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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Aribeth's 'literature' clips</title><link>http://clipmarks.com/clipper/Aribeth/tag/literature/</link><feedUrl>http://rss.clipmarks.com/clipper/Aribeth/tag/literature/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Roots of Today's Science Fiction Go Back Centuries</title><link>http://clipmarks.com/clipmark/40D60B0E-AACB-412A-99C8-9D39F220C845/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Mohir/"&gt;Mohir&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Much more of the website,&lt;br/&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://io9.com/5050642/the-roots-of-todays-science-fiction-go-back-centuries" title="http://io9.com/5050642/the-roots-of-todays-science-fiction-go-back-centuries"&gt;io9.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/FE8705FA-AE13-42C2-9D19-C6DAAAB1933C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Science Fiction came of age in the 19th Century under the talents of writers like Mary Shelley, Jules Verne, and H.G. Wells. But before these authors stands a long history of proto-science fiction tales, replete with voyages to the moon, socially and technologically advanced civilizations, and visions of the future. We've delved into our scifi roots and found some of the surprisingly forward-looking works from poets, mathematicians, politicians, and philosophers that predate the year 1800.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/EC4D6E27-59E8-43F5-A402-E4831355A292.png" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Lucian of Samosata – A True History (2nd Centure CE):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;his rousing tale of a trip to the moon, aliens armies, man-made men, and extraplanetary colonization is frequently recognized as the first known space opera.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Ibn al-Nafis – Theologus Autodidactus (c. 1270):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Thomas More – Utopia (1515):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/B67C472F-4D88-45D3-ACEF-7C27FC639451.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Francis Bacon – The New Atlantis (1626):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Johannes Kepler – Somnium (The Dream) (1634):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Mohir/512/009E2C69-AB20-42B7-8A56-8452F6136AE3.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Jonathan Swift – Gulliver’s Travels (1726):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;STRONG&gt;Voltaire – Micromegas (1752):&lt;/STRONG&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sci-fi/" rel="tag"&gt;sci-fi&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://io9.com/5050642/the-roots-of-todays-science-fiction-go-back-centuries</clipSource><pubDate>Wed, 17 Sep 2008 18:41:03 GMT</pubDate></item><item><title>Complete Works  - Plato</title><link>http://clipmarks.com/clipmark/B4A0AA38-C2F8-4FA4-9732-CC898EDF7629/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/skwirlinator/"&gt;skwirlinator&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ac-nice.fr/philo/textes/Plato-Works/Plato-Works.htm" title="http://www.ac-nice.fr/philo/textes/Plato-Works/Plato-Works.htm"&gt;www.ac-nice.fr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="7"&gt;Complete Works&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Plato&lt;BR /&gt;
&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT face="Verdana" size="4"&gt;Translated by Benjamin Jowett&lt;/FONT&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
	&lt;FONT face="Verdana" size="2"&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/01-LesserHippias.htm"&gt;Lesser Hippias&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/02-GreaterHippias.htm"&gt;Greater Hippias&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/03-Ion.htm"&gt;Ion&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/04-Protagoras.htm"&gt;Protagoras&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/05-Apology.htm"&gt;Apology&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/06-Crito.htm"&gt;Crito&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/07-Alcibiades.htm"&gt;Alcibiades&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/08-Charmides.htm"&gt;Charmides&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/09-Laches.htm"&gt;Laches&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/10-Lysis.htm"&gt;Lysis&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/11-Euthyphro.htm"&gt;Euthyphro&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/12-Gorgias.htm"&gt;Gorgias&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/13-Menexenus.htm"&gt;Menexenus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/14-Meno.htm"&gt;Meno&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/15-Euthydemus.htm"&gt;Euthydemus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/16-Cratylus.htm"&gt;Cratylus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/17-Symposium.htm"&gt;Symposium&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/18-Phaedo.htm"&gt;Phaedo&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/19-Republic.htm"&gt;Republic&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/20-Phaedrus.htm"&gt;Phaedrus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/21-Theaetetus.htm"&gt;Theaetetus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/22-Parmenides.htm"&gt;Parmenides&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/23-Sophist.htm"&gt;Sophist&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/24-Statesman.htm"&gt;Statesman&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/25-Timaeus.htm"&gt;Timaeus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/26-Critias.htm"&gt;Critias&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/27-Philebus.htm"&gt;Philebus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/28-Laws.htm"&gt;Laws&lt;/A&gt;
	&lt;BR /&gt;&lt;DIV&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/29-Epinomis.htm"&gt;Epinomis&lt;/A&gt;
	&lt;/DIV&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/30-Letters.htm"&gt;Letters&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/31-AlcibiadesII.htm"&gt;Alcibiades II&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/32-Hipparchus.htm"&gt;Hipparchus&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/33-Lovers.htm"&gt;Lovers&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/34-Theages.htm"&gt;Theages&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/35-Cleitophon.htm"&gt;Cleitophon&lt;/A&gt;
	&lt;BR /&gt;&lt;A href="http://www.ac-nice.fr/philo/textes/Plato-Works/36-Minos.htm"&gt;Minos&lt;/A&gt;
  
	  
