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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Aribeth's 'words' clips</title><link>http://clipmarks.com/clipper/Aribeth/tag/words/</link><feedUrl>http://rss.clipmarks.com/clipper/Aribeth/tag/words/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>Must read Essay by Tony Judt, historian.</title><link>http://clipmarks.com/clipmark/2FC82E4D-DBEB-4285-86C3-FDDD82F276EF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  When you've time if you are interested in history. There's no way in 1,000 words that I can do justice to this essay.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nybooks.com/articles/21311" title="http://www.nybooks.com/articles/21311"&gt;www.nybooks.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="banner"&gt;&lt;A href="http://www.nybooks.com/"&gt;&lt;IMG height="43" border="0" width="470" alt="The New York Review of Books" src="http://www.nybooks.com/images/logo-small.gif" /&gt;&lt;/A&gt;
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&lt;A href="http://www.nybooks.com/"&gt;Home&lt;/A&gt; ·&lt;/SPAN&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;What Have We Learned, If Anything?&lt;/H2&gt;
    &lt;H4&gt; By &lt;A href="http://www.nybooks.com/authors/274"&gt;Tony Judt&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; In the US, at least, we have forgotten the meaning of war&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In much of continental Europe, Asia, and Africa the twentieth century was experienced as a cycle of wars&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;War in the last century signified invasion, occupation, displacement, deprivation, destruction, and mass murder. Countries that lost wars often lost population, territory, resources, security, and independence&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;those countries that emerged formally victorious had comparable experiences and usually remembered war much as the losers did&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;war in the twentieth century frequently meant civil war: often under the cover of occupation or "liberation."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Civil war played a significant role in the widespread "ethnic cleansing"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;World War I led to an unprecedented militarization of society, the worship of violence, and a cult of death that long outlasted the war itself and prepared the ground for the political disasters that followed&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Dissent or opposition was stifled by universal fear&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;dysfunctiona&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/false/" rel="tag"&gt;false&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/memory/" rel="tag"&gt;memory&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/usa/" rel="tag"&gt;usa&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nybooks.com/articles/21311</clipSource><pubDate>Mon, 05 May 2008 06:30:33 GMT</pubDate></item><item><title>Pain as an art form</title><link>http://clipmarks.com/clipmark/96EE0AED-C957-4AC8-9E8F-D4EA561D6B1C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Mr. Collen wrote to pain doctors around the world to solicit examples of art from pain patients. Working with San Francisco college student James Gregory, 21, who suffers from chronic pain as the result of a car accident, the two created the Pain Exhibit, an online gallery of art from pain sufferers. The images are evocative and troubling.“Some of them are painful even to look at,'’ Dr. Basbaum said.&lt;br/&gt;&lt;br/&gt;Finding ways to communicate pain is essential to patients who are suffering, many of whom don’t receive adequate treatment from doctors.Mr. Collen said the main goal of the exhibit is to raise awareness about the problem of chronic pain.“People don’t believe what they can’t see,'’ Mr. Collen said. “But they see a piece of art an individual created about their pain and everything changes.'’ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A" title="http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A"&gt;well.blogs.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="post-title"&gt;Pain as an Art Form&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/415D0602-2FDA-4D44-9A7A-A15D0D0D912C.jpg" alt="INSERT DESCRIPTION" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Pain doesn’t show up on a body scan and can’t be measured in a test. As a result, many chronic pain sufferers turn to art, opting to paint, draw or sculpt images in an effort to depict their pain.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It’s often much more difficult to put pain into words, which is one of the big problems with pain,'’ said Allan I. Basbaum&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/8F118322-116A-46E4-88E1-A20B7F4D6606.jpg" alt="INSERT DESCRIPTION" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“The Broken Column,” by Frida Kahlo&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It was only when I started doing art about pain, and physicians saw the art, that they understood what I was going through,” Mr. Collen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;who suffers from chronic back pain&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;said.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Words are limiting, but art elicits an emotional response.'’&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Some of the images from the Pain Exhibit, like &lt;A target="_blank" href="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html" linkindex="35" set="yes"&gt;“Broken People”&lt;/A&gt; by Robert S. Beal of Tulsa, Okla., depict the physical side of pain. Others, such as &lt;A target="_blank" href="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html" linkindex="36" set="yes"&gt;“Against the Barrier to Life,”&lt;/A&gt; convey the emotional challenges of chronic pain.