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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Aribeth's 'language' clips</title><link>http://clipmarks.com/clipper/Aribeth/tag/language/</link><feedUrl>http://rss.clipmarks.com/clipper/Aribeth/tag/language/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>The Meaningless of Meaning</title><link>http://clipmarks.com/clipmark/B0BB3391-C549-4570-8748-8EE3E7FA3CBF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &amp;lt;&amp;lt;&amp;lt;To Nabokov, skimming the Present without sinking into the Past is a miracle that befits only the most experienced: "Otherwise the inexperienced miracle-worker will find himself no longer walking on water but descending upright among staring fish" (if I may add) under the weight of past associations.&amp;gt;&amp;gt;&amp;gt;&lt;br/&gt;&lt;br/&gt;Thus do we think we have thought and felt and experience the One, the Abyss, the Edge, the Love....  yet the graceful lightness of being is elusive and we are weighed down always, especially 'Now' (oh, its 'Power'!) by the depreciating luggage of our conceptual memories and ossified identities. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence" title="http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence"&gt;blogs.psychologytoday.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Meaning is a process of filling in the blanks of the mind… with words… that trigger other words…&lt;SPAN&gt;  &lt;/SPAN&gt;that trigger more words… &lt;SPAN&gt; &lt;/SPAN&gt;As we grow and acquire language, we, in essence, acquire a baggage of associations that weighs us down as we try to skate the thin ice of presence.&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;Nabokov, in Transparent Things, writes: “When we concentrate on a material object &amp;lt;…&amp;gt; the very act of attention may lead to our involuntary sinking into the history of that object.&lt;SPAN&gt;  &lt;/SPAN&gt;Novices must learn to skim over matter if they want to stay at the exact level of the moment.”&lt;/SPAN&gt;&lt;/P&gt;
&lt;P class="MsoNormal"&gt;&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“A thin veneer of immediate reality is spread over natural and artificial matter, and whoever wishes to remain in the now, with the now, on the now, should please not break its tension film.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Meaning is an &lt;EM&gt;artifact&lt;/EM&gt; of the Past, not the actual fact of the Present.&lt;SPAN&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;instead of seeing reality as it is, we see a “so-called” reality &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt; Language constructs perception: first, the word, then, the perceived reality. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/nabokov/" rel="tag"&gt;nabokov&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://blogs.psychologytoday.com/blog/east-meets-west/200804/nabokov-the-thin-ice-presence</clipSource><pubDate>Tue, 22 Apr 2008 09:43:21 GMT</pubDate></item><item><title>Did an Ancient Language of Universal Symbols Exist?</title><link>http://clipmarks.com/clipmark/2D0C25BC-2EC1-429F-94A8-FA7D7357AD65/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/wildcat/"&gt;wildcat&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailygalaxy.com/my_weblog/2008/04/did-an-ancient.html" title="http://www.dailygalaxy.com/my_weblog/2008/04/did-an-ancient.html"&gt;www.dailygalaxy.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/66818151-FB83-4D99-A040-3C32835CA976.jpg" alt="Babel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Over the last several years, similar petroglyphs have been identified on as many as five continents. They all date from roughly the same time-period. In the late 20th century, archaeologists discovered a collection of symbols carved in stone as petroglyphs in the Negev desert of Israel that appeared to be writing. Dating of these symbols showed that they were made over an extended period time, beginning around 1700 BC.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/wildcat/512/DBEB02C3-ACCD-4CA0-89EC-A88FB0D93D54.jpg" alt="Ancient_petroglyphs" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;This strange collection of symbols was first examined by Dr. James Harris, a petroglyph expert and archaeologist from Brigham Young University. He identified the alphabet as being a proto-Canaanite system, which successfully translated by using old-Hebrew or Thalmudic phonetic sounds.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Earlier, William McGlone, an amateur archaeologist and retired space engineer, discovered the same collection of symbols carved in heavily patinated stones surrounding the Southeast town of La Junta, Colorado&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;the patina corresponded to the same era as the writing found in Harkarkom in Israel.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/petroglyphs/" rel="tag"&gt;petroglyphs&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/archaeology/" rel="tag"&gt;archaeology&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/symbols/" rel="tag"&gt;symbols&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailygalaxy.com/my_weblog/2008/04/did-an-ancient.html</clipSource><pubDate>Sat, 19 Apr 2008 09:24:43 GMT</pubDate></item><item><title>The new shape of music: Music has its own geometry, researchers find</title><link>http://clipmarks.com/clipmark/ADAB2D7E-1C93-450F-B87E-BDE3F1257699/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Silkweaver/"&gt;Silkweaver&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Fascinating! &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.physorg.com/news127659537.html" title="http://www.physorg.com/news127659537.html"&gt;www.physorg.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Silkweaver/512/4E70CA51-CCF8-4E73-9DBD-B6B5E8525F57.jpg" alt="The figure shows how geometrical music theory represents four-note chord-types -- the collections of notes form a tetrahedron with the colors indicating the spacing between the individual notes in a sequence. In the blue spheres the notes are cluster ..." /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;  

The connection between music and mathematics has fascinated scholars for centuries. More than 200 years ago Pythagoras reportedly discovered that pleasing musical intervals could be described using simple ratios.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Writing in the April 18 issue of Science, the trio has outlined a method called "geometrical music theory" that translates the language of musical theory into that of contemporary geometry. They take sequences of notes, like chords, rhythms and scales, and categorize them so they can be grouped into "families." They have found a way to assign mathematical structure to these families, so they can then be represented by points in complex geometrical spaces, much the way "x" and "y" coordinates, in the simpler system of high school algebra, correspond to points on a two-dimensional plane.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The work represents a significant departure from other attempts to quantify music&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;The method could help answer whether there are new scales and chords that exist but have yet to be discovered.
