<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | BartendingBear's Pops</title><link>http://clipmarks.com/clipper/BartendingBear/pops/</link><feedUrl>http://rss.clipmarks.com/clipper/BartendingBear/pops/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>How Coca-Cola Like Bubbles are Destroying Our Oceans</title><link>http://clipmarks.com/clipmark/7B5F478B-B9CF-433D-8949-75478CD855D7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Kelika/"&gt;Kelika&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.smartplanet.com/people/blog/pure-genius/how-are-coca-cola-like-bubbles-getting-in-our-oceans/1147/" title="http://www.smartplanet.com/people/blog/pure-genius/how-are-coca-cola-like-bubbles-getting-in-our-oceans/1147/"&gt;www.smartplanet.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;STRONG&gt;&lt;EM&gt;A Sea Change&lt;/EM&gt; is about ocean acidification. What is it?&lt;/STRONG&gt;&lt;/P&gt;
&lt;P&gt;It’s a fairly straightforward phenomena. It occurs when carbon dioxide (mostly manmade) from the atmosphere combines with saltwater to form carbonic acid, which is essentially the bubbles you see in Coca-Cola. In the ocean, the carbonic acid makes it difficult for calcium carbonate to form, and calcium carbonate is essential for shellfish to form their shells. We looked at &lt;A href="http://en.wikipedia.org/wiki/Sea_butterfly" linkindex="15"&gt;&lt;STRONG&gt;&lt;EM&gt;ptrepods&lt;/EM&gt;&lt;/STRONG&gt;&lt;/A&gt;, snail-like creatures at the bottom of the food web that are extremely vulnerable to not being able to form a shell. It’s the primary food source for juvenile salmon and many other fish. This threatens the entire food chain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.smartplanet.com/people/blog/pure-genius/how-are-coca-cola-like-bubbles-getting-in-our-oceans/1147/</clipSource><pubDate>Wed, 09 Dec 2009 16:07:43 GMT</pubDate></item><item><title>Are the Holy Grail and Ark of the Covenant Hidden...in Denmark?!?</title><link>http://clipmarks.com/clipmark/944ECF5F-1774-4F70-90F5-599B2531B6F4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/thisnamecantbetaken/"&gt;thisnamecantbetaken&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;i&gt;"It is undeniable that those who planned and built the churches of Bornholm knew exactly what they were doing and why they did it,'' the authors say.&lt;br/&gt;&lt;br/&gt;The authors point to a find of nearly 3,000 tiny, intricately carved golden figures unearthed in a 1985-86 excavation of a Bornholm field as lending credibility to their claim of a Bornholm connection.&lt;br/&gt; &lt;br/&gt;The golden figures have been dated to AD 400-600 when the Merovingians -- a clan of Frankish kings who claimed to be, like Jesus, of the house and lineage of the Bible's King David -- were at the height of their power. Descendants of the Merovingians later settled in Burgundy.&lt;br/&gt;&lt;br/&gt;In medieval times, the island [of Bornholm] was known as Burgunderland or Burgunderholm.&lt;br/&gt; &lt;br/&gt;The book also quotes a AD 417 work by Spanish historian Orosius, which says the Burgundians came from Bornholm. &lt;/i&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.rense.com/general6/baltic.htm" rel="nofollow" target="_blank"&gt;http://www.rense.com/general6/baltic.htm&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;*LOL* I love stuff like this.  .&lt;img src="http://clipmarks.com/images/icons/smilies/tongue.gif" alt="" /&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sacredsites.com/europe/denmark/bornholm.htm" title="http://www.sacredsites.com/europe/denmark/bornholm.htm"&gt;www.sacredsites.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/thisnamecantbetaken/512/8A7B892C-E5E0-4A46-B6A6-7149B952DA54.jpg" alt="Templar church of Osterlars, Bornholm Island" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;                                                          two researchers&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Erling Haagensen
                                                          and Henry Lincoln present
                                                          a great deal of evidence
                                                          linking the four round
                                                          churches of Bornholm
                                                          with the controversial
                                                          and much misunderstood
                                                          religious brotherhood
                                                          of the Templars. According
                                                          to these authors the
                                                          location of the four
                                                          round churches&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;indicates a
                                                          complex but very beautiful
                                                          pattern of landscape
                                                          geometry&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In addition,
                                                          the round churches
                                                          reveal the key to further
                                                          landscape geometry,
                                                          which is linked to
                                                          the other medieval
                                                          churches on Bornholm
                                                          and nearby Christianso,
                                                          and is also mirrored
                                                          in the extraordinary
                                                          landscape geometry
                                                          of Rennes le Chateau
                                                          in southern France. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Geo-radar surveys
                                                          conducted at the Osterlars
                                                          church on Bornholm
                                                          and the church of Rennes
                                                          le Chateau have revealed
                                                          what seem to be previously
                                                          unknown crypts beneath
                                                          the church floors.