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html" title="http://www.painexhibit.com/Themes/Original_Art/sufbeal.html"&gt;www.painexhibit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Broken People&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/3D1E7E7E-2D97-4863-AD41-B50AB2F7F172.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html" title="http://www.painexhibit.com/Themes/Original_Art/ppseabrook.html"&gt;www.painexhibit.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Against The Barrier To Life&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/5D947793-838E-4942-8D42-758FF730184A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="left" class="style1"&gt;Artist Statement&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;I feel I am constantly fighting against a tidal wave of pain in order to achieve some quality of life.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://well.blogs.nytimes.com/2008/04/22/pain-as-an-art-form/?em&amp;ex=1209096000&amp;en=9ffd0e9c3d105239&amp;ei=5087%0A</clipSource><pubDate>Wed, 23 Apr 2008 19:51:32 GMT</pubDate></item><item><title>The Meaningless of Meaning</title><link>http://clipmarks.com/clipmark/B0BB3391-C549-4570-8748-8EE3E7FA3CBF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;lt;&amp;lt;&amp;lt;To Nabokov, skimming the Present without sinking into the Past is a miracle that befits only the most experienced: "Otherwise the inexperienced miracle-worker will find himself no longer walking on water but descending upright among staring fish" (if I may add) under the weight of past associations.&amp;gt;&amp;gt;&amp;gt;&lt;br/&gt;&lt;br/&gt;Thus do we think we have thought and felt and experience the One, the Abyss, the Edge, the Love....  yet the graceful lightness of being is elusive and we are weighed down always, especially 'Now' (oh, its 'Power'!) by the depreciating luggage of our conceptual memories and ossified identities. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence" title="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Meaning is a process of filling in the blanks of the mind… with words… that trigger other words…&lt;SPAN&gt;  &lt;/SPAN&gt;that trigger more words… &lt;SPAN&gt; &lt;/SPAN&gt;As we grow and acquire language, we, in essence, acquire a baggage of associations that weighs us down as we try to skate the thin ice of presence.&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Nabokov, in Transparent Things, writes: “When we concentrate on a material object &amp;lt;…&amp;gt; the very act of attention may lead to our involuntary sinking into the history of that object.&lt;SPAN&gt;  &lt;/SPAN&gt;Novices must learn to skim over matter if they want to stay at the exact level of the moment.”&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“A thin veneer of immediate reality is spread over natural and artificial matter, and whoever wishes to remain in the now, with the now, on the now, should please not break its tension film.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Meaning is an &lt;EM&gt;artifact&lt;/EM&gt; of the Past, not the actual fact of the Present.&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;instead of seeing reality as it is, we see a “so-called” reality &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Language constructs perception: first, the word, then, the perceived reality. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/nabokov/" rel="tag"&gt;nabokov&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence</clipSource><pubDate>Tue, 22 Apr 2008 09:43:21 GMT</pubDate></item><item><title>The 7 habits of highly effective propagandists</title><link>http://clipmarks.com/clipmark/684099EF-455D-4205-8DFD-6EEB16F777E9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  citing a qualified source is a good way to emphasize a legitimate idea. But you should consider whether or not the source being cited is really qualified to make judgments about a particular issue.&lt;br/&gt;&lt;br/&gt;5. PLAIN FOLKS&lt;br/&gt;&lt;br/&gt;The “Plain Folks” technique is at work whenever a speaker promotes the idea that he or she is “of the people,” just an Average Joe despite the fact that he or she may go home to a mansion at the end of the day.&lt;br/&gt;&lt;br/&gt;6. CARD STACKING&lt;br/&gt;&lt;br/&gt;“Stacking the deck” is a gimmick used by magicians where a deck of cards appears to be randomly shuffled but is in fact arranged in a specific way. The IPA borrowed the term to describe a technique where only one side of a topic is favored, or another side is ignored or played down.&lt;br/&gt;&lt;br/&gt;7. BANDWAGON&lt;br/&gt;&lt;br/&gt;The idea behind the Bandwagon technique is that, since everyone else is doing it, so too should you. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#cccc99"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ironicsans.com/2008/01/the_7_habits_of_highly_effecti.html" title="http://www.ironicsans.com/2008/01/the_7_habits_of_highly_effecti.html"&gt;www.ironicsans.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3 class="entry-header"&gt;The 7 Habits of Highly Effective Propagandists&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;1. GLITTERING GENERALITIES&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;The IPA used this term to describe virtuous words that mean different things to different people, but are used in such a general way that you can project your own meaning into the speaker’s words. So when people talk about &lt;I&gt;freedom&lt;/I&gt;, &lt;I&gt;strength&lt;/I&gt;, &lt;I&gt;Democracy&lt;/I&gt;, or &lt;I&gt;patriotism&lt;/I&gt;, you are likely to assume they think of those words the same way you do.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;2. NAME CALLING&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;“Name calling” is a technique where someone uses words to link a person or proposal to a negative or emotionally charged symbol. The idea is to get you to reject the person due to the association with the symbol rather than actual evidence, which may or may not be there.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;3. TRANSFER&lt;/B&gt;&lt;/P&gt;