&lt;/DIV&gt;
&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/music/" rel="tag"&gt;music&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/musicology/" rel="tag"&gt;musicology&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.physorg.com/news127659537.html</clipSource><pubDate>Fri, 18 Apr 2008 00:24:57 GMT</pubDate></item><item><title>Heavens to Murgatroyd</title><link>http://clipmarks.com/clipmark/134BF7F2-07FC-4668-A00C-C7FD71FF0C17/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/sahara/"&gt;sahara&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.phrases.org.uk/meanings/heavens-to-murgatroyd.html" title="http://www.phrases.org.uk/meanings/heavens-to-murgatroyd.html"&gt;www.phrases.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="topstring"&gt;Phrases, sayings and idioms at&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="spacehead-frontpage"&gt;The Phrase Finder&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="menuitem-front"&gt;&lt;A title="Have the meaning and origin of an English phrase mailed to you each week." href="http://www.phrases.org.uk/meanings/../a-phrase-a-week/index.html"&gt;A Phrase A Week&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="menuitem-front"&gt;&lt;A title="Our archive of thousands of questions and answers on phrase origins and meanings." href="http://www.phrases.org.uk/meanings/../bulletin_board/archives.html"&gt;Browse the Archives&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="menuitem-front"&gt;&lt;A title="The meanings and origins of thousands of English phrases and sayings - fully searchable." href="http://www.phrases.org.uk/meanings/index.html"&gt;Meanings and origins of phrases and sayings&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="menuitem-front"&gt;&lt;A title="A unique utility for professional writers." href="http://www.phrasefinder.co.uk/index.html"&gt;Phrases Thesaurus&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="bbb"&gt;Heavens to Murgatroyd&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="menings-header"&gt;Meaning&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="meanings-body"&gt;An exclamation of surprise. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="menings-header"&gt;Origin&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="meanings-body"&gt;'Heavens to Murgatroyd'  is American in origin and dates from the mid 20th century. The expression was popularized by  the  cartoon character Snagglepuss -  a regular on the &lt;EM&gt;Yogi  Bear Show&lt;/EM&gt; in the 1960s, and is a variant of the earlier '&lt;A href="http://www.phrases.org.uk/meanings/heavens-to-betsy.html"&gt;heavens to Betsy&lt;/A&gt;'. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P class="meanings-body"&gt;&lt;IMG width="119" hspace="4" height="149" align="right" alt="bert lahr" src="http://www.phrases.org.uk/meanings/../images/lahr.jpg" /&gt;The first use of the phrase wasn't by Snagglepuss  but   comes from the 1944 film &lt;EM&gt;Meet the People.&lt;/EM&gt; It was spoken by Bert Lahr,   best remembered for his role as the Cowardly Lion in  &lt;EM&gt;The Wizard of Oz&lt;/EM&gt;. Snagglepuss's voice was patterned on Lahr's, along with the 'heavens to Murgatroyd' line. Daws Butler's vocal portrayal of the  character was so accurate that when the cartoon was used  to promote Kellogg Cereals, Lahr sued and made the company distance him from the campaign by giving a prominent credit to Butler. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/origins/" rel="tag"&gt;origins&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.phrases.org.uk/meanings/heavens-to-murgatroyd.html</clipSource><pubDate>Tue, 15 Apr 2008 15:03:39 GMT</pubDate></item><item><title>The next Guggenheim Museum</title><link>http://clipmarks.com/clipmark/8B06CDFA-4C2B-4DA1-B883-A53ECD6267C9/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  This new museum and cultural center might open as soon as 2011. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dvice.com/archives/2008/04/next_guggenheim.php" title="http://dvice.com/archives/2008/04/next_guggenheim.php"&gt;dvice.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="blogHeading"&gt;&lt;A href="http://dvice.com/archives/2008/04/next_guggenheim.php" linkindex="103" set="yes"&gt;
&lt;SPAN class="title-buildings"&gt;Next Guggenheim Museum looks like a designer UFO &lt;/SPAN&gt;
