&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.i-hacked.com/"&gt; I Hacked&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.gadgethacks.com/"&gt; Gadget Hacks&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://hackedgadgets.com/"&gt; Hacked Gadgets&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.makeuseof.com/"&gt; Make Use Of&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://hackszine.com/"&gt; HacksZine&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.lifeclever.com/"&gt; LifeClever&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://webworkerdaily.com/"&gt; Web Worker Daily&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.tipstrs.com/"&gt; Tipstrs&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Habitat Hacks You Can Live With&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://ikeahacker.blogspot.com/"&gt;Ikea Hacker&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.diyideas.com/"&gt; DIY Ideas&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.homedoctor.net/"&gt; Home Doctor&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.acmehowto.com/"&gt; Acme How To&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://hints-n-tips.com/"&gt; Hints N Tips&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://readymademag.com/"&gt; Ready Made&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.flylady.net/"&gt; FlyLady&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.lifehack.org/articles/featured/www.realsimple.com"&gt; Real Simple&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.thisoldhouse.com/toh/"&gt; This Old House&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.hometips.com/"&gt; Home Tips&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Doing Business Your Way&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.productivity501.com/"&gt; Productivity101&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.43folders.com/"&gt; 43Folders&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.businesshackers.com/"&gt; Business Hackers&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.lifedev.com"&gt; LifeDev&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.bizplanhacks.com/"&gt; Biz Plan Hacks&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://freelanceswitch.com/"&gt; Freelance Switch&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.anywired.com/"&gt; Anywired&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.youngentrepreneur.com/"&gt; Young Entrepreneur&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.bootstrappingblog.com/"&gt; Bootstrapping&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.copyblogger.com/"&gt; Copyblogger&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Get Your Brain to the Optimal Level&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.dumblittleman.com/"&gt;Dumb Little Man&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://zenhabits.net/"&gt;Zen Habits&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.mindhacks.com/"&gt;Mind Hacks&lt;BR /&gt;
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&lt;LI&gt;&lt;A href="http://www.hackcollege.com/"&gt;Hack College&lt;BR /&gt;
&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.calnewport.com/blog/"&gt;Study Hacks&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://thegrowinglife.com/"&gt;The Growing Life&lt;BR /&gt;
&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.lifeoptimizer.org/"&gt;Life Optimizer&lt;BR /&gt;
&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://cultivategreatness.com/"&gt;Cultivate Greatness&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://lessoninlife.com/"&gt;Lesson in Life&lt;/A&gt;&lt;/LI&gt;
&lt;LI&gt;&lt;A href="http://www.gtdtimes.com/"&gt;GTD Times&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Dining on a DIY Diet&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Sewing and Other ‘Feminine Arts’&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;Hack Your Wallet and What’s In It&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Frugal Hacks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Money Hacks&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://getrichslowly.org/blog/"&gt; Get Rich Slowly&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/howto/" rel="tag"&gt;howto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/help/" rel="tag"&gt;help&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/links/" rel="tag"&gt;links&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.lifehack.org/articles/featured/80-how-to-sites-worth-bookmarking.html</clipSource><pubDate>Fri, 04 Jul 2008 08:37:49 GMT</pubDate></item><item><title>The Limits of fMRI and Science Journalism</title><link>http://clipmarks.com/clipmark/D1259A06-E25E-48D9-8528-DD44785894FD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php" title="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php" id="a080430"&gt;Must Read Paper on fMRI -and- The Worst fMRI Science Journalism Ever&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;There is &lt;A href="http://www.scribd.com/doc/3634300/What-we-can-do-and-what-we-cannot-do-with-fMRI"&gt;a must-read paper in Nature&lt;/A&gt; about the limits of functional MRI as an experimental tool by one of its pioneers, &lt;A href="http://www.kyb.mpg.de/~nikos"&gt;Nikos Logothetis&lt;/A&gt;.  (Also discussed by &lt;A href="http://scienceblogs.com/cortex/2008/06/science_criticism_fmri.php"&gt;Jonah&lt;/A&gt; and &lt;A href="http://www.mindhacks.com/blog/2008/06/the_fmri_smackdown_c.html"&gt;Vaughan&lt;/A&gt;.)  &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the difficulty in interpreting fMRI data lies in the fact that you have to make assumptions about network architecture that may or may not be true.  Other experiments are required to confirm the validity of these assumptions.  &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; &lt;STRONG&gt;In fact, fMRI is not and will never be a mind reader, as some of the proponents of decoding-based methods suggest, nor is it a worthless and non-informative 'neophrenology' that is condemned to fail, as has been occasionally argued.&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;As a brief digression,  I can give you a great example of an OMGFMRI.  &lt;A href="http://www.theatlantic.com/doc/200807/mri"&gt;This article by Jeffrey Goldberg in the Atlantic&lt;/A&gt; is some of the &lt;U&gt;worst&lt;/U&gt; science journalism I have ever read.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/neuroscience/" rel="tag"&gt;neuroscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science/" rel="tag"&gt;science&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fmri/" rel="tag"&gt;fmri&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mri/" rel="tag"&gt;mri&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/brain/" rel="tag"&gt;brain&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journalism/" rel="tag"&gt;journalism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/popularism/" rel="tag"&gt;popularism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/purepedantry/2008/06/must_read_paper_on_fmri_and_th.php</clipSource><pubDate>Mon, 30 Jun 2008 13:51:07 GMT</pubDate></item><item><title>Partisan Gaps Over Evolution and Atheism</title><link>http://clipmarks.com/clipmark/C871FBF9-0463-45A9-8D51-4C0F65EE4178/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Source: &lt;br/&gt;&lt;a href="http://www.gallup.com/poll/108226/Republicans-Democrats-Differ-Creationism.aspx" rel="nofollow" target="_blank"&gt;http://www.gallup.com/poll/108226/Republicans-Democrats-Differ-Creationism.aspx&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://scienceblogs.com/framing-science/2008/06/partisan_gaps_over_evolution_a.php" title="http://scienceblogs.com/framing-science/2008/06/partisan_gaps_over_evolution_a.php"&gt;scienceblogs.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;A href="http://scienceblogs.com/framing-science/2008/06/partisan_gaps_over_evolution_a.php" id="a080438"&gt;Partisan Gaps Over Evolution and Estimates on Atheism&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/571D9ED3-7914-47DD-91B0-982B03FFE60B.gif" alt="PartisansOnEvolution.