&lt;P&gt;There are institutions and objects that you have positive associations with, so politicians try to appear with symbols of those institutions in the hopes that you will transfer your positive associations onto them.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;flags&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;cross&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;4. TESTIMONIAL&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The IPA pointed out that sometimes&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/propaganda/" rel="tag"&gt;propaganda&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/critical+thinking/" rel="tag"&gt;critical thinking&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ironicsans.com/2008/01/the_7_habits_of_highly_effecti.html</clipSource><pubDate>Sun, 20 Apr 2008 18:17:03 GMT</pubDate></item><item><title>intellectual</title><link>http://clipmarks.com/clipmark/48288055-6622-4A81-80A9-38FBD3A9C1BC/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/zizzy/"&gt;zizzy&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  More is better, when it comes to wealth and intelligence. &lt;br/&gt;&lt;br/&gt;Better is better, when it comes to looks and intellect.&lt;br/&gt;&lt;br/&gt;It's always OK to be intelligent.&lt;br/&gt;&lt;br/&gt;Being an intellectual is another matter.  &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.niquette.com/books/101words/intellect.htm" title="http://www.niquette.com/books/101words/intellect.htm"&gt;www.niquette.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;&lt;B&gt;intellectual&lt;/B&gt; n. One who exercises intellect, the
doctrine that knowledge is the product of pure reason; rationalism rather
than emotionalism. &lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;An intellectual is a man who takes more words than necessary
to tell more than he knows.&lt;/FONT&gt;
&lt;DIV align="right"&gt;&lt;FONT size="+1"&gt;        
-- Dwight D. Eisenhower&lt;/FONT&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/zizzy/512/76B25EBD-AA21-44ED-8324-D59B68DE432D.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;&lt;FONT size="+2"&gt;N&lt;/FONT&gt;&lt;/B&gt;&lt;FONT size="+1"&gt;ot
me, Ike.  I don't take more words than necessary to tell more than
I know.  Here's what I know:&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;One might speak of an intelligent dog but never
an intellectual one.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Intelligence implies the ability to cope with novel situations
and new problems, to apply what is learned from experience, and to use
the power of reasoning and inference effectively as a guide to behavior.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Intellect extends beyond learning and reasoning to a capacity
for reflection and understanding.  Intellectuals enjoy the ability
to think abstractly.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Intelligence acquires facts then manipulates knowledge.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Intellect observes relationships then contemplates ideas.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;A curious candlepower -- from dim to bright to brilliant
-- calibrates intelligence.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+1"&gt;Not so with intellect.&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.niquette.com/books/101words/intellect.htm</clipSource><pubDate>Tue, 15 Apr 2008 21:57:32 GMT</pubDate></item><item><title>The Origin of the Crossword Puzzle</title><link>http://clipmarks.com/clipmark/A85BFE71-7E8C-40E3-B50D-6DE16795C398/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Crossword Casualties&lt;br/&gt;&lt;br/&gt;Some folks were driven over the edge by the craze. In 1924, a Chicago woman sued her husband for divorce, claiming "he was so engrossed in solving crosswords that he didn’t have time to work." The judge ordered the man to "limit himself to 3 puzzles a day and devote the rest of his time to domestic duties." In 1925, a New York Telephone Co. employee shot his wife when she wouldn’t help with a crossword puzzle. And in 1926, a Budapest man committed suicide, leaving an explanation in the form of a crossword puzzle. (No one could solve it.) Eventually, the craze died down. It took The New York Times to revive it.&lt;br/&gt;&lt;br/&gt;Today, The New York Times crossword puzzle is considered the puzzle of choice for hardcore addicts, but that hasn’t always been true. Believe it or not, the Times resisted crosswords for more than two decades.Here’s the story of how the newspaper changed its mind...&amp;lt;&amp;lt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#e5e5e5"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.neatorama.com/2008/03/31/the-origin-of-the-crossword-puzzle/" title="http://www.neatorama.com/2008/03/31/the-origin-of-the-crossword-puzzle/"&gt;www.neatorama.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Arthur Wynne was a writer for the game page of the &lt;EM&gt;New York World&lt;/EM&gt; at the turn of the 19th century. One winter afternoon in 1913, while trying to think up new types of games for the newspaper’s special Christmas edition, he came up with a way to adapt the "word squares" his grandfather had taught him when he was a boy.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;But in the new puzzle Wynne came up with, the "across" words were &lt;EM&gt;different&lt;/EM&gt; from the "down" words.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Wynne’s puzzle, which he called a "Word-Cross," debuted on Sunday December 21 as planned. And it was well-received. