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<?xml-stylesheet href="/style/rss/rss_feed.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="/style/rss/rss_feed.css" type="text/css" media="screen" ?><rss version="2.0"><channel><title>Clipmarks | Aribeth's 'feminism' clips</title><link>http://clipmarks.com/clipper/Aribeth/tag/feminism/</link><feedUrl>http://rss.clipmarks.com/clipper/Aribeth/tag/feminism/</feedUrl><ttl>15</ttl><description>Clip, tag and save information that's important to you. Bookmarks save entire pages...Clipmarks save the specific content that matters to you!</description><language>en-us</language><item><title>"Mad, Bad and Sad"</title><link>http://clipmarks.com/clipmark/AEBF97EF-D01B-4083-9851-D17967E8F7FF/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If male doctors conspired to define madness, responding to behaviors that flouted the social conventions of their culture, female patients, in the attempt to understand themselves and their context, and maybe even to create or bolster identity, colluded with those same doctors to satisfy the changing definitions of madness. “Often enough,” Appignanesi notes, “extreme expressions of the culture’s malaise, symptoms and disorders mirrored the time’s order.”&lt;br/&gt;&lt;br/&gt;While “Mad, Bad and Sad” echoes and enlarges upon Elaine Showalter’s book “The Female Malady: Women, Madness, and English Culture, 1830-1980,” Showalter’s perspective is more exclusively feminist, arguing that psychiatry as practiced on women is a history of their subjugation and control by men. But as Appignanesi makes clear, women have had no little role in creating and fulfilling the definitions of their madness.&amp;lt;&amp;lt;&lt;br/&gt;&lt;br/&gt;"Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 to the Present" by Lisa Appignanesi. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#cccccc"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.nytimes.com/2008/04/27/books/review/Harrison-t.html?pagewanted=1&amp;_r=1" title="http://www.nytimes.com/2008/04/27/books/review/Harrison-t.html?pagewanted=1&amp;_r=1"&gt;www.nytimes.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;
&lt;NYT_HEADLINE _moz-userdefined="" type=" " version="1.0"&gt;
Diagnosis: Female
&lt;/NYT_HEADLINE&gt;
&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;One of the consistently fascinating and disturbing aspects of “Mad, Bad and Sad: Women and the Mind Doctors” is Lisa Appignanesi’s assiduous tracking of the modishness of what might be mistaken for a sui generis discipline.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;It seems that as soon as society relinquished witchcraft as the crime for which to punish an overtly liberated woman, it settled on madness as the reason to incarcerate her.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;“Patients could well find themselves the victims of a doctor’s prejudice about what kind of behavior constituted sanity: this could all too easily work against women who didn’t conform to the time’s norms of sexual behavior or living habits.”&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;That diagnoses conceived by male doctors would be subject to men’s changeable views of women — romantic, patronizing, idealistic, misogynistic: the choices are limited only by the imagination — comes as no surprise; it’s the meticulous and exhaustive account of these theories offered in “Mad, Bad and Sad” that is sobering.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/psychiatry/" rel="tag"&gt;psychiatry&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/feminism/" rel="tag"&gt;feminism&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/books/" rel="tag"&gt;books&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/review/" rel="tag"&gt;review&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.nytimes.com/2008/04/27/books/review/Harrison-t.html?pagewanted=1&amp;_r=1</clipSource><pubDate>Sat, 26 Apr 2008 12:04:54 GMT</pubDate></item><item><title>The story of Sartre and de Beauvoir as never told before</title><link>http://clipmarks.com/clipmark/80E8DB74-D66C-49EE-BDAD-CC4299B31122/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  If this couple expected their arrangement would spare them the trials and heartache of a conventional marriage, they were wrong.Their multiple affairs went on until World War II when Sartre was called up and their sex games had to be conducted through letters.Left behind in Paris, Simone continued to seduce both men and women, writing titillating descriptions of her activities to Sartre behind the Maginot Line, which reveal her heartlessness and the vulnerability of her conquests.Tragically, the lives of these girls, who were pathologically jealous of each other over their teacher's attentions, were permanently blighted.One took to self-harming, another committed suicide. Most remained pathetically unfulfilled and dependent on the childless Simone, who perversely referred to them as her 'family'. &lt;br/&gt;&lt;br/&gt;...&lt;br/&gt;&lt;br/&gt;Sartre had always said the best way to learn about a country was to sleep with its women. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:#e5e5e5"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=559137&amp;in_page_id=1879" title="http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=559137&amp;in_page_id=1879"&gt;www.dailymail.co.uk&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;
Their legendary love pact - they never married but swore mutual devotion to each other with the freedom to have affairs - was an attempt to overthrow the stifling hypocrisy that, for so long, had dictated most people's lives.
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/A8DB5C82-F0C7-4720-B50C-462164681DE7.jpg" alt="Sartre de Beauvoir" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;Yet a fascinating new book paints this supposedly high-minded duo as serial seducers bent on their own gratification and as a couple who used their apparently lofty philosophy as a springboard to excuse their multiple liaisons, often with under-age teenagers who were broken by the experience. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;And while Simone de Beauvoir preached her ideal of feminist independence and equality, eschewing such 'bourgeois' concepts as marriage and children, and claiming women should behave just like men, the truth is such a lifestyle made her bitterly unhappy and she became obsessively jealous over Sartre's countless conquests. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;P&gt;In this sordid relationship of supposed equals, he was always one step ahead of her  -  though it didn't start that way. 