&lt;/A&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/7E9E8942-935E-46CE-A1F9-CC6BF292E7E6.jpg" alt="vilnius_front.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The Guggenheim Museum has established a tradition of building structures to house and display art that are themselves works of art. Following the lead of the &lt;A href="http://www.guggenheim.org/the_building.html" linkindex="104" set="yes"&gt;original Guggenheim in New York&lt;/A&gt; designed by Frank Lloyd Wright and the stunning &lt;A href="http://www.greatbuildings.com/buildings/Guggenheim_Bilbao.html" linkindex="105"&gt;Bilbao, Spain building by Frank Gehry&lt;/A&gt;, this latest design is no exception. Created by 2004 Pritzker prize-winning &lt;A href="http://www.zaha-hadid.com/" linkindex="106"&gt;architect Zaha Hadid&lt;/A&gt;, this gorgeous metallic aircraft-like structure with crazy-shaped windows will be the new Guggenheim Hermitage Museum in Vilnius, Lithuania. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;If that exterior isn’t mind-bending enough, the inside promises to be equally innovative. The architect says the interior is a “canyon-like air space,” with areas designed for people to congregate, with the structure allowing for “architecturally refined communication and circulation spaces.” This is what Hadid calls a “future architectural language,” and &lt;S&gt;his&lt;/S&gt; her words are speaking to us with profound fluency. &lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/6AD5D328-1749-4AB2-B2E2-D06C3FC5FAC7.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dvice.com/archives/2008/04/next_guggenheim.php?p=1&amp;cat=undefined" title="http://dvice.com/archives/2008/04/next_guggenheim.php?p=1&amp;cat=undefined"&gt;dvice.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/1ED1C808-B0FF-418E-9F14-876BDAA3936A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://dvice.com/archives/2008/04/next_guggenheim.php" title="http://dvice.com/archives/2008/04/next_guggenheim.php"&gt;dvice.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/2F6E1428-5F2F-4504-B1D2-70CD13A9B019.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/architecture/" rel="tag"&gt;architecture&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://dvice.com/archives/2008/04/next_guggenheim.php</clipSource><pubDate>Sun, 13 Apr 2008 15:48:29 GMT</pubDate></item><item><title>nine most terrifying words in the English language</title><link>http://clipmarks.com/clipmark/7787F234-9F51-42A0-B63E-DB44833AFBF4/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/swampfoxz/"&gt;swampfoxz&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Greener grass..... &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html" title="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html"&gt;aslowerpace.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H4 class="serendipity_title"&gt;&lt;A href="http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html"&gt;Greener grass.....&lt;/A&gt;&lt;/H4&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;It's important in life to reach out, to strive for greater achievements, to go for that greener grass that is on the other side of the fence.....&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
But one must also be careful……&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/F3BECC56-334F-4E7A-A84E-29B8B73F22A6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Sometimes you can reach too far!&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/1AD430BB-CAD7-4994-9785-21D53211FD88.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
But when you find yourself overextended and you’re stuck in a situation that you can’t get out of,  there is one thing that you should always remember.....&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV&gt;
Not everyone who shows up is there to help you.&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/swampfoxz/512/02B51C3D-6F9E-4A7E-BD9E-8E72153FF8D6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
It kind of reminds me of Ronald Reagan's quote --&lt;BR /&gt;&lt;DIV&gt;
&lt;I&gt;"The nine most terrifying words in the English language are, 'I'm from the government and I'm here to help.' "&lt;/I&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/greener+grass...../" rel="tag"&gt;greener grass.....&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://aslowerpace.com/serendipity/index.php?/archives/981-Greener-grass......html</clipSource><pubDate>Sat, 12 Apr 2008 20:52:06 GMT</pubDate></item><item><title>The Dread of Dying as Source of Woe: Irvin Yalom</title><link>http://clipmarks.com/clipmark/675081A8-7DDB-4DD2-B09D-B8E705687B0A/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Nice interview &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.salon.com/weekly/yalom960805.html" title="http://www.salon.com/weekly/yalom960805.html"&gt;www.salon.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;FONT size="+2" color="#fb7249"&gt;it&lt;/FONT&gt; is not just love that we look for in all the wrong places. If Irvin Yalom is right, it is life itself. By denying death, the psychoanalyst suggests, we misdirect our search for happiness. The true meaning of life, his work suggests, lies in engaging what we most fear.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"The primitive dread of death resides in the unconscious -- a &lt;I&gt;dread that is part of the fabric of being,&lt;/I&gt; that is formed early in life before the development of precise, conceptual formulation, a dread that is chilling, uncanny, and inchoate, a dread that exists prior to and outside of language and image." 