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/FEA07549-3CA0-476D-8EDD-4F7DBA2CBE21.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Four weeks after the puzzle first appeared, typesetters at the &lt;A href="#" class="kLink"  id="KonaLink1"&gt;&lt;FONT color="#32527a"&gt;&lt;SPAN class="kLink"&gt;newspaper&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt; inadvertently transposed the words in the title to read "Cross-Word."&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the name stuck&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/55E8569C-7B75-4FAC-BEAE-CB44B2BEB528.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;M. Lincoln Schuster (R) and Ricahrd L. Simon (L)&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;made a deal with the paper’s crossword puzzle editors&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;They would pick the newspaper’s best crossword puzzles and&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;publish them in a book. The pair then used all their money to print &lt;EM&gt;The Cross Word Puzzle Book&lt;/EM&gt;.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;literally an overnight success&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.neatorama.com/2008/03/31/the-origin-of-the-crossword-puzzle/</clipSource><pubDate>Sun, 13 Apr 2008 09:24:14 GMT</pubDate></item><item><title>nine most terrifying words in the English language</title><link>http://clipmarks.com/clipmark/7787F234-9F51-42A0-B63E-DB44833AFBF4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Greener grass..... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html" title="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html"&gt;aslowerpace.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 class="serendipity_title"&gt;&lt;A href="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html"&gt;Greener grass.....&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;It's important in life to reach out, to strive for greater achievements, to go for that greener grass that is on the other side of the fence.....&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
But one must also be careful……&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/F3BECC56-334F-4E7A-A84E-29B8B73F22A6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Sometimes you can reach too far!&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/1AD430BB-CAD7-4994-9785-21D53211FD88.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
But when you find yourself overextended and you’re stuck in a situation that you can’t get out of,  there is one thing that you should always remember.....&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Not everyone who shows up is there to help you.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/02B51C3D-6F9E-4A7E-BD9E-8E72153FF8D6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
It kind of reminds me of Ronald Reagan's quote --&lt;BR /&gt;&lt;DIV&gt;
&lt;I&gt;"The nine most terrifying words in the English language are, 'I'm from the government and I'm here to help.' "&lt;/I&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/greener+grass...../" rel="tag"&gt;greener grass.....&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html</clipSource><pubDate>Sat, 12 Apr 2008 20:52:06 GMT</pubDate></item><item><title>Diminished by Words</title><link>http://clipmarks.com/clipmark/D81E130B-8E6B-453C-9EA1-624BB40EEFFB/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Sheroug/"&gt;Sheroug&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://alenaswebpage.blogspot.com/2006/01/most-important-things-are-hardest.html" title="http://alenaswebpage.blogspot.com/2006/01/most-important-things-are-hardest.html"&gt;alenaswebpage.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BLOCKQUOTE&gt;"The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish them - words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revalations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller, but for want of an understanding ear."&lt;BR /&gt;&lt;BR /&gt;- Stephen King&lt;/BLOCKQUOTE&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/quote/" rel="tag"&gt;quote&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/stephen+king/" rel="tag"&gt;stephen king&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://alenaswebpage.blogspot.com/2006/01/most-important-things-are-hardest.html</clipSource><pubDate>Sat, 12 Apr 2008 00:33:06 GMT</pubDate></item><item><title>Masters of Chiasmus</title><link>http://clipmarks.com/clipmark/E93760B3-1BAA-4B3F-B4C3-B74DE67B15B2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/definition.shtml" title="http://www.drmardy.com/chiasmus/definition.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;IMG width="100" hspace="10" height="138" border="0" alt="The Oxford English Dictionary" src="http://www.drmardy.com/oed.gif" /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Oxford English Dictionary&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;defines chiasmus as&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"A grammatical figure by which the order of words in one of two of parallel clauses is inverted in
the other."&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/churchill1.shtml" title="http://www.drmardy.com/chiasmus/masters/churchill1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Winston Churchill&lt;BR /&gt;(1874-1965)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="Winston Churchill" src="http://www.drmardy.com/quotationimages/wchurchill.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Now this is not the end.&lt;BR /&gt;
It is not even the beginning of the end.&lt;BR /&gt;
But it is, perhaps,&lt;BR /&gt;