                                                          Did the Templars store
                                                          their treasures at
                                                          these sites? &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the 
                                          authors believe that deeper and more 
                                          esoteric secrets remain to be discovered.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/thisnamecantbetaken/512/C3C7BBDF-18E2-4144-B8DC-C242DC4C135E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.sacredsites.com/europe/denmark/bornholm.htm</clipSource><pubDate>Wed, 09 Dec 2009 12:53:48 GMT</pubDate></item><item><title>Microkini Moment in the Caribbean</title><link>http://clipmarks.com/clipmark/23B58166-4AFF-4E41-87C5-6A998433E0A8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Something that can take me to a higher plane. A taste of Utopia. Camelot. Eden. The perfect world. The perfect moment. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://flickrbikini.com/babes/?p=1360" title="http://flickrbikini.com/babes/?p=1360"&gt;flickrbikini.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A title="Permanent Link to Microkini Moment in the Caribbean" rel="bookmark" href="http://flickrbikini.com/babes/?p=1360"&gt;Microkini Moment in the Caribbean&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;So what is your absolute magical thing to do when having your sweet hard-earned Caribbean vacation?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/59000248-A7A7-45C6-8628-CE8C7B0A92E4.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/6B416D19-8AA7-4598-B62E-093BEEC22ED3.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/31D22C36-DFBE-4EA3-9B5B-24A1CE9AB498.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/swampfoxz/512/96E49B76-A649-4B18-A66D-53E0F6C6BA2A.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/67202DFD-8BB5-472B-8232-9A0EF5B9F039.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/B4555435-E34E-4F71-AE3B-5284B24806F9.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/18B78033-DDF0-4472-ADA2-96D67F404AFA.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/swampfoxz/512/E9DF137E-C256-4D00-B27C-AFEA37BB96B8.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/1A542AC5-DC93-4AF0-9A31-A9DC0A395997.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/2D427A34-CF9D-44AD-82FA-F50214420F94.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/C68D2603-4FF3-4059-B8D7-91213F3BD187.jpg" alt="image hosted by UpMyPhoto.com" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Something that can take me to a higher plane. A taste of Utopia. Camelot. Eden. The perfect world. The perfect moment. The more I think about it, the clearer this glimpse of the perfect Caribbean moment becomes. Like a blurred image dissolving right before my own eyes.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If you happen to be in &lt;A target="_new" href="http://www.curacao-visitor.com/" rel="nofollow"&gt;Curacao&lt;/A&gt;, I would recommend Janthiel Beach.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Hit one of those beach beds just before sunset and stay there to watch the sun set. Hold the hand of your significant other and transmit this rare and unique moment of joy.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A few minutes in paradise. All is right in the world. To me that is the ultimate magic moment in the Caribbean…&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;A “super special” moment, so outstanding that I would go back just to experience this magical moment all over again.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/microkini+eden/" rel="tag"&gt;microkini eden&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://flickrbikini.com/babes/?p=1360</clipSource><pubDate>Wed, 09 Dec 2009 18:03:14 GMT</pubDate></item><item><title>If You'll Excuse Us, We Must GOPuke.</title><link>http://clipmarks.com/clipmark/DFD0BA55-A630-41BF-ADBA-75334A0BA3EB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/chestnut501/"&gt;chestnut501&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The Gay Republican Suicide PAC, Don't Take Us Down With You Brother &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.goodasyou.org/good_as_you/2009/12/if-youll-excuse-us-we-must-gopuke.html" title="http://www.goodasyou.org/good_as_you/2009/12/if-youll-excuse-us-we-must-gopuke.html"&gt;www.goodasyou.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
-The &lt;A target="_blank" href="http://www.goodasyou.org/good_as_you/national-organization-for-marriage/"&gt;National Organization For Marriage&lt;/A&gt;'s entire existence is built around hurting gay families.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
-The &lt;A target="_blank" href="http://www.goodasyou.org/good_as_you/alliance_defense_fund/"&gt;Alliance Defense Fund&lt;/A&gt; goes to court to fight even the most basic pro-LGBT benefit or protection.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