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A &lt;A href="http://www.gallup.com/poll/108226/Republicans-Democrats-Differ-Creationism.aspx"&gt;Gallup survey&lt;/A&gt; out this week reveals a wide partisan gap in perceptions of evolution. Specifically, 60% of Republicans say humans were created in their present form by God 10,000 years ago, a belief shared by only 40% of independents and 38% of Democrats.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In other words, it's very easy for citizens to convert climate change, stem cell research, or evolution into just one more wedge issue like abortion, taxes, or gun control that help define what it means to be a Republican or Democrat. The political packaging of science for electoral gain is the unfortunate outcome of a lot of different forces, with both Republican and Democratic leaders to blame.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/11F8A623-BFAB-42D5-872A-E5B86AE480C4.gif" alt="EvolutionOverTime.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the proportion of Americans who believe that evolution has occurred with God playing no part has edged up slightly over the past 15 years to roughly 14%.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/evolution/" rel="tag"&gt;evolution&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/atheism/" rel="tag"&gt;atheism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poll/" rel="tag"&gt;poll&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gallup/" rel="tag"&gt;gallup&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/survey/" rel="tag"&gt;survey&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/god/" rel="tag"&gt;god&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stats/" rel="tag"&gt;stats&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://scienceblogs.com/framing-science/2008/06/partisan_gaps_over_evolution_a.php</clipSource><pubDate>Mon, 30 Jun 2008 13:45:21 GMT</pubDate></item><item><title>125 Fake Cancer 'Cures' You Should Avoid </title><link>http://clipmarks.com/clipmark/55C27B2D-131F-4126-B5F7-A3CE51668EB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I only clipped the names of the persons/corporations responsible. Watch out for these. &lt;br/&gt;See source for the complete list. &lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;The products contain ingredients such as bloodroot, shark cartilage, coral calcium, cesium, ellagic acid, Cat's Claw, an herbal tea called Essiac, and mushroom varieties such as Agaricus Blazeii, Shitake, Maitake, and Reishi.&lt;br/&gt;&lt;br/&gt;These products claim to cure, treat, mitigate or prevent disease, and these products have not been shown to be safe and effective for their labeled conditions of use.&lt;br/&gt;&lt;br/&gt;Examples of fraudulent claims for these products include:&lt;br/&gt;* "Treats all forms of cancer"&lt;br/&gt;* "Causes cancer cells to commit suicide!"&lt;br/&gt;* "80% more effective than the world's number one cancer drug"&lt;br/&gt;* "Skin cancers disappear"&lt;br/&gt;* "Target cancer cells while leaving healthy cells alone"&lt;br/&gt;* "Shrinks malignant tumors"&lt;br/&gt;* "Avoid painful surgery, radiotherapy, chemotherapy, or other conventional treatments" &lt;/blockquote&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fda.gov/bbs/topics/factsheets/fakecancercures.html" title="http://www.fda.gov/bbs/topics/factsheets/fakecancercures.html"&gt;www.fda.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="headBasicCenter"&gt; 125 Fake Cancer 'Cures' Consumers Should Avoid
&lt;BR /&gt;
		&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/F3152FE2-350B-4AED-95F8-D54B3159D5E9.gif" alt="FDA Logo--links to FDA home page" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/54B4187E-032F-430B-A18B-1A03B8E5B08D.gif" alt="U.S. Food and Drug Administration" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Robert Cloutier, Nu-gen Nutrition  
      Inc &lt;BR /&gt;
      aka Vitasalus Inc    aka &lt;BR /&gt;
      Equinox Products LLC&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Millenium Health LLC&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Mary Spohn, Herbs for Cancer&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Coral Calcium Factor&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;John Seleen, President, &lt;BR /&gt;
      JHS Natural Products&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Vitapurity, Vitapurity Corporation, Vitpurity    Nutraceuticals&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;William Isely&lt;BR /&gt;
      Gemtronics Inc.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Road To Healing&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Nutrition 2000&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;James R Overman, &lt;BR /&gt;
      Precision Herbs LLC&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Overman's Healthy Choices Inc&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;David Tan, Paul Brucato,&lt;BR /&gt; 
      USA Golden Vision Inc&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Ageless Cures LLC aka Atman Home LLC&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Christopher Gussa, Plant Cures Incorporated&lt;BR /&gt;
      aka The Herbal Healing Place&lt;BR /&gt;
      aka Desert Dragon Healing Center&lt;BR /&gt;
      aka Desert Dragon Herbs&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;John Stigaard&lt;BR /&gt;
      Fem Health&lt;BR /&gt;
      Superb Herbs&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Burt Hampton &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Richard McPhail &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Peggy Booth, 
      Generation's Black Salve&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Wally Crowder, Best on Earth Products&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;H&amp;L Worldwide Inc&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Cecilia    Salvador, President, New Sun Inc&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Neil Baker, Herbal Remission&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Karyl Sellinger, Herbtime&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="footer"&gt;&lt;A href="http://www.fda.gov/cder/news/fakecancercures.htm"&gt;Fake Cancer Cures&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fda.gov/cder/news/fakecancercures.htm" title="http://www.fda.gov/cder/news/fakecancercures.htm"&gt;www.fda.gov&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
                &lt;A href="http://www.fda.gov/consumer/updates/cancerfraud061708.html"&gt; Beware of Online Cancer Fraud&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cancer/" rel="tag"&gt;cancer&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/oncology/" rel="tag"&gt;oncology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fda/" rel="tag"&gt;fda&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/health/" rel="tag"&gt;health&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fake/" rel="tag"&gt;fake&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/healthcare/" rel="tag"&gt;healthcare&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cure/" rel="tag"&gt;cure&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pseudoscience/" rel="tag"&gt;pseudoscience&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quackery/" rel="tag"&gt;quackery&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.fda.gov/bbs/topics/factsheets/fakecancercures.html</clipSource><pubDate>Mon, 30 Jun 2008 08:51:29 GMT</pubDate></item><item><title>Special Issue: The Science Fiction of Philip K. Dick (from Science Fiction Studies, 1975)</title><link>http://clipmarks.com/clipmark/5AD79E22-BA18-43B0-A786-52DB2C297FF1/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.depauw.edu/SFs/covers/cov5.htm" title="http://www.depauw.edu/SFs/covers/cov5.htm"&gt;www.depauw.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 align="center"&gt;&lt;FONT face="Times New Roman"&gt;Science Fiction Studies&lt;/FONT&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 align="center"&gt;# 5 = Volume 2, Part 1 = March 1975&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT face="CG Times"&gt;&lt;/FONT&gt;&lt;STRONG&gt;&lt;FONT size="3" face="Times New Roman" color="#008080"&gt;SPECIAL ISSUE: THE
SCIENCE FICTION OF PHILIP K. DICK&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