the end of the beginning."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/kennedy1.shtml" title="http://www.drmardy.com/chiasmus/masters/kennedy1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="body"&gt;&lt;B&gt;John F. Kennedy&lt;BR /&gt;(1917-1963)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="John F. Kennedy" src="http://www.drmardy.com/quotationimages/jkennedy.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Let us never negotiate out of fear;&lt;BR /&gt;
but let us never fear to negotiate."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/wilde2.shtml" title="http://www.drmardy.com/chiasmus/masters/wilde2.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="body"&gt;&lt;B&gt;Oscar Wilde&lt;BR /&gt;(1854-1900)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="Oscar Wilde" src="http://www.drmardy.com/quotationimages/owilde.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"I wrote when I did not know life;&lt;BR /&gt;
now that I do know the meaning of life,&lt;BR /&gt;
I have no more to write.&lt;BR /&gt;
Life cannot be written; life can only be lived."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/shaw1.shtml" title="http://www.drmardy.com/chiasmus/masters/shaw1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;George Bernard Shaw&lt;BR /&gt;(1856-1950)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="George Bernard Shaw" src="http://www.drmardy.com/quotationimages/gshaw.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Standing between you the Englishman,&lt;BR /&gt;
so clever in your foolishness,&lt;BR /&gt;
and this Irishman, so foolish in his cleverness,&lt;BR /&gt;
I cannot in my ignorance be sure&lt;BR /&gt;
which of you is the more deeply damned."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/shakespeare1.shtml" title="http://www.drmardy.com/chiasmus/masters/shakespeare1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;William Shakespeare&lt;BR /&gt;(1564-1616)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="William Shakespeare" src="http://www.drmardy.com/quotationimages/wshakespeare.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"The shepard seeks the sheep,&lt;BR /&gt; 
and not the sheep the shepard;&lt;BR /&gt; 
but I seek my master,&lt;BR /&gt; 
and my master seeks not me;&lt;BR /&gt; 
therefore I am no sheep."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/words/" rel="tag"&gt;words&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.drmardy.com/chiasmus/definition.shtml</clipSource><pubDate>Thu, 10 Apr 2008 09:21:26 GMT</pubDate></item><item><title>You only get one chance to make a last impression</title><link>http://clipmarks.com/clipmark/DCCE25C9-79D3-427D-A6F8-F04B45D25685/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "In your face,Death..." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#e5e5e5"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mentalfloss.com/blogs/archives/9638" title="http://www.mentalfloss.com/blogs/archives/9638"&gt;www.mentalfloss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="blog_title"&gt;&lt;A href="http://www.mentalfloss.com/blogs/archives/9638" linkindex="13" set="yes"&gt;Famous Last Words: the Animated Musical&lt;/A&gt;&lt;/SPAN&gt;
&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It’s just like the Grim Reaper says: you only get one chance to make a last impression, so you’d better start planning your parting words now!&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In this darkly comic, toe-tappin’ cautionary tale — &lt;STRONG&gt;&lt;EM&gt;mental_floss’&lt;/EM&gt; first-ever bona-fide cinematical production&lt;/STRONG&gt; — Death himself highlights some of history’s strangest, funniest and most unintentionally ironic last words … Broadway-style!&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div&gt;[Video]&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/famous+last+words/" rel="tag"&gt;famous last words&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/funny/" rel="tag"&gt;funny&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/video/" rel="tag"&gt;video&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mentalfloss.com/blogs/archives/9638</clipSource><pubDate>Thu, 03 Apr 2008 14:26:42 GMT</pubDate></item><item><title>Words about Words</title><link>http://clipmarks.com/clipmark/96CA3CD5-CD3B-4806-AB2B-80155C56CBF6/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  To communicate about their work, copy editors use a number of terms that most people forgot after their last course in English composition (or maybe never knew at all). In addition to knowing how to make a poor sentence better, a copy editor has to be able to defend his or her decisions to writers, editors, and fellow copy editors. That means being able to talk the talk. This list also provides a good indication of the errors that copy editors commonly catch and correct.&amp;lt;&amp;lt;&lt;br/&gt;&lt;br/&gt;More at the source. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#99ccff"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.well.com/user/mmcadams/words.html" title="http://www.well.com/user/mmcadams/words.html"&gt;www.well.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;Words About Words&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/003404A1-72FB-470A-9670-51035205512D.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;antecedent&lt;/B&gt;
          &lt;/DT&gt;&lt;DD&gt;A word, phrase, or clause to which a pronoun refers, usually 
          (but not always) one that precedes the pronoun.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;appositive&lt;/B&gt; 
          &lt;/DT&gt;&lt;DD&gt;A noun or noun phrase set off by commas that follows a noun 
          to which it is equivalent.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A name="clause"&gt;&lt;B&gt;clause&lt;/B&gt;&lt;/A&gt;
          &lt;/DT&gt;&lt;DD&gt;A string of words containing a &lt;B&gt;noun (subject)&lt;/B&gt; and 
          a &lt;B&gt;finite verb.&lt;/B&gt;  It may be:
&lt;P&gt;
&lt;/P&gt;&lt;OL type="a"&gt;
          &lt;LI&gt; A complete sentence (e.g. 