     &lt;/FONT&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/plato/" rel="tag"&gt;plato&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/as+translated/" rel="tag"&gt;as translated&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/works/" rel="tag"&gt;works&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.ac-nice.fr/philo/textes/Plato-Works/Plato-Works.htm</clipSource><pubDate>Tue, 16 Sep 2008 15:49:56 GMT</pubDate></item><item><title>50 Great Free Online Libraries </title><link>http://clipmarks.com/clipmark/DC1EC359-FF4F-4438-84C2-FCA2F6957038/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/einbar/"&gt;einbar&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fotolia.com/id/773342" title="http://www.fotolia.com/id/773342"&gt;www.fotolia.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="deco"&gt;&lt;DIV id="FotoliaZoom:http://static-p4.fotolia.com/jpg/00/00/77/33/400_F_773342_bku4EWylZWJFCfJl3rAbPqIj2BdZ1B.jpg" class="FotoliaZoom"&gt;&lt;IMG height="267" width="400" zoom_depth_max="3" zoom_ratio="1.8643395036" title="" alt="reading on the beach" src="http://static-p4.fotolia.com/jpg/00/00/77/33/400_F_773342_bku4EWylZWJFCfJl3rAbPqIj2BdZ1B.jpg" id="img:http://static-p4.fotolia.com/jpg/00/00/77/33/400_F_773342_bku4EWylZWJFCfJl3rAbPqIj2BdZ1B.jpg" /&gt;&lt;DIV class="FotoliaZoomClip"&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.attiaspace.com/List.asp?Type=Lib" title="http://www.attiaspace.com/List.asp?Type=Lib"&gt;www.attiaspace.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 align="center"&gt;50 Great Free Online Libraries &lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://ark.cdlib.org/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;1. California Digital Library&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://onlinebooks.library.upenn.edu/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;2. The Online Books Page&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.freebooks.by.ru/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;3. Free Books&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.gutenberg.net/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;4. Project Gutenberg&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.research-assistance.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;5. Research Assistance&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.bookrags.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;6. BookRags - E-Books and Book Notes&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.allbookstores.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;7. All Bookstores.com&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.tcfb.com/freetechbooks/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;8. FreeTech Books&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.free-ebooks.net/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;10. Free E-Books.net&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://ebookdirectory.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;12. The eBook Directory&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://etext.lib.virginia.edu/ebooks/ebooklist.html"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;13. University of Virginia's E-Book library&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.bizzydays.com/freeebooks.htm"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;14. BizzyDays Ebook Publications&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.web-source.net/free_ebooks.htm"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;15. 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BeyondBooks.com&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.ebooks4free.net/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;46. eBooks4free.net - Download free books and manuscripts&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.freejokebooks.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;48. Free Joke Books&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.ksinclair.com/ebooks.htm"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;56. Be Successful!&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.dailylit.com/home"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;57. Daily Literature&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD height="12" width="71%"&gt;&lt;A href="http://www.bookyards.com/"&gt;&lt;STRONG&gt;&lt;FONT color="#000000" size="+1"&gt;58. Bookyards: library to the world&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/A&gt;&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;4shared.com&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;ReadPrint.com&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.fotolia.com/id/773342</clipSource><pubDate>Tue, 02 Sep 2008 07:44:51 GMT</pubDate></item><item><title>What is the power of things we hold dear?</title><link>http://clipmarks.com/clipmark/C98A3D10-CA97-4EB4-AF65-0F714A77D123/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/syncopath/"&gt;syncopath&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  "In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound." &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&amp;tid=11121" title="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&amp;tid=11121"&gt;mitpress.mit.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class="pagetitle"&gt;Evocative Objects&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Things We Think With&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;For Sherry Turkle, "We think with the objects we love; we love the objects we think with." In &lt;I&gt;Evocative Objects,&lt;/I&gt; Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
This volume's special contribution is its focus on everyday riches: the simplest of objects--an apple, a datebook, a laptop computer--are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/syncopath/512/FA7E8180-A401-409B-AE28-F520C4AE70B9.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&amp;tid=11121</clipSource><pubDate>Sun, 31 Aug 2008 02:15:47 GMT</pubDate></item><item><title>The George Orwell Diaries</title><link>http://clipmarks.com/clipmark/27B333B1-C5C0-4D4B-9BE2-15ACD4300FC8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Djiezes/"&gt;Djiezes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Published real-time in blog format with a 70 year lag.&lt;br/&gt;&lt;a href="http://orwelldiaries.wordpress.com" rel="nofollow" target="_blank"&gt;http://orwelldiaries.wordpress.com&lt;/a&gt;/ &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://orwelldiaries.wordpress.com/" title="http://orwelldiaries.wordpress.com/"&gt;orwelldiaries.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="headerimg"&gt;
		&lt;H1&gt;&lt;A href="http://orwelldiaries.wordpress.com/"&gt;THE ORWELL PRIZE&lt;/A&gt;&lt;/H1&gt;
		&lt;DIV class="description"&gt;In association with the Orwell Trust, Political Quarterly and Media Standards Trust&lt;/DIV&gt;