-- "Existential Psychotherapy"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;"A real confrontation with death usually causes one to question with real seriousness the goals and conduct of one's life up to then. So also with those who confront death through a fatal illness. How many people have lamented: '&lt;I&gt;What a pity I had to wait till now, when my body is riddled with cancer, to know how to live!&lt;/I&gt;'"
-- "Love's Executioner"&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/A2212CBF-C82F-45AC-848C-F6B26887A6AA.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/yalom/" rel="tag"&gt;yalom&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/fear+of+death/" rel="tag"&gt;fear of death&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/repression/" rel="tag"&gt;repression&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/denial/" rel="tag"&gt;denial&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.salon.com/weekly/yalom960805.html</clipSource><pubDate>Sat, 12 Apr 2008 17:07:33 GMT</pubDate></item><item><title>Blue</title><link>http://clipmarks.com/clipmark/2FDCE875-210C-491C-AE50-238201D21A88/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  &lt;a href="http://www.youtube.com/watch?v=_LhwlsaA-Vc" rel="nofollow" target="_blank"&gt;www.youtube.com/watch?v=_LhwlsaA-Vc&lt;/a&gt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dublinka.com/2007/02/derek-jarmans-blue.html" title="http://www.dublinka.com/2007/02/derek-jarmans-blue.html"&gt;www.dublinka.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/F533A851-B2DF-4848-8BD0-DD76A071DC36.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.lomography.com/loc/?city=Kent" title="http://www.lomography.com/loc/?city=Kent"&gt;www.lomography.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8A3E999A-7AD4-4BFB-9419-F2CD1C49D96A.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.sarudama.com/photosart/blue_giant.shtml" title="http://www.sarudama.com/photosart/blue_giant.shtml"&gt;www.sarudama.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4D7716A3-4253-4681-80E0-3D2D5618ED0C.gif" alt="blue giant" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.abm-enterprises.net/fractals/blueyes.html" title="http://www.abm-enterprises.net/fractals/blueyes.html"&gt;www.abm-enterprises.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/CC3FE920-C0DB-4ED2-BC2F-D8841F534007.jpg" alt="Fractal Art Wallpaper, Blue Yes" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.labellecuisine.com/Cajun%20Country/cajun_country_art.htm" title="http://www.labellecuisine.com/Cajun%20Country/cajun_country_art.htm"&gt;www.labellecuisine.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/6AE80510-8F32-4684-8D1D-FB77D6A7C1BE.jpg" alt="the other brother-george rodrigue.jpg (52294 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/243D7E25-90C2-4E17-B4FC-6512A7C38D23.jpg" alt="the_millennium-george rodrigue.jpg (65638 bytes)" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://catherinemarie.wordpress.com/2007/02/12/are-you-just-feeling-blue-or-are-you-suffering-from-depression/" title="http://catherinemarie.wordpress.com/2007/02/12/are-you-just-feeling-blue-or-are-you-suffering-from-depression/"&gt;catherinemarie.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1838D58E-3719-4827-85B7-7D08A87C3F31.jpg" alt="Sad Angel" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.thevarsity.ca/article/914" title="http://www.thevarsity.ca/article/914"&gt;www.thevarsity.ca&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV id="hoverNav"&gt;&lt;A id="prevLink" href="#"&gt;&lt;/A&gt;&lt;A id="nextLink" 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style="color:#FFFFFF;" href="http://www.saudiaramcoworld.com/issue/200604/muslim.roots.u.s.blues.htm" title="http://www.saudiaramcoworld.com/issue/200604/muslim.roots.u.s.blues.htm"&gt;www.saudiaramcoworld.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4AE2D3A9-DBFE-4284-BA22-8DC0ACB5C341.jpg" alt="In the Memphis city park that carries his name, a statue of W. C. Handy commemorates his introduction of the blues along the city’s famously musical Beale Street. " /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bluemurdergames.co.uk/whoshotsanta.html" title="http://www.bluemurdergames.co.uk/whoshotsanta.html"&gt;www.bluemurdergames.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1A6AAD90-C2F3-40F3-86FD-252429265528.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.techspot.com/gallery/showphoto.php/photo/443/limit/views" title="http://www.techspot.com/gallery/showphoto.php/photo/443/limit/views"&gt;www.techspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/773F22C7-4D46-4F30-814F-68215E22FC0C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://awesomephotos.wordpress.com/2007/10/03/clouds-at-night/" title="http://awesomephotos.wordpress.com/2007/10/03/clouds-at-night/"&gt;awesomephotos.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="entry-head"&gt;