&lt;/P&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/philosophy/" rel="tag"&gt;philosophy&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/feminism/" rel="tag"&gt;feminism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=559137&amp;in_page_id=1879</clipSource><pubDate>Sat, 12 Apr 2008 15:37:21 GMT</pubDate></item><item><title>Anaïs Nin</title><link>http://clipmarks.com/clipmark/D30D65E1-A606-4D9F-806E-E72DAECCBF3C/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/Aribeth/"&gt;Aribeth&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  From being a cult figure of the early feminist movement, Anais later rose to international prominence with her writing. She is best known for her diaries but also produced a number of novels and a prose poem in surrealistic style as well as wonderful erotic short stories, published posthumously. Characterized by the use of powerful and, at times, disquieting imagery, her work reveals great sensitivity and perception.&lt;br/&gt;&lt;br/&gt;In 1973 she received an honorary doctorate from Philadelphia College of Art. She was elected to the National Institute of Arts and Letters in 1974.&amp;lt;&amp;lt; &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.anais-nin.de/bio.html" title="http://www.anais-nin.de/bio.html"&gt;www.anais-nin.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt; Anaïs Nin (1903 - 1977)&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H2&gt;&lt;FONT color="#338060"&gt;&lt;I&gt;Biographical notes&lt;/I&gt;&lt;/FONT&gt;&lt;/H2&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/6CCBAF87-B806-4080-A5B8-22DF6610445B.jpg" alt="Anais Nin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;born in Neuilly&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;outside Paris&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;spent her childhood in various
parts of Europe until, when she was eleven, her father, Spanish composer Joaquin Nin,
abandoned his family&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;same year, her French-Danish mother,
Rosa Culmell, took Anais and her two sons to New York.&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;On the boat&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;began to write
her journals&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;In 1923 she married Hugo Guiler&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/E0DED2A9-F60E-447F-B6E1-9ABD426A9D44.jpg" alt="Anais Nin in the mid 1930s" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
The couple moved to Paris in 1924&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;supported various avant-garde artists, among them
Henry Miller with whom Anais started an affair and exchanged hundreds of letters&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;back to New York just before the outbreak of World War II&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;I&gt;
If what Proust says is true, that happiness is the absence of fever,
then I will never know happiness.&lt;BR /&gt;
For I am possessed by a fever for knowledge, experience, and creation.
                                            -Anais Nin
&lt;/I&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.anais-nin.de/henry.html" title="http://www.anais-nin.de/henry.html"&gt;www.anais-nin.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A _moz-rs-heading="" name="top"&gt;&lt;FONT color="#338060"&gt;&lt;I&gt; Anaïs Nin and Henry Miller&lt;/I&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/A60B0209-2404-4E4A-AEC3-AF8D290E9444.jpg" alt="Henry Miller" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;
Henry on March 4, 1932&lt;BR /&gt;
&lt;I&gt;Three minutes after you have gone. No, I can't restrain it. I tell you what you already know - I love you.&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.anais-nin.de/june.html" title="http://www.anais-nin.de/june.html"&gt;www.anais-nin.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;H1&gt;&lt;A _moz-rs-heading="" name="top"&gt;&lt;FONT color="#338060"&gt;&lt;I&gt; Anaïs Nin and June Mansfield&lt;/I&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/H1&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/3B6B87E4-174F-4DDE-B4B1-8264207F6952.jpg" alt="June Miller" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www.anais-nin.de/pics.html" title="http://www.anais-nin.de/pics.html"&gt;www.anais-nin.de&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;I&gt;Photographs of Anaïs Nin&lt;/I&gt;&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/97EFBDFC-51F4-4D8B-AEF7-3BE2BAB87866.jpg" alt="Anais Nin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;as a Spanish dancer&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://clipmarks.com/image_cache/Aribeth/512/7FB19811-58C6-4ED9-9A3F-C501D13A7EEB.jpg" alt="Anais Nin" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;1934&lt;/div&gt;&lt;/div&gt;&lt;hr size="2" color="#666666" /&gt;&lt;div style="padding: 10px;"&gt;&lt;img src="http://www.anais-nin.de/pic/greenline.gif" alt="" /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/biography/" rel="tag"&gt;biography&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/bio/" rel="tag"&gt;bio&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/feminism/" rel="tag"&gt;feminism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www.anais-nin.de/bio.html</clipSource><pubDate>Sat, 05 Apr 2008 19:51:22 GMT</pubDate></item><item><title>I fight like a girl</title><link>http://clipmarks.com/clipmark/89EB220D-1BC8-4F76-BECB-CC737730F9C3/</link><description>&lt;b&gt;clipped by:&lt;/b&gt; &lt;a href="http://clipmarks.com/clipper/isabel/"&gt;isabel&lt;/a&gt;&lt;br&gt;&lt;b&gt;clipper's remarks:&lt;/b&gt;  With a message like this, it's a shame the author is anonymous. &lt;br&gt;&lt;div border="2" style="margin-top: 10px; border:#000000 1px solid;" width="90%"&gt;&lt;div style="background-color:"&gt;&lt;div align="center" width="100%" style="padding:4px;margin-bottom:4px;background-color:#666666;overflow:hidden;"&gt;&lt;span style="color:#FFFFFF;font-weight:bold;"&gt;Clip Source: &lt;a style="color:#FFFFFF;" href="http://www-rohan.sdsu.edu/~gwick/fightgirl.html" title="http://www-rohan.sdsu.edu/~gwick/fightgirl.html"&gt;www-rohan.sdsu.edu&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="padding: 10px;"&gt;&lt;div style="text-align:left;"&gt;&lt;CENTER&gt;&lt;B&gt;&lt;I&gt;&lt;U&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;FONT size="+2"&gt;I Fight Like