	&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://orwelldiaries.wordpress.com/about/" title="http://orwelldiaries.wordpress.com/about/"&gt;orwelldiaries.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Orwell Prize, Britain’s pre-eminent prize for political writing, is publishing George Orwell’s diaries as a blog. From 9th August 2008, Orwell’s domestic and political diaries (from 9th August 1938 until October 1942) will be posted in real-time, exactly 70 years after the entries were written.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The diaries are exactly as Orwell wrote them.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For more information, click &lt;A href="http://www.theorwellprize.co.uk/life-and-work/orwelldiaries.aspx"&gt;here&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/08/25/business/media/25orwell.html" title="http://www.nytimes.com/2008/08/25/business/media/25orwell.html"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Though as prolific as any blogger (his collected writings occupy some 20 volumes), Orwell, who died in 1950, never had the chance to spontaneously publish his thoughts to a waiting public. Now — with some lag time — they are being made available that way at &lt;A target="_" href="http://orwelldiaries.wordpress.com"&gt;orwelldiaries.wordpress.com&lt;/A&gt;.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/george+orwell/" rel="tag"&gt;george orwell&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/diary/" rel="tag"&gt;diary&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/politics/" rel="tag"&gt;politics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/news/" rel="tag"&gt;news&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writer/" rel="tag"&gt;writer&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://orwelldiaries.wordpress.com/</clipSource><pubDate>Mon, 25 Aug 2008 10:59:20 GMT</pubDate></item><item><title>Rubaiyat (quatrains) of Omar Khayyam, the astronomer-poet of Persia (1048-1122)</title><link>http://clipmarks.com/clipmark/99C8EDC6-9C2E-48B0-A33A-8EA014332BAD/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.fordham.edu/halsall/basis/omarkhayyam-rub2.html" rel="nofollow" target="_blank"&gt;Medieval Sourcebook: Omar Khayyam: The Rubaiyat, c. 1120, trans.  E. H. Whinfield&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.irania.eu/Gedichte/khayyamrobaiyat.html" rel="nofollow" target="_blank"&gt;Irania.eu Omar Khayyam Robaiyat&lt;/a&gt;&lt;br/&gt;&lt;a href="http://etext.lib.virginia.edu/etcbin/browse-mixed-new?id=Fit1Rub&amp;amp;tag=public&amp;amp;images=images/modeng&amp;amp;data=/texts/english/modeng/parsed" rel="nofollow" target="_blank"&gt;Rubaiyat of Omar Khayyam, The Astronomer-Poet of Persia (First edition)&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/bioef.htm" rel="nofollow" target="_blank"&gt;Biography&lt;/a&gt;&lt;br/&gt;&lt;a href="http://www.okonlife.com/life/philosophy.htm" rel="nofollow" target="_blank"&gt;Philosophy of Omar Khayyam&lt;/a&gt;&lt;br/&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=Omar_Khayy%C3%A1m&amp;amp;printable=yes" rel="nofollow" target="_blank"&gt;Omar Khayyám - Wikipedia EN&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html" title="http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html"&gt;johammonia2.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/68509010-3F28-434B-9BB9-B50952C739F5.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Some look for truth in creeds, and forms, and rules;&lt;BR /&gt;
Some grope for doubts or dogmas in the schools;&lt;BR /&gt;
But from behind the veil a voice proclaims,&lt;BR /&gt;
"Your road lies neither here nor there, O fools."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/AEB5D4E1-44E0-4E52-9EB4-5BBDBA66E4F3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Young wooer, charm all hearts with lover's art,&lt;BR /&gt;
Glad winner, lead thy paragon apart!&lt;BR /&gt;
A hundred Kaabas equal not one heart,&lt;BR /&gt;
Seek not the Kaaba, rather seek a heart!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/EC2699AE-7EC0-440E-B962-086901805B27.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Better to make one soul rejoice with glee,&lt;BR /&gt;
Than plant a desert with a colony;&lt;BR /&gt;
Rather one freeman bind with chains of love,&lt;BR /&gt;
Than set a thousand prisoned captives free!&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/B6D79248-001E-4156-A446-F44F78013B31.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;They who by genius, and by power of brain,&lt;BR /&gt;
The rank of man's enlighteners attain,&lt;BR /&gt;
Not even they emerge from this dark night,&lt;BR /&gt;
But tell their dreams, and fall asleep again.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/FF9008BB-8158-4130-9B86-939A685D6B79.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Although the creeds number some seventy-three,&lt;BR /&gt;
I hold with none but that of loving Thee;&lt;BR /&gt;
What matter faith, unfaith, obedience, sin?&lt;BR /&gt;
Thou'rt all we need, the rest is vanity.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/A321E0EA-CBB0-4098-908E-78767799C054.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/omar+khayyam/" rel="tag"&gt;omar khayyam&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/rubaiyat/" rel="tag"&gt;rubaiyat&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quatrains/" rel="tag"&gt;quatrains&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poems/" rel="tag"&gt;poems&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/persia/" rel="tag"&gt;persia&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/religion/" rel="tag"&gt;religion&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/middle+ages/" rel="tag"&gt;middle ages&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://johammonia2.blogspot.com/2008/08/rubaijat-des-omar-chayym-omar-chajjam.html</clipSource><pubDate>Sun, 10 Aug 2008 21:09:17 GMT</pubDate></item><item><title>Masters of Chiasmus</title><link>http://clipmarks.com/clipmark/E93760B3-1BAA-4B3F-B4C3-B74DE67B15B2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/definition.shtml" title="http://www.drmardy.com/chiasmus/definition.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD&gt;
&lt;IMG width="100" hspace="10" height="138" border="0" alt="The Oxford English Dictionary" src="http://www.drmardy.com/oed.gif" /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The Oxford English Dictionary&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;defines chiasmus as&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"A grammatical figure by which the order of words in one of two of parallel clauses is inverted in
the other."&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/churchill1.shtml" title="http://www.drmardy.com/chiasmus/masters/churchill1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Winston Churchill&lt;BR /&gt;(1874-1965)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="Winston Churchill" src="http://www.drmardy.com/quotationimages/wchurchill.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Now this is not the end.&lt;BR /&gt;
It is not even the beginning of the end.&lt;BR /&gt;
But it is, perhaps,&lt;BR /&gt;
the end of the beginning."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/kennedy1.shtml" title="http://www.drmardy.com/chiasmus/masters/kennedy1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="body"&gt;&lt;B&gt;John F. Kennedy&lt;BR /&gt;(1917-1963)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="John F. Kennedy" src="http://www.drmardy.com/quotationimages/jkennedy.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Let us never negotiate out of fear;&lt;BR /&gt;