-&lt;A target="_blank" href="http://www.goodasyou.org/good_as_you/cwfa/"&gt;Concerned Women For America&lt;/A&gt;'s most pressing "concern" of the past decade or so has revolved around the possibility that society might accept LGBT people.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
-&lt;A target="_blank" href="http://www.goodasyou.org/good_as_you/fof/"&gt;Focus on the Family&lt;/A&gt; is, well, Focus on the Family.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;BR /&gt;
All of the aforementioned groups &lt;A target="_blank" href="http://www.cpac.org/sponsors.html"&gt;have signed on as sponsors&lt;/A&gt; of the 2010 Conservative Political Action Conference (CPAC).  And now, so too has gay Republican group GOProud:
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;
&lt;STRONG&gt;Log Cabin Republicans splinter group GOProud has announced that they will be a cosponsor of the 2010 CPAC.
&lt;BR /&gt;&lt;/STRONG&gt;&lt;A target="_blank" href="http://joemygod.blogspot.com/2009/12/goproud-to-co-sponsor-cpac-2010.html"&gt;GOProud To Co-Sponsor CPAC 2010&lt;/A&gt; [J.M.G.]
&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
There is no valid explanation.  Period. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.goodasyou.org/good_as_you/2009/12/if-youll-excuse-us-we-must-gopuke.html</clipSource><pubDate>Wed, 09 Dec 2009 17:53:09 GMT</pubDate></item><item><title>"Rubenesque" Proportions</title><link>http://clipmarks.com/clipmark/20C4BA34-B14C-4A3B-91F6-B7585080089C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/JohnWaterman/"&gt;JohnWaterman&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.all-art.org/history655_changed_world-5a.html" title="http://www.all-art.org/history655_changed_world-5a.html"&gt;www.all-art.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="6"&gt;&lt;BR /&gt;
	&lt;/FONT&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
          &lt;IMG width="379" height="600" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/Untitled-11.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
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            &lt;P&gt;
            &lt;IMG width="255" height="260" border="0" src="http://www.all-art.org/changed%20the%20world/94a.jpg" /&gt;&lt;BR /&gt;
            &lt;B&gt;
      &lt;FONT face="Verdana" size="2"&gt;
            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
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      &lt;IMG width="476" height="621" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-7%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
          &lt;IMG width="581" height="700" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/50.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TR&gt;&lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;&lt;BLOCKQUOTE&gt;&lt;P&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="260" height="288" border="0" src="http://www.all-art.org/changed%20the%20world/94d.jpg" /&gt;&lt;BR /&gt;
            &lt;B&gt;
      &lt;FONT face="Verdana" size="2"&gt;
            Herlinde Koelb&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;
            &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
  &lt;/TR&gt;
  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P dir="ltr"&gt;
      &lt;IMG width="800" height="525" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-8%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
          &lt;IMG width="350" height="500" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/Untitled-13.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="270" height="291" border="0" src="http://www.all-art.org/changed%20the%20world/94-1.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
            &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
      &lt;IMG width="378" height="672" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-9%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
          &lt;IMG width="600" height="453" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/Untitled-14.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="251" height="368" border="0" src="http://www.all-art.org/changed%20the%20world/94-2.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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      &lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
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      &lt;IMG width="555" height="600" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-3%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
          &lt;IMG width="633" height="384" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/154a.jpg" /&gt;&lt;BR /&gt;
      &lt;/FONT&gt;&lt;/B&gt;&lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="270" height="221" border="0" src="http://www.all-art.org/changed%20the%20world/94-3.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
            &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
      &lt;IMG width="341" height="418" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-11%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