A Girl&lt;/FONT&gt;&lt;/FONT&gt;&lt;/U&gt;&lt;/I&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;/B&gt; &lt;B&gt;&lt;/B&gt;

&lt;P&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who refuses to be

a victim.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who is tired of being&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;IGNORED and HUMORED and BEATEN and RAPED.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who's sick&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;of not being taken seriously.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who's been pushed

too far.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who OFFERS and&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;DEMANDS RESPECT.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who has a lifetime

of&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;ANGER and STRENGTH and PRIDE&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;pent up in her girly body.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who doesn't believe

in&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;FEAR and SUBMISSION.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who knows that&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;THIS BODY and THIS MIND are mine.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who knows that&lt;/FONT&gt;&lt;/B&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;/FONT&gt;&lt;/B&gt;

&lt;/P&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;YOU ONLY HAVE AS MUCH POWER&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;AS I GRANT YOU.&lt;/FONT&gt;&lt;/B&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;/FONT&gt;&lt;/B&gt;

&lt;/P&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who will never allow

you&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;to take more than I offer.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;I fight like a girl who FIGHTS BACK.&lt;/FONT&gt;&lt;/B&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;/FONT&gt;&lt;/B&gt;

&lt;/P&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;So next time you think you can distract&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;yourself&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;from your insecurities by victimizing

a girl,&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;THINK AGAIN.&lt;/FONT&gt;&lt;/B&gt;

&lt;BR /&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;She may be ME and&lt;/FONT&gt;&lt;/B&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;/FONT&gt;&lt;/B&gt;

&lt;/P&gt;&lt;P&gt;&lt;B&gt;&lt;FONT face="Comic Sans MS"&gt;&lt;FONT size="+3"&gt;I FIGHT LIKE A GIRL.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;&lt;/CENTER&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;div style="margin-bottom: 40px;"&gt;Tags: &lt;a href="http://clipmarks.com/tags/poem/" rel="tag"&gt;poem&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/empowerment/" rel="tag"&gt;empowerment&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/inspiration/" rel="tag"&gt;inspiration&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/motivation/" rel="tag"&gt;motivation&lt;/a&gt;, &lt;a href="http://clipmarks.com/tags/feminism/" rel="tag"&gt;feminism&lt;/a&gt;&lt;/div&gt;</description><clipSource>http://www-rohan.sdsu.edu/~gwick/fightgirl.html</clipSource><pubDate>Sat, 03 Nov 2007 00:07:02 GMT</pubDate></item></channel></rss>