but let us never fear to negotiate."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/wilde2.shtml" title="http://www.drmardy.com/chiasmus/masters/wilde2.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="body"&gt;&lt;B&gt;Oscar Wilde&lt;BR /&gt;(1854-1900)&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="Oscar Wilde" src="http://www.drmardy.com/quotationimages/owilde.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"I wrote when I did not know life;&lt;BR /&gt;
now that I do know the meaning of life,&lt;BR /&gt;
I have no more to write.&lt;BR /&gt;
Life cannot be written; life can only be lived."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/shaw1.shtml" title="http://www.drmardy.com/chiasmus/masters/shaw1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;George Bernard Shaw&lt;BR /&gt;(1856-1950)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="George Bernard Shaw" src="http://www.drmardy.com/quotationimages/gshaw.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"Standing between you the Englishman,&lt;BR /&gt;
so clever in your foolishness,&lt;BR /&gt;
and this Irishman, so foolish in his cleverness,&lt;BR /&gt;
I cannot in my ignorance be sure&lt;BR /&gt;
which of you is the more deeply damned."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.drmardy.com/chiasmus/masters/shakespeare1.shtml" title="http://www.drmardy.com/chiasmus/masters/shakespeare1.shtml"&gt;www.drmardy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;William Shakespeare&lt;BR /&gt;(1564-1616)&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD valign="top" align="center"&gt;
&lt;IMG width="107" height="134" border="0" alt="William Shakespeare" src="http://www.drmardy.com/quotationimages/wshakespeare.jpg" /&gt;&lt;BR /&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;table background="undefined" bgcolor=""&gt;&lt;tr&gt;&lt;TD bgcolor="#f7dca4" align="center"&gt;
&lt;P class="quotes"&gt;&lt;B&gt;
"The shepard seeks the sheep,&lt;BR /&gt; 
and not the sheep the shepard;&lt;BR /&gt; 
but I seek my master,&lt;BR /&gt; 
and my master seeks not me;&lt;BR /&gt; 
therefore I am no sheep."&lt;/B&gt;&lt;/P&gt;
&lt;/TD&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/words/" rel="tag"&gt;words&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.drmardy.com/chiasmus/definition.shtml</clipSource><pubDate>Thu, 10 Apr 2008 09:21:26 GMT</pubDate></item><item><title>110 best books:The perfect library</title><link>http://clipmarks.com/clipmark/36008A96-02F5-4A21-91C2-4DC851A53F8F/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/06/nosplit/sv_classics06.xml" title="http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/06/nosplit/sv_classics06.xml"&gt;www.telegraph.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;110 best books: The perfect library&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/6648A4A0-D6C1-4F5B-AE80-8874F5DC548F.jpg" alt="Pile of books" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;From classics and sci-fi to poetry, biographies and books that changed the world… we present the ultimate reading list. Illustrations by David Juniper&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#1" class="name"&gt;CLASSICS&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;The Illiad and The Odyssey&lt;/B&gt;&lt;BR /&gt;Homer&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Pride and Prejudice&lt;/B&gt;&lt;BR /&gt;Jane Austen&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Jane Eyre&lt;/B&gt;&lt;BR /&gt; Charlotte Brontë&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#2" class="name"&gt;POETRY&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Sonnets&lt;/B&gt;&lt;BR /&gt; Shakespeare&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Divine Comedy&lt;/B&gt; &lt;BR /&gt;Dante&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Odes&lt;/B&gt;&lt;BR /&gt; John Keats&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Paradise Lost &lt;/B&gt;&lt;BR /&gt;John Milton &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Songs of Innocence and Experience&lt;/B&gt;&lt;BR /&gt; William Blake &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#3" class="name"&gt;LITERARY FICTION&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;The Portrait of a Lady&lt;/B&gt; &lt;BR /&gt;Henry James &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;For Whom the Bell Tolls&lt;/B&gt; &lt;BR /&gt;Ernest Hemingway &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;One Hundred Years of Solitude&lt;/B&gt; &lt;BR /&gt;Gabriel García Márquez &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#4" class="name"&gt;ROMANTIC FICTION&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;Rebecca&lt;/B&gt; &lt;BR /&gt;Daphne du Maurier&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/44AC9F52-45B6-4FAF-9B41-4FBA266AC7F4.jpg" alt="Rebecca cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Gone with the Wind&lt;/B&gt;&lt;BR /&gt; Margaret Mitchell &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Dr Zhivago&lt;/B&gt;&lt;BR /&gt; Boris Pasternak &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#5" class="name"&gt;CHILDREN'S BOOKS&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;The Lord of the Rings&lt;/B&gt;&lt;BR /&gt; J.R. R. Tolkien &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;The Railway Children&lt;/B&gt;&lt;BR /&gt; E. Nesbit&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/A424077E-2CDF-4F06-A67B-1F808C57AA3D.jpg" alt="The Railway Children cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#6" class="name"&gt;SCI-FI&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Frankenstein&lt;/B&gt; &lt;BR /&gt;Mary Shelley&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Twenty Thousand Leagues Under the Sea&lt;/B&gt;&lt;BR /&gt; Jules Verne&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;The Time Machine&lt;/B&gt; &lt;BR /&gt;H.G. Wells&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Brave New World&lt;/B&gt; &lt;BR /&gt;Aldous Huxley&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B&gt;1984&lt;/B&gt;&lt;BR /&gt;George Orwell&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/F06AB129-F53F-46F3-98F0-2B5946D0B5B0.jpg" alt="1984 cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;2001: A Space Odyssey&lt;/B&gt; &lt;BR /&gt;Arthur C. Clarke&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;Do Androids Dream of Electric Sheep?&lt;/B&gt;&lt;BR /&gt; Philip K. Dick &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="story2"&gt;&lt;B&gt;&lt;A name="#7" class="name"&gt;CRIME&lt;/A&gt;&lt;/B&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/E44EA22F-2BE0-48AB-961B-6863FB637C47.jpg" alt="The Maltese Falcon cover" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/book/" rel="tag"&gt;book&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/history/" rel="tag"&gt;history&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/lists/" rel="tag"&gt;lists&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/06/nosplit/sv_classics06.xml</clipSource><pubDate>Mon, 07 Apr 2008 14:42:04 GMT</pubDate></item><item><title>Professor Paul Brians: Study Guides to Various Works</title><link>http://clipmarks.com/clipmark/9A597273-7A9E-4FF0-9F44-4FC4CB818E51/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Johanna_G/"&gt;Johanna_G&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Very illuminative, engrossing, helpful, thought-provoking. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.wsu.edu:8080/~brians/guides_index.html" title="http://www.wsu.edu:8080/~brians/guides_index.html"&gt;www.wsu.edu:8080&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Johanna_G/512/0034C0A8-0D9A-47E3-83B5-7C1904EC4342.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;prepared by Professor Paul Brians of Washington State University for the use of students