  &lt;STRONG&gt;&lt;FONT size="3"&gt;
    &lt;FONT color="#800000"&gt;Darko Suvin. &lt;/FONT&gt;&lt;FONT color="#000000"&gt;
    &lt;A href="http://www.depauw.edu/SFs/covers/../documents/introduction5.htm"&gt;Introductory Note&lt;/A&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt; 

    &lt;FONT color="#800000"&gt;Darko
    Suvin.&lt;/FONT&gt;

    

  &lt;FONT color="#000000"&gt; 

  &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/suvin5art.htm"&gt; P.K. Dick's Opus:
    Artifice as Refuge and World View (Introductory Reflections)&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;FONT color="#800000"&gt;
  Philip K. Dick. &lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/dick5art.htm"&gt;Foreword to &lt;I&gt;The
    Preserving Machine&lt;/I&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Carlo Pagetti.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/pagetti5art.htm"&gt;Dick and Meta-SF&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/pagetti5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Fredric
    Jameson.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/jameson5art.htm"&gt;After Armageddon:
    Character Systems in &lt;I&gt;Dr. Bloodmoney&lt;/I&gt; &lt;/A&gt;

    &lt;/FONT&gt;

  &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Brian W. Aldiss.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/aldiss5art.htm"&gt;
    Dick's Maledictory
    Web: About and Around &lt;I&gt;Martian Time-Slip&lt;/I&gt; &lt;/A&gt;

    &lt;/FONT&gt;

  &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Peter Fitting.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/fitting5art.htm"&gt;&lt;I&gt;Ubik: &lt;/I&gt;The
    Deconstruction of Bourgeois SF&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/fitting5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Stanislaw
    Lem.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

 

&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/lem5art.htm"&gt; Philip K. Dick: A
    Visionary Among the Charlatans&lt;/A&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

    

  &lt;STRONG&gt;&lt;FONT color="#800000"&gt; 

  Ian Watson.&lt;/FONT&gt;&lt;FONT color="#000000"&gt; 

    &lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;Le Guin's &lt;I&gt;Lathe of
    Heaven&lt;/I&gt; and the Role of Dick: The False Reality as Mediator&lt;/A&gt;&lt;/FONT&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;&lt;/A&gt;&lt;/STRONG&gt;&lt;A href="http://www.depauw.edu/SFs/covers/../backissues/5/watson5art.htm"&gt;&lt;FONT color="#000000"&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journal/" rel="tag"&gt;journal&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dick/" rel="tag"&gt;dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philip+k+dick/" rel="tag"&gt;philip k dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/essay/" rel="tag"&gt;essay&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.depauw.edu/SFs/covers/cov5.htm</clipSource><pubDate>Sat, 28 Jun 2008 16:04:13 GMT</pubDate></item><item><title>A Visionary Among the Charlatans (Stanislaw Lem on Philip K. Dick)</title><link>http://clipmarks.com/clipmark/01B9F33A-0DEC-4E29-8A99-9A5B50A8669E/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Lem about the state of American science fiction circa 1975 with an extended appreciation of Dick &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.depauw.edu/sfs/backissues/5/lem5art.htm" title="http://www.depauw.edu/sfs/backissues/5/lem5art.htm"&gt;www.depauw.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT color="#000080"&gt;Philip K. Dick: A Visionary Among the Charlatans&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;FONT color="#800000"&gt;Stanislaw Lem&lt;/FONT&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0" border="0"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD&gt;&lt;DIV align="center"&gt;&lt;CENTER&gt;&lt;H1 align="center"&gt;&lt;FONT face="Times New Roman"&gt;Science Fiction Studies&lt;/FONT&gt;&lt;/H1&gt;
	&lt;/CENTER&gt;&lt;/DIV&gt;