		&lt;DIV title="2007-10-03T11:56:47+0000" class="published_sm"&gt;&lt;DIV class="day"&gt;03&lt;/DIV&gt;&lt;DIV class="month"&gt;Oct&lt;/DIV&gt;&lt;DIV class="year"&gt;07&lt;/DIV&gt;&lt;/DIV&gt;		&lt;H3 class="entry-title"&gt;&lt;A title="Permanent Link to "Clouds at night"" rel="bookmark" href="http://awesomephotos.wordpress.com/2007/10/03/clouds-at-night/"&gt;Clouds at night&lt;/A&gt;&lt;/H3&gt;
			&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/C12FCD81-DB44-492F-97AA-AFECFFEE1888.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&amp;searchid=5786&amp;tabview=image&amp;workid=17349" title="http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&amp;searchid=5786&amp;tabview=image&amp;workid=17349"&gt;www.tate.org.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/8625E33A-79EB-4254-9D08-6180711CCE08.jpg" alt="Paula Rego The Dance 1988" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://darkinthesun.stumbleupon.com/" title="http://darkinthesun.stumbleupon.com/"&gt;darkinthesun.stumbleupon.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4DB78637-2F96-4F5C-A572-7297C0F3CB1C.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://thor.info.uaic.ro/~busaco/paint/blue-life/AncientLamentation.jpg" title="http://thor.info.uaic.ro/~busaco/paint/blue-life/AncientLamentation.jpg"&gt;thor.info.uaic.ro&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/490E484D-5CEC-4926-94EC-63B997EADA5D.jpg" alt="http://thor.info.uaic.ro/~busaco/paint/blue-life/AncientLamentation.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.bmgst.com/" title="http://www.bmgst.com/"&gt;www.bmgst.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1A77FDA7-0FD8-4519-9DCE-72733E954B4D.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://redvelvetcreations.blogspot.com/2007/04/cheer-squad.html" title="http://redvelvetcreations.blogspot.com/2007/04/cheer-squad.html"&gt;redvelvetcreations.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4D4EF59C-9F15-4D04-86FB-AE1A2603B811.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.fotosearch.com/isp149/ispc049025/" title="http://www.fotosearch.com/isp149/ispc049025/"&gt;www.fotosearch.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/4CCF4DB9-B2B2-4BF8-8580-33BF224E9F53.jpg" alt="blue cigarette 
smoke in black 
background. fotosearch 
- search stock 
photos, pictures, 
images, and photo 
clipart" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.tulipgirl.com/mt/archives/001093.html" title="http://www.tulipgirl.com/mt/archives/001093.html"&gt;www.tulipgirl.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/5E844081-A3B5-4D0B-A185-0D4E0E32B710.jpg" alt="BlueMadonnaRingling.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.ablueplanet.org/" title="http://www.ablueplanet.org/"&gt;www.ablueplanet.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/DF4ED020-BC03-4162-8A42-C1D290F2C037.jpg" alt="A Blue Planet" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://adreampuppet.wordpress.com/2007/03/13/todays-contemplative-object/" title="http://adreampuppet.wordpress.com/2007/03/13/todays-contemplative-object/"&gt;adreampuppet.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/24464B45-7C38-4DE8-8708-5E6D3D72C164.jpg" alt="blue.jpg" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://healing.about.com/od/mandaladrawing/ig/Mandalas/Mandala-6.htm" title="http://healing.about.com/od/mandaladrawing/ig/Mandalas/Mandala-6.htm"&gt;healing.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/1D6C8F1F-7355-4887-845A-A7C2929CDCB6.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://press.princeton.edu/titles/7116.html" title="http://press.princeton.edu/titles/7116.html"&gt;press.princeton.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Blue has a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this entertaining history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs.&lt;/P&gt;&lt;P&gt;Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://press.princeton.edu/images/k7116.gif" title="http://press.princeton.edu/images/k7116.gif"&gt;press.princeton.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/15C9672E-4DE1-47DA-B213-651572D171FA.gif" alt="http://press.princeton.edu/images/k7116.gif" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://press.princeton.edu/titles/7116.html" title="http://press.princeton.edu/titles/7116.html"&gt;press.princeton.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;Blue:&lt;BR /&gt;The History of a Color&lt;BR /&gt;&lt;SPAN&gt;Michel Pastoureau&lt;/SPAN&gt;&lt;/H3&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;&lt;/P&gt;&lt;P&gt;Cloth | 2001 | &lt;B&gt;$39.95&lt;/B&gt; / £23.95&lt;BR /&gt;216 pp. | 8 7/8 x 9 3/8 | 100 color plates&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/blue/" rel="tag"&gt;blue&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dublinka.com/2007/02/derek-jarmans-blue.html</clipSource><pubDate>Fri, 04 Apr 2008 09:57:35 GMT</pubDate></item><item><title>Beware of Buffalo buffalo, buffalo, for they may buffalo you</title><link>http://clipmarks.com/clipmark/D708251D-1E50-4C5B-B9F5-94F41B347961/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Deepti/"&gt;Deepti&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.mentalfloss.com/blogs/archives/13120?