								&lt;SPAN&gt;&lt;A href="http://www.all-art.org/history252-17.html"&gt;
								&lt;SPAN&gt;
                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
          &lt;IMG width="640" height="431" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/155.jpg" /&gt;&lt;BR /&gt;
      &lt;/FONT&gt;&lt;/B&gt;&lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="270" height="370" border="0" src="http://www.all-art.org/changed%20the%20world/94-5.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
            &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
      &lt;IMG width="313" height="462" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-12%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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								&lt;SPAN&gt;
                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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  &lt;/TR&gt;
  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;&lt;B&gt;&lt;FONT face="Verdana" size="2" color="#000000"&gt;
          &lt;IMG width="635" height="480" border="1" src="http://www.all-art.org/art_20th_century/tachism/botero/157.jpg" /&gt;&lt;BR /&gt;
      &lt;/FONT&gt;&lt;/B&gt;&lt;FONT face="Verdana"&gt;
            &lt;A href="http://www.all-art.org/art_20th_century/botero1.html" title="Fernando Botero"&gt;
                        &lt;SPAN&gt;
            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
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    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
            &lt;P&gt;
            &lt;IMG width="270" height="415" border="0" src="http://www.all-art.org/changed%20the%20world/94-6.jpg" /&gt;&lt;BR /&gt;
            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
            &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt; &lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
  &lt;/TR&gt;
  &lt;TR&gt;
    &lt;TD width="1201" valign="top" height="1" align="center" colspan="2"&gt;
	&lt;BLOCKQUOTE&gt;
      &lt;P&gt;
      &lt;IMG width="571" height="415" border="0" src="http://www.all-art.org/changed%20the%20world/rubens/Untitled-14%20copy.jpg" /&gt;&lt;BR /&gt;
      &lt;FONT face="Verdana" size="4"&gt;
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								&lt;SPAN&gt;
                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
    &lt;/BLOCKQUOTE&gt;
    &lt;/TD&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;
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                          &lt;FONT color="#34392b"&gt;Peter Paul Rubens&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT size="4" color="#000000"&gt;Fernando Botero&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;
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            &lt;FONT face="Verdana"&gt;&lt;B&gt;&lt;FONT size="2"&gt;Lauriet Toby Edison&lt;/FONT&gt;&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/BLOCKQUOTE&gt;&lt;/TD&gt;&lt;/TR&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.all-art.org/history655_changed_world-5a.html</clipSource><pubDate>Mon, 07 Dec 2009 18:53:05 GMT</pubDate></item><item><title>Unintended consequences will cook us!</title><link>http://clipmarks.com/clipmark/71F6DC1F-B368-4C8A-86CB-EC355C37EB81/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/nedhamson1/"&gt;nedhamson1&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Radioactive materials in oil and gas drilling - makes sense but I expect no one gave it any thought. Glad I did not grow up next to Long Beach's oil fields. Then again, it could explain why honky tonk music out of Tulsa and Bakersfield is so hot! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dw-world.de/dw/article/0,,4981043,00.html?maca=en-rss-en-top-1022-rdf" title="http://www.dw-world.de/dw/article/0,,4981043,00.html?maca=en-rss-en-top-1022-rdf"&gt;www.dw-world.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;h2 id="AutoGeneratedID-0"&gt;
Radioactive waste hidden in oil and gas production
&lt;/h2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/nedhamson1/512/9FA4DC29-DEBA-49C2-98AF-3BD3E535565E.jpg" alt="Oil rigs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;p id="AutoGeneratedID-2"&gt;According to by German public broadcaster WDR, the oil and gas industry has kept secret the dangerous amounts of radioactive waste produced. But experts like Harald Thielen of the Society for System and Reactor Safety acknowledge that the problem exists. &lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;p id="AutoGeneratedID-3"&gt;The WDR report says that in Germany alone, up to 2,000 metric tons of naturally-occurring radioactive waste is sucked out of the earth every year and dumped in the surrounding countryside. By extrapolating these figures to oil production in the United States, which produces much more oil and has lower industry safety standards, up to 260,000 metric tons of radioactive waste could be produced there.