&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;TABLE width="100%" cellspacing="0" cellpadding="0" border="0" dir="ltr"&gt;&lt;TBODY&gt;&lt;TR&gt;&lt;TD valign="top"&gt;&lt;FONT face="Times New Roman"&gt;
&lt;H4 align="center"&gt;# 5 = Volume 2, Part 1 = March 1975&lt;/H4&gt;&lt;/FONT&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/TBODY&gt;&lt;/TABLE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" color="#000000"&gt;&lt;STRONG&gt;ABSTRACT&lt;/STRONG&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dick has as a rule taken over a rubble of
building materials from the run-of-the-mill American professionals of SF, frequently
adding a true gleam of originality to worn-out concepts, and erecting with such materials
constructions truly his own.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;If Dick’s writings are neither of uniform
quality nor fully realized, still it is only by brute force that they can be jammed into
that pulp of materials, destitute of intellectual value and original structure, which
makes up SF.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Yet his bizarre blending of hallucinogenic and palingenetic techniques have
not won him many admirers outside the ghetto walls, since outsiders are repelled by the
shoddiness of the props he has adopted from the inventory of SF.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dick/" rel="tag"&gt;dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lem/" rel="tag"&gt;lem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philip+k+dick/" rel="tag"&gt;philip k dick&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stanislaw+lem/" rel="tag"&gt;stanislaw lem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sf/" rel="tag"&gt;sf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/journal/" rel="tag"&gt;journal&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.depauw.edu/sfs/backissues/5/lem5art.htm</clipSource><pubDate>Sat, 28 Jun 2008 16:01:59 GMT</pubDate></item><item><title>Best Older Science Fiction Movies</title><link>http://clipmarks.com/clipmark/76D60868-890C-48D1-8E54-9F4ACEED1C3F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  A personal selection. I also added some that I haven't seen yet, but of which I heard good things. &lt;br/&gt;Feel free to add yours in the comments. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a" title="http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a"&gt;www.google.be&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;best Old&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science Fiction&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0066921/" title="http://www.imdb.com/title/tt0066921/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;A Clockwork Orange &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1971"&gt;1971&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1CFD6282-A109-4C59-B776-71712814C049.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0062622/" title="http://www.imdb.com/title/tt0062622/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;2001: A Space Odyssey &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1968"&gt;1968&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/B57507D4-17C7-47A8-9130-DA25E6C6A316.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0057012/" title="http://www.imdb.com/title/tt0057012/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1964"&gt;1964&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A6E94723-F7FB-4441-AFB4-6C09C1B9AE54.jpg" alt="Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0069293/" title="http://www.imdb.com/title/tt0069293/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Solyaris &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1972"&gt;1972&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A61F43C9-0E05-4807-AF25-321F1367B0C4.jpg" alt="Solyaris" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0079944/" title="http://www.imdb.com/title/tt0079944/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Stalker &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1979"&gt;1979&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/E34F06CE-02C8-423F-A4F8-E40BCFC962DA.jpg" alt="Stalker" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0060390/" title="http://www.imdb.com/title/tt0060390/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Fahrenheit 451 &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1966"&gt;1966&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/40CF9817-1ADE-4AF7-B459-9D47DA6764D2.jpg" alt="Fahrenheit 451" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070723/" title="http://www.imdb.com/title/tt0070723/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Soylent Green &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/B547F15E-191D-4832-B169-84143A56305D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0087803/" title="http://www.imdb.com/title/tt0087803/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Nineteen Eighty-Four &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1984"&gt;1984&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/BFA81317-61F7-472F-9A7E-CA41140440FF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0066434/" title="http://www.imdb.com/title/tt0066434/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;THX 1138 &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1971"&gt;1971&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/75578729-E071-4B96-AACC-F8B66A480997.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0086541/" title="http://www.imdb.com/title/tt0086541/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Videodrome &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1983"&gt;1983&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/46A05D80-A44E-4CE0-866F-68E70FC0E2BB.jpg" alt="Videodrome" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070909/" title="http://www.imdb.com/title/tt0070909/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Westworld &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="photo"&gt;
&lt;A title="Westworld" href="http://www.imdb.com/media/rm2930220288/tt0070909" name="poster"&gt;&lt;IMG border="0" src="http://ia.media-imdb.com/images/M/MV5BMTAyNzg4NDY3NjFeQTJeQWpwZ15BbWU3MDY4ODE2MjE@._V1._SX100_SY137_.jpg" title="Westworld" alt="Westworld" /&gt;&lt;/A&gt;