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=2008-03-20&amp;utm_content=Letter-Link-1" title="http://www.mentalfloss.com/blogs/archives/13120?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=2008-03-20&amp;utm_content=Letter-Link-1"&gt;www.mentalfloss.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Believe it or not, this sentence is grammatically correct and has meaning:  “Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.”  First devised by professor William J. Rapaport in 1972, the sentence uses various meanings and parts of speech for the term “buffalo” (and its related proper noun “Buffalo”) to make an extremely hard-to-parse sentence&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Although most people know “buffalo” as both a singular and plural term for bison, and “Buffalo” as a city in New York, “buffalo” is also a verb meaning “to bully, confuse, deceive, or intimidate&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Still too hard to follow for those of us who don’t know “buffalo” as a verb&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;[Those] buffalo(es) from Buffalo [that are intimidated by] buffalo(es) from Buffalo intimidate buffalo(es) from Buffalo&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;once more&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Bison from Buffalo, New York who are intimidated by other bison in their community also happen to intimidate other bison in their community&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/language/" rel="tag"&gt;language&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/buffalo/" rel="tag"&gt;buffalo&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/english/" rel="tag"&gt;english&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/sentence/" rel="tag"&gt;sentence&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/strange/" rel="tag"&gt;strange&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.mentalfloss.com/blogs/archives/13120?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=2008-03-20&amp;utm_content=Letter-Link-1</clipSource><pubDate>Sun, 23 Mar 2008 05:04:21 GMT</pubDate></item><item><title>Chatter away with an AI agent!</title><link>http://clipmarks.com/clipmark/DCF77A60-335A-4E1F-ADA0-F6699434C2EE/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Sheroug/"&gt;Sheroug&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.jabberwacky.com/j2about" title="http://www.jabberwacky.com/j2about"&gt;www.jabberwacky.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Sheroug/512/0BFA9603-80CF-46A6-9F02-C4EB4442C61F.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN&gt;About the Jabberwacky AI&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;SPAN class=pl&gt;Jabberwacky is an &lt;B&gt;artificial intelligence&lt;/B&gt; - a chat robot, 
often known as a '&lt;B&gt;chatbot&lt;/B&gt;' or '&lt;B&gt;chatterbot&lt;/B&gt;'. It aims to simulate 
natural human chat in an interesting, entertaining and humorous manner. 
&lt;P&gt;Jabberwacky is different. &lt;B&gt;It learns&lt;/B&gt;. In some ways it models the way 
humans learn language, facts, context and rules.&lt;/P&gt;&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;The 'general AI' of Jabberwacky stores everything everyone has ever said, and 
finds the most appropriate thing to say using contextual pattern matching 
techniques. In speaking to you it uses just that learnt material, and borrows a 
little bit of your intelligence as it learns more. With no hard-coded rules, it 
relies entirely on the principles of feedback. This is very different to the 
majority of chatbots, which are rule-bound and finite. If you speak in a foreign 
language it will learn it, and respond appropriately if it has enough to go on. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/ai/" rel="tag"&gt;ai&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/chatterbot/" rel="tag"&gt;chatterbot&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.jabberwacky.com/j2about</clipSource><pubDate>Fri, 14 Mar 2008 19:02:39 GMT</pubDate></item><item><title>For The Love Of Words...</title><link>http://clipmarks.com/clipmark/6E6C9D5D-4074-474A-A20B-F6613670C83C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/carrerinyes/"&gt;carrerinyes&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516" title="http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516"&gt;www.writinghood.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1 class="articleTitle"&gt;For the Love of Words: Seven Wonderful Websites Where Words Matter&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2 class="articleSubtitle"&gt;Words are beautiful, and these seven wonderful word websites illustrate the reason why they are. &lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;For passionate writers around the world, choosing the right words to communicate are more than just clever wordplay, it's an obsession. Wordsmiths who routinely exercise their extraordinary &lt;A href="#" class="kLink"  id="KonaLink0"&gt;&lt;FONT color="#ad3a25"&gt;&lt;SPAN class="kLink"&gt;vocabulary&lt;/SPAN&gt;&lt;/FONT&gt;&lt;/A&gt; are continually positioned to learn new words, thus making them outstanding communicators.