in his classes.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu/~wldciv/brians_syllabus/"&gt;World Civilizations (General Education
110 and 111)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A href="http://www.wsu.edu:8080/~brians/science_fiction/Science_Fiction_Guides.html"&gt;Science Fiction (English
333)&lt;/A&gt; &lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;Science Fiction Film &lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/index.html"&gt;Love in the Arts&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/eastasian.html"&gt;Chinese and Japanese Love Poetry&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/songofsongs.html"&gt;The Song of Songs &lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/classical.html"&gt;Classical Greek &amp; Roman Love Poems&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/classic_english_love-poems.html"&gt;Classic English Love Poems&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/mysticism.html"&gt;Mystical Love Poetry &lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/medieval.html"&gt;Medieval Love Songs&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/romeo.html"&gt;Shakespeare: &lt;CITE&gt;Romeo and Juliet&lt;/CITE&gt;&lt;/A&gt; 
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/west.html"&gt;Bernstein: &lt;I&gt;West Side Story&lt;/I&gt; &lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/love-in-the-arts/women.html"&gt;Modern Women's Love Poetry&lt;/A&gt;  
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/anglophone/index.html"&gt;World Literature in English of India, Africa, and the Caribbean&lt;/A&gt; (English 222)&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;The Bible as Literature&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/hum_303_study_guides.html"&gt;18th and 19th Century European Classics (Humanities 303)&lt;/A&gt;&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/beethoven.html"&gt;Beethoven: &lt;CITE&gt;Symphony no. 9&lt;/CITE&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/traviata.html"&gt;Verdi: &lt;CITE&gt;La Traviata&lt;/CITE&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/enlightenment.html"&gt;The Enlightenment&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/voltaire.html"&gt;Voltaire: &lt;CITE&gt;The Philosophical Dictionary&lt;/CITE&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/evil.html"&gt;The Problem of Evil&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/romanticism.html"&gt;Romanticism&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/faust.html"&gt;Goethe: &lt;CITE&gt;Faust&lt;/CITE&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/womenart.html"&gt;Women Artists Assignment&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/naturalism.html"&gt;Realism &amp; Naturalism&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/russian.html"&gt;19th-Century Russian Literature&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/zarathustra.html"&gt;Nietzsche: &lt;CITE&gt;Thus Spoke Zarathustra&lt;/CITE&gt;&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt; &lt;A href="http://www.wsu.edu:8080/~brians/hum_303/misconceptions.html"&gt;Misconceptions, Confusions, and Conflicts Concerning Socialism, Communism, and Capitalism&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;LI&gt;&lt;A href="http://www.wsu.edu:8080/~brians/hum_303/impression.html"&gt;French Impressionist Painting&lt;/A&gt;
&lt;/LI&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/study+guides/" rel="tag"&gt;study guides&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/science+fiction/" rel="tag"&gt;science fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arts/" rel="tag"&gt;arts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/poetry/" rel="tag"&gt;poetry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bible/" rel="tag"&gt;bible&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dramas/" rel="tag"&gt;dramas&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/enlightenment/" rel="tag"&gt;enlightenment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.wsu.edu:8080/~brians/guides_index.html</clipSource><pubDate>Sat, 05 Apr 2008 14:11:45 GMT</pubDate></item><item><title>The Pushkin factor in romantic relationships</title><link>http://clipmarks.com/clipmark/28265B9B-5E69-43A8-AD20-5CE2B6D39A46/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Brainy women are probably more sensitive to literary deal breakers than are brainy men. Rare is the guy who’d throw a pretty girl out of bed for revealing her imperfect taste in books.After all, women read more, especially when it comes to fiction. “It’s really great if you find a guy that reads, period,” said Beverly West.“Most of my friends and men in my life are nonreaders,” she said, but “now that you mention it, if I went over to a man’s house and there were those books about life’s lessons learned from dogs, I would probably keep my clothes on.”&lt;br/&gt;&lt;br/&gt;James Collins, whose new novel, “Beginner’s Greek,” is about a man who falls for a woman he sees reading “The Magic Mountain” on a plane, recalled that after college, he was “infatuated” with a woman who had a copy of “The Unbearable Lightness of Being” on her bedside table. “I basically knew nothing about Kundera, but I remember thinking, ‘Uh-oh; trendy, bogus metaphysics, sex involving a bowler hat’... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.disabledartistsnetwork.net/Pushkin.jpg" title="http://www.disabledartistsnetwork.net/Pushkin.jpg"&gt;www.disabledartistsnetwork.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/8BA70C75-C0B9-4E2F-84AD-4307554BF360.jpg" alt="http://www.disabledartistsnetwork.net/Pushkin.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/03/30/books/review/Donadio-t.html?_r=1&amp;em&amp;ex=1207195200&amp;en=0951148bf3a78ff0&amp;ei=5087%0A&amp;oref=slogin" title="http://www.nytimes.com/2008/03/30/books/review/Donadio-t.html?_r=1&amp;em&amp;ex=1207195200&amp;en=0951148bf3a78ff0&amp;ei=5087%0A&amp;oref=slogin"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
It’s Not You, It’s Your Books