&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0088846/" title="http://www.imdb.com/title/tt0088846/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Brazil &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1985"&gt;1985&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/A5DA444A-2EBE-44A4-A35E-F651114B6905.jpg" alt="Brazil" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0017136/" title="http://www.imdb.com/title/tt0017136/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="inner"&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7A8D90EB-03FE-43F9-A584-32B56F7635DF.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0062711/" title="http://www.imdb.com/title/tt0062711/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Barbarella &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1968"&gt;1968&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/08795690-02DB-4E6E-986D-22EBA87D83E5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0049223/" title="http://www.imdb.com/title/tt0049223/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Forbidden Planet &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1956"&gt;1956&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7EB91ACD-72CD-4C52-847B-FC5AC3F15CC3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0074812/" title="http://www.imdb.com/title/tt0074812/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Logan's Run &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1976"&gt;1976&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/C95D91B1-0CC7-42E6-BC0F-C0F48B9163D5.jpg" alt="Logan's Run" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0069280/" title="http://www.imdb.com/title/tt0069280/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Slaughterhouse-Five &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1972"&gt;1972&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/13A9C85B-666C-411D-A769-4FFDDD0962F4.jpg" alt="Slaughterhouse-Five" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0070707/" title="http://www.imdb.com/title/tt0070707/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Sleeper &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1973"&gt;1973&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/95AEBFD5-B44A-458D-9DBD-820171960784.jpg" alt="Sleeper" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0084827/" title="http://www.imdb.com/title/tt0084827/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;TRON &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1982"&gt;1982&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/DB6BAE23-CBA3-4B53-B8D9-A4B2A1A4C05A.jpg" alt="TRON" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0043456/" title="http://www.imdb.com/title/tt0043456/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Day the Earth Stood Still &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1951"&gt;1951&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/F1689DF3-6649-41BE-95B5-831610FA84B9.jpg" alt="The Day the Earth Stood Still" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0044207/" title="http://www.imdb.com/title/tt0044207/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;When Worlds Collide &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1951"&gt;1951&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1189343A-C151-496E-B56A-DCD8E45535E7.jpg" alt="When Worlds Collide" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0046534/" title="http://www.imdb.com/title/tt0046534/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The War of the Worlds &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1953"&gt;1953&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/70C5BC04-3EA9-4152-8CAF-424F0ED5E246.jpg" alt="The War of the Worlds" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/find?q=star+wars&amp;sourceid=mozilla-search" title="http://www.imdb.com/find?q=star+wars&amp;sourceid=mozilla-search"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD valign="top" align="right"&gt;&lt;/TD&gt;&lt;TD valign="top"&gt;&lt;IMG width="1" height="6" src="http://www.imdb.com/images/b.gif" /&gt;&lt;BR /&gt;&lt;A href="http://www.imdb.com/title/tt0076759/"&gt;Star Wars&lt;/A&gt; &lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0083658/" title="http://www.imdb.com/title/tt0083658/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Blade Runner &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1982"&gt;1982&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/scifi/" rel="tag"&gt;scifi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.google.be/search?q=best+old+science+fiction&amp;ie=utf-8&amp;oe=utf-8&amp;aq=t&amp;rls=com.ubuntu:nl:unofficial&amp;client=firefox-a</clipSource><pubDate>Sat, 28 Jun 2008 15:02:54 GMT</pubDate></item><item><title>'The Cube', by Jim Henson (rare colored version)</title><link>http://clipmarks.com/clipmark/D7936D05-3CF2-4701-9D8E-AC07C74935BE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This '69 version by Jim Henson is more mysterious, psychological &amp;amp; philosophical and lacks the violence of the later sci-fi/horror films: The Cube, Cube 2: Hypercube and Cube Zero.&lt;br/&gt;&lt;br/&gt;It's supposed to be in better quality than the original black/white version, but I doubt that since it's in .flv. &lt;br/&gt;&lt;br/&gt;I included some links to wikipedia &amp;amp; imdb should you be curious for more.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://video.google.com/videoplay?docid=-2112529755533998573&amp;q=cube+henson&amp;ei=YjhmSPvIN4uqiwLB6YjdBg" title="http://video.google.com/videoplay?docid=-2112529755533998573&amp;q=cube+henson&amp;ei=YjhmSPvIN4uqiwLB6YjdBg"&gt;video.google.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN id="details-title"&gt;The Cube- rare color version (1969)&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P id="details-desc"&gt;