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/production/" rel="tag"&gt;production&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/radioactive/" rel="tag"&gt;radioactive&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/waste/" rel="tag"&gt;waste&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dw-world.de/dw/article/0,,4981043,00.html?maca=en-rss-en-top-1022-rdf</clipSource><pubDate>Tue, 08 Dec 2009 23:15:06 GMT</pubDate></item><item><title>2010 Porsche 911 turbo</title><link>http://clipmarks.com/clipmark/2F4B0E02-A2CC-4697-B1E7-4B2B8FED404B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/countryboylife/"&gt;countryboylife&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.popsci.com/cars/article/2009-12/2010-porsche-911-turbo" title="http://www.popsci.com/cars/article/2009-12/2010-porsche-911-turbo"&gt;www.popsci.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/countryboylife/512/5DC3D521-4583-4AF2-B198-BA19DC85997A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Here, Porsche took the already robust horizontally-opposed six-cylinder engine and, to use a dated Emeril quote, kicked it up notches unknown to man. The new Turbo engine puts out more power than its predecessor—500 horsepower, up from 480 in the last iteration, and 516 lb-ft of torque (up from 460 lb-ft) when equipped with overboost, which is available in the optional $3470 Sport Chrono Pack. This is due in part to the displacement rising from 3.6 liters to 3.8 liters, but also an increased compression ratio from 9.0 to 9.8:1 that allows the engine to create more power across the rev band, more effective intercoolers to cool off hot air passed through the turbos, a more refined exhaust system and reworked turbo system. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.popsci.com/cars/gallery/2009-12/gallery-2010-porsche-911-turbo" title="http://www.popsci.com/cars/gallery/2009-12/gallery-2010-porsche-911-turbo"&gt;www.popsci.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/countryboylife/512/5D1D2DCB-109B-4072-8433-1E79A42B2B37.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/cars/" rel="tag"&gt;cars&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/porsche+911+turbo/" rel="tag"&gt;porsche 911 turbo&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.popsci.com/cars/article/2009-12/2010-porsche-911-turbo</clipSource><pubDate>Tue, 08 Dec 2009 23:27:03 GMT</pubDate></item><item><title>Bigotry Sanctioned by Religion</title><link>http://clipmarks.com/clipmark/2DBE4AF7-8927-4E49-8A1A-160CD2BF6EDE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/AtlLiberal/"&gt;AtlLiberal&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The question is one of privilege over bigotry. Should certain Christian sects be allowed to discriminate against people because of their sexual orientation? The theists claim they are simply following their holy book which they contend makes the practice of prejudice and bigotry against gays and lesbians legitimate. They cling to their repeatedly refuted dogma that the "homosexual lifestyle" is something voluntary. Their argument? The Bible says it's so. &lt;br/&gt;&lt;br/&gt;This anti-reality viewpoint is not confined to sexual orientation. It is seen in a general anti-intellectualism and distrust of science. No wonder that a growing segment of the public are beginning to see through this and respond accordingly. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.latimes.com/news/nation-and-world/la-na-court-christians8-2009dec08,0,6381342.story" title="http://www.latimes.com/news/nation-and-world/la-na-court-christians8-2009dec08,0,6381342.story"&gt;www.latimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Supreme Court will decide appeal of Christian student group&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
                
                    
                    Reporting from Washington - 
            
            
            The Supreme Court agreed Monday to decide whether a Christian student group's right to religious liberty and the freedom of association can trump a university's ban on discrimination against gays and lesbians. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt; The case could set new rules for campus groups that receive funding through fees paid by the students. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The justices agreed to hear an appeal from a San Francisco chapter of the Christian Legal Society, which lost its recognition as a student group at the UC Hastings College of Law because it refused to abide by the school's anti-discrimination policy.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The law school said that officially recognized student groups must be open to all. The university has a policy forbidding discrimination based on "race, color, religion, national origin, ancestry, disability, age, sex or sexual orientation" in all of its programs.