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.wordspy.com"&gt;Word Spy&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Devoted to lexpionage, “The sleuthing of new words and phrases”.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.rhymer.com"&gt;Write Express&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.confusingwords.com"&gt;Confusing Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;The English language is one of the most difficult languages to learn in the world and here at Confusing Words the reason why is apparent. Confusing Words is a collection of 3210 words that sound alike, but are spelled and used differently. A great website for both readers and writers to learn the difference and stop being a confused word victim.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.virtualsalt.com/vocablst.htm"&gt;Virtual Salt&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.100words.com/about.php"&gt;100 Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://www.101words.org"&gt;101 Words&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;&lt;A target="_blank" href="http://wordie.org"&gt;Wordie&lt;/A&gt;&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://www.writinghood.com/Online-Writing/For-the-Love-of-Words-Seven-Wonderful-Websites-Where-Words-Matter.85516</clipSource><pubDate>Fri, 07 Mar 2008 22:25:49 GMT</pubDate></item><item><title>The Writer's Voice</title><link>http://clipmarks.com/clipmark/E71017E5-A53E-4ADB-9537-5463463B0605/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/abailart/"&gt;abailart&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://charisconnection.blogspot.com/2007/09/ah-writers-voice.html" title="http://charisconnection.blogspot.com/2007/09/ah-writers-voice.html"&gt;charisconnection.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Even in a sentence or two, the reader apprehends not only what the author is thinking of, but also how he or she thinks—with hesitations and qualifications, sharply and straightforwardly, conversationally, contemplatively. Each author’s diction is characteristic, and so is his or her sense of rhythm and directness. His or her mental life, at least with regard to that particular subject, is more and more perfectly expressed by the style he or she uses. He is artful; he chooses; he manipulates; he decides; he judges every word and sound pattern and character detail and twist in the action, and yet every one of these things is automatic, given, natural, right. The mind writing is no longer made of parts—the conscious and the subconscious, the voluntary and the involuntary; it is rather one integrated whole, focused and choosing, from all the worlds in the language, the single perfect one. &lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;Jane Smiley’s 1&lt;SPAN&gt;3 Ways of looking at the Novel&lt;/SPAN&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://charisconnection.blogspot.com/2007/09/ah-writers-voice.html" title="http://charisconnection.blogspot.com/2007/09/ah-writers-voice.html"&gt;charisconnection.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/abailart/512/2FF7EF49-5463-4699-AACA-E19021072DF8.jpg" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/writing/" rel="tag"&gt;writing&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/voice/" rel="tag"&gt;voice&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://charisconnection.blogspot.com/2007/09/ah-writers-voice.html</clipSource><pubDate>Wed, 05 Mar 2008 09:26:32 GMT</pubDate></item><item><title>seven quotes</title><link>http://clipmarks.com/clipmark/D0743DB0-0780-4668-8984-7E2B54522AA8/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/rogerlinda76/"&gt;rogerlinda76&lt;/a&gt;&lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://garypresley.blogspot.com/2008/01/entitled.html" title="http://garypresley.blogspot.com/2008/01/entitled.html"&gt;garypresley.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;OL&gt;&lt;LI&gt;"All human actions have one or more of these &lt;SPAN&gt;seven&lt;/SPAN&gt; causes: chance, nature, compulsions, habit, reason, passion and desire," said Aristotle.&lt;/LI&gt;&lt;LI&gt;"Marriage is three parts love and &lt;SPAN&gt;seven&lt;/SPAN&gt; parts forgiveness of sins," said Lao Tzu.&lt;/LI&gt;&lt;LI&gt;"Fall &lt;SPAN&gt;seven&lt;/SPAN&gt; times and stand up eight," according to Japanese wisdom.&lt;/LI&gt;&lt;LI&gt;"We shall never understand one another until we reduce the language to &lt;SPAN&gt;seven &lt;/SPAN&gt;words," said Khalil Gibran.&lt;/LI&gt;&lt;LI&gt;"I can't write five words but that I change &lt;SPAN&gt;seven&lt;/SPAN&gt;," Dorothy Parker.&lt;/LI&gt;&lt;LI&gt;"You may poke a man's fire after you've known him for &lt;SPAN&gt;seven&lt;/SPAN&gt; years," an English proverb.