Created by Jim Henson, this made for tv movie broke new grounds. This is an extremely rare color version of the typically black and white film. Also, the quality is significantly better.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN id="prod-company"&gt;Jim Henson&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=The_Cube&amp;oldid=220588937" title="http://en.wikipedia.org/w/index.php?title=The_Cube&amp;oldid=220588937"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="firstHeading"&gt;The Cube&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Cube_film_series&amp;oldid=220027034" title="http://en.wikipedia.org/w/index.php?title=Cube_film_series&amp;oldid=220027034"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The &lt;B&gt;&lt;I&gt;Cube&lt;/I&gt; film series&lt;/B&gt; is a series of three Canadian &lt;A title="Science fiction film" href="http://en.wikipedia.org/wiki/Science_fiction_film"&gt;science fiction&lt;/A&gt;/&lt;A title="Horror Film" class="mw-redirect" href="http://en.wikipedia.org/wiki/Horror_Film"&gt;horror films&lt;/A&gt; directed by &lt;A title="Vincenzo Natali" href="http://en.wikipedia.org/wiki/Vincenzo_Natali"&gt;Vincenzo Natali&lt;/A&gt;, &lt;A title="Andrzej Sekula" class="mw-redirect" href="http://en.wikipedia.org/wiki/Andrzej_Sekula"&gt;Andrzej Sekula&lt;/A&gt; and &lt;A title="Ernie Barbarash" href="http://en.wikipedia.org/wiki/Ernie_Barbarash"&gt;Ernie Barbarash&lt;/A&gt; respectively.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Cube_%28film%29&amp;oldid=220091877" title="http://en.wikipedia.org/w/index.php?title=Cube_%28film%29&amp;oldid=220091877"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TH colspan="2" class="summary"&gt;&lt;I&gt;Cube&lt;/I&gt;&lt;/TH&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/88D7A76A-2CFD-4A12-B669-3E1CF4BDD6E3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Cube_2:_Hypercube&amp;oldid=221348104" title="http://en.wikipedia.org/w/index.php?title=Cube_2:_Hypercube&amp;oldid=221348104"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Cube 2: Hypercube&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/164057AE-245F-474F-A0D6-5BFF174AD794.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=Cube_Zero&amp;oldid=221942131" title="http://en.wikipedia.org/w/index.php?title=Cube_Zero&amp;oldid=221942131"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Cube Zero&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/0AFAD26D-FA85-4BB8-B86F-16B155AC6490.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0291118/" title="http://www.imdb.com/title/tt0291118/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;The Cube &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1969"&gt;1969&lt;/A&gt;) (TV)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0123755/" title="http://www.imdb.com/title/tt0123755/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Cube &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/1997"&gt;1997&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0285492/" title="http://www.imdb.com/title/tt0285492/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Cube 2: Hypercube &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/2002"&gt;2002&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.imdb.com/title/tt0377713/" title="http://www.imdb.com/title/tt0377713/"&gt;www.imdb.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Cube Zero &lt;SPAN&gt;(&lt;A href="http://www.imdb.com/Sections/Years/2004"&gt;2004&lt;/A&gt;)&lt;/SPAN&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://en.wikipedia.org/w/index.php?title=The_Cube&amp;oldid=220588937" title="http://en.wikipedia.org/w/index.php?title=The_Cube&amp;oldid=220588937"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;I&gt;&lt;B&gt;The Cube&lt;/B&gt;&lt;/I&gt; was an hour long &lt;A title="Teleplay" href="http://en.wikipedia.org/wiki/Teleplay"&gt;teleplay&lt;/A&gt; that aired on &lt;A title="NBC" href="http://en.wikipedia.org/wiki/NBC"&gt;NBC's&lt;/A&gt; weekly anthology television show &lt;A title="NBC Experiment in Television (page does not exist)" class="new" href="http://en.wikipedia.org/w/index.php?title=NBC_Experiment_in_Television&amp;action=edit&amp;redlink=1"&gt;NBC Experiment in Television&lt;/A&gt; &lt;A title="February 23" href="http://en.wikipedia.org/wiki/February_23"&gt;February 23&lt;/A&gt;, &lt;A title="1969" href="http://en.wikipedia.org/wiki/1969"&gt;1969&lt;/A&gt;. The production was produced and directed by puppeteer &lt;A title="Jim Henson" href="http://en.wikipedia.org/wiki/Jim_Henson"&gt;Jim Henson&lt;/A&gt;, and was one of several experiments with the live-action film medium which he conducted in the 1960s, before focusing entirely on &lt;A title="The Muppets" href="http://en.wikipedia.org/wiki/The_Muppets"&gt;the Muppets&lt;/A&gt; and other puppet works. The screenplay was co-written by long-time Muppet writer &lt;A title="Jerry Juhl" href="http://en.wikipedia.org/wiki/Jerry_Juhl"&gt;Jerry Juhl&lt;/A&gt; (who also appears in a cameo).&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/jim+henson/" rel="tag"&gt;jim henson&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/cube/" rel="tag"&gt;cube&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/film/" rel="tag"&gt;film&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/movie/" rel="tag"&gt;movie&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rare/" rel="tag"&gt;rare&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://video.google.com/videoplay?docid=-2112529755533998573&amp;q=cube+henson&amp;ei=YjhmSPvIN4uqiwLB6YjdBg</clipSource><pubDate>Sat, 28 Jun 2008 14:39:23 GMT</pubDate></item><item><title>A Brief Guide to World Domination</title><link>http://clipmarks.com/clipmark/5BB7FE76-BED4-4BAB-8E34-9BD53AE909DF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  or: "How to Live a Remarkable life in a Conventional World"&lt;br/&gt;&lt;br/&gt;“Once in a while it really hits people that they don’t have to experience the world in the way they have been told to.”&lt;br/&gt;                       -Alan Keightley&lt;br/&gt;&lt;br/&gt;“An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.”&lt;br/&gt;                  -Martin Luther King, Jr.&lt;br/&gt;&lt;br/&gt;Final Thoughts:&lt;br/&gt;&lt;br/&gt;1) You don’t have to live your life the way other people expect you to.&lt;br/&gt;&lt;br/&gt;2) The world is waiting for you to figure out what only you can contribute. Take as much time as you need to find the answer, and then get started on it.&lt;br/&gt;&lt;br/&gt;See &lt;a href="http://chrisguillebeau.com/3x5/files/2008/06/worlddomination.pdf" rel="nofollow" target="_blank"&gt;pdf&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://chrisguillebeau.com/3x5/a-brief-guide-to-world-domination/" title="http://chrisguillebeau.com/3x5/a-brief-guide-to-world-domination/"&gt;chrisguillebeau.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;