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.latimes.com/news/nation-and-world/la-na-court-christians8-2009dec08,0,6381342.story</clipSource><pubDate>Tue, 08 Dec 2009 15:02:18 GMT</pubDate></item><item><title>Feeding Polar Bears (12 pics)</title><link>http://clipmarks.com/clipmark/44822116-E708-46D3-A974-61B02017DF00/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If you want to be friends with polar bears, you just need a couple of cans of condensed milk. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://acidcow.com/pics/5923-feeding-polar-bears-12-pics.html" title="http://acidcow.com/pics/5923-feeding-polar-bears-12-pics.html"&gt;acidcow.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Feeding Polar Bears (12 pics)&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;If you want to be friends with polar bears, you just need a couple of cans of condensed milk.&lt;BR /&gt;They love it.&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/932E4B54-7E29-4615-8EA3-34737C7EB748.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/swampfoxz/512/33AEE7FC-48EA-47D7-8F0B-878AAE61D380.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/70A07138-137E-43A2-869F-5893FC8B0D72.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/FB14DEA9-C0FA-4BAD-9277-CE3DF1BB642E.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/AF5B1279-60D2-4B56-8F8B-439EF70A7B01.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/swampfoxz/512/5F8C16A7-AB36-4A99-832D-F8772CB82B4B.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/9B6FC335-8A4F-4F0D-981A-E0940D0E4A42.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/FBFFEA8D-6FC5-43CB-B6A9-259F43EE4873.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/swampfoxz/512/70CB17D5-1476-40EF-8853-3D590899DA75.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/swampfoxz/512/9025AFEF-FD3B-42E2-A072-CDC224B3D9F8.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/swampfoxz/512/E7C6DA66-14D8-4B7E-BD97-1748C1254663.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/swampfoxz/512/801F299E-1D1A-42E4-A12D-5851F91F9A38.jpg" alt="Feeding Polar Bears (12 pics)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/polar+bears/" rel="tag"&gt;polar bears&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://acidcow.com/pics/5923-feeding-polar-bears-12-pics.html</clipSource><pubDate>Mon, 07 Dec 2009 10:40:12 GMT</pubDate></item><item><title>civil rights practically ignored under bush</title><link>http://clipmarks.com/clipmark/6A9EB375-F168-4118-9ECF-C1507717A9E3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/doodleicious/"&gt;doodleicious&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  this goes on to state that civil rights were put well behind the enforcement of religious rights..........yeah- not a shocker- sadly we are all left to pick up the pieces of indifference ......hate...........fear...leaving many of us wondering if priorities and accountability can grow once again from this void...........?........ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.care2.com/causes/civil-rights/blog/civil-rights-practically-ignored-under-bush/" title="http://www.care2.com/causes/civil-rights/blog/civil-rights-practically-ignored-under-bush/"&gt;www.care2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 id="article_title"&gt;Civil Rights Practically Ignored Under Bush&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
    		    Kanye West was right.  George Bush really didn't care about black people.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;According to the &lt;A href="http://www.nytimes.com/2009/12/03/us/politics/03rights.html?_r=1&amp;emc=eta1"&gt;New York Times&lt;/A&gt;, a new report by the Government Accountability Office shows the civl rights enforcement division of the Department of Justice overwhelmingly favored protecting religious rights at the expense of anti-discrimination efforts.   The report presents a comprehensive review of litigation activities during the Bush years, and I'm sure it will come as no surprise that enforcement actions under voting rights legislation, fair housing, and predatory lending practices dropped sharply.  &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/civil+rights/" rel="tag"&gt;civil rights&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.care2.com/causes/civil-rights/blog/civil-rights-practically-ignored-under-bush/</clipSource><pubDate>Mon, 07 Dec 2009 05:24:05 GMT</pubDate></item><item><title>americans may be among the first climate refugees</title><link>http://clipmarks.com/clipmark/D28D0889-6320-4572-A1A8-F763C59C1C91/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/doodleicious/"&gt;doodleicious&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.care2.com/causes/global-warming/blog/american-climate-refugees/" title="http://www.care2.com/causes/global-warming/blog/american-climate-refugees/"&gt;www.care2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 id="article_title"&gt;Americans May Be Among First Climate Refugees&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/doodleicious/512/6593B5E6-D79A-4597-A265-5A6AE6FED2C6.jpg" alt="Americans May Be Among First Climate Refugees" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