          &lt;I&gt;Hanna went home.&lt;/I&gt; &lt;I&gt;Paul laughs.&lt;/I&gt;); or
&lt;P&gt;

          &lt;/P&gt;&lt;/LI&gt;&lt;LI&gt; Part of a longer sentence (e.g. 
          &lt;I&gt;Joe sings&lt;/I&gt; and &lt;I&gt;Lisa plays guitar&lt;/I&gt;. [2 clauses])&lt;/LI&gt;&lt;/OL&gt;&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;dangler&lt;/B&gt; 
          &lt;/DT&gt;&lt;DD&gt;Also called a dangling participle; a &lt;A href="#phrase" linkindex="6"&gt;phrase&lt;/A&gt;, 
          usually at the 
          beginning of a sentence, that is grammatically attached to the 
          subject of the sentence but 
          in fact refers to something other than that subject.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A name="direct"&gt;&lt;B&gt;direct object&lt;/B&gt;&lt;/A&gt;
          &lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;hyperbole&lt;/B&gt;
          &lt;/DT&gt;&lt;DD&gt;An immense exaggeration, usually intentional.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A name="indirect"&gt;&lt;B&gt;indirect object&lt;/B&gt;&lt;/A&gt;
          &lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A name="metaphor"&gt;&lt;B&gt;metaphor&lt;/B&gt;&lt;/A&gt;
          &lt;/DT&gt;&lt;DD&gt;Figurative use of a word or phrase in place of another; a 
          comparison &lt;B&gt;without the use of &lt;I&gt;as&lt;/I&gt; or &lt;I&gt;like&lt;/I&gt;&lt;/B&gt;
          (compare with 
          &lt;A href="#simile" linkindex="11" set="yes"&gt;simile&lt;/A&gt;).&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;mixed metaphor&lt;/B&gt;
          &lt;/DT&gt;&lt;DD&gt;A combination of two metaphors that do not match up or that 
          present contradictory images.&lt;/DD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;B&gt;oxymoron&lt;/B&gt;
          &lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DT&gt;&lt;A name="simile"&gt;&lt;B&gt;simile&lt;/B&gt;&lt;/A&gt; 
          &lt;/DT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/words/" rel="tag"&gt;words&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/english/" rel="tag"&gt;english&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.well.com/user/mmcadams/words.html</clipSource><pubDate>Wed, 02 Apr 2008 11:24:06 GMT</pubDate></item><item><title>For The Love Of Words...</title><link>http://clipmarks.com/clipmark/6E6C9D5D-4074-474A-A20B-F6613670C83C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/carrerinyes/"&gt;carrerinyes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516" title="http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516"&gt;www.writinghood.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="articleTitle"&gt;For the Love of Words: Seven Wonderful Websites Where Words Matter&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="articleSubtitle"&gt;Words are beautiful, and these seven wonderful word websites illustrate the reason why they are. &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For passionate writers around the world, choosing the right words to communicate are more than just clever wordplay, it's an obsession. Wordsmiths who routinely exercise their extraordinary &lt;A href="#" class="kLink"  id="KonaLink0"&gt;&lt;FONT color="#ad3a25"&gt;&lt;SPAN class="kLink"&gt;vocabulary&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt; are continually positioned to learn new words, thus making them outstanding communicators.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.wordspy.com"&gt;Word Spy&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Devoted to lexpionage, “The sleuthing of new words and phrases”.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.rhymer.com"&gt;Write Express&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.confusingwords.com"&gt;Confusing Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The English language is one of the most difficult languages to learn in the world and here at Confusing Words the reason why is apparent. Confusing Words is a collection of 3210 words that sound alike, but are spelled and used differently. A great website for both readers and writers to learn the difference and stop being a confused word victim.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.virtualsalt.com/vocablst.htm"&gt;Virtual Salt&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.100words.com/about.php"&gt;100 Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.101words.org"&gt;101 Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://wordie.org"&gt;Wordie&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516</clipSource><pubDate>Fri, 07 Mar 2008 22:25:49 GMT</pubDate></item><item><title>Commonly overused words</title><link>http://clipmarks.com/clipmark/3496C41E-F299-4E6C-8835-45F3AB5F0FB3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "When you write, use the most precise word for your meaning, not the word that comes to mind first. Consult this thesaurus to find alternatives for some commonly overused words. Consult a full-length thesaurus to find alternatives to words that do not appear here. Keep in mind that the choices offered in a thesaurus do not all mean exactly the same thing. Review all the options, and choose the one that best expresses your meaning."