&lt;/NYT_HEADLINE&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Anyone who cares about books has at some point confronted the Pushkin problem: when a missed — or misguided — literary reference makes it chillingly clear that a romance is going nowhere fast.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;These days, thanks to social networking sites like &lt;A title="More articles about Facebook." href="http://topics.nytimes.com/top/news/business/companies/facebook_inc/index.html?inline=nyt-org"&gt;Facebook&lt;/A&gt; and &lt;A title="More articles about MySpace.com." href="http://topics.nytimes.com/top/news/business/companies/myspace_com/index.html?inline=nyt-org"&gt;MySpace&lt;/A&gt;, listing your favorite books and authors is a crucial, if risky, part of self-branding. When it comes to online dating, even casual references can turn into deal breakers. Sussing out a date’s taste in books is “actually a pretty good way — as a sort of first pass — of getting a sense of someone,” said Anna Fels, a Manhattan psychiatrist&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It’s a bit of a Rorschach test.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“It tells something about ... their level of intellectual curiosity, what their style is,” Fels said. “It speaks to class, educational level.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;sometimes, it’s the Howard Roark problem as much as the Pushkin one&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“I did have to break up with one guy because he was very keen on &lt;A title="More articles about Ayn Rand." href="http://topics.nytimes.com/top/reference/timestopics/people/r/ayn_rand/index.html?inline=nyt-per"&gt;Ayn Rand&lt;/A&gt;,” said &lt;A title="More articles about Laura Miller" href="http://topics.nytimes.com/top/reference/timestopics/people/m/laura_miller/index.html?inline=nyt-per"&gt;Laura Miller&lt;/A&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;this may be a gender issue&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/27643013-A626-4048-BD04-A8B19C8178DC.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.disabledartistsnetwork.net/Pushkin.jpg</clipSource><pubDate>Thu, 03 Apr 2008 11:36:26 GMT</pubDate></item><item><title>Finally some one</title><link>http://clipmarks.com/clipmark/FBA04A35-AB9A-4D68-94E1-F9E1990D5108/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Fast+T+friend/"&gt;Fast T friend&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Reflections on Thomas Metzinger’s “Being No One” &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://64.233.183.104/search?q=cache:_2jyZPShyAcJ:psyche.cs.monash.edu.au/symposia/metzinger/Hobson.pdf+%22finally+some+one%22&amp;hl=en&amp;ct=clnk&amp;cd=1&amp;gl=il&amp;client=firefox-a" title="http://64.233.183.104/search?q=cache:_2jyZPShyAcJ:psyche.cs.monash.edu.au/symposia/metzinger/Hobson.pdf+%22finally+some+one%22&amp;hl=en&amp;ct=clnk&amp;cd=1&amp;gl=il&amp;client=firefox-a"&gt;64.233.183.104&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;NOBR&gt;ABSTRACT: I praise Metzinger's book &lt;I&gt;On Being No One &lt;/I&gt;by calling my essay "Finally&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;Some One" meaning that I am pleased to see a first rate philosopher so carefully reading the&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;neurobiological literature.&lt;/NOBR&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;NOBR&gt;My quarrel with Metzinger concerns his refusal to call first person accounts data. I&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;describe the rationale and strategy for placing heavy and confident emphasis on first person&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;accounts and show how our own methodology reveals reliable and valid data. I further argue that&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;such accounts must be accorded data states if we are to make any progress in solving the mind-&lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;brain problem&lt;/NOBR&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;&lt;NOBR&gt;“&lt;B&gt;Finally some one&lt;/B&gt;” I say, “has taken the trouble to read the neurobiological literature and &lt;/NOBR&gt;&lt;/DIV&gt;
&lt;DIV&gt;&lt;NOBR&gt;has attempted  its integration with  philosophical criticism&lt;/NOBR&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;How I became interested in &lt;I&gt;Being No One&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;How to read &lt;I&gt;Being No One&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The book itself&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Why I like the book&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What I don’t like about the book&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;What approach should we take to phenomenology?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Lucid dreaming to the rescue&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;An empirical approach to phenomenology&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/hobson/" rel="tag"&gt;hobson&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/metzinger/" rel="tag"&gt;metzinger&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/self/" rel="tag"&gt;self&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/model/" rel="tag"&gt;model&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/subjectivity/" rel="tag"&gt;subjectivity&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://64.233.183.104/search?q=cache:_2jyZPShyAcJ:psyche.cs.monash.edu.au/symposia/metzinger/Hobson.pdf+%22finally+some+one%22&amp;hl=en&amp;ct=clnk&amp;cd=1&amp;gl=il&amp;client=firefox-a</clipSource><pubDate>Thu, 06 Mar 2008 09:19:01 GMT</pubDate></item><item><title>The Fantastic in Art &amp; Fiction</title><link>http://clipmarks.com/clipmark/313A51B7-2D4A-4134-AC1D-E25FC19FE51C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;gt;&amp;gt;Images were selected for their intrinsic relationship to the topic, because they illuminated an important dynamic, or quite simply because they were unusually striking.Though, inevitably, some familiar pieces will be found in these pages, we have attempted to favor rare or unusual works that, to our knowledge, have not been reproduced before. Hence the concomitant emphasis on book illustration, and on a wealth of images that have remained more or less invisible in canonical art histories.&lt;br/&gt;&lt;br/&gt;Because of its rich and varied modes of representation the Fantastic also lends itself quite easily to interdisciplinary approaches. Psychology and sociology, art and literary history, anthropology and folklore among other disciplines, can provide avenues of investigation useful in the study of such basic critical or analytical concepts for the Fantastic as repression, the uncanny, indeterminacy, or the postmodern.&amp;lt;&amp;lt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fantastic.library.cornell.edu/about.php" title="http://fantastic.library.cornell.edu/about.php"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="pageTitleOne"&gt;About the Site&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Sponsored by Cornell University's Institute 