    		    According to the results of a recently released poll by Harris Interactive, the number of Americans who believe that global climate change is occurring has declined to only 51 percent, and is dropping fast. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;This new result is a steep decline from the 71 percent of Americans who indicated they believed in global warming, in 2007. &lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The survey, titled  "&lt;A href="http://www.harrisinteractive.com/harris_poll/pubs/Harris_Poll_2009_12_02.pdf"&gt;Big Drop in Those Who Believe that Global Warming is Coming&lt;/A&gt;" (PDF) found that about 29 percent of Americans don’t believe in global warming, while 21 percent are unsure. Sadly, these percentiles mirror the staunch political partisianship on this issue, with 73 percent of Democrats believing in global warming, compared to just 28 percent of Republicans.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Maybe the skepticism is strongest in the central states because they have yet to experience the drastic effects of miniscule increases in temperature can cause.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;Perhaps a visit to Americans living on the edge of the continent would open their eyes.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/change/" rel="tag"&gt;change&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/changing/" rel="tag"&gt;changing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/climate/" rel="tag"&gt;climate&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/views/" rel="tag"&gt;views&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.care2.com/causes/global-warming/blog/american-climate-refugees/</clipSource><pubDate>Mon, 07 Dec 2009 05:17:08 GMT</pubDate></item><item><title>Placing our use of oil into perspective .... visually</title><link>http://clipmarks.com/clipmark/D14C2930-B18C-4822-B0B8-42DC07DA9673/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Socratoad/"&gt;Socratoad&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.edwardburtynsky.com/Introduction/OIL.html" title="http://www.edwardburtynsky.com/Introduction/OIL.html"&gt;www.edwardburtynsky.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content6.clipmarks.com/image_cache/Socratoad/512/E2D6589E-3452-4731-B811-D980ADF86582.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.edwardburtynsky.com/Introduction/Menu/name.html" title="http://www.edwardburtynsky.com/Introduction/Menu/name.html"&gt;www.edwardburtynsky.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content7.clipmarks.com/image_cache/Socratoad/512/31D07442-5C3E-4274-9D3B-5E2AD8A78A14.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.edwardburtynsky.com/Introduction/OIL.html" title="http://www.edwardburtynsky.com/Introduction/OIL.html"&gt;www.edwardburtynsky.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;In addition to revealing the rarely-seen mechanics of its manufacture, Burtynsky captures the effects of oil on our lives, depicting landscapes altered by its extraction from the earth, and by the cities and suburban sprawl generated around its use. He also addresses the coming "end of oil," as we confront its rising cost and dwindling availability.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;SPAN class="text"&gt;&lt;EM&gt;Edward Burtynsky: Oil&lt;/EM&gt; from &lt;A target="_new" href="http://vimeo.com/6823943"&gt;Corcoran Gallery of Art&lt;/A&gt; on Vimeo.&lt;/SPAN&gt;&lt;SPAN class="text"&gt;&lt;BR /&gt;
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											View the work in the in the &lt;A csclick="c7147bcc0,c7147bcc1" href="#"&gt;OIL&lt;/A&gt; section of this site.&lt;BR /&gt;
										The Exhibition:  &lt;A target="_blank" href="http://www.corcoran.org/exhibitions/press_burtynsky"&gt;http://www.corcoran.org/exhibitions/press_burtynsky&lt;/A&gt;&lt;BR /&gt;&lt;DIV&gt;
											The Book (an excerpt): &lt;A target="_blank" href="http://edwardburtynsky.com/Oil_Book_Gallery"&gt;http://edwardburtynsky.com/Oil_Book_Gallery&lt;/A&gt;&lt;/DIV&gt;
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										All images on this site are © Edward Burtynsky&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.edwardburtynsky.com/Introduction/OIL.html</clipSource><pubDate>Sun, 06 Dec 2009 14:41:32 GMT</pubDate></item><item><title>hang on to your tin-foil hats: the darker truth about fluoride-</title><link>http://clipmarks.com/clipmark/45EA9691-44E8-4C73-A5F8-F8DA1E7C95F3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/doodleicious/"&gt;doodleicious&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  there are also links to fluoride facts here.......... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.care2.com/greenliving/the-dark-truth-about-fluoride-part-2.html" title="http://www.care2.com/greenliving/the-dark-truth-about-fluoride-part-2.html"&gt;www.care2.