&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.phschool.com/iText/wag/bronze/backmatter/OW_index.html" title="http://www.phschool.com/iText/wag/bronze/backmatter/OW_index.html"&gt;www.phschool.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;about &lt;/B&gt;approximately, nearly, almost, approaching, close to&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;absolutely &lt;/B&gt;unconditionally, perfectly, completely, ideally, purely&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;amazing &lt;/B&gt;overwhelming, astonishing, startling, unexpected, stunning, dazzling, remarkable&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;awesome&lt;/B&gt; impressive, stupendous, fabulous, astonishing, outstanding&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;better&lt;/B&gt; preferable, superior, worthier&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;certain&lt;/B&gt; unquestionable, incontrovertible, unmistakable, indubitable, assured, confident&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;easy&lt;/B&gt; effortless, natural, comfortable, undemanding, pleasant, relaxed&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;far&lt;/B&gt; distant, remote&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;funny &lt;/B&gt;comical, ludicrous, amusing, droll, entertaining, bizarre, unusual, uncommon&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;get &lt;/B&gt;obtain, receive, acquire, procure, achieve&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;go &lt;/B&gt;proceed, progress, advance, move&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;good&lt;/B&gt; satisfactory, serviceable, functional, competent, virtuous, striking&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;great &lt;/B&gt;tremendous, superior, remarkable, eminent, proficient, expert&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;hurt &lt;/B&gt;injure, harm, damage, wound, impair&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;important&lt;/B&gt; significant, substantial, weighty, meaningful, critical, vital, notable&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;keep&lt;/B&gt; retain, control, possess&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="2" face="Arial,Helvetica,Geneva,Swiss,SunSans-Regular"&gt;&lt;B&gt;main &lt;/B&gt;primary, foremost, dominant&lt;BR /&gt;
								&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.phschool.com/iText/wag/bronze/backmatter/OW_index.html</clipSource><pubDate>Tue, 26 Feb 2008 12:47:33 GMT</pubDate></item><item><title>seven quotes</title><link>http://clipmarks.com/clipmark/D0743DB0-0780-4668-8984-7E2B54522AA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rogerlinda76/"&gt;rogerlinda76&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://garypresley.blogspot.com/2008/01/entitled.html" title="http://garypresley.blogspot.com/2008/01/entitled.html"&gt;garypresley.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;OL&gt;&lt;LI&gt;"All human actions have one or more of these &lt;SPAN&gt;seven&lt;/SPAN&gt; causes: chance, nature, compulsions, habit, reason, passion and desire," said Aristotle.&lt;/LI&gt;&lt;LI&gt;"Marriage is three parts love and &lt;SPAN&gt;seven&lt;/SPAN&gt; parts forgiveness of sins," said Lao Tzu.&lt;/LI&gt;&lt;LI&gt;"Fall &lt;SPAN&gt;seven&lt;/SPAN&gt; times and stand up eight," according to Japanese wisdom.&lt;/LI&gt;&lt;LI&gt;"We shall never understand one another until we reduce the language to &lt;SPAN&gt;seven &lt;/SPAN&gt;words," said Khalil Gibran.&lt;/LI&gt;&lt;LI&gt;"I can't write five words but that I change &lt;SPAN&gt;seven&lt;/SPAN&gt;," Dorothy Parker.&lt;/LI&gt;&lt;LI&gt;"You may poke a man's fire after you've known him for &lt;SPAN&gt;seven&lt;/SPAN&gt; years," an English proverb.&lt;/LI&gt;&lt;LI&gt;"Naturally we would prefer &lt;SPAN&gt;seven&lt;/SPAN&gt; epiphanies a day and an earth not so apparently devoid of angels," Jim Harrison.&lt;/LI&gt;&lt;/OL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://garypresley.blogspot.com/2008/01/entitled.html</clipSource><pubDate>Wed, 13 Feb 2008 13:18:28 GMT</pubDate></item><item><title>Sex &amp; Romance in WW1: colour pics</title><link>http://clipmarks.com/clipmark/2019C1AF-12F2-4F0D-A9A9-D19164A4A7AF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/romantic.html" title="http://www.greatwar.nl/romantic/romantic.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P align="center"&gt;&lt;FONT size="6" face="verdana,arial,helvetica" color="Navy"&gt;Romantic Colors From The Great War&lt;/FONT&gt;   &lt;IMG width="14" height="14" border="0" align="middle" alt="Star" src="http://www.greatwar.nl/romantic/ster1.gif" /&gt;