&lt;/LI&gt;&lt;LI&gt;"Naturally we would prefer &lt;SPAN&gt;seven&lt;/SPAN&gt; epiphanies a day and an earth not so apparently devoid of angels," Jim Harrison.&lt;/LI&gt;&lt;/OL&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/quotes/" rel="tag"&gt;quotes&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://garypresley.blogspot.com/2008/01/entitled.html</clipSource><pubDate>Wed, 13 Feb 2008 13:18:28 GMT</pubDate></item><item><title>The Meaning of Flowers</title><link>http://clipmarks.com/clipmark/7E8C952C-7B7B-4107-A95E-7C5AB9E98FB7/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/tabsey/"&gt;tabsey&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  Getying complicated for the believers. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://gardening.about.com/b/2008/02/10/the-meaning-of-flowersbe-careful-what-you-say-3.htm" title="http://gardening.about.com/b/2008/02/10/the-meaning-of-flowersbe-careful-what-you-say-3.htm"&gt;gardening.about.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;DIV class="bltxt"&gt;&lt;A href="http://gardening.about.com/od/gardendesign/a/LanguageFlowers.htm"&gt;&lt;IMG hspace="5" border="0" align="right" src="http://z.about.com/d/gardening/1/0/W/7/FPO287B.jpg" /&gt;&lt;/A&gt;&lt;IMG hspace="5" align="right" cellpadding="5" src="" /&gt;Has Valentine's Day panic set in?  Before you rush out to order the typical dozen roses, give some thought to expressing yourself  more creatively with flowers.  &lt;A href="http://gardening.about.com/od/gardendesign/a/LanguageFlowers.htm"&gt;What can you say with flowers?&lt;/A&gt;  How about saying perfected loveliness with &lt;I&gt;Camellias&lt;/I&gt; or gratitude with white bellflowers (&lt;I&gt;Campanula carpatica&lt;/I&gt;).  Not the flower type at all?  Send a basket of  hazelnuts in hopes of a reconciliation. 
&lt;P&gt;If you can't decide, there are still always roses.  But first check out About Landscaping Guide David Beaulieu's  article on the &lt;A href="http://landscaping.about.com/cs/rosebushes/a/rose_colors.htm"&gt;meaning of rose colors&lt;/A&gt;.  When it comes to the language of flowers, you have to watch what you say.

&lt;/P&gt;&lt;P&gt;&lt;FONT size="-2"&gt;Photo: © Flower MD.  Used with Permission.&lt;/FONT&gt;&lt;/P&gt;&lt;/DIV&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/how/" rel="tag"&gt;how&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/do/" rel="tag"&gt;do&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/you/" rel="tag"&gt;you&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/express/" rel="tag"&gt;express&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/love/" rel="tag"&gt;love&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://gardening.about.com/b/2008/02/10/the-meaning-of-flowersbe-careful-what-you-say-3.htm</clipSource><pubDate>Mon, 11 Feb 2008 07:44:34 GMT</pubDate></item><item><title>Online Chat With Professor Seth Lerer</title><link>http://clipmarks.com/clipmark/6B4B97F7-43EA-4E07-9A6E-601CBF0B3978/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/carrerinyes/"&gt;carrerinyes&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  The full transcript is available at the source along with upcoming chat details. Anu Garg is the Author of the popular "A Word A Day" calender books. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://wordsmith.org/chat/history2.html" title="http://wordsmith.org/chat/history2.html"&gt;wordsmith.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H3&gt;A Chat With Seth Lerer&lt;/H3&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Today, we have as our guest Seth Lerer, a professor at Stanford University and the author of "Inventing English: A Portable History of the Language". He is joining us from California.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

&lt;B&gt;Anu Garg&lt;/B&gt;&lt;BR /&gt;
The topic of today's chat is The Journey of the English Language.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

&lt;B&gt;Tom Doyle - DC&lt;/B&gt;&lt;BR /&gt;
I very much enjoyed your Teaching Company lectures. Could you clarify something that you mentioned in them? You cited the Cornish accent that became “pirate talk” (due to the movie portrayal of Long John Silver) as an example of a form of English that had not completed the Great Vowel Shift. Some folks (without much authority) challenge this online -- have you or others written anything more detailed on this that I could point them to? And do you have anything further to say about it here?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

&lt;B&gt;Seth Lerer&lt;/B&gt;&lt;BR /&gt;
Tom: not Cornish, but East Anglia, late 17th century English.&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;

&lt;B&gt;Jim Bisso - Sonoma&lt;/B&gt;&lt;BR /&gt;
What do you think has been the biggest change in the English language in the last 100 years?&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;&lt;/div&gt;</description><clipSource>http://wordsmith.org/chat/history2.html</clipSource><pubDate>Mon, 11 Feb 2008 00:12:42 GMT</pubDate></item></channel></rss>