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 id="article_title"&gt;Hang On to Your Tin Foil Hats: The Darker Truth About Fluoride&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content8.clipmarks.com/image_cache/doodleicious/512/1537E908-5848-4A83-9395-0131AA93474C.jpg" alt="Hang On to Your Tin Foil Hats: The Darker Truth About Fluoride" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;To be clear, the fluoride in toothpaste and mouthwash (sodium fluoride salt) is pharmaceutical grade fluoride, and completely different from the hexafluorosilicic acid (H2SiF6) added to fluoridate our water supply. While they are  the same molecularly, the far less expensive fluoride that has been added to our municipal water supply since the 1940s is qualitatively very different. The most common fluoride additive, hexafluorosilicic acid, is an industrial byproduct that is scrubbed from smokestacks during the production of phosphate fertilizer and sold to most of the major cities in North America. These fluorosilicates have never been tested for safety in humans and have been known to be contaminated with trace amounts of heavy metals. I kid you not!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/chemical/" rel="tag"&gt;chemical&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stew/" rel="tag"&gt;stew&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.care2.com/greenliving/the-dark-truth-about-fluoride-part-2.html</clipSource><pubDate>Mon, 07 Dec 2009 05:31:10 GMT</pubDate></item><item><title>Wal-mart greeters learn....</title><link>http://clipmarks.com/clipmark/31269E84-0AC2-4FB4-91C8-8B549CEA50E9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/ratilfar/"&gt;ratilfar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://punditkitchen.com/2009/12/04/political-pictures-walmart-greeters/" title="http://punditkitchen.com/2009/12/04/political-pictures-walmart-greeters/"&gt;punditkitchen.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://content9.clipmarks.com/image_cache/ratilfar/512/29980693-7E27-4A6E-9B22-25DBA3A4CD00.jpg" alt="political pictures for your blog" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ouch/" rel="tag"&gt;ouch&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/wal-mart/" rel="tag"&gt;wal-mart&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/punditkitchen/" rel="tag"&gt;punditkitchen&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lol/" rel="tag"&gt;lol&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pics/" rel="tag"&gt;pics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/humor/" rel="tag"&gt;humor&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://punditkitchen.com/2009/12/04/political-pictures-walmart-greeters/</clipSource><pubDate>Sat, 05 Dec 2009 14:15:42 GMT</pubDate></item><item><title>Wendell Potter: The Insurance Industry's Lethal Bottom Line</title><link>http://clipmarks.com/clipmark/7FE6C57E-74BF-4F50-B753-C2FD4478DA29/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/masbury/"&gt;masbury&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  When publicly held insurance companies spend most of their premium income on medical claims, their value on Wall Street plummets. Amendments have been introduced to require them to raise the percentage of our premium payments that actually goes into health care instead of executive salaries and lobbying Congress. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.huffingtonpost.com/wendell-potter/the-insurance-industrys-l_b_382001.html" title="http://www.huffingtonpost.com/wendell-potter/the-insurance-industrys-l_b_382001.html"&gt;www.huffingtonpost.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This equation is known as the medical loss ratio (MLR), an aptly named figure that is widely seen by investors as the most important gauge of an insurance company's current and future profitability&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the current Senate bill requires insurers to provide an annual rebate to each enrollee if non-claims costs exceed 20% in the group market and 25% in the individual market&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Sen. Al Franken (D-Minn.) is now leading a group&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;to introduce an amendment that would go further by requiring that 90 percent of the money consumers spend on health insurance premiums go directly to health care costs&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;A case in point is Aetna&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Three years ago, the company reported that its quarterly MLR had inched up from 77.9 percent to 79.4 percent in 12 months. On the day this was disclosed, Aetna's share price plunged 20 percent&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Kaiser had a 90.6 percent MLR in 2007. Between 1993 and 2007, Medicare's MLR hasn't dropped below 97 percent.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/healthcare/" rel="tag"&gt;healthcare&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.huffingtonpost.com/wendell-potter/the-insurance-industrys-l_b_382001.html</clipSource><pubDate>Mon, 07 Dec 2009 01:39:06 GMT</pubDate></item></channel></rss>