&lt;/P&gt;


&lt;P align="center"&gt;&lt;A  href="http://www.greatwar.nl/romantic/meisjes.html"&gt;&lt;IMG width="600" height="396" border="1" alt="Click to start the slide-show" src="http://www.greatwar.nl/romantic/meisjes.jpg" /&gt;&lt;/A&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
When the soldiers march through town&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;IMG width="249" vspace="5" hspace="10" height="409" border="0" align="right" alt="American handcolored postcard from the Great War" src="http://www.greatwar.nl/romantic/letters.jpg" /&gt; By&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/unbaiser.html" title="http://www.greatwar.nl/romantic/unbaiser.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;A Kiss&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/abschied.html"&gt;&lt;IMG width="317" height="513" border="1" src="http://www.greatwar.nl/romantic/unbaiser.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/abschied.html" title="http://www.greatwar.nl/romantic/abschied.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Farewell&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/abschied2.html"&gt;&lt;IMG width="376" height="546" border="1" src="http://www.greatwar.nl/romantic/abschied.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/abschied2.html" title="http://www.greatwar.nl/romantic/abschied2.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Farewell&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/farewell.html"&gt;&lt;IMG width="600" height="372" border="1" src="http://www.greatwar.nl/romantic/abschied2.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/farewell.html" title="http://www.greatwar.nl/romantic/farewell.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Not Forgotten 
&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/hastdulieb.html"&gt;&lt;IMG width="368" height="584" border="1" src="http://www.greatwar.nl/romantic/farewell.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/hastdulieb.html" title="http://www.greatwar.nl/romantic/hastdulieb.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;?
&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/farewell2.html"&gt;&lt;IMG width="317" height="500" border="1" src="http://www.greatwar.nl/romantic/hastdulieb.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/farewell2.html" title="http://www.greatwar.nl/romantic/farewell2.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Cargo of Love&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/douxbaiser.html"&gt;&lt;IMG width="376" height="582" border="1" src="http://www.greatwar.nl/romantic/farewell2.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/douxbaiser.html" title="http://www.greatwar.nl/romantic/douxbaiser.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Sweet Kisses&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/meinherz.html"&gt;&lt;IMG width="318" height="514" border="1" src="http://www.greatwar.nl/romantic/douxbaiser.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/meinherz.html" title="http://www.greatwar.nl/romantic/meinherz.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;r&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/recommence.html"&gt;&lt;IMG width="305" height="500" border="1" src="http://www.greatwar.nl/romantic/meinherz.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/romantic.html" title="http://www.greatwar.nl/romantic/romantic.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;My heart belongs only to you&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;You should trust my words, you can depend on my vow&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.greatwar.nl/romantic/recommence.html" title="http://www.greatwar.nl/romantic/recommence.html"&gt;www.greatwar.nl&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 align="center"&gt;&lt;FONT face="arial,helvetica"&gt;Start Over Again&lt;/FONT&gt;&lt;/H2&gt;


&lt;P align="center"&gt;&lt;FONT face="arial,helvetica"&gt;&lt;A  href="http://www.greatwar.nl/romantic/meisjes.html"&gt;&lt;IMG width="373" height="587" border="1" src="http://www.greatwar.nl/romantic/recommence.jpg" /&gt;&lt;/A&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;naughty French postcard&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ww1/" rel="tag"&gt;ww1&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sex/" rel="tag"&gt;sex&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.greatwar.nl/romantic/romantic.html</clipSource><pubDate>Tue, 12 Feb 2008 17:49:36 GMT</pubDate></item></channel></rss>