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&lt;A title="Permanent Link: A Brief Guide to World Domination" rel="bookmark" href="http://chrisguillebeau.com/3x5/a-brief-guide-to-world-domination/"&gt;A Brief Guide to World Domination&lt;/A&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;STRONG&gt;&lt;A href="http://chrisguillebeau.com/3x5/files/2008/06/worlddomination.pdf"&gt;Click Here to Open or Download the PDF Report&lt;/A&gt;&lt;/STRONG&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;A Few Things You’ll Learn in the Report &lt;/STRONG&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;UL&gt;
&lt;LI&gt;The Two Most Important Questions in the Universe&lt;/LI&gt;
&lt;LI&gt;Why Ruling and Changing the World are Interrelated&lt;/LI&gt;
&lt;LI&gt;The Clear Alternative to Being Unremarkably Average&lt;/LI&gt;
&lt;LI&gt;True Stories from Zen Habits, Kiva, Randy Pausch, and more&lt;/LI&gt;
&lt;LI&gt;The Most Important Work We Can Do&lt;/LI&gt;
&lt;LI&gt;Life Lessons from My Singapore Airlines flight to Tokyo&lt;/LI&gt;
&lt;/UL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/pdf/" rel="tag"&gt;pdf&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/psychology/" rel="tag"&gt;psychology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/manifesto/" rel="tag"&gt;manifesto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/world+domination/" rel="tag"&gt;world domination&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/howto/" rel="tag"&gt;howto&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/tips/" rel="tag"&gt;tips&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/help/" rel="tag"&gt;help&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://chrisguillebeau.com/3x5/a-brief-guide-to-world-domination/</clipSource><pubDate>Thu, 26 Jun 2008 14:37:50 GMT</pubDate></item><item><title>Documentary on Paul Otlet</title><link>http://clipmarks.com/clipmark/9A40B139-5FB3-4B07-BB97-0E8CC59D2BFF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.archive.org/details/paulotlet/" title="http://www.archive.org/details/paulotlet/"&gt;www.archive.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center" class="content"&gt;&lt;A href="http://www.archive.org/movies/thumbnails.php?identifier=paulotlet"&gt;&lt;IMG alt="item image" src="http://ia310140.us.archive.org/2/items/paulotlet/dutchfilm.gif?cnt=0" /&gt;&lt;/A&gt;&lt;BR /&gt;&lt;A href="http://www.archive.org/movies/thumbnails.php?identifier=paulotlet"&gt;View thumbnails&lt;/A&gt;&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;A documentary about Paul Otlet, often considered the father of information management, narrated by W. Boyd Rayward, his biographer. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;In the late 1800s and early 1900s Otlet pioneered the field of what we today call information science, but what he called documentation. A hundred years before the development of the Internet, Otlet used terms like web of knowledge, link, and knowledge network to describe his vision for a central repository of all human knowledge.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;In English and French. Produced for Dutch television in 1998.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="blackFore"&gt;Stream (&lt;A href="http://www.archive.org/about/faqs.php#94"&gt;help&lt;/A&gt;)&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="content"&gt;&lt;A href="http://www.archive.org/stream/paulotlet/dutchfilm_64kb.mp4"&gt;64Kb MPEG4&lt;/A&gt;
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    (1.0 GB)
  &lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="content"&gt;&lt;SPAN class="key"&gt;All files: &lt;/SPAN&gt;&lt;A href="http://ia310140.us.archive.org/2/items/paulotlet"&gt;HTTP&lt;/A&gt;&lt;BR /&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/otlet/" rel="tag"&gt;otlet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/paul+otlet/" rel="tag"&gt;paul otlet&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/documentary/" rel="tag"&gt;documentary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/web/" rel="tag"&gt;web&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/belgium/" rel="tag"&gt;belgium&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/mundaneum/" rel="tag"&gt;mundaneum&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/documentation/" rel="tag"&gt;documentation&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.archive.org/details/paulotlet/</clipSource><pubDate>Sat, 21 Jun 2008 19:49:39 GMT</pubDate></item><item><title>The Origins of Linux - Linus Torvalds</title><link>http://clipmarks.com/clipmark/3712D0B4-8E34-4E55-A44E-A9CB2466C418/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.youtube.com/watch?v=WVTWCPoUt8w" title="http://www.youtube.com/watch?v=WVTWCPoUt8w"&gt;www.youtube.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The Origins of Linux - Linus Torvalds&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;[Recorded Sept 19, 2001]&lt;BR /&gt;Linus Torvalds, the creator of the operating system phenomenon Linux, tells the story of how he went from writing code as a graduate student in Helsinki in the early 1990s to becoming an icon for open source software by the end of the decade. &lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1A96FDCF-2EFE-4494-AE82-BBE612FB3C7D.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/linux/" rel="tag"&gt;linux&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/linus+torvalds/" rel="tag"&gt;linus torvalds&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lecture/" rel="tag"&gt;lecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/computers/" rel="tag"&gt;computers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/technology/" rel="tag"&gt;technology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/os/" rel="tag"&gt;os&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/2001/" rel="tag"&gt;2001&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.youtube.com/watch?v=WVTWCPoUt8w</clipSource><pubDate>Sat, 21 Jun 2008 16:48:27 GMT</pubDate></item><item><title>Open Data Movement: The Next Wave of Open Source</title><link>http://clipmarks.com/clipmark/3ED62932-EEA1-4553-966F-9640610157C8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://jyri.blip.tv/file/62508" title="http://jyri.blip.tv/file/62508"&gt;jyri.blip.tv&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="EpisodeTitle"&gt;Matt Biddulph: Open Data Movement - The Next Wave of Open Source&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;A href="http://aula.org/talks.html"&gt;Aula Talk&lt;/A&gt;, recorded on August 17th at &lt;A href="http://hiit.fi"&gt;Helsinki Institute for Information Technology&lt;/A&gt;. Hosted and arranged by &lt;A href="http://hobbyprincess.com"&gt;Ulla-Maaria Mutanen&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Wikipedia is only the tip of the iceberg of information that is becoming freely accessible on the internet. Following the success of open source, an open data movement is occurring online that seeks to gather, publish and enable the reuse of rich machine-readable datasets&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;By opening up these wellsprings of information, which were previously only accessible to large institutions, the open data movement has unleashed a new wave of creativity on the Web and more recently in online 3D environments, notably Second Life. Programmers, students, and companies are building mashups by overlaying photos, blog posts, and other objects to data provided by companies like Google, Yahoo and Amazon, and importantly also open datasets like the BBC Programme Catalogue, Wikipedia, Open Streetmap, and Thinglink.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/open+source/" rel="tag"&gt;open source&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/opensource/" rel="tag"&gt;opensource&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/data/" rel="tag"&gt;data&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/open+data/" rel="tag"&gt;open data&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information/" rel="tag"&gt;information&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information+architecture/" rel="tag"&gt;information architecture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/information+design/" rel="tag"&gt;information design&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/future/" rel="tag"&gt;future&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/biddulph/" rel="tag"&gt;biddulph&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://jyri.blip.tv/file/62508</clipSource><pubDate>Sat, 21 Jun 2008 16:32:33 GMT</pubDate></item><item><title>Follow the Money: The New Global Wealth Machine</title><link>http://clipmarks.com/clipmark/0D46AC86-AF22-4DEE-88DA-7706A364F7C4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dealbook.blogs.nytimes.com/2008/04/02/follow-the-money/" title="http://dealbook.blogs.nytimes.com/2008/04/02/follow-the-money/"&gt;dealbook.