                for Digital Collections (CIDC) this image-bank provides a visual 
                resource for the study of the Fantastic or of the supernatural 
                in fiction and in art. While the site emerges from a comparative 
                literature course on the topic at Skidmore College, it is also 
                intended to open the door to consideration of some of the constant 
                structures and patterns of fantastic literature, and the problems 
                they raise. In this sense, the materials presented here may find 
                a use among students in a variety of disciplines.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/gfx/danse.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In the context of 
                western literature of the nineteenth and twentieth centuries, 
                The Fantastic involves dread, fear and anxiety in the face of 
                phenomena that escape rational explanation, or that reveal the 
                notion of reality to be no more than a construct.&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fantastic.library.cornell.edu/devils_angels.php" title="http://fantastic.library.cornell.edu/devils_angels.php"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="pageTitleOne"&gt;Devil or Angel? Please say you'll be mine&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/gfx/angels.jpg" alt="view the Angels &amp; Demons images" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fantastic.library.cornell.edu/imagerecord_l.php?record=36" title="http://fantastic.library.cornell.edu/imagerecord_l.php?record=36"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/dbgfx/500/F008-001.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fantastic.library.cornell.edu/imagerecord_l.php?record=45" title="http://fantastic.library.cornell.edu/imagerecord_l.php?record=45"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/dbgfx/500/F012-003.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://fantastic.library.cornell.edu/imagerecord_l.php?record=46" title="http://fantastic.library.cornell.edu/imagerecord_l.php?record=46"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/dbgfx/500/F012-004.jpg" alt="" /&gt;&lt;br 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title="http://fantastic.library.cornell.edu/imagerecord_l.php?record=211"&gt;fantastic.library.cornell.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://fantastic.library.cornell.edu/dbgfx/500/F067-003.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/art/" rel="tag"&gt;art&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fiction/" rel="tag"&gt;fiction&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/pics/" rel="tag"&gt;pics&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/illustrations/" rel="tag"&gt;illustrations&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/dark/" rel="tag"&gt;dark&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/gothic/" rel="tag"&gt;gothic&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://fantastic.library.cornell.edu/about.php</clipSource><pubDate>Mon, 03 Mar 2008 12:34:55 GMT</pubDate></item><item><title>50 arts secrets revealed</title><link>http://clipmarks.com/clipmark/CBEE835B-441D-4CB5-81EA-99E3B1772191/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/righthand/"&gt;righthand&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://arts.guardian.co.uk/theatre/news/story/0,,2261381,00.html?gusrc=rss&amp;feed=networkfront" title="http://arts.guardian.co.uk/theatre/news/story/0,,2261381,00.html?gusrc=rss&amp;feed=networkfront"&gt;arts.guardian.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;TD&gt;&lt;/TD&gt;&lt;TD valign="top" height="1"&gt;&lt;A name="content"&gt;&lt;/A&gt;&lt;DIV id="GuardianArticle"&gt;
       &lt;H1&gt;50 arts secrets revealed&lt;/H1&gt;
      &lt;BR /&gt;
      &lt;BR /&gt;&lt;DIV&gt;

      
           &lt;FONT size="3" face="arial,helvetica,sans-serif"&gt;Do directors find sex scenes embarrassing? Is the urinal in my local pub art? How does a triangle player make a living? What's the difference between pornographic and erotic photos? Our experts from the worlds of music, literature, film and art answer those intriguing questions you've always wanted to ask.&lt;/FONT&gt;&lt;/DIV&gt;&lt;/DIV&gt;&lt;/TD&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Books&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Is it always better to write about what you know?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Do children's books have to take the children's side?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Why don't we read short stories in Britain?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Does everyone have a novel in them?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q How long does it take to write a novel?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Has anyone read Finnegans Wake from cover to cover?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;&lt;B&gt;Classical&lt;/B&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q How does the orchestra's triangle player earn a living?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q What does a conductor do?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q What do orchestras do to unwind?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q How come many opera singers are so thin these days?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Drama&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Are sex scenes as uncomfortable for directors as for actors?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q How do actors remember their lines?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q What's the hardest accent to adopt?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Does the show always go on?&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Q Do star actors audition?&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/culture/" rel="tag"&gt;culture&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/arts/" rel="tag"&gt;arts&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://arts.guardian.co.uk/theatre/news/story/0,,2261381,00.html?gusrc=rss&amp;feed=networkfront</clipSource><pubDate>Sun, 02 Mar 2008 00:55:29 GMT</pubDate></item><item><title>10 Most Bizarre Scientific Papers</title><link>http://clipmarks.com/clipmark/D2EF2988-4B52-4EDB-B85B-5513D72983D2/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  You gotta love these!!!! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.oddee.com/item_90683.aspx" title="http://www.oddee.com/item_90683.aspx"&gt;www.oddee.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;B class="tit"&gt;10 Most Bizarre Scientific Papers&lt;/B&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BIG&gt;«The Effect of Country Music on Suicide»&lt;/BIG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/99CE57A4-5A78-4FF9-BAA7-308DCA2912C8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BIG&gt;«Love and Sex with Robots»&lt;/BIG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;"Human-robot marriages will be legal by 2050"&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/8D1EA45A-7EE9-4FC7-A8F3-9851394C9E0E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;BIG&gt;«Rectal Foreign Bodies: Case Reports and a Comprehensive Review of the World's Literature»&lt;/BIG&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/30464DD2-5DDF-4D5B-93C5-BC24F292A200.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;
&lt;IMG hspace="3" align="absmiddle" src="http://www.oddee.com/_media/imgs/oddedge/top4.gif" /&gt;
&lt;BIG&gt;«Chickens Prefer Beautiful Humans»&lt;/BIG&gt;&lt;BR /&gt;&lt;SMALL&gt;&lt;SMALL&gt;(S. Ghirlanda, L. Jansson, M. Enquist; Stockholm University; 2002)&lt;/SMALL&gt;&lt;/SMALL&gt;&lt;BR /&gt;
&lt;I&gt;"The animals showed preferences for faces consistent with human sexual preferences"&lt;/I&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/1883B7EF-338F-4CF2-B063-527A89B0D37A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;
&lt;IMG hspace="3" align="absmiddle" src="http://www.oddee.com/_media/imgs/oddedge/top5.gif" /&gt;
&lt;BIG&gt;«Safe and Painless Manipulation of Penile Zipper Entrapment»&lt;/BIG&gt;&lt;BR /&gt;&lt;SMALL&gt;&lt;SMALL&gt;(Satish Chandra Mishra; Charak Palika Hospital; 2005)&lt;/SMALL&gt;&lt;/SMALL&gt;&lt;BR /&gt;
&lt;I&gt;"A quick, simple and non-traumatic approach to penile zipper entrapment"&lt;/I&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/AA3875ED-B700-47D6-BF02-E6FB2106FEE3.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;
&lt;IMG hspace="3" align="absmiddle" src="http://www.oddee.com/_media/imgs/oddedge/top6.gif" /&gt;
&lt;BIG&gt;«Pressures Produced When Penguins Poo -- Calculations on Avian Defecation»&lt;/BIG&gt;&lt;BR /&gt;&lt;SMALL&gt;&lt;SMALL&gt;(V. Breno Meyer-Rochow and J. Gal; International University of Bremen and Lorand Eotvos University of Hungary; 2005)&lt;/SMALL&gt;&lt;/SMALL&gt;&lt;BR /&gt;
&lt;I&gt;"They get up, move to the edge of the nest, turn around, bend over... and shoot"&lt;/I&gt;
&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/A93A1BFC-77B1-4C4A-93C3-C3000ADF3883.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Farting as a Defence Against Unspeakable Dread»&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/CC8C0133-2D7B-49BA-8F7D-C0761C2B1E43.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Impact of Wet Underwear on Thermoregulatory Responses and Thermal&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/F0105AD4-9AA4-4C7C-9C8B-97545900511E.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/bizarre/" rel="tag"&gt;bizarre&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.oddee.com/item_90683.aspx</clipSource><pubDate>Tue, 05 Feb 2008 22:07:47 GMT</pubDate></item><item><title>Top 10 Drunk American Writers</title><link>http://clipmarks.com/clipmark/9A61AC40-5CC5-4119-85DF-C417B132512B/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/haraya/"&gt;haraya&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  I'm looking for the women.. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075" title="http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075"&gt;www.alternativereel.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#10 - RAYMOND CHANDLER [1888-1959]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/9A8448EE-9923-42F1-8C7C-A98F7B4F7F33.jpg" alt="RAYMOND CHANDLER [1888-1959] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#09 - FREDERICK EXLEY [1929-92]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/7547ECD3-4CF6-4121-A60C-B73926F4087D.jpg" alt="FREDERICK EXLEY [1929-92] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"After a month's sobriety my faculties became unbearably acute and I found myself unhealthily clairvoyant, having insights into places I'd as soon not journey to. Unlike some men, I had never drunk for boldness or charm or wit; I had used alcohol for precisely what it was, a depressant to check the mental exhilaration produced by extended sobriety."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#08 - HARRY CREWS [1935- ]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DEC6D833-1F37-4718-9446-8945B5951F21.jpg" alt="HARRY CREWS [1935- ] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#07 - CHARLES BUKOWSKI [1920-94]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/925DD000-0638-48D5-8C4A-1C8E1AEC6D1B.jpg" alt="CHARLES BUKOWSKI [1920-94] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#06 - JACK KEROUAC [1922-69]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/050A5866-4C5D-432A-95D6-29BFF19A9AC1.jpg" alt="JACK KEROUAC [1922-69] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"As I grew older I became a drunk. Why? Because I like ecstasy of the mind."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#05 - JACK LONDON [1876-1916]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/8F345956-C595-485B-B68B-8CDDB44F2FEA.jpg" alt="JACK LONDON [1876-1916] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#04 - F. SCOTT FITZGERALD [1896-1940]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/6EB2B383-A374-48A5-BF11-0A3A26328A12.jpg" alt="F. SCOTT FITZGERALD [1896-1940] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"First you take a drink, then the drink takes a drink, then the drink takes you."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#03 - EDGAR ALLAN POE [1809-49]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/DD5C8625-59E3-410D-93CE-BC9FC676F785.jpg" alt="EDGAR ALLAN POE [1809-49] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#02 - WILLIAM FAULKNER [1897-1962]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/71104B12-2766-44C6-B5BD-C93EE7CA96A0.jpg" alt="WILLIAM FAULKNER [1897-1962] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="banner"&gt;#01 - ERNEST HEMINGWAY [1899-1961]&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/haraya/512/2E459142-EFD9-4B6A-9C52-7A690C518BFA.jpg" alt="ERNEST HEMINGWAY [1899-1961] Image" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;"An intelligent man is sometimes forced to be drunk to spend time with his fools."&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/writers/" rel="tag"&gt;writers&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/list/" rel="tag"&gt;list&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/american/" rel="tag"&gt;american&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drinking/" rel="tag"&gt;drinking&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/drink/" rel="tag"&gt;drink&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/men/" rel="tag"&gt;men&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/literature/" rel="tag"&gt;literature&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/photos/" rel="tag"&gt;photos&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.alternativereel.com/includes/top-ten/display_review.php?id=00075</clipSource><pubDate>Tue, 08 Jan 2008 10:32:14 GMT</pubDate></item></channel></rss>