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;Follow the Money&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/887EB029-4FB1-42FE-88AE-028478D09573.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;EM&gt;Click on the image below for the full-size graphic.&lt;/EM&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.visualcomplexity.com/vc/project.cfm?id=592" title="http://www.visualcomplexity.com/vc/project.cfm?id=592"&gt;www.visualcomplexity.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;This diagram displays the 20 biggest cross-border sovereign wealth fund deals since 2005. Each line represents a deal, with thickness scaled by value of deal and color the nationality of the primary buyer. The diagram also highlights the financial advisers and lawyers who worked on more than one of the top 20 deals.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dealbook.blogs.nytimes.com/2008/04/02/follow-the-money/" title="http://dealbook.blogs.nytimes.com/2008/04/02/follow-the-money/"&gt;dealbook.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sovereign wealth funds have emerged in recent months as the world’s power brokers. They have used their tremendous wealth to make big cross-border investments and prop up some of Wall Street’s best-known firms. &lt;/P&gt;
&lt;P&gt;The increased activity comes as other kinds of acquirers have been sidelined by the credit crisis. These funds are state-sponsored investment vehicles and have combined assets of $2 trillion. With that much dry powder, sovereign funds dwarf the formerly booming private equity industry  and in some cases, compete directly with it.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/visualization/" rel="tag"&gt;visualization&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wealth/" rel="tag"&gt;wealth&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/money/" rel="tag"&gt;money&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economics/" rel="tag"&gt;economics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/economy/" rel="tag"&gt;economy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wealth+fund/" rel="tag"&gt;wealth fund&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/business/" rel="tag"&gt;business&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://dealbook.blogs.nytimes.com/2008/04/02/follow-the-money/</clipSource><pubDate>Sat, 21 Jun 2008 16:06:40 GMT</pubDate></item><item><title>100 Greatest Guitar Solos</title><link>http://clipmarks.com/clipmark/9B0A341B-73A8-456E-A2EB-07F38BCA1F03/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  See also &lt;a href="http://clipmarks.com/clipmark/C83C988E-2D1F-4872-8120-67176AB0570A/"&gt;The 100 Greatest Guitarists of All Time&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://guitar.about.com/library/bl100greatest.htm" title="http://guitar.about.com/library/bl100greatest.htm"&gt;guitar.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;FONT size="4" face="verdana, geneva, helvetica" color="#cc0000"&gt;&lt;STRONG&gt; 100 Greatest Guitar Solos &lt;/STRONG&gt; &lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;A href="http://guitar.about.com/gi/dynamic/offsite.htm?site=http://www.guitarworld.com/"&gt;&lt;I&gt;Guitar World&lt;/I&gt;&lt;/A&gt; magazine put together a reader's poll, to find out what their readers considered to be the best guitar solos of all time. The results surely reflect the magazine's demographic (no jazz guitar solos, for example), but no one can argue the following 100 selections boast some great guitar work&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What follows is the list of 
  all 100 songs selected, listed with the guitarist who played the solo, the band 
  who released the album, and the album name.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/1665E5E6-9ADA-4983-B5BC-F6C387504900.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;STRONG&gt;1.&lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;song:&lt;/FONT&gt; Stairway to Heaven &lt;/STRONG&gt;&lt;BR /&gt;
    &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;guitarist:&lt;/STRONG&gt;&lt;/FONT&gt;&lt;STRONG&gt; Jimmy Page&lt;/STRONG&gt; &lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;band:&lt;/STRONG&gt;&lt;/FONT&gt; Led Zeppelin &lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;album:&lt;/STRONG&gt;&lt;/FONT&gt; Led Zeppelin IV &lt;BR /&gt;
        &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;more: &lt;/STRONG&gt;&lt;/FONT&gt;&lt;A href="http://guitar.about.com/cs/guitartab/qt/solo_stairway.htm"&gt;Stairway 
        To Heaven solo details&lt;/A&gt;&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/D86909EB-D2DD-49C3-B26F-9958ED672967.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;STRONG&gt;2.&lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;song:&lt;/FONT&gt; Eruption &lt;/STRONG&gt;&lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;guitarist:&lt;/FONT&gt; Eddie Van Halen &lt;/STRONG&gt;&lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;band:&lt;/STRONG&gt;&lt;/FONT&gt; Van Halen &lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;album:&lt;/STRONG&gt;&lt;/FONT&gt; Van Halen &lt;BR /&gt;
        &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;more: &lt;/STRONG&gt;&lt;/FONT&gt;&lt;A href="http://guitar.about.com/cs/guitartab/qt/solo_eruption.htm"&gt;Eruption 
        solo details&lt;/A&gt;&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/425D562E-E5C2-44F2-940D-C269FAB9B5EB.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;STRONG&gt;3.&lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;song:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;STRONG&gt;Freebird&lt;/STRONG&gt;&lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;guitarist:&lt;/FONT&gt; Collins/Rossington&lt;/STRONG&gt;&lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;band:&lt;/STRONG&gt;&lt;/FONT&gt; Lynyrd Skynyrd &lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;album:&lt;/STRONG&gt;&lt;/FONT&gt; Pronounced Leh-nerd Skin-nerd &lt;BR /&gt;
        &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;more: &lt;/STRONG&gt;&lt;/FONT&gt;&lt;A href="http://guitar.about.com/cs/guitartab/qt/solo_freebird.htm"&gt;Freebird 
        solo details&lt;/A&gt;&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7FB3C8B4-A9F9-407A-9CEA-9A9A49C8012B.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;FONT size="2" face="Verdana, Arial, Helvetica, sans-serif"&gt;&lt;STRONG&gt;4.&lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;song:&lt;/FONT&gt;&lt;/STRONG&gt; &lt;STRONG&gt;Comfortably Numb &lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;guitarist:&lt;/FONT&gt; David Gilmour &lt;/STRONG&gt;&lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;band:&lt;/STRONG&gt;&lt;/FONT&gt; Pink Floyd &lt;BR /&gt;
      &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;album:&lt;/STRONG&gt;&lt;/FONT&gt; The Wall &lt;BR /&gt;
        &lt;FONT color="#cc0000"&gt;&lt;STRONG&gt;more: &lt;/STRONG&gt;&lt;/FONT&gt;&lt;A href="http://guitar.about.com/cs/guitartab/qt/solo_com_numb.htm"&gt;Comfortably 
        Numb solo details&lt;/A&gt;&lt;BR /&gt;
  &lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Djiezes/512/7F0A94B8-C698-4D8C-871F-8E9B0C621370.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;5.&lt;/STRONG&gt; &lt;BR /&gt;
    &lt;STRONG&gt;&lt;FONT color="#cc0000"&gt;song:&lt;/FONT&gt; All Along the Watchtower&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/guitar/" rel="tag"&gt;guitar&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/solo/" rel="tag"&gt;solo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rock/" rel="tag"&gt;rock&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/resource/" rel="tag"&gt;resource&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://guitar.about.com/library/bl100greatest.htm</clipSource><pubDate>Tue, 17 Jun 2008 21:56:14 GMT